
| PAUSE |
| D | G | |
| Take the ribbon from your | hair - Shake it loose and let it | fall |
| A | D | |
| Lyin' soft against your | skin - Like a shadow - on the | wallPAUSE |
| D | G | |
| Come and lay down by my | side - Till the early morn-in' | light |
| A | D | |
| All I'm takin' is your | time - Help me make it through the | nightCHORUS |
| D | G | D | |
| I don't care what's right or | wrong - And I won't try to under | stand |
| E7 | A | |
| Let the devil take to | morrow - Cause tonight I need a | friend PAUSE |
| D | G | |
| Yesterday is dead and | gone - And tomorrow's out of | sight |
| A | D | |
| And it's sad to be a | lone - Help me make it through the | nightLEADCHORUSLEADCHORUS |
| G | A | |
| I don't | want to be a | lonePAUSE |
| D | |
| Help me make it through the | night |

| A | E | Gm | D | A | E | D | A | A | |
| You're the lucky one so I've been told |
| E | |
| As free as a wind blowing down the road |
| G (high G walks down) |
| Loved by many, hated by none |
| D | |
| I'd say you were lucky 'cause you know what you've done |
| A | |
| Not a care in the world not a worry in sight |
| E | |
| Everything's gonna be alright |
| D | A | |
| 'C | ause you're the lucky one |
| A | |
| You're the lucky one always having fun |
| E | |
| A jack of all trades, a master of none |
| G | |
| You look at the world with a smilin' eye |
| D | |
| And laugh at the devil as his train rolls by |
| A | |
| Give you a song and a one-night stand |
| E | |
| And you'll be looking at a happy man |
| D | A | |
| 'C | ause you're the lucky one |
| Bm7 | |
| Were you're blessed? I guess |
| E | |
| By never knowing which road you're choosing |
| Bm7 | |
| To you the next best thing |
| E | Fm6 | Gm | |
| To | pla | ying and winning is playing and losing |
| A | |
| You're the lucky one I know that now |
| E | |
| Don't ask you why when where or how |
| G | |
| You look at the world through your smiling eye |
| D | |
| And laugh at the devil as his train rolls by |
| A | |
| Give you a song and a one-night stand |
| E | |
| And you'll be looking at a happy man |
| D | A | |
| 'C | ause you're the lucky one |
| Instrumental Break: |
| A | E | A | D | A | E | D | A | Bm7 | |
| Were you're blessed? I guess |
| E | |
| By never knowing which road you're choosing |
| Bm7 | |
| To you the next best thing |
| E | Fm6 | Gm | |
| To | pla | ying and winning is playing and losing |
| A | |
| You're the lucky one I know that now |
| E | |
| Don't ask you why when where or how |
| G | |
| No matter where you're at that's where you'll be |
| D | |
| You can bet your luck won't follow me |
| A | |
| Give you a song and a one-night stand |
| E | |
| And you'll be looking at a happy man |
| D | A | |
| 'C | ause you're the lucky one |
| A | E | Gm | D | A | E | D | A |

##song. You may only use this file for private study, scholarship, or research. ###From: 'Mark and Allison Albert'##from the soundtrack O BROTHER WHERE ART THOU (2000)#
D Some bright morning when this life is o'er
G D I will fly away
D To a home on God's celestial shore
A D I w ill fly away
D I will fly away oh glory
G D I will fly away
D When I die Hallelujah by and by
D A D I will fly a way
D When the shadows of this life have gone
G D I will fly away
D Like a bird from these prison walls I'll fly
D A D I will fly away
D I will fly away oh glory
G D I will fly away
D When I die Hallelujah by and by
D A D I will fly a way
D Oh how glad and happy when we meet
G D I will fly away
D No more cold iron shackles on my feet
D A D I will fly away
D I will fly away oh glory
G D I will fly away
D When I die Hallelujah by and by
D A D I will fly a way
D Just a few more weary days and then
G D I will fly away
D To a land where joys will never end
D A D I will fly away
D I will fly away oh glory
G D I will fly away
D When I die Hallelujah by and by
D A D I will fly a way
I WILL FLY AWAY CHORD CHART
|D |D |G |D |D |D |D A |D |

##song. You may only use this file for private study, scholarship, or research. ##
| Subject: Attn: Greg Vaughn-----'When You Say Nothing At All '-final corrections |
| D | A | G | A | D | A | G | A | |
| #From: 'Trissi Henson' |
-------------------------------------------------------3---------------------------------------------------------------------------3------------------------------[etc..... ---0^2------0--------------------0---------------------2------------0---------------------------------------0--------------------2---------------0------------ ----------0---------------------------2---------------------0------------2-----------------0---------------------2-------------------0---------------2--------- --------------------2---------------------2---------------------0------------2-----------------2---------------------2------------------0---------------2------ ------------------------3---------------------2----------------------------------2^3--------------3---------------------2----------------------------------2^3-- ----------------------------0---------------------------------------------------------------------------0-----------------------------------------------------------
| (This also uses the cappo on the first fret.) |
| Words: |
| It's amazing how you can speak right to my heart |
| Without saying a word, you can light up the dark |
| Try as I may, I could never explain |
| What I hear when you don't say a thing |
| CHORUS |
| The smile on your face lets me know that you need me |
| There's a truth in your eyes saying you'll never leave me |
| The touch of your hand says you'll catch me, if ever I fall |
| You say it best when you say nothing at all |
| All day long I can hear people talking out loud |
| But when you hold me near, you drown out the crowd |
| Old Mr. Webster could never define |
| What's being said between your heart and mine |
| CHORUS, Twice |
| At the end of the song, Union Station doesn't play the A chord after the G again, just keeps playing the G for two measures. |
| Beautiful song! I had the privilege of hearing this song in concert. Alison, if you're reading this, would you play at my wedding? |

ARTIST: Bad Company SONG: Shooting Star CRDs and part of the riff by Randy Reed other part of the riff by Kirk ? typing by Steve Vetter
Intro: (sometimes I skip the hammer-on/pull-off part)
-9-h10p9------------3--2--0--2--------------- -10-10-10-----------3--3--3--3--------------- -9---9-9----2h3p2---2--2--2--2--------------- ------------2h4p2---0--0--0--0--------------- --------------------------------------------- ---------------------------------------------
Alternate between the two. I left my guitar at home so here's an approximation of chord locations. |A|E|D|A| |A|E|G|A|
A E D A Johnny was a school boy when he .... A E G A Love Me Do, I think it was and from .... Got himself a guitar, used to ... Now he's in a rock & roll outfit... A E Don't you ....

| A | Amaj7 | |
| Something in the way she | moves |
| A7 | D | |
| Attracts me like no other | lover |
| B7 | E | |
| Something in the way she | woos me |
| F#m | F#m(+maj7 | |
| I don't want to leave her | now |
| F#m7 | B | D | G | Ab | A | |
| You | know I believe and | how |
| A | Amaj7 | |
| Somewhere in her smile she | knows |
| A7 | D | |
| That I don't need no other | lover |
| B | E | |
| Something in her style that | shows me |
| F#m | F#m(+maj7 | |
| I don't want to leave her | now |
| F#m7 | B | D | G | Ab | F# | |
| You | know I believe and | how |
| F# | F#maj7 | F#7 | |
| You're asking | me will my love | grow |
| B | E | F# | |
| I don't | know, | I don't | know |
| F# | F#maj7 | F#7 | |
| You stick a | round now it may | show |
| B | E | A | |
| I don't | know, | I don't | know |
| LEAD |
| A | Amaj7 | |
| Something in the way she | knows |
| A7 | D | |
| And all I have to do is | think of her |
| B | E | |
| Something in the things she | shows me |
| F#m | F#m(+maj7 | |
| I | don't want to leave her | now |
| F#m7 | B | D | G | Ab | A | |
| You | know I believe and | how |
| From: Harlan L Thompson |
| SOMETHING- The Beatles |
| F | Fmaj7 | |
| Som | ething in the way she m | oves |
| F7 | Bb | |
| A | ttracts me like no other l | over |
| G | G7 | C | |
| Som | ething in the | way she wo | os me |
| Dm | D#m7 | |
| I d | on't want to leave her | now |
| Dm7 | G7 | Bb | G# | C7 | |
| You k | now I believe and h | ow |
| Somewhere in her smile she knows |
| That I don't need no other lover |
| Something in her style that shows me |
| I don't want to leave her now |
| You know I believe and how |
| D | Dmaj7 | Bm | |
| Yo | u're asking me | will my love g | row |
| G | C | D | |
| I don't kn | ow, I | don't kn | ow |
| D | Dmaj7 | Bm | |
| Yo | u stick aro | und now it may sh | ow |
| G | C | F | |
| I don't kn | ow, I | don't kn | ow |
| Something in the way she knows |
| And all I have to do is think of her |
| Something in the things she shows me |
| I don't want to leave her now |
| You know I believe and how |
| Fmaj7: x x 3 2 1 0 Dmaj7: x x 0 2 2 2 |
| Dm7: x x 0 2 1 1 D#m7: x x 1 3 2 2 |
| G#: 4 6 6 5 4 4 |
| (from Abbey Road, 1969) |
| (sent by Harlan at harlant@hawaii.edu) |

| C | G | |
| B | oy, you're gonna to c | arry that weight |
| C | |
| carry that weight a l | ong time. |
| G | |
| Boy, you're gonna to ca | rry that weight |
| C | |
| carry that weight a lo | ng time. |
| Am7 | Dm7(add9 | Dm | G | Csus4 | C | Fmaj7 | Dm | E7 | Am | Dm7(add9 | Dm | |
| I never give you my | pil | low |
| Csus4 | C | |
| I only send you my | invit | ations |
| Dm | E7 | |
| And in the middle of the | cele | brations |
| Am | |
| I b | reak down |
| C | G | |
| B | oy, you're gonna to c | arry that weight |
| C | |
| carry that weight a lo | ng time. |
| G | |
| Boy, you're gonna to c | arry that weight |
| C | |
| carry that weight a lo | ng time. |
| C | G/B | A | Dm(add9 | |
| -0- |
| -3- | -2- | |
| -0- |
--- ---
| transcribed by Chris Sears |
| cts@mail.utexas.edu |

[E+] [A] [E] [F e --o-- --o-- --o-- --2-- --2-- --2-- --o-- --o-- --1-- --2-- --4-- B --1-- --2-- --o-- --2-- --3-- --3-- --o-- --2-- --1-- --o-- --3-- G --1-- --2-- --1-- --2-- --2-- --2-- --1-- --o-- --2-- --2-- --3-- D --2-- --2-- --2-- --4-- --o-- --2-- --o-- --2-- --1-- --1-- --3-- A --x-- --0-- --2-- --x-- --x-- --2-- --2-- --o-- --x-- --2-- --x-- E --x-- --x-- --o-- --x-- --x-- --x-- --o-- --x-- --x-- --x-- --x--
| Verse: |
| E+ | A | E | |
| Oh___ | darling please be | lieve me |
| FBe-Bm7 | E7 | |
| lieve me when I tell | you |
| Bm7 | E7 | A | |
| I'll never | do you no | harm |
| Interlude: |
A-D-A-E
| E | A | E | |
| Oh___ | darling if you | leave me |
| FBm7 | E7 | |
| Believe me when I beg | you |
| Bm7 | A | |
| Don't ever leave me a | lone |
| Interlude: |
A-D-A-A7
| Chorus: |
| A7 | D | F7 | |
| When you | told me you didn't | need me anymore |
| A | |
| Well you know I nearly broke down and cried |
| B7 | |
| When you | told me you didn't need me anymore |
| E7 | F7(5 | E7 | E+ | |
| Well you | know I nearly | fell down and | died_ | __ |
| E+ | A | E | |
| Oh | darling if you | leave me |
| FBeBm7 | E7 | |
| lieve me when I tell | you |
| Bm7 | E7 | A | |
| I'll never | do you no | harm |
| Interlude: |
A-D-A-A7
| (Spoken) Belive me, darling |
| (repeat chorus) |
| E+ | A | E | |
| Oh | darling please be | lieve me |
| [F(spoken) oh believe me darling |
| Bm7 | E7 | |
| Believe me when I tell | you |
| Bm7 | E7 | A | |
| I'll never | do you no | harm |
| End: |
A-D-A-Bb7-A7
| Notes: For the interludes, listen to the CD and you will easily get the |
| rhythm and hear how to play it. The end is exactly the same, except |
| you add the Bb7-A7 'goodbye' bit. Just hit these chords once. Again, |
| listen to the CD and you can't miss it. |
| If you are having troubles with the chords (as some new guitar players |
| surely will) you can simplify them by using barre chords (since they |
| are all standard form). It will not sound nearly as good, but that's |
| just a suggestion. Don't let chords like Bm7 or F aren't. |
| This is a great song, and it's pretty easy and fun to play. Singing |
| it is a whole new ballgame though |
| comments, or suggestions (possibly corrections) to negcreep@juno.com |

