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Chan Chan Buena Vista Social Club
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[Dm] [F] [C7] [Gm] [A]
e[--1----1------3---3---0--] _ B[--3----1------5---3---2--] G[--2----2------3---3---2--] |---> B,G and D plucked give the best sound. D[--0----3------5---5---2--] _/ A[-------3------3---5---0--] E[-------------------------]
I’ve tabbed out a couple of the fills used throughout the song. Applied on the
basic pattern, you get this (quite accurate) version:
Dm F C7Gm A Dm etc...
e[--1-------------1-----------------------1---] B[--3--3----1-------1---1-5-3--2----------3---] G[--2-------2---------2---3-3--2--2-0-----2---] D[--0-0-----3---3---------5-5--2------3-2-0---] A[------------3-------------------------------] E[--------------------------------------------]
_________/ _______/
“up fill” “down fill”
Vary by using the high e string a bit more, skipping a few notes in the fill or
plucking a chord a few times instead. Which could look like this:
Dm F C7Gm A Dm etc...
e[--1-------1-----1----------------------1----] B[--3-------1---------1---5-3--2-2--2-2--3----] G[--2-------2-------------3-3--2-2--2-2--2----] D[------0--------3--------5-5--2-2--2-2-------] A[------------3-------------------0-----------] E[--------------------------------------------]
You get the point :) Now besides at the top of the neck there are some other
places you can play around with the basic pattern. The e and B strings around the
10th fret are very suitable:
[Dm] [F] [C7] [A]
e[------10-10-10/12-10-8~~-(8)--10-8-----------------12-10-----------] B[-(10)-10-10-10-------10~-(10)-----(10)-11--11--11-------(11)-10~~--] G[--------------------------------------(10)(10)(10)-----------------] D[-------------------------------------------------------------------]
To get back up the neck use this: (the same as the “down fill”)
[Dm] [F] [C7] [Gm] [A]
e[-------------------0-------] B[-10-8-6-5-3~--1~-----3-----] G[-----------------------2---] D[---------------------------]
You can do the same on the G and D strings around the 7th fret.
Start with G[-7-7-7/9-] and you’ll work the rest out easily...
D[-7-7-7---]
Get back up the neck with D[--7-5-3-2-0~----2-0----]
A[-------------3~-----3--]
After a while a trumpet enters to complete the Cuban atmosphere.
You can keep doing the basic pattern, but here’s a small part of the trumpet solo
to get you going on that one too.
e[--5~-------5~------6~-----------] B[-----6-5-3----6-5-3---6-5-3-----] G[----------------------------3~--] D[--------------------------------]
And then the most difficult part: the solo. Kevin Futhey tabbed this one out
already and I think it’s very accurate.
e[-10--10~--8-10--8~---10-8---------------------------------8~-] B[-10--10~--------10~-------11---------10~----------10-11-12---] G[-----------------------------9-10-12------9-10-12------------] D[-------------------------------------------------------------] e[----------------------10-10-10-10-10/12-10-8--8~--10-8--------8------] B[-6p5---8-8--[Outline-]10-10-10-10----------10-10~------11-8-11-11-10-] G[-----7------[---A----]-----------------------------------------------] D[------------[-Chord--]-----------------------------------------------] e[--------------6-7-8/10-86----------------------------] B[--------6-8/10-------------10-8-6----8----------------] G[-7-7-7-9-------------------------9-7--10-9-7----------] D[---------------------------------------------10-8-7~--]
Now back to the Dm / F / C7 / Gm / A scheme, and end on Dm.
That’s it!
Mail any comments to driesgevaert@pandora.be.
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