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wouldn't it be good Nik Kershaw
[Bm]I got it bad
[Bm]You don't know how bad I got it
[Bm]You got it easy
Bm D A B*
You don't know when you got it good
[Bm]It's getting harder
[Bm]Just keeping life and soul together
[Bm]I'm sick of fighting
[C]Even though I kn[G]ow I should
[G]The cold is biting
Through [F#m]each and every n[C#m]erve and fibre
My br[C#m]oken spirit
Is fr[E/B]ozen to the c[Bm]ore
[D]Don't wanna be here no more
W[C]ouldn't it be g[Bb]ood to b[Bb/G]e in y[C]our shoes
[Fmaj7]Even if it w[Bb]as for j[Bb/G]ust one d[C]ay
And wo[Fmaj7]uldn't it be g[Bb]ood if w[Bb/G]e could w[C]ish ours[Am]elves aw[Dm]ay [Dm/A] [Dm]
W[C]ouldn't it be g[Bb]ood to b[Bb/G]e on y[C]our side
The gr[Fmaj7]ass is always gre[Bb]ener [Bb/G]over th[C]ere
W[Fmaj7]ouldn't it be g[Bb]ood if w[Bb/G]e could l[C]ive with[Am]out a c[Dm]are [Dm/A] [Dm]
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Verse two and the solo and so on is the same. Don't ask me how to
play the different bass notes in some chords - I've used the
piano mostly, and I just have noted how they play.
The Bb/G sounds rather good as a G chord on the piano, but not on the
guitar - experiment!
The Fmaj7 may sound better if played as an Am. There is an F in the bass
(which together with Am forms the chord Fmaj7) but when playing Fmaj7 on the
guitar it doesn't sound exactly right.
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