##song. You may only use this file for private study, scholarship, or research. ###From: Andrew Rogers## (Barry Gibb / Robin Gibb)#Intro:# (pipe organ and harp): [D] [A] [Am] Verse:
Am Ooh, you're a holiday
F Am Such a holi day
Am Ooh, you're a holiday
F Am Such a holi day
Chorus 1:
C G It's s omething I think's worthwh ile
Am Em If the p uppet makes you s mile
F C If n ot, then you're throwing st ones
G G7 C Throwing st ones, t hrowing st ones
Verse 2:
Ooh, it's a funny game
Don't believe that it's all the same
Can't think what I've just said
Put a soft pillow on my head
Chorus 2:
(3: Yet) Millions of eyes can see
Yet why am I so blind
When the someone else is me
It's unkind, it's unkind
[repeat verse w/wordless vocal (dee-dee-dee-dee) and snare drum]
(repeat chorus 2)
Verse 3:
Ooh, you're a holiday, every day
Such a holiday
Now it's my turn to say
And I say you're a holiday
(repeat chorus 1)
(repeat verse w/wordless vocal and snare drum; end cold on second F)
-- another ace 60's tab from Andrew Rogers

##song. You may only use this file for private study, scholarship, or research. ##Date: 24 May 1995 20:46:38 -0500# 'Ride Captain Ride' by Blues Image
| standard tuning (EBGDAE) |
| 'hey is that freedom rock? well turn it UP dude!' |
| (no solos included, just my adaptation of organ/guitar chords |
| played in song) |
| verse chord progression |
| Dsus2 | D | Dsus2 | D | E | E7 | E | F | F# |
---0--2--2--2-----0--2--2--2-----0--0--0--0--0-----0--1--2-- ---3--3--3--3-----3--3--3--3-----0--0--0--3--3-----0--1--2-- ---2--2--2--2-----2--2--2--2-----1--1--1--1--1-----1--2--3-- ---0--0--0--0-----0--0--0--0-----2--2--2--2--2-----2--3--4-- ---------------------------------2--2--2--2--2-----2--3--4-- ---------------------------------0--0--0--0--0-----0--1--2--
| G7 | G6 | G6 | Dsus2 | D | Dsus2 | D |
--3--3--3--3--3--3--3--3--3--3--3-----0--2--2-----0--2--2-- --3--3--3--3--3--6--3--5--3--5--3-----3--3--3-----3--3--3-- --4--4--4--4--4--4--4--4--4--4--4-----2--2--2-----2--2--2-- --3--3--3--3--3--3--3--3--3--3--3-----0--0--0-----0--0--0-- --5--5--5--5--5--5--5--5--5--5--5-------------------------- --3--3--3--3--3--3--3--3--3--3--3--------------------------
| end of verse chords pre-solo riff |
| D5 | Dsus4 | D | A |
---5--3--2-- -----------------0--
---3--3--3-- -----------------2--
---2--2--2-- -----------------2--
---0--0--0-- -----------------2--
------------ -----------------0--
------------ --2--3--4--4--5-----
| .....how it all goes together.... |
(intro: D-C-D-C)
------------verse-------------
| (play verse chord progression as shown above while singing; |
| I've included chord names but look at tab for voicings) |
| Dsus2 | D | Dsus2 | D | |
| seventy | three men | sailed | up |
| E | E7 | E | |
| from the | san francis | co bay |
| G7 | |
| rolled off of their ship |
| G6 | Dsus2 | D | Dsus2 | |
| and h | eres what they | had to | say |
| Dsus2 | D | Dsus2 | D | |
| we're | calling | everyone to ri | de alon | g |
| E | E7 | E | |
| to anot | her shore |
| G7 | G6 | |
| we can laugh our lives | away |
| Dsus2 | D | |
| and be | free on | ce more |
| Dsus2 | D | Dsus2 | D | |
| no one | heard them | calling |
| E | E7 | |
| no one came a | t all |
| G7 | |
| cause they were too busy watching |
| G6 Dsus2 D D5 Dsus4 D ('end of verse' |
| those old raindrops fall chords) |
| Dsus2 | D | Dsus2 | |
| as a st | orm was | blowin |
| E | E7 | E | |
| out on a peac | eful sea |
| G7 | G6 | Dsus2 | D | |
| seventy three men sailing | on to | histor | y |
-----------(chorus)------------
| D | A | |
| ride captain ride upon your | mystery ship |
| A | B | C | D | |
| be | am | azed at the friends you're having | on your trip |
| D | A | |
| ride captain ride upon your | mystery ship |
| A | B | C | D | |
| on y | our | way to a world that others | might have missed |
(next, play pre-solo riff 1x, and then play D-Bb-D-Bb-A chords
| during 1st solo...) |
| (...now go back and sing/play 1st eight lines of verse (up to |
| and including 'and be free once more' line...)) |
| (..finally, sing/play chorus again 2x, and then just play |
| chorus chords as 2nd solo fades out) |
| .....questions, comments and corrections to jeffnmoe@mcs.com |

| E|--18—--18-16-15--16---16-18-16—-15b16r15-13------11-13-15-16------ |
| B|------------------------------------------------------------------ |
| G|------------------------------------------------------------------ |
| D|------------------------------------------------------------------ |
| A|------------------------------------------------------------------ |
| E|------------------------------------------------------------------ |
#
| E|--18—--18-16-15--16---16-18-16—-15b16r15-13-----11---------------- |
| B|---------------------------------------------13----13---11-13-11-- |
| G|------------------------------------------------------------------ |
| D|------------------------------------------------------------------ |
| A|------------------------------------------------------------------ |
| E|------------------------------------------------------------------ |
| D | C | G | Em | |
| #Verse: | I remember standing on the corner at | midnight, |
| D | C | G | Em | |
| Tryin' to get my | courage up |
| D | C | G | Em | |
| There was this | long, lovely dancer in a little | club downtown |
| D | C | G | Em | |
| I loved to watch her | do her stuf | f |
| Bm | Bsus2 | Bm | Bsus2 | F#m | |
| Through the | long, lonely | nights, she | filled my | sleep, |
| G | Em | G/A | |
| Her body softly | swayin' to that | smoky beat |
| Chorus (w/riff): |
| D | C | G | Em | |
| Down on | Mainstreet |
| Down on Mainstreet |
| In the pool halls, the hustlers and the losers, |
| I used to watch 'em through the glass |
| Well I'd stand outside at closing time |
| Just to watch her walk on past |
| Unlike all the other ladies, she looked so young and sweet |
| As she made her way alone down that empty street |
| Down on Mainstreet |
| Down on Mainstreet |
| Solo (over chords) |
| And sometimes even now, when I'm feelin' lonely and beat, |
| I drift back in time, and I find my feet |
| Down on Mainstreet, down on Mainstreet |
| Down on Mainstreet, down on Mainstreet |
| Down on Mainstreet, down on Mainstreet |
| The main riff is changed slightly during each chorus (it gets |
| simpler each time) and there is a piano accompaniment throughout. |
| Sorry I don't have the solo yet; this is my first tab. |
| Check out http://www.geocities.com/bob_seger_chords/ |
| for other Bob Seger tabs |

##song. You may only use this file for private study, scholarship, or research. ##Article: 939 of alt.guitar.tab#From: macon@gallifry.Berkeley.EDU (Glen Macon)#Subject: music : old time rock and roll#Message-ID: <33196@cbmvax.commodore.com>#Sender: news@cbmvax.commodore.com#Organization: COMMODORE West Cester PA###
| E | |
| Just take those old records | off the shelf |
| A | |
| I sit and listen to them | by my self |
| B | |
| Todays music ain't g | ot the same soul |
| E | |
| I like that old time r | ock and roll |
| E | |
| Don't try to take me to a d | isco |
| A | |
| You can't even get me | out on the floor |
| B | |
| In ten minutes I'll be l | ate for the door |
| E | |
| Still like that old time r | ock and roll |
| (CHORUS) |
| E | |
| Don't want to listen to a ta | ngo |
| A | |
| Just give me blues and some f | unky old soul |
| B | |
| Theres only one sure way to g | et me to go |
| E | |
| Just give me old time r | ock and roll |
| E | |
| Call me a relic call me w | hat you will |
| A | |
| Say I'm old fassion say I'm o | ver the hill |
| B | |
| Todays music don't h | ave the same soul |
| E | |
| Just give me old time r | ock and roll |
| CHORUS: |
| E | |
| Just give me old time r | ock and roll |
| A | |
| That kind of music really so | oths my soul |
| B | |
| I reminis about the d | ays of old |
| E | |
| Just give me old time ro | ck and roll |
| _ _ _ _ _ _ _ _ |
| ___ _ _ Glen Macon |
| _ __ __ any-net: macon@cbmvax.commodore.com |
| _ _ __ _ Standard disclaimer... |
| _ ___ _ _ _ Commodore doesn't endorse what I say, I do |
| _ _ _ _ Who wants to know... |
| _ _ _ _ |
| ___ _ _ |
| _ _ _ _ _ _ _ _ _ _ |
| All those moments will be lost in time, like tears in the rain. |

##song. You may only use this file for private study, scholarship, or research. ## by
| Bob Seger & The Silver Bullet Band |
| (notated by Jeff A. Estefan jae@explorer.jpl.nasa.gov) |
| Words & Music by Bob Seger |
| INTRO: C Em G / |
| C | Em | G | |
| VERSE 1: |
| C | Em | |
| You | always won, ev'ry time you placed a be | t. |
| C | Em | |
| You're | still damn good; no one's gotten to you ye | t. |
| F | G | C | |
| Ev'ry time, | they were sure they had you caug | ht, |
| Em | Am | |
| you were quicker than they thought | . |
| Dm | G | |
| Y | ou'd just turn your back and | walk. |
| VERSE 2: |
| C | Em | |
| You | always said, the cards would never do you wron | g. |
| C | Em | |
| The | trick you said, was never play the game too lon | g. |
| F | G | C | |
| A | gambler's share; the | only risk that you would tak | e, |
| Em | Am | |
| the | only loss you could forsake | , |
| Dm | G | |
| the | only bluff you couldn't | fake. |
| CHORUS: |
| C | |
| And you're still the same | . |
| E | A | |
| I ca | ught up with you yesterday | . |
| Dm | G | |
| Movin' game to gam | e; no one standin' in your | way. |
| C | E | A | |
| Turnin' on the char | m - | long enough to get you by | . |
| Dm | G | |
| You're still the same | . You still aim | high. |
| VERSE 3: |
| C | |
| Instrumental ... |
| C | |
| Instrumental ... |
| F | G | C | |
| There you stood; | ev'ry body watched play | . |
| E | Am | |
| I just turned and walked away | . |
| m | G | |
| I | had nothing left to | say. |
| OUT-CHORUS (repeat & fade): |
| C | |
| And you're still the same | . |
| C | |
| And you're still the same | . |
| C | |
| Movin' game to game | . |
| C | |
| Some things never change | . |
| C | |
| And you're still the same | . |
| CHORD FORMATIONS: |
| C x32010 |
| Em 022000 |
| G 3x0003 |
| F | 133211 | |
| E | 022100 |
| Am x02210 |
| Dm xx0231 |
| A x02220 |

| C | |
| Seems like yesterday, |
| Em | |
| but it was long ago. |
| F | C | |
| Janey was lovely; she was the | queen of my nights, |
| F | Am | G | |
| There in the darkness with the | radio playing | low. And the |
| C | |
| Secrets that we shared |
| Em | |
| the mountains that we moved, |
| F | C | |
| Caught like wildfire | out of control - Till there was |
| F | G | |
| nothin left to burn and nothin left to | prove. And I re- |
| Am | F | C | |
| member | what she said to | me. . . How she |
| Am | F | C | |
| swore that it | never would | end. I re- |
| Am | G | F | |
| member how she | held me, | oh so tight. |
| F | G | |
| Wish I didn't know now what I | didn't know then. |
| C | Em | F | C | |
| Against the | wind. | We were runnin against the | wind. We were |
| Am | Em | F | G | C | |
| young and | strong; we were | runnin a- | gainst the | wind. |
| The years rolled slowly past. |
| And I found myself alone. |
| Surrounded by strangers I thought were my friends. |
| I found myself further and further from my home. And I |
| Guess I lost my way. |
| There were oh, so many roads. |
| I was livin' to run, and runnin' to live, |
| Never worryin' about payin', or even how much I owed. |
| Runnin' 8 miles a minute for months at a time. |
| Breakin' all of the rules that would bend. |
| I found myself just searchin'... |
| Searchin' for shelter again and again. |
| Against the wind. A little somethin' against the wind. |
| I found myself seeking shelter against the wind.Solo for 1st 2 stanzas of verse |
| Well those drifter's days have passed me now. I've got |
| so much more to think about. |
| Deadlines and commitments. |
| What to leave in, What to leave out. |
| Against the wind. I'm still runnin' against the wind. |
| I'm older now but still runnin' against the wind.ENDING |
| Am | Em | F | G | F | |
| Well I'm | older | now but still | runnin' a- | gainst the | wind. |
| C | F | |
| Against the | wind. Against the | wind... (repeat & fade) |

##song. You may only use this file for private study, scholarship, or research. ##Subject: Re: REQ: One Toke Over the Line by Brewer and Shipley#The story I've heard about this recording (I think in a recorded#Grateful Dead backing up Brewer and Shipley on this recording. It## One Toke Over The Line -- Brewer and Shipley#| C | C | F | C | C C/B | Am D9 | F G | C | [C]One toke over the line, sweet Jesus, [F]one toke over the [C]line
| C/B | Am | D9 | F | G | C | |
| Sittin' down | town in a | railway | station, | one toke | over the | line |
| C | |
| Waitin' for the train that goes home, sweet Mary |
| F | C | |
| Hoping that the train is on | time |
| C/B | Am | D9 | F | G | C | |
| Sittin' down | town in a | railway | station, | one toke | over the | line |
| C | F | C | |
| Who do you lov | e, I hope it's m | e |
| D9 | F | G(7 | |
| I've been | changing, | as you can plainly | see |
| F | C | |
| I felt the joy and I learned about the pai | n, and my mama sai | d |
| Am | D9 | F | |
| If I should | choose to make it | part of m | e |
| G(7 | |
| Would surely strike me dead, and now I'm ... (chorus) |
| C | F | C | |
| I sail awa | y, a country mil | e |
| D9 | F | G(7 | |
| And now I'm re | turning, | and showing off my | smile |
| C | F | C | |
| I | met all the girls and I loved myself a fe | w, and to my surpri | se |
| Am | D9 | F | |
| Like every | thing else that | I've been th | rough |
| G(7 | |
| They opened up my eyes, and now I'm ... (chorus) |
| | C | C | F | C | C C/B | Am D9 | F G | C | |
| __________________________________________________________________________ |
| Dan Dickinson San Jose CA USA dwd@hpsyvae1.syntex.com |

| LINDA PALOMA |
| Intro: (G) D7 C G (pause) |
| D7 | C | G | |
| At the m | oment the music began, and you heard the guita | r player starting s | ing |
| D7 | C | G | |
| You were | filled with the beauty that ran, through what y | ou were imagin | ing |
| C | Em | D7 | |
| D | reaming of scenes from those s | ongs of love, I was the endless s | ky |
| C | G | |
| And you were my M | exican | dove. |
| D7 | C | G | |
| Now the | music that played in your ears, grows a little bit f | ainter each d | ay |
| D7 | C | G | |
| And you | find yourself looking through tears, at the love you feel | slipping a | way |
| C | Em | |
| Th | ough it's not the kind, of love you might hope to | find |
| D7 | C | G | |
| If tears could release the | heart, from the shadows p | referred by the m | ind |
| Interlude: (G) D7 C G x 2 |
| D7 | C | G | |
| Like a | wind that comes up in the night, caressing your f | ace while you sl | eep |
| D7 | C | G | |
| Love will | fill your eyes with the sight, of a world you can't h | ope to ke | ep |
| C | Em | D7 | |
| D | reaming on after that m | oment's gone, the light in your lover's e | yes |
| C | G | C | |
| Disappears in the l | ight of the d | awn, but the morning b | rings, strength to your |
| Em | Bm | Em | |
| restless w | ings, and some other lover s | ings to the sun's bright c | orona, |
| (pause) D7 C G (G) D7 C G |
| I know all about these things, Linda Paloma. |
| D7... G G Em D7 G |
| Fly away...Linda Paloma. |
| I dedicate this posting to *SUSAN* who has inspired me with her 'Bright Baby Blues'... |
| Navid |


| G | C | D7sus4 | D7 | G9 | Em |
E --3-----0-----3-------------2----1----0------------------- B --0-----1-----1-------------1----0----0------------------- G --0-----0-----2-------------2----3----0------------------- D --0-----2-----0-------------0----0----2------------------- A --x-----3--------------------------x----2---------------- E --3---------------------------------3----0--------------
| Intro: |
E -------3--2--------------3--2-------- B --------------0-----------------0----- G ----0-----------0-----0-----------0-- D ----------------------------------------- A ----------------------------------------- E --3-----------------3------------------- E -------3--2----------0----------------- B --------------0-------1----------------- G ----0-----------0----0----------------- D -----------------------2----------------- A -----------------------3----------------- E --3-------------------------------------- E -------3--2--3--2--0----------------- B -------------------------3--3------3--- G ----0---------------------------0------- D ------------------------------------------ A ------------------------------------------ E --3----------------------3--3----------- E --------3--2--3--2--0-------------0--- B ---------------------------3--3------1--- G -----0-------------------------------0--- D --------------------------------------2--- A --------------------------------------3--- E --3------------------------3--3-----------
| First Verse: |
| G | |
| In the ti | me we've known, |
| C | |
| That we each are a part of one another |
| D7sus4 | G | |
| We've lost as much as | we have won |
| C | G | |
| And as our lives | have grown, |
| We have found that it only brings us pain |
| C | D7sus4 | Em | |
| To ha | ng on to the things | that we have done |
| D7sus4 | G | |
| Still I've loved the times you've come |
| repeat intro |
| 2nd Verse |
| When you went away |
| Taking all that I built my false road on |
| I dropped my life and couldn't find the pieces |
| Now you come and go, |
| And it's hard but I feel my strength returning |
| We'll see how far this new road reaches |
| We'll see a little more each time we come |
| Bridge: |
| C | D7 | D7sus4 | G | |
| Everybody's gonna tell you | it's not wort | h it |
| G9 | C | D7 | D7sus4 | Em | |
| Everybody's gotta show | you their ow | n pain |
| C | D7sus4 | D7 | G | G9 | |
| You might try to find | your way | up around it |
| C | G | D7sus4 | |
| But the need for love will still remain |
| Last Verse |
| Now we're lying here, |
| So safe in the ruins of our pleasure |
| Laughter marks the place where we have fallen |
| And our lives are near |
| So it wouldn't occur to us to wonder |
| Is this the past or the future that is calling |
| You know I've loved these times you've come |
| repeat intro |

| Em | Bm | |
| there was only you a | nd me, |
| Em | A | |
| we were young an | d wild and free |
| D | Bm | A | |
| now, n | othing can take you away from me |
| Em | Bm | |
| we've been down that | road before |
| Em | A | |
| but thats over now, | you keep me coming back for more |
| G | A | Bm | |
| baby, you're all tha | t i want |
| D | G | |
| when you're lying here | in my arms |
| G | A | Bm | A | |
| i'm finding it hard t | o believe we'r | e in heaven |
| G | A | Bm | |
| and love is all that | i need |
| D | G | |
| and i found | it here in your heart |
| G | A | Bm | A | |
| it isn't too hard t | o see we're in | heaven |
| D | Bm | A | |
| oh, o | nce in your life you find someon | e |
| Em | Bm | |
| who will turn y | our world around |
| Em | A | |
| bring you up whe | n you're feeling down |
| D | Bm | A | |
| yeah, n | othing can could change what you mean to me |
| Em | Bm | |
| oh theres lots | i could say |
| Em | A | |
| but just hold m | e now, cos our love will light the | way |
| G | A | Bm | |
| baby you're all th | at i want |
| D | G | |
| when you're lying here | in my arms |
| G | A | Bm | A | |
| i'm finding it hard | to believe we' | re in heaven |
| G | A | Bm | |
| and love is all th | at i need |
| D | G | |
| and i foun | d it here in your heart |
| G | A | Bm | A | |
| it isn't too hard | to see we're | in heaven |
| Em | G | |
| i've been waiting for so long |
| D | Bm | |
| for something to arrive |
| Em | A | |
| for love to come along |
| Em | G | |
| now our dreams are coming true |
| D | Bm | |
| thru the good | times and the bad |
| A | |
| yeah, ill be standing there for you. |
| ANY COMMENTS.... csmyth1974@yahoo.co.uk |

##song. You may only use this file for private study, scholarship, or research. ####(I'm not sure if this is the right key, but the chords sound right)#Verse 1
| D | A | G | A | |
| Look into my eyes, | you will see | what you mean to | me |
| D | A | G | |
| Search your | heart, search your | soul and when you | find me there, |
| G | D | A | |
| you'll | search no | more |
| A | Em | D/F# | Em/G | |
| Don't | tell me it's not worth | trying | for |
| /F# | Em | D/F# | Em/G | |
| Y | ou can't | tell me it's not worth | dying | for |
| D | A | Dsus2 | |
| You know it's true | , everything I | do, I do it for | you |
| Verse2 |
| A | G | |
| Look into your heart, | you will find, there's | nothing there to hide |
| A | D | A | G | D | A | |
| Take me as I | am, take my | life, I would | give it all, I would | sacri | fice |
| A | Em | D | Em | |
| Don't | tell me it's not worth | fighting | for |
| D/E | Em | D | Em | |
| I can't | help it, there's nothing | I want | more |
| Em | D | A | D | |
| You know it's true | , everything I | do, I do it for | you |
| Bridge |
| D | C | F | C | G | |
| There's | no love like | your love, and no | other could give | more love |
| D | A | E | A | |
| There's | no where unless | you're there, all the | time, all the | way |
| Solo |
| G | D | Dsus | D | G | D | Dsus | D | |
| Last Chorus: |
| D | Em | A | |
| Oh you can't | tell me it's not worth trying | for |
| Em | A | |
| I can't | help it there's nothing I want | more |
| G | D | A | G | |
| Yeah I would | fight for you, I'd | lie for you, walk the | wire for you |
| Gm | |
| Yeah I'd | die for you |
| D | Asus | A | G | G6 | D | |
| You know it's | true, everything I | do, | oh, | I do it for | you |
| Everything I Do , I Do It For You |
| By |
| Bryan Adams |
| From : Yira@dorsai.dorsai.org |
| Date : 7/8/95 |
| Intro |Db |Dsu4 |Gb |Ab7| |
| Db | Dbsus4 | Gb | Ab | |
| L | ook into my eyes | , you will see, w | hat you mean to | me. |
| Db | Dbsus4 | |
| Se | arch your heart | , search your soul , |
| Gb | Db | Ab | |
| And when you f | ind me there , you will f | ind no m | ore. |
| Ebm7 | Ab | |
| Don't t | ell me , it's not worth trying f | or. |
| Ebm7 | Ab | |
| You can't | tell me , it's not worth dying f | or. |
| Db | Dbsus4 | Db | |
| You know it's t | rue, Everything I | do , I do it for | you. |
| Db | Dbsus4 | |
| L | ook into your eyes | , you will find , |
| Gb | Ab | |
| There's n | othing there to h | ide. |
| Db | Dbsus4 | |
| T | ake me as I am | , take my life |
| B | E | |
| There's n | o love , like yo | ur love. |
| B | F# | |
| And no | other could give m | ore love. |
| Db | Ab | |
| There's n | owhere on this ____ | ?_______ |
| Eb | Ab | |
| All the t | ime , all the w | ay. |
| Solo: |
| Ebm7 | Ab | |
| Don't t | ell me it's worth trying f | or. |
| Ebm7 | Ab | |
| I can't h | elp it , it's nothing I want m | ore. |
| Db | Ab | Gb | |
| Yeah I'd f | ight for you , I'd l | ie for you , walk the w | ild for you , |
| Gb | |
| Yeah I'd die for y | ou_________. |
| Db | Dbsus4 | Gb | Db | |
| You know it's tr | ue , Everything I | do , | I'll do it for y | ou. |

| G | G7 | C | Cm | |
| Despe | rado, | why don't you | come to your sen | ses ? |
| G | A7 | D7 | |
| You been | out ridin' fences for | so long now |
| G | G7 | C | Cm | |
| Oh, you're a | hard one, | I know that | you got your rea | sons, |
| G | B7 | Em7 | A7 | D7 | G | |
| These | things that | are plea | sin' you can | hurt you | some | how |
| D | Em | Bm | |
| Don't you | draw the queen of | diamonds boy, |
| C | G | |
| She'll | beat you if she's | able, |
| Em7 | C | G | D | |
| You know the | queen of hearts is | always your best | bet |
| Em | Bm | C | G | |
| Now it | seems to me some | fine things have been | laid upon your | table |
| Em | A7 | Am7 | |
| But you | only want the | ones you can't | get |
| D | D7 | G | G7 | C | Cm | |
| Des | per | ado, | oh you ain't | gettin' no youn | ger, |
| G | Em7 | A7 | D7 | |
| Your | pain and your hun | ger, they're | drivin' you | home |
| G | G7 | C | Cm | |
| And | freedom, | well, that's just | some people tal | kin' |
| G | Em7 | A7 | D7 | G | |
| Your | prison is wal | kin' through this | world all | alo | ne |
| D | Em | Bm | |
| Don't your | feet get cold in the | winter time ? |
| C | G | |
| The | sky won't snow and | the sun won't shine |
| Em7 | C | G | D | |
| It's | hard to tell the | night time from the | day |
| Em | Bm | |
| You're | losin' all your | highs and lows |
| C | G | Am7 | |
| Ain't it | funny how the | feelin' goes a | way |
| D | D7 | G | G7 | C | Cm | |
| Des | pe | rado, | why don't you | come to your sen | ses |
| G | D | Em | A7 | D7 | |
| Come | down from | your fen | ces, | open the | gate |
| G | G7 | C | Cm | |
| It may be | rainin', | but there's a | rainbow above you |
| G | B7 | Em | C | G | Am7 | |
| You better | let some | body | love you, |
| G | B7 | Em | Am7 | D7 | G | |
| You better | let some | body | love you be | fore it's | too | late |
| -------------------------------------------------------------- |
| Marcus D. Paterson | 'And everything was Aquamarine' |
| 'The Unbeliever' | |
| -------------------------------------------------------------- |
| Visual Edge Software Ltd. -> 3870 Cote Vertu, St. Laurent, |
| Quebec, Canada H4R 1V4 Tel: (514)-332-6430 |
| mark@vedge.com or mark%vedge.uucp@iros1.iro.umontreal.ca |
| -------------------------------------------------------------- |
| 1 2 0 2 |
| C 0 3 2 0 1 0 |
| Cm x x 5 4 3 3 |
| D x 0 0 2 3 2 |

| G | |
| It's another tequila sunrise |
| D | Am | D7 | G | |
| Starin' slowly 'cross the | sky | , said good | bye |
| G | |
| He was just a hired hand |
| D | Am | D7 | G | |
| Workin on the dreams he planned to | try | , the days go | by |
| Em | C | |
| Every night when the | sun goes down |
| Em | C | Em | |
| Just another | lonely boy in | town |
| Am | D7 | |
| And | she's out runnin' | round |
| G | |
| She wasn't just another woman |
| D | Am | D7 | G | |
| And I couldn't keep from comin' | on | , it's been so | long |
| G | |
| Oh and it's a hollow feelin' |
| D | Am | D7 | G | |
| When it comes down to dealin' | friends | , it never | ends |
| Am | D | |
| Take another | shot of courage |
| Bm | E | Am | B | Em7 | A | |
| Wonder why the | right words never | come | , you just get | numb |
| G | |
| It's another tequila sunrise |
| D | Am | D7 | G | |
| This old world still looks the | same | , another | frame |

| Em | B7 | Em | B7 | Em | |
| When you're | down and | troubled and you | need some | lovin' | care |
| Am | D | G | |
| And | nothing, | nothing is going | right |
| F#m | B7 | Em | B7 | Em | |
| Close your eyes and | think of me and | soon I | will be | there |
| Am | D | Am | |
| To | brighten up | even your darkest | nights |
| G | C | |
| You just | call out my name, and you | know, wherever I am, |
| G | Am | D7 | |
| I come | running to see you | again |
| G | G7 | C | Am | |
| Winter spring summer or | fall | all you got to do is | call |
| C | Am | |
| And I'll | be there, yes I | will |
| A | G | |
| You've got a | friend |
| Em | B7 | Em | B7 | Em | |
| If the | sky a | bove you grows | dark and | full of | clouds, |
| Am | D | G | |
| and | that old north | wind begins to | blow |
| F#m | B7 | Em | B7 | Em | |
| Keep your head | togheter, and | call my | name out | loud |
| Am | D | Am | |
| Soon you'll hear me | knocking at your | doorchorus |
| F | C | |
| Now ain't it good to know that | you've got a friend |
| G | G7 | |
| When | people can be so | cold |
| C | Fm | Em | Am7 | |
| The'll | hurt you, yes and | desert you and | take your soul if you | let them |
| A7 | D | |
| But | don't you let | themchorus |
| A | G | D | Em | |
| You've got a | friend. | You've got a | friend |

##song. You may only use this file for private study, scholarship, or research. ##Article: 796 of alt.guitar.tab#From: macon@gallifry.Berkeley.EDU (Glen Macon)#Subject: music : up on the roof#Date: 16 Jul 92 18:21:40 GMT#Reply-To: macon@cbmvax.commodore.com (Glen Macon)#Organization: COMMODORE West Cester PA#Keywords: carol king###
| G | Em | |
| When this old world starts | getting me down |
| C | D | G | |
| And | people are just too | much for me to | face |
| Em | |
| I'll climb way up to the | top of the stairs |
| C | D | G | |
| And | all my cares just | drift right into | space |
| C | |
| On the roof it's peaceful as can be |
| G | Em | C | |
| And | there the world be | low don't bother | me |
| G | Em | |
| So | when I come home feelin' | tired and beat |
| C | D | G | |
| I'll | go up where the | air is fresh and | sweet |
| Em | |
| I'll get away from the | hustling crowd |
| C | D | G | |
| And | all that rat-race | noise down in the | street |
| C | |
| On the roof that's the only place I know |
| G | Em | C | |
| Where | you just have to | wish to make it | so |
| (Lets go up on the roof) |
| Lead |
| C | |
| At night the stars put on a show for free |
| G | Em | C | |
| And | darling you can | share it all with | me |
| I keep on telling you that |
| G | Em | |
| Right smack dab in the | middle of town |
| C | D | G | |
| I've | found a para | dise that's trouble | proof |
| G | Em | |
| And if | this old world starts | getting you down |
| C | D | G | |
| There's | room enough for | two up on the | roof |
| C | |
| Up on the | roof |
| G | |
| Up on the | roof |
| C | |
| Up on the | roof |
| _ _ _ _ _ _ _ _ |
| ___ _ _ Glen Macon |
| _ __ __ any-net: macon@cbmvax.commodore.com |
| _ _ __ _ Standard disclaimer... |
| _ ___ _ _ _ Commodore doesn't endorse what I say, I do |
| _ _ _ _ Who wants to know... |
| _ _ _ _ |
| ___ _ _ |
| _ _ _ _ _ _ _ _ _ _ |
| All those moments will be lost in time, like tears in the rain. |


Received: from nevada.edu (animal-farm.nevada.edu) by redrock.nevada.edu (5.65c/M1.4) with SMTP id; Mon, 9 Nov 1992 20:22:31 -0800 Received: from netcomsv.netcom.com by animal-farm.nevada.edu. id aa04741; 9 Nov 92 20:11 PST Received: from gatecom.UUCP by netcomsv.netcom.com with UUCP (4.1/SMI-4.1) id AA19406; Mon, 9 Nov 92 20:08:12 PST Received: by gatecom.UUCP (1.64/waf) via UUCP; Mon, 09 Nov 92 14:47:13 EST for jamesb@nevada.edu To: jamesb@nevada.edu Subject: Green River Tablature/CCR
Message-Id:
Green River -- As recorded by Credence Clearwater Revival Found in Oct '91 'Guitar for the Practicing Musician' N.C. E
e:------------------------|---------------------------|----------------- B:------/3--3--3--3-------|--/3--3--3--3--------------|----------------- G:------/4--4--4--4-------|--/4--4--4--4--4/2---0-----|----------------- D:--------------------2---|--------------------------0H2--2-----0-----2- A:-2----------------------|---------------------------|-----0H2--------- E:-0-----0-----0------0---|---0-----0-------0---------|-----------3B---- 1/4 E E E Rhy. Fig. 1 e:------------------------|---------------------------|- B:------------------------|-----/3--3--3--3-----------|- G:------------------------|-----/4--4--4--4-----------|- D:-----2-------0-----2----|---------------------------|- A:--------0H2-------------|--2------------------------|- E:--0------------3B-------|--0------------------------|- 1/4 Well, E E E (End Rhy Fig. 1) e:------------------------|---------------------------|------------------ B:--/3--3--3--3-----------|---------------------------|------------------ G:--/4--4--4--4--4/2--0--0H1--------------------------|------------------ D:-----------------------0H2---2--------0-------2-----|-----2-----0----2- A:------------------------|-------0H2-----------------|-------0H2-------- E:------------------------|----------------3B---------|--0----------3B--- 1/4 1/4
(W/ Rhy Fig. 1: 2 1/2 times) E take me back down where cool water flows ya'll e:--------------------------------------------0------------------ B:--------------------------------------------0------------------ G:----------------------------------------2B--------------------- D:--------------------------------------------------------------- A:--------------------------------------------------------------- E:--------------------------------------------------------------- 1/2
e:-----------------|---------------------------------------------- B:-----/3-3-3--3---|--/3--3--3--3--------------------------------- G:-----/4-4-4--4---|--/4--4--4--4--2--0--------------------------- D:----2------------|---------------------------------------------- A:-----------------|---------------------------------------------- E:-----------------|----------------------------------------------
Ah, let me remember things I love, now. e:---------------------------------------0----------------------- B:--------------------------------------------------------------- G:------------------------------------2B------------------------- D:--------------------------------------------------------------- A:--------------------------------------------------------------- E:--------------------------------------------------------------- 1/2
e:-----------------|---------------------------------------------- B:--/3--3--3--3----|--/3--3--3--3--------------------------------- G:--/4--4--4--4----|--/4--4--4--4---2---0------------------------- D:-----------------|---------------------------------------------- A:-----------------|---------------------------------------------- E:-----------------|----------------------------------------------
Stoppin' at the log where cat fish bite. e:--------------------------------------------------------------- B:-----------------------------------------3--0------------------ G:-----------------------------------------1-------0------------- D:-----------------------------------------2--------------------- A:--------------------------------------------------------------- E:---------------------------------------------------------------
C (Rhy. Fig. 2) Walkin' along the river road at night, e:-------0----------X------------0------------------------------- B:-------1----------X--1---------1----1-------------------------- G:-------0----0--------0---------0----0-------------------------- D:------------2-----------------------2-------------------------- A:--3---------3-----------------------3-------------------------- E:---------------------------------------------------------------
A barefoot girl dancin' in the moonlight e:--------------------------------------------------------------- B:-------2------2----2----2-------------------------------------- G:-------2--2---2----2----2-------------------------------------- D:--------------------------------------------------------------- A:--0-------------------------0--0--1--2------------------------- E:---------------------------------------------------------------
E (End Rhy. Fig. 2)
e:----------0---------------------------0------------------------ B:-------3--3--3--3-------3--3--3--3----0------------------------ G:-------1-----1--1-------1--1--1--1----------------------------- D:---------------------------2----------------------------------- A:--------------------------------------------------------------- E:--0------------------------------------------------------------
2nd Verse: w/ Rhy. Fig. 1 (2 1/2 times) E I can hear the bull-frog callin' me, how!
E Wondrin' if my rope's still hangin to the tree.
E Love to kick my feet way down to shallow water, ah
C (w/ Rhy. Fig. 2) A shoe-fly, dragonfly get back to mother. Pick up a flat rock
A E skip it 'cross Green a-River.
(I'm not going to post the solo at this time, but it comes in here.)
3rd Verse: w/ Rhy. Fig. 2 (2 1/2 times)
E Up to Cody's camp I spent my days -- ya'll
E with flat-car riders an' crosstie walkers
E C Old Cody Junior took me over, said, 'You're gonna find the world
C A E is smolderin', and if you get a-lost, come on home to Green a-River.'
Here's a neat mini-fill/solo part that you'll recognize:
e:--------------0------------------- B:--3/5~~~~~------3----------------- G:-------------------4--2----------- D:-------------------------5B---2--- A:---------------------------------- E:---------------------------------- 1/2
Any additions, corrections, flames, comments, or interpretations can be mailed to cgc@tiamat.umd.umich.edu or crowe@umdsun2.umd.umich.edu
'Whatever you can do or dream you can do, begin it. Boldness has genius, power, and magic in it.' -- Goethe

##song. You may only use this file for private study, scholarship, or research. ##Newsgroups: rec.music.makers.guitar.tablature#Date: 18 Dec 92 17:26:21 GMT#Hi everybody,#Here are the chords and lyrics to another CSNY supersong. I hope you### - Crosby, Stills, Nash and Young
| ----------------------------------------------------------------------- |
| D | Gsus4 | D | A | |
| It's | get-ting to the | point, where I'm no | fun any- | more |
| G (G->C back to G) |
| I am sor-ry. |
| D | Gsus4 | D | A | |
| Somet | imes it | hurts so bad-ly I m | ust cry out | loud, |
| G (G->C back to G) |
| I am lone-ly. |
| D | A | G | |
| I am | yours, you are | mine, you are | what you are, |
| D | G |
You make it ha-a-a-ard.
| Remember what we've said, and done, and felt about each other; |
| Oh babe, have mercy. |
| Don't let the past re-mind us of what we are not now; |
| I am not drea-ming |
| I am yours.....hard. |
| G | D | A |
Tear-ing your-self ____ away from me now, you are free-ee
| G | |
| and I am | cry-ing. |
| G | D | A |
This does not me-ean, I don't love you; I do. That's for-ev-er;
| G | |
| yes, and for | al-ways.. |
| I am yours.....hard. |
| (....same tune as verses 1 and 2....) |
Some-thing in-side is telling me that I--'ve got your secret;
| Are you still lis-t'ning? |
| Fear is the lock and laugh-ter the key to your heart; |
| and I love you - |
| I am yours you.....hard, and you make it ha-a-rd. |
| (Bass -> A B D B->A D...repeat on A and D strings) |
| D | G | G7sus4 |
Fri-day evening____Sun-day in the af-ter-noon;
| D | |
| what have you got to l | ose? |
| D | G | |
| Tuesday morning____please, be gone, I'm | tired of you... |
| D | |
| what have you got to | lose? |
| Can I tell it like it is?____Listen to me ba-by. |
| C | G |
It's my hea--rt that's a-suf-f'rin'; it's a dy-in'
| D | |
| and that's what I__ have to | lose. |
| (....same as Friday evening....) |
| I___'ve got an an-swer; I'm going to fly a-way; |
| what have I got to lose? |
Will you come see__ me, Thurs-days and Sat-ur-days (ays, ays),
| what have you got to lose? |
(Bass: A->B A A->B A A->B A A->B A -- on A string)
| C/D | D | C/D | D |
Chest-brown ca-na-ry,___ru-by throa-ted spar-row,
| C/D | D | |
| sing a song,___ don't be long,__thrill me to the | mar-row. |
Voi-ces of the an-gels,___ ring a-round the moon-light;
| Ask-ng me, said she's so free, how can you catch the spar-row. |
La-cy lil-ting ly-ric,___los-ing love la-ment-ing;
| Change my life,___make it right,____be my la-dy. |
| G | Am | Em | C | D | |
| Du du du du | du, | du du | du du | du du, |
| G | Am | Em | C | D | |
| Du du du du | du, | du du | ___ | du du; |
| (Repeat...interspersed with some junk that goes like 'Dabadee,da durebedooba') |
---------------------
| Gsus4 | G7sus4 | E | A | D | G | B | E | E | A | D | G | B | E | |
| 3 | x | 0 | 0 | 1 | 3 | 3 | x | 0 | 0 | 1 | 1 |
| C may sound better than Gsus4... |
| Have fun! |
| Rajesh |
| From: Harlan L Thompson |
| SUITE: JUDY BLUE EYES- Crosby, Stills and Nash |
| TUNING: E E E E B E (D D D D A D also works) |
| INTRO: (strum the whole thing, check record for the timing) |
| E E(no5) E(no3) E(no5)E(no3) |
E -7-7-7-7-7-7-7-7-7-6-5--4--0-4--0-0-0-0-0---4-0-0-0-0-0------ B -9-9-9-9-9-9-9-9-9-8-7--5--0-5--0-2p0-2p0---5-0-2p0-2p0------ E -0-0-0-0-0-0-0-0-0-0-0--0--0-0--0-0-0-0-0---0-0-0-0-0-0-0-0-- (repeat) E -0-0-0-0-0-0-0-0-0-0-0--0--0-0--0-0-0-0-0---0-0-0-0-0-0-0-0-- E ------------------------------------------------------------- E -------------------------------------------------------------
| PART 1: |
| E(no5) Asus2 E(no3) B(no3)* Asus2 A7sus4 |
| It's getting to the point, where I'm no fun anymore, I am sorry |
| E(no3) Asus2 E(no3) B(no3)* Asus2 A7sus4 |
| Sometimes it hurts so badly I must cry out loud, I am lonely |
| E(no3) B(no3) Asus2 A7sus4 E(no3) Asus2 |
| I am yours, you are mine, you are what you are, you make it hard |
| E(no5) Asus2 E(no3) B(no3)* |
| Asus2 | A7sus4 | |
| Rememb | er what we've said, and done, and felt about each other, oh babe, |
| have mercy |
| E(no3) Asus2 E(no3) B(no3)* Asus2 A7sus4 |
| Don't let the past remind us of what we are not now, I am not dreaming |
| E(no3) B(no3) Asus2 A7sus4 REPEAT INTRO |
| I am yours, you are mine, you are what you are, you make it hard |
| E(no5) Asus2 E(no3) B(no3) Asus2 |
| Tearing yourself away from me now, you are free and I am crying |
| E(no3) Asus2 E(no3) B(no3) |
| Asus2 | A7sus4 | |
| This d | oes not mean I don't love you, I do, that's forever, yes and for always |
| E(no3) B(no3) Asus2 A7sus4 E(no3) Asus2 |
| I am yours, you are mine, you are what you are, you make it hard |
| E(no5) Asus2 E(no3) B(no3)* |
| Asus2 | A7sus4 | |
| Someth | ing inside is telling me that I've got your secret, are you still |
| listening? |
| E(no3) Asus2 E(no3) B(no3)* Asus2 A7sus4 |
| Fear is the lock and laughter the key to your heart, and I love you |
| E(no3) B(no3) Asus2 A7sus4 E(no3) Asus2 |
| I am yours, you are mine, you are what you are, you make it hard |
| E(no3) Asus2 E(no3) Asus2 E(no3) |
| And you make it hard, and you make it hard, and you make it hard |
| PART 2: |
| E*= RIFF= |
| |
E -----<12>---5-5--4-5------ --5-3------------- B -----<12>---5-5--5-5------ ------5-3--------- E -----<12>---0-0--0-0------ ----------5-4-0--- E -------------------------- ------------------ E -------------------------- ------------------ E -0-0------0--------------- ------------------
| E* E* |
| E* E* Asus2 A7sus4 RIFF E* E* |
| Friday evening, Sunday in the afternoon, what have you got to lose? |
| E* E* Asus2 A7sus4 |
| RIFF E* E* |
| Tuesday morning please, be gone, I'm tired of you, what have you got |
| to lose? |
| D6(no3) Asus2 |
| Can I tell it like it is? Listen to me baby |
| D6(no3) |
| Asus2 E* E* |
| It's my heart that's a-sufferin', it's a dyin' and that's what I have to |
| lose |
| E* E* Asus2 A7sus4 RIFF E* E* |
| I've got an answer, I'm going to fly away, what have I got to lose? |
| E* E* Asus2 A7sus4 |
| RIFF E* E* |
| Will you come see me, Thursdays and Saturdays, what have you got |
| to lose? |
| (SOLO- play notes on first string while simultaneously hitting 6th string |
| for rhythm) |
| PART 3: |
| D(no5) E(no5) D(no5) E(no5) |
| Chestbrown canary, ruby throated sparrow |
| Esus2 A/E E7(no3) D(no5) C#m(no5) |
Sing a song, don't be long, thrill me to the marrow---
| (SHORT SOLO) |
| Voices of the angels, ring around the moonlight |
| Askng me, said she's so free, how can you catch the sparrow |
| (SHORT SOLO) |
| Lacy lilting lady, losing love lamenting |
| Change my life, make it right, be my lady |
| D/E | C#m/E | D/E | C#m/E | D/E | C#m/E | D/E | C#m/E | D/E | C#m/E | C#m/E2 | Bm/E | |
| PART 4: |
| A(no3) Bm(no3) F#m(no3) D(no3)2 E(no3)2 |
| Du du du du du, du du du du du du |
| A(no3) Bm(no3) F#m(no3) D(no3)2 E(no3)2 |
| Du du du du du, du du du du |
| (REPEAT SEVEN TIMES) |
| CHORDS: |
| E Esus2 E(no5) E(no3) Asus2 B(no3) B6(no3) A7sus4 Esus4 D6(no3) |
| D(no5) A/E |
E --7-- --5--- --4--- --0--- --0--- --7--- --7--- --3--- --5--- --0--- --2--- --9--- B --9-- --7--- --5--- --0--- --0--- --7--- --9--- --3--- --5--- --0--- --3--- --10-- E --0-- --0--- --0--- --0--- --0--- --7--- --7--- --0--- --0--- --0--- --0--- --0--- E --0-- --0--- --0--- --0--- --0--- --7--- --7--- --0--- --0--- --0--- --0--- --0--- E --0-- --0--- --0--- --0--- --5--- --7--- --7--- --5--- --0--- --10-- ------ ------ E --0-- --0--- --0--- --0--- --5--- --7--- --7--- --5--- --0--- --10-- ------ ------
| E7(no3)C#m(no3) D/E C#m(no3)C#m(no3)2 A(no3) Bm(no3) F#m(no3) D(no3)2 |
| E(no3)2 |
E --10-- --0--- --14-- --12-- --9--- --5--- --7--- --14--- --10--- --12---- B --12-- --1--- --10-- --9--- --9--- --5--- --7--- --14--- --10--- --12---- E --0--- --0--- --10-- --9--- --12-- --5--- --7--- --14--- --10--- --12---- E --0--- --0--- --0--- --0--- --0--- --5--- --7--- --14--- --10--- --12---- E ------ ------ ------ ------ ------ --5--- --7--- --14--- --10--- --12---- E ------ ------ ------ ------ ------ --5--- --7--- --14--- --10--- --12----
| NOTES: |
| B(no3)* means alternate between B(no3) and B6(no3) like a blues rhythm |
| pattern |
| E(no5) can substitute E(no3) since they are so similar. Asus2 can be |
| played with all the strings barred at the 5th fret for a fuller sound. |
| I also like to play all the 12th string harmonics each time after he says |
| 'I am yours'. |
| (from Crosby, Stills and Nash, 1969) |
| (sent by Harlan at harlant@hawaii.edu) |

##song. You may only use this file for private study, scholarship, or research. ###and Nash.##
| D | C | D | |
| I | awoke tod | ay and found frost had perched on the t | own |
| D | C | D | |
| H | arbored in a fr | ozen sky and all the summer do | wn |
| G | F | |
| And when the wind turned tr | ade and cold |
| G | F | E | |
| A | nd all the trees are shiv | ering in a na | ked row |
| D | C | D | |
| I | get the urge for g | oing but I never seem to | go |
| CHORUS: |
| C | G | D | |
| And I g | et the u | rge for go | ing |
| C | G | D | |
| When the mea | dow gra | ss is tur | ning brown |
| C | G | D | |
| And the sum | merti | me is fal | ling down |
| C | G | D | |
| And the wi | nter's cl | osing | in |
| I had a girl in summertime with summer colored skin |
| And not another man in ten my darling's heart could win |
| When the leaves fell tremblin' down |
| (Bullies wished (?)) to rub their faces in the snow |
| She got the urge for goin', I had to let her go ...CHORUS |
| Now the warriors of winter give a cold triumphant shout |
| All that stays is dying, all that lives is getting out |
| See the geese in chevron flight |
| Laughing and a-racing off before the snow |
| They got the urge for going and they've got the wings to go ...CHORUS TWICE |
| NOTE: I don't have a copy of the Joni Mitchell version since its so rare- |
| I only know the Crosby-Nash version. Perhaps someone with the Michell |
| version might be able to pick out some of the words that I couldnt quite |
| catch. |
| (according the the CSN box set liner notes, the song was written by J.M. |
| in the mid sixties but not released by her until 1972 as the b-side of |
| You Turn Me On, I'm a Radio. The Crosby-Nash version was done in 1971 but |
| not released until the CSN box set came out a few years ago) |
| (sent by Harlan at harlant@hawaii.edu) |

##song. You may only use this file for private study, scholarship, or research. ####song. You may only use this file for private study, scholarship, or research. ##Date: Mon, 16 Dec 1996 11:38:40 EST-10#Subject: CHORDS: Woodstock - Crosby Stills Nash & Young#Crosby Stills Nash & Young performed at Woodstock in 1969, and then##but it sounds good enough to me. And does anyone know the complete##Album: Deja Vu (1970) and I think it's on that double CD that came#Written by Joni Mitchell#
| Em | |
| Well I came upon a child of God |
| A7sus | |
| He was walkin | g along the road |
| A7sus | |
| And I aske | d him 'Where are you going' |
| This he told me |
| 'I'm going on down to Yasgurs farm |
| A7sus | |
| Gonna join | in a Rock `n' Roll band |
| A7sus | |
| Gonna camp o | ut on the land |
| And set my soul free' |
| chorus: |
| A7sus | |
| We are stard | ust |
| We are golden |
| And we are billion year old Crabon |
| Em7 | |
| And we got to | get ourselves |
| Em | G | A | G | Em | |
| Back to the gar | - | den |
| Can I walk beside you? |
| I have come to lose the smog |
| And I feel to be caught in something turning |
| Maybe it's the time of year or maybe it's the time of man |
| I don't know who I am but life is for learning |
| chorus: |
| By the time we got to Woodtsock |
| We were half a million strong |
| And everywhere was a song and celebration |
| And I dreamed I saw the bombers riding shotgun in the sky |
| Turning into butterflies above the nation |
| chorus: |
| caught in the devils bargain |
| And we got to get ourselves back to the garden |
| Chords used: |
| A x02220 |
| A7sus x02233 |
| Em 022000 |
| Em7 022030 |
| G 320033 |
| There it is, any corrections, comments or insults, I await them all, |
| Mende Joveski, email - joveski@bunyip.ph.rmit.edu.au |

| Am7 | C | G | D |
| Am | C | G | D | |
| Helplessly hoping her | harlequin hovers near- | by, awaiting a | word. |
| Am | C | G | D | |
| Gasping at glimpses of | gentle true spirit he | runs wishing he could | fly |
| Am | C | G | D | |
| only to | trip at the | sound of good- | bye... |
| Am | C | G | D | |
| Wordlessly watching he | waits by the window and | wonders at the empty place in |
| side |
| Am | C | G | D | |
| Heartlessly helping him | self to her bad dreams he | worries did he hear a good | b |
| ye |
| Am | C | G | C/G | |
| or | even... | hel- | lo? |
| G | |
| They are | one person, they are two a-lone, they are three to-gether, |
| G | G7 | C | G | |
| they are | for... | each | other | Hammer an Am onto open strings - resolve to G |
| Am | C | G | |
| Stand by the starway you'll | see something certain to | tell you confusion has its |
| D | |
| cost. |
| Am | C | G | D | |
| Love isn't lying it's | loose in a lady who | lingers, saying she is | lost |
| Am | C | G | C/G | |
| and | choking | ... on hel | lo. | Chorus |

##song. You may only use this file for private study, scholarship, or research. ####song. You may only use this file for private study, scholarship, or research. ##Date: 22 Feb 1993 10:03:41 +0200## Ziggy Stardust - David Bowie#I discovered this site about a week ago and have already ftp'd about 50 songs##chords that follow, I am a real amateur guitar player. I have a cheap accoustic#chords I knew, until something sounded OK.#The recording I used was the demo version on the 1990 re-release of the Ziggy#bonus track.#Please send me corrections to chords.# - the D on 'Mars' in the first line (and at similiar places)## ==============================4 [2]G [1]G | [1/2]D [1/2]D* [1/2]D [1/2]D* [2]D | [3]F [1]F | [3]C [1]C | [3]D [1]D
| 4 (play four times) |
| G | Bm | |
| Ziggy played guitar, | jamming good |
| C | D | |
| with Wierd and | Gilly and the Spiders from | Mars. |
| G | Bm | |
| He played it left | hand, but made it too | far |
| C | D | |
| became the spe | cial man, and we were | Ziggy's band. |
| G | Bm | |
| Ziggy really sang, with | screwed up eyes and |
| C | D | |
| screwed down h | airdo like some cat from J | apan. |
| G | Bm | |
| He could lick 'em by s | miling, he could leave 'em to | hang. |
| C | D | |
| He came on so l | oaded man, well hung and snow-white | tan. |
| A G F F* F F* F F* F G |
| But where were the spiders, |
| A G F F* F F* F F* F G |
| while the fly tried to break our balls. |
| A G F F* F F* F F* F |
| Just the beer light to guide us. |
| G | D | |
| And so we | bitched about his fans and should we | crush his sweet hands. |
| (power section)X2 |
| G | Bm | |
| Ziggy played for time, | jiving us that |
| C | D | |
| we were | voodoo and the kids was just | crass. |
| G | Bm | |
| He was the | nazz with God-given | ass. |
| C | D | |
| He took it | all too far but boy could he play | guitar. |
| A G F F* F F* F F* F G |
| Making love with his ego, |
| A G F F* F F* F F* F G |
| Ziggy sucked up into his mind |
| A G F F* F F* F F* F G |
| Like a leper messiah. |
| G | D | |
| When the k | ids had killed the man I had to | break up the band. |
| (power section repeated to fade) |
-----------------------------------------------------------------------
| Chords used: G Bm C D D* A F F* |
| e | 3 2 0 2 3 5 1 0 |
| b | 3 3 1 3 3 5 1 0 |
| g | 4 4 0 2 2 6 2 2 |
| d | 5 4 2 0 0 7 3 3 |
| a | 5 2 3 x x 7 3 3 |
| e | 3 2 3 x x 5 1 0 |
| NOTES: on D* and F* |
| D* is used in the (power) section. I play a normal D and used my 'pinky' |
| on the 3rd fret on alternate strums to acheive the (D D* D D* etc) sound on |
| the record. I think D* is actually Dsus but I'm not sure. |
| F* is used in the chorus. I pay the F chord as a barre chord (see tab above) |
| and lift my first (barre) finger on alternate strums. |
| I guess you really have to listen to the record to get the (chorus) and |
| (power) sections timed/played correctly. |
| Anyway, there it is. By no means an expert opinion, but it seems to impress my |
| flat-mate. |
| From SCoatney@aol.com Sun Feb 18 05:16:22 1996 |
| From: SCoatney@aol.com |
| Date: Sun, 18 Feb 1996 00:14:21 -0500 |
| Message-ID: |
| To: guitar@nevada.edu |
| Subject: TAB: Ziggy Stardust by David Bowie |
| Ziggy Stardust by David Bowie. |
| Transcribed by Steve Coatney (scoatney@aol.com) - Feb 17, 1996. |
| Thanks to Johnny Birchett and Richard Ashley for their postings, which |
| inspired me to dig further.. Richard's lyrics are nearly perfect, and |
| Johnny's tab and chords are right on the mark. I've borrowed heavily |
| from Johnny, but made a few modifications (note the A / A7 in place |
| of Am). |
| I've verified the lyrics against the version included on the jacket of the |
| recent AU 20 remaster of the Ziggy Stardust CD. The recorded version adds |
| a few words, which I've marked with parentheses. |
| For a great unplugged version of Ziggy, check out Bowie's original |
| acoustic 12-string demo included as a bonus track on this CD. The lyrics |
| are identical to those written on the jacket. |
| I've included two tabs for the Intro, the first is similar to the Mick |
| Ronson electric version, and the second is Bowie's acoustic demo version. |
| Intro (Ronson) |
--------------
| Ronson does some hammering on during the intro, so play around with this |
| if you want to imitate him more closely. He also plays it a little |
| differently on the Santa Monica live album (he picks more individual |
| notes). |
|--3-----2--3--2--3--2-------------------------------------------------- |--3-----3--3--3--3--3--3--------3-----3--------3-----3--------3-----3-- |--0-----2-----------2--2--------0--0--0--------0--0--0--------0-----0-- |--0-----0-----------0--0-----2-----2--2-----0-----2--2-----0-----0----- |--x--------------------------3--------------2--------------0-----0----- |--3--------------------------------------------------------------------
| * H * * H * * |
| * = hold an extra half-beat |
| H = hammer on from open strings |
| Intro (Bowie) |
-------------
| Bowie's original intro is pretty simple, but very nice on 12-string. |
|--3-----2--3--2--3--2--3-----0--------------0--------------0----------- |--3-----3-----3-----3--3-----3--------3-----3--------3-----1-----0----- |--4-----2-----2-----2--2-----0--------0-----0--------0-----2-----0----- |--5-----0-----------0--0-----2--------2-----0--------0-----2-----0----- |--x--------------------------3--------------2--------------0----------- |--3--------------------------------------------------------------------
| H H * |
| * = hold an extra half-beat |
| H = hammer on from second to third fret |
| Transition |
----------
| The transition between C and D during 'the Spiders from Mars' and |
| subsequent verses goes something like this: |
| C | D |
|------------------------------------ |------------------------------------ |------------------------------------ |-----2-----2-----0-----2------------ |-----3-----3-----2-----3-----4------ |------------------------------------
| the Spi ders from Mars |
| Chorus |
------
| Repeat 3 times: |
| A | G | F | G |
|--5-5-5-5-5-----3-3-3-3-3-------1-1-1-1-1-1-1-3--- |--5-5-5-5-5-----3-3-3-3-3-------1-1-1-1-1-1-1-3--- |--6-6-6-6-6-----4-4-4-4-4-------2-2-2-2-2-2-2-4--- |--7-7-7-7-7-----5-5-5-5-5-------3-3-3-3-3-3-3-5--- |--7-7-7-7-7-----5-5-5-5-5-------3-3-3-3-3-3-3-5--- |--5-5-5-5-5-----3-3-3-3-3-------1-0-1-0-1-0-1-3---
| then: |
| D | E |
|--5---x-5---x-5----------7---7-7-7-7-7----- |--7---x-7---x-7----------9---9-9-9-9-9----- |--7---x-7---x-7----------9---9-9-9-9-9----- |--7---x-7---x-7----------9---9-9-9-9-9----- |--5---x-5---x-5----------7---7-7-7-7-7----- |--5---x-5---x-5----------7---7-7-7-7-7-----
| * * ** * ** |
| * = hold an extra half-beat |
| ** = hold until the end of the next measure |
| This is one suggested pattern, but it varies, so improvise. |
| (My personal preference is to play the D and E in open position.) |
| On the acoustic and live versions, Bowie and Ronson continue |
| strumming on the D and E chords. Bowie also sometimes noodles |
| around with his pinky on the B string on the D and E chords. |
| On electric, emphasize the lower (thicker) strings, especially |
| to get the right sound during the F chord. The acoustic version |
| tends to emphasize the upper (thinner) strings. |
| Lyrics and chords |
-----------------
| (Intro x 4, or Intro x 2 in acoustic version) |
| G | Bm | C | |
| Ziggy played guitar, | jamming good with Wierd and Gil | ly, |
| (trans) D |
| (and) the Spiders from Mars. |
| G | Em | |
| He played it left ha | nd, but made it too f | ar, |
| A | A7 | C | |
| became the | special | man, then we were | Ziggy's band. |
| G | Bm | C | |
| Ziggy really sang, | screwed up eyes and screwed down hair | do, |
| (trans) D |
| like some cat from Japan. |
| G | Em | |
| He could lick 'em by smilin | g, he could leave 'em to h | ang; |
| A | A7 | C | |
| (they) came on so | loaded, | man. Well-hung and | snow-white tan. |
| A | G | F | |
| So | where were the S | piders? |
| A | G | F | |
| While the | fly tried to bre | ak our balls. |
| A | G | F | G | |
| Just the | beer light to gu | ide us. | So we |
| D | E | |
| bitched about his fans and should we | crush his sweet hands... |
| (Intro x 2) |
| G | Bm | C | |
| Ziggy played for time, | jiving us that we were voo | doo, |
| (trans) D |
| the kids was just crass, |
| G | Em | |
| He was the | nazz, with God given | ass, |
| A | A7 | C | |
| He took it | all too | far, but boy could he | play guitar. |
| A | G | F | |
| Making | love with his e | go, |
| A | G | F | |
| Ziggy | sucked up in | to his mind, |
| A | G | F | G | |
| like a | leper mes | siah, when | the |
| D | E | |
| kids had killed the man I had to | break up the band. |
| (Intro x 3) then: |
|--3-----2--3--2--3--2--------0--------------------------------3----- |--3-----3--3--3--3--3--3-----3--------------------------------3----- |--0-----2-----------2--2-----0--------------------------------0----- |--0-----0-----------0--0-----2--------------------------------0----- |--x--------------------------3--------------------------------x----- |--3-----------------------------------------------------------3-----
| Ziggy played ..... guitar. |
| (In acoustic version, after the second chorus Bowie immediately repeats |
| the second chorus, then he plays the intro several times and fades out, |
| without singing 'Ziggy played guitar'). |


| Am | C | |
| I'm goin out of my mind these da | ys. |
| Am | C | |
| Like I'm walking 'round in a ha | ze. |
| Dm | |
| I can't think stra | ight, |
| F | Am | |
| I can't conce | ntrate, and I need a shave. |
| C | |
| I go to work and I look ti | red. |
| Am | C | |
| The bo | ss-man says 'Son you're gonna get fi | red. |
| Dm | F | |
| This ain't your st | yle.' From behind my cof | fee cup, |
| Am | |
| I just sm | ile |
| CHORUS |
| C | G | |
| What a beautiful mess, what a beautiful me | ss I'm in, |
| F | |
| Spending a | ll my time with you, |
| F | G | Am | G7 | |
| There's not | hing el | se I'd rat | her d | o. |
| C | G | |
| What a sweet addiction that I'm ca | ught up in |
| F | |
| But | I can't get enough, |
| Am | G | F | |
| can't stop the hu | nger f | or your l | ove |
| Am | |
| What a beatiful, what a beautiful me | ss I'm in. |
| C | Am | C |
| Am | C | |
| This morning I put salt in my | coffee. |
| Am | C | |
| I put my shoes on the wrong f | eet. |
| Dm | F | |
| I'm losing my mind I s | wear, it might be the de | ath of me, |
| Am | |
| But I don't c | are. |
| CHORUS |
| Am | C | Am |
| F | Am | |
| Is it your eyes? | Is it your smile? |
| F | E7 | |
| All I know is that you're dr | iving me wild. |
| CHORUS |
| CHORUS |

| G | D | Em7 | Am | C | |
| A | long | long | time ago | I can still re | member |
| Em | D | G | D | Em7 | |
| how that | music used to make me | smile And | I knew | if I had | my chance |
| Am | C | Em | C | D | Em | |
| that | I could make those | people dance and | maybe they'd be | happy for a | while. |
| Am | Em | Am | |
| But February | made me shiver | With every paper | I'd deliver |
| C | G-B | Am | C | D | |
| Bad news | on the | doorstep I c | ouldn't take one | more step |
| G | D | Em | Am7 | D | |
| I | can't re | member if I | cried When I | read about his | widowed bride |
| G | D | C | D7 | G | C-G | G | |
| But | something | touched me deep inside The | day the | Music | Died |
| G | C | G | D | G | C | G | D | |
| bye | bye Miss A | merican | Pie Drove my | chevy to the | levy But the | levy was | dry |
| G | C | G | D | |
| And them | good old | boys were drinking | whiskey and | rye |
| Em | A7 | Em | D7 | |
| Singin' | this'll be the day that I | die | this'll be the day that I | die. |
| G | Am | C | Am | |
| Did you write the | book of love And do | you have faith in | God above? |
| Em | D | G | D | Em | |
| If the Bible | tells you so. Do | you be | lieve in | Rock 'n Roll? |
| Am7 | C | Em | A7 | D | |
| Can | music save your | mortal soul? And | can you teach me | how to dance | real slow? |
| Em | D | Em | D | |
| Well, I | know that you're in | love with him 'cause I | saw you dancin' | in the gym |
| C | G-B | A7 | C | D7 | |
| You | both kicked | off your | shoes Man, I | dig those rythmny | blues |
| G | D | Em | Am | C | |
| I was a | lonely | teenage | broncin' buck With a | pink carnation and a | pickup truck. |
| G | D | Em | C | D7 | G | C | |
| But | I knew | I was | out of luck The | day the | music | died |
| I started singin' chorus |
| G | Am | C | Am | |
| Now for ten years we've been | on our own And | moss grows fat on a | rollin' stone |
| Em | D | G | D | Em | |
| But that's not how it | used to be When the | jester | sang for the | King and Queen |
| Am7 | C | Em | A7 | D | |
| In a | coat he borrowed | from James Dean And a | voice that | came from | you and me |
| Em | D | Em | D | |
| Oh, and | while the King was | looking down The | jester stole his | thorny crown |
| C | G-B | A7 | C | D7 | |
| The | courtroom | was ad | journed No | verdict was re | turned |
| G | D | Em | Am | C | |
| And while | Lennon | read a | book of Marx The | court kept practice | in the park |
| G | D | Em | C | D7 | G | C | |
| And | we sang | dirges | in the dark The | day the | Music | Died. |
| We were singingchorus |
| G | Am | Am | C | Am | |
| Helter-Skelter in a | summer | swelter The | Byrds flew off with a | fallout shelter |
| Em | D | G | D | Em | |
| Eight Miles High and | falling fast It | landed | foul out | on the grass |
| Am7 | C | Em | A7 | D | |
| The | players tried | for a forward pass But the | jester's | on the sidelines | in a cast |
| Em | D | Em | D | |
| Now the | half-time air was | sweet perfume While the | sargeants played a | marching tune |
| C | G-B | A7 | C | D7 | |
| We all | got up to | dance But we | never got | the chance |
| G | D | Em | Am | C | |
| 'cause the | players | tried to | take the field The | marching band re | fused to yield |
| G | D | Em | C | D7 | G | C | G | |
| Do you | recall | what was reveiled the | day the | Music | Died? |
| We stared singingchorus |
| G | Am | C | Am | |
| Oh, and there we were all | in one place A | generation | Lost in Space |
| Em | D | G | |
| With no time left to | start again So come on, | Jack be nimble |
| Em | Am7 | C | Em | A7 | D | |
| Jack be quick Jack | Flash sat on a | candlestick 'cause | fire is the | Devil's only | friend |
| Em | D | Em | D | |
| Oh, and | as I watched him | on the stage My | hands were clenched in | fists of rage |
| C | G | A7 | C | D7 | |
| No angel | born in | hell Could | break that Satan's | spell |
| G | D | Em | Am | C | |
| And as the | flames climbed | high in | to the night To | light the sacri | fical rite |
| G | D | Em | C | D7 | G | C | G | |
| I saw | Satan | laughing | with delight The | day the | Music | Died |
| He was singingchorus |
| G | Am | C | Am | |
| I | met a girl who sang the | blues And I | asked her for some | happy news |
| Em | D | G | D | |
| But | she just smiled and turned | away I | went down to the sacred | store |
| Em | Am7 | Em | A7 | D | |
| Where I'd | heard the music | years before But the | man there said the | music woudn't | play |
| Em | D | Em | D | |
| And in the | streets the children | screamed The | lovers cried, and the poets | dreamed |
| C | G | A7 | C | D7 | |
| But not a | word was | spoken The | Church bells all were | broken |
| G | D | Em | Am | C | |
| And | three men I | admire most The | Father, | Son and the | Holy Ghost |
| G | D | Em | C | D7 | G | C | G | |
| They | caught the | last train | for the coast The | Day the | Music | Died. |
| And they were singingchorus |
| They were singingchorus |

##song. You may only use this file for private study, scholarship, or research. ##From: ROBERT_ANDERSEN@HP-PaloAlto-om5.om.hp.com#Subject: black_water.tab by doobie brothers (corrected post)#Item Subject: cc:Mail Text Transcription by: Robert Andersen
| (robert_andersen@hp-paloalto-om5.om.hp.com) |
| This is a re-post. A friendly note from Josh (jpincus@baka.com) pointed |
| out that the correct tuning is 'double drop D' (DADGBD). I have changed |
| the transcription accordingly. Thanks Josh! |
| NOTE: > = accent this note, h = hammer on, p = pull off, b = bend |
| INTRODUCTION (play this phrase 4 times, with slight variations) |
| Am7 | D |
d-------0---------------0---------|
b-------1---------------3---------|
g-----0---------------2-----2-----|
D->--------------------------->->-|
A-0--------->----->-----------2h3-|
D-----------3b----0---------------|
| 1 ' ' ' 2 ' ' ' 3 ' ' ' 4 ' ' ' |
| VERSE #1: |
| D | Am7 | D | Am7 | D | |
| Well, I | built me a | raft and she's r | eady for flo | atin' |
| Am7 | D | Am7 | D | |
| ol' Mississ | ippi, she's | callin' my nam | e |
| Am7 | D | Am7 | D | |
| Catfish are j | umpin' that | paddle wheel | thumpin' |
| Am7 | D | Am7 | D | |
| Black water kee | ps rollin' o | n past just | the same |
| CHORUS: |
| G | |
| Old black water, keep on rollin' |
| Bb | G | |
| Mississippi moon won't you keep on shinin' on | me? |
| Old black water, |
| keep on rollin' |
| Bb | G | |
| Mississippi moon won't you keep on shinin' on | me? |
| Old black water, |
| keep on rollin' |
| Bb A ' ' Em7 |
| Mississippi moon won't you keep on shinin' on me? |
| A | Em7 | A | Em7 | |
| Yeah, keep on | shinin' your | light, gonna make | every | thing |
| A | Em7 | |
| Pretty mama, gonna | make everything al | l right |
| D | Am7 | D | Am7 | A | |
| And I | ain't got no | worries 'cause I | ain't in no | hurry at | all |
| A |
d---------------------------------|
b-2---------------3p2-3p2---------| then: INTRO (4 times with fiddle solo)
g-2-------------------------------|
D-2---------------4p2-4p2---------|
A-0-------------------------2h3---|
D---------------------------------|
| 1 ' ' ' 2 ' ' ' 3 ' ' ' 4 ' ' ' |
| VERSE #2 |
| D | Am7 | D | Am7 | |
| Well, if it | rains, I don't care | , don't make no | difference to me |
| Am7 | D | Am7 | D | |
| Just take that | street car that's | goin' up town | Yeah, I'd like to |
| Am7 | D | Am7 | D | |
| hear some funky | Dixieland and | dance a honky | tonk, and I'll be |
| Am7 | D | Am7 | D |
buyin' everybody drinks all roun'-------
| CHORUS, followed by guitar/fiddle solos, then: |
| ENDING (1: with music, 2/3: a capella, then with music, repeat and fade): |
| D | Am7 | D | Am7 | |
| I'd like to | hear some funky | Dixieland, pretty | momma come and take me |
| D | Am7 | D | |
| by the hand, by the | hand, take me by the | hand, |
| (I want to honky-tonk) (honky-tonk) |
| Am7 | D | |
| pretty momma, come and | dance with your daddy al | l night long, I'd like to... |
| (honky-tonk) (with you all night long) |
| **Chords** |
| Am7 | D | G | Bb | Em7 | A | |
| d | 0 | 0 | 5 | 3 | 0 | 0 |
| b 1 3 0 3 3 2 |
| g 0 2 0 0 0 2 |
| D 2 0 0 0 2 2 |
| A 0 x x 1 2 0 |
| D x 0 5 x 2 x |

##song. You may only use this file for private study, scholarship, or research. ##From: indigo@cats.ucsc.edu (Adam Schneider)###---------------------------#(Thanks to David Smillie & Mike James for the lyrics.)# the end. The F# is more of an F#5, and the A that follows it is kind of#[E](in[E]tro[E])
| E | E | E | E | |
| Maybe someday I'll be str | ong, | maybe it won't be l | ong |
| A | A | E | E | |
| I'll be the one who's t | ough, | you'll be the one who's got it ro | ugh |
| F# | A | E | |
| It won't be long and | maybe I'll be real str | ong |
| Maybe I'll do things right, maybe I'll start tonight |
| You'll learn to cry like me, baby let's just wait and see |
| Maybe I'll start tonight and do things right |
| A | A | A | E | |
| You'll control me and | oh so boldly | rule me 'till I'm fr | ee |
| A | A | A | B | |
| 'Till the | pain that shakes me | finally makes me | get up off of my | knees |
| B | |
| Yeah, yeah, yeah, yeah |
| Maybe I'll be fast as you, maybe I'll break hearts too |
| But I think that you'll slow down when your turn to hurt comes around |
| Maybe I'll break hearts and be as fast as you...awwwww... |
| E | E | E | E | A | |
| (gu | ita | r s | olo) |
| You'll control me and oh so boldly rule me 'till I'm free |
| 'Til the pain that shakes me finally makes me get up off of my knees |
| Yeah, yeah, yeah, yeah |
| Maybe I'll be fast as you, maybe I'll break hearts too |
| But I think you'll slow down when your turn to hurt comes around |
| Maybe I'll break hearts and be as fast as you |
| Maybe I'll break hearts and be as fast as you...ahhh, s'okay (?) |
| E | E | E | |
| (si | mil | ar | to intro) |
| E | E | E | E | |
| (gu | ita | r s | olo) |
| E | E | E | E | A | A | E | E | F# | A | E | E | |
| (sp | oke | n: | Maybe | so | med | ay | I'll | be s | tro | ng, | maybe it won't be long) |
| A | A | E | E | |
| (sp | oke | n: | I'll be the one who's tough, you'll be the one who's got it rough) |
| F# | A | E | E | |
| (ins | tru | men | tal) |
| E | E | E | E | |
| (in | str | ume | ntal) |
| A | A | E | E | |
| (sp | oke | n: | You'll learn to cry like me, baby let's just wait and see) |
| F# | A | E | E | |
| (ins | tru | men | tal) |
| E | E | E | E | |
| (sp | oke | n:) | Y'know, maybe I'll be fast as you, maybe I'll break hearts too |
| A | A | E | E | |
| (la | ugh | ter | ) |
| F# A E E E. |
| (laughter) (Drawn-out, funky guitar ending) |
| TAB: |
| Here's the main riff for The A measures in the middle |
| the E measures: of the verse (NOT the end) are |
| pretty much the same: |
E ----------------| E ----------------| B ----------------| B ----------------| G ----------------| G --------0-------| D --------0-------| D ----------2-4-2-| A ----------2-4-2-| A 0-0-3-4---------| E 0-0-3-4---------| E ----------------|
| ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . |
| I think the B in the bridge is like this: |
E ----------------|----------------| B ----------------|----------------| G --------2-------|----------------| D ----1-4---4-6-4-|----------------| A 2-2-------------|2-2-0-0---------| E ----------------|--------4-4-2-2-|
| ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . |
| I'm not at all sure about the A measures |
| in the bridge, but I think they might be |
| something like this: |
E ----------------| B ----------------| G ----------------| D 2-2-4-2-5-2-4-2-| A 0-0-0-0-0-0-0-0-| E ----------------| ==-=--=---=----=-----=-------=---------=---------=-------=-----=----=---=--=-==
| Adam Schneider indigo@ucscb.ucsc.edu U.C. Santa Cruz |
==-=--=---=----=-----=-------=---------=---------=-------=-----=----=---=--=-==

| F | Bb | F | C7 | A/C# | Dm | |
| You keep callin' me | on the telephon | e. You | say you're all a | lone. |
| Bb | C | F | Bb | |
| Well, | that's | real | sad. And you keep leavin' | notes stuck on my door. |
| F | C7 | A/C# | Dm | Bb | C | F | Bb/F | F | |
| Guess you`re | hungry for | some mo | re. Girl, | that's | too bad. |
| Chorus: |
| C/E | Dm | A7 | Bb | C | F | |
| 'Cause I | Ain't That Lonely Ye | t, no, I | Ain't That | Lonely Ye | t. |
| C/E | Dm | A7 | Bb | C | F | |
| After | what you've put me t | hrough, no, I A | in't That | Lonely Ye | t. |
| Verse 2: |
| F | Bb | F | C7 | A/C# | |
| Once there was this | spider in my be | d; I | got caught up in h | er web |
| Dm | Bb | C | F | Bb | F | |
| Of | love | and li | es. She spun her chains a | round my heart and soul, |
| C7 | A/C# | Dm | Bb | C | F | Bb/F | F | |
| Never to | let go | . But | I | survived. |
| Chorus |
| Bridge: |
| A7 | Bb | F | Gm7 | |
| There`s nothin' left that you can do to try | and bring me 'round | . |
| F/A | Bb | G7 | C | A/C# | |
| `Cause | ev'rything you d | o just brings me dow | n. Woa, | and I |
| Chorus |
| Tag: |
| C/E | Dm | A7 | Bb | C | F | |
| `Cause I | Ain't That Lonely Ye | t, no, I | Ain't That | Lonely Yet. |
| C/E | Dm | A7 | Bb | C | F | Bb/F | F | |
| After | all you've put me thro | ugh, no, I Ain' | t That | Lonely Yet | . |
| END |
+--------------------------------------------------------------------------+
| | This file is the author's own work and represents their interpretation | |
| | of the song. You may only use this file for private study, scholarship, | |
| | or research. | |
+--------------------------------------------------------------------------+
| Ultimate-Guitar.Com © 2005 |

##song. You may only use this file for private study, scholarship, or research. ## with SMTP id; Sun, 19 Sep 1993 21:13:42 -0700
Received: from ucscb.UCSC.EDU by animal-farm.nevada.edu id ; Sun, 19 Sep 1993 21:13:40 -0700
# id AA09073; Sun, 19 Sep 93 21:13:36 -0700#From: indigo@ucscb.UCSC.EDU (Adam Schneider)#To: jamesb@animal-farm.nevada.edu##1000 MILES FROM NOWHERE (Dwight Yoakam)
| --------------------------------------- |
| #and stuff.)# |
| C | Am | C | |
| (in | tro) |
| C | Am | |
| I'm a | thousand miles from no | where |
| C | Am | |
| Time don't matter to m | e |
| C | Am | |
| 'Cause I'm a | thousand miles from nowh | ere |
| F | |
| And there's n | o place I wanna be |
| I got heartaches in my pocket |
| I got echoes in my head |
| And all that I keep hearing |
| Are the cruel, cruel things that you said |
| I'm a thousand miles from nowhere |
| Time don't matter to me |
| 'Cause I'm a thousand miles from nowhere |
| And there's no place I wanna be |
| F | F | G | G | F | F | G | G | Am | Am |
Oh I, oh I, oh I------I, I---I...
| (guitar solo, same chords as verse) |
| Oh I... |
| I've got bruises on my memories |
| I've got tearstains on my hands |
| And in the mirror there's a vision |
| Of what used to be a man |
| I'm a thousand miles from nowhere |
| Time don't matter to me |
| 'Cause I'm a thousand miles from nowhere |
| And there's no place I wanna be |
| I'm a thousand miles from nowhere |
| Time don't matter to me |
| 'Cause I'm a thousand miles from nowhere |
| And there's no place I wanna be |
| F | F | G | G | |
| (ins | trum | enta | l) |
| C | Am | C | Am | C | Am | F | G | G | |
| (ins | trume | ntal | ; rep | eat | these | 9 m | easu | res and fade) |

| A | F#m | A | F#m |
| A | D | A | F#m | E | A | |
| I've got a feeling | we could be serious, | girl; |
| A | D | A | F#m | E | A | |
| Right at this moment, | I could promise you the | world. |
| D | A | |
| Be | fore we go crazy, be | fore we explode, |
| D | E | |
| There's something 'bout me, baby, you got to know, you got to | know. |
| A | F#m | D | E | |
| I get | off on | 57 | Chevys, |
| A | F#m | D | E | |
| I get | off on | screaming gui | tar. |
| A | F#m | D | E | |
| Like the way it | hits me | every time it | hits me. |
| D | E | A | |
| I've got a rock and roll, | I've got a rock and roll | heart. |
| A | F#m | A | F#m |
| A | D | A | F#m | E | A | |
| Feels like we're falling | into the arms of the | night, |
| A | D | A | F#m | E | A | |
| So | if you're not ready, | don't be holdin' me so | tight. |
| D | A | |
| I guess there's nothing left for | me to explain; |
| D | E | |
| Here's what you're gettin' and I don't want to change, I | don't |
| want to change.Chorus |
| A | F#m | D | E |
| A | D | A | E |
| E | |
| I don't need to glitter, no Hollywood, |
| All you got to do is lay it down and you lay it down good.Chorus |
| A | F#m | A | F#m |
| A | F#m | A | F#m |

| Em | G | Em | G | |
| (If that Em sounds a little too dark to you, try 022x00 (E5?)) |
| Em | G | |
| Are you going to help me | or will you let me down? |
| Em | G | |
| I'm looking for a true love | but am I lost or found? |
| Em | G | |
| And will we cry in passion | or will we cry in pain? |
| Em | G | |
| And will our lonely teardrops | fill the world with rain? |
| Em | Bm | C | Am | |
| Help me | up, | don't you let me | down. |
| G | C | Am | G | |
| I'm gonna | wake up in | heaven, not the | cold, cold | ground. |
| Em | G | Em | G |
| Em | G | |
| Can't you hear the lovers | crying in the night? |
| Em | G | |
| They spend their whole lives trying; | still can't get it right. |
| Em | G | |
| I don't know where we're going | but I guess we'll start |
| Em | G | |
| And just to show that I mean it, | baby here's my heart.Chorus |
| (Walk it up hard on the bass: G G B B C C D D) |
| D | D#dim | Em | G | |
| Living on my | feelings, | feelings all I | know. |
| C | D | C | G | |
| Baby once we | touch it, we'll | never let it | go. |
| Em | G | Em | G | |
| First Verse |
| Chorus |
| Chorus |
| Long Solo on Verse |


| G | C | G | C | G | D | C | G |
| C | D | |
| 1. Lookin back on the | mem'ry of the | dance we shared |
| 2. Holding you I held everything for a moment |
| G | D | |
| 1. 'neath the | stars above. |
| 2. wasn't I the king? |
| G | C | D | |
| 1. For a | moment all the | world was right how could | I have known |
| 2. If I'd only known how the king would fall. Hey who's to say |
| e D |
| 1. that you'd ever say good bye |
| 2. You know, I might have changed it all. |
| C | D | b7 | |
| And | now, I'm glad I didn't | know the way it all would | end |
| C | D | |
| the way it all would | go. |
| C | D | b7 | |
| Our | lives, are better left to | chance. I could have missed the | pain |
| C | D | G | |
| but I'd had have to | miss | the | dance |
| C | D | |
| Out: Yes my | life, it's better left to | chance. |
| b7 | |
| I could have have missed the | pain, |
| C D NC |
| but I'd had have to miss the dance. |
| END |
+--------------------------------------------------------------------------+
| | This file is the author's own work and represents their interpretation | |
| | of the song. You may only use this file for private study, scholarship, | |
| | or research. | |
+--------------------------------------------------------------------------+
| Ultimate-Guitar.Com © 2005 |

##song. You may only use this file for private study, scholarship, or research. ###
| E | C#m | |
| Mot | her, mother, there's too many o | f you crying |
| E | C#m | |
| Br | other, brother, brother, there's far too many | of you dying |
| A | |
| You know we'ver g | ot to find a way |
| B7 | |
| To bring some lo | vin' here today, hey |
| Father, father, we don't need to escalate |
| War is not the answer, for only love can conquer hate |
| You know we've got to find a way |
| To bring some lovin' here today |
| CHORUS #1: |
| A | |
| Pi | cket lines and picket signs |
| Don't punish me with brutality |
| Talk to me, so you can see |
| E | C#m | |
| Oh what's go | ing on, what's g | oing on |
| E | C#m | |
| Yeah, wha | t's going on, ah, what's g | oing on |
| A | |
| Ah | hh.... |
| Mother, mother, everybody thinks we're wrong |
| Ah but who are they to judge us |
| Simply 'cos our hair is long |
| Ah you know we'ver got to find a way |
| To brind some understanding here today |
| CHORUS #2: |
| Picket lines and picket signs |
| Don't punish me with brutality |
| Talk to me, so you can see |
| What's going on, yeah what's going on |
| Tell me what's going on, I'll tell you what's going on |
| (from What's Going On, 1971) |
| (sent by Harlan at harlant@hawaii.edu) |

IF YOU COULD READ MY MIND by Gordon Lightfoot (C) 1969, Early Morning Music
Transcribed by me, Matthew Fifer. Mistakes (C), Me :-)
Notes: This is my first tab post and it took forever. It's really hard to think and fingerpick at the same time! :^) Anyway, this is how I play it. I have included some words to help you know where you are. Note that Gord rarely uses the high-E string. Also, to be in the same key as the recording, capo on the 2nd fret. Finally, view it with a monospaced font to keep spacing correct. Whew!
I included the intro and a verse. I trust y'all can extrapolate the rest of the tune from this. If you see mistakes, let me know.
Have fun!
INTRO (Repeat Twice) Also play between verses
G |---------------------------------| |---------------------------------| |-----0-----0---2-----2-----2-4-0-| |---0-----0---0-----0-----0-------| |---------------------------------| |-3-----3---------3-----3---------|
VERSE (repeat this part twice)
G Dm6/F |-----------------------------------------------------------------| |-----------------------------------------0---------------0-------| |-----0-----0---2-----2-----0---0-----2-----2---2-----2-----2---2-| |---0-----0---------0-----0---------0---------0-----0---------0---| |-----------------------------------------------------------------| |-3-----3-----3---3-----3-----3---1-----1---------1-----1---------|
If you could... What a tale.. Just like a...
VERSE Cont.
G C D |----------------------------------------------------------------- |-----0-----0---0-----0-----0----------1-----1---1-----3-----3---3 |---0-----0---------0-----0------0---0-----0---------2-----2------ |-------0-----0--------------------------2-----2---0-----0-----0-- |-----------------------0-----2----3------------------------------ |-3---------------3----------------------------------------------- In a castle... Or a fortress... chains upon..
VERSE Cont.
Em C G |----------------------------------------------------------------- |-----0-----0---0-----1-----1---1-----0-----0---0----------------- |---0-----0---------0-----0---------0-----0----------------------- |-------2-----2---------2-----2---------0-----0------------------- |-----------------3----------------------------------------------- |-0-------------------------------3-------------------------------
Feet... know that. me
VERSE Finish
C G/B Am7/sus4 D GO TO INTRO... |----------------------------------------------------------------- |-----1-----1---------3-----3---3-----3-----3---3-----3-----3---3- |---0-----0-----0---0-----0---------0-----0---------2-----2------- |-------2-----2---------0-----0---------2-----2---0-----0--------- |-3---------------2---------------0------------------------------- |-------------------------------------------------------------2--- I will.. be set free long as I'm Ghost ........ See

| D | |
| I can see her lying back in her satin dress |
| A | D | |
| In a roo | m where you do what you don't co | nfess |
| Chorus1 |
| D | G | |
| Sundown, you'd b | etter take care |
| C | D | |
| If I fin | d you've been creeping around my | back stairs (twice) |
| Verse 2 |
| D | |
| She's been looking like a queen in a sailor's dream |
| A | D | |
| And she don't al | ways say what she really | means |
| Chorus 2 |
| D | G | |
| Sometimes I thin | k it's a shame |
| C | D | |
| When I g | et feeling better when I'm feeli | ng no pain (twice) |
| Verse 3 |
| D | |
| I can picture every move that a man could make |
| A | D | |
| Getting | lost in your love is the first | mistake |
| Chorus 1 |
| Chorus 3 |
| D | G | |
| Sometimes I thin | k it's a sin |
| C | D | |
| When I feel like | I'm winning when I'm lo | sing again |
| Verse 4 |
| D | |
| I can see her looking fast in her faded jeans |
| A | D | |
| She's a | hard loving woman got me feelin' | mean |
| Chorus 2 |
| Chorus 1 (twice) |
| Chorus 3 |
| Tabbed by: J. Rogers |
| Any adjustments email fleetbeatle@yahoo.com |


##song. You may only use this file for private study, scholarship, or research. ##Subject: Long Cool Woman In A Black Dress##Long Cool Woman In A Black Dress##Here's my version of the guitar parts. The notes in##E:-----------------------------------------------| B:------------------------0--------0-------------| G:---------------0-----0--------0--------0-------| D:---------0--5-----4--------2--------0--------0-| A:-------2----------------------------------2----| E:--0--0-----------------------------------------|#
| E:-----------------------------------------------| |
| B:-----------------------------------------------| |
| G:-----------------------------------------------| |
| D:--------0--------0--------0--------0-----------| |
| A:-----2--------0--------2--------0----(2)-(0)---| |
| E:--3--------2--------3--------5--------3---2----| |
#
| E:-----------------------------------------------| |
| B:------------------------0--------0-------------| |
| G:---------------0-----0--------0--------0-------| |
| D:---------0--5-----4--------2--------0--------0-| |
| A:-------2----------------------------------2----| |
| E:--0--0-----------------------------------------| |
#
| E:-----------------------------------------------| |
| B:-----------------------------------------------| |
| G:-----------------------------------------------| |
| D:--------0--------0--------0--------0-----------| |
| A:-----2--------0--------2--------0----(2)-(0)---| |
| E:--3--------2--------3--------5--------3---2----| |
#
| E:-----------------------------------------------| |
| B:-----------------------------------------------| |
| G:-----------------------------------------------| |
| D:-(2)---------(2)(2)----(2)---------(2)(2)------| |
| A:--2---4---5---4--2------2---4---5---4--2-------| |
| E:--0---0---0---0--0------0---0---0---0--0-------| |
#and etc.##
| E:-----------------------------------------------| |
| B:-----------------------------------------------| |
| G:-----------------------------------------------| |
| D:--5---5---5------------------------------------| |
| A:--7---7---7--7---7----------5------------------| |
| E:-------------7---7---5>h>7---------------------| |
#
| E:-----------------------------------------------| |
| B:-----------------------------------------------| |
| G:-----------------------------------------------| |
| D:--5--------------------------------------------| |
| A:-----7---7--7--7----------5---------5----------| |
| E:---------7--7--7---5>h>7------5>h>7------------| |
#
| E:-----------------------------------------------| |
| B:-----------------------------------------------| |
| G:-----------------------------------------------| |
| D:--5--------------------------------------------| |
| A:-----7---7--7--7----------5---------5----------| |
| E:---------7--7--7---5>h>7------5>h>7------------| |
| # |
E:-----------------------------------------------| B:-----------------------------------------------| G:-----------------------------------------------| D:--5--------------------------------------------| A:-----7---7--7--7----------5---------5----------| E:---------7--7--7---5>h>7------5>h>7------------|#
E:-----------------------------------------------| B:-----------------------------------------------| G:-----------------------------------------------| D:--5-------------(2)(2)----(2)---------(2)(2)---| A:-----7---4---5---4--2------2---4---5---4--2----| E:---------0---0---0--0------0---0---0---0--0----|
#and etc.##
| ------------- |
| 4/4 | 3/4 | |
| ##Subject: TAB: Long Cool Woman -- Hollies#A while ago I asked for a tab for Long Cool Woman by the Hollies. I received#of this song, so it's all from memory. Corrections and enhancements##Tabbed by Phil Comeau (comeau@crc.sofkin.ca)# |
|-------|-------------------------|-------------------------|---------------| |-------|-------------------------|-------------------------|---------------| |-------|-------------------------|-------------------------|---------------| |-------|-------------------------|-------------------------|---------------| |-----0-|-5---5-4---4-2---2-0---2-|-----0-----0-----0-----0-|-------------0-| |---2---|---2-----2-----2-----2---|---2-----0-----0-----0---|-----------2---| |-0-----|-------------------------|-3-----2-----0-----2-----|---------0-----|
| 4/4 | 2/4 |
|-------------------------|-------------------------|---------------| |-------------------------|-------------------------|---------------| |-------------------------|-------------------------|---------------| |-------------------------|-------------------------|---------------| |-5---5-4---4-2---2-0---2-|-----0-----0-----0-----0-|---------------| |---2-----2-----2-----2---|---2-----0-----0-----0---|-------------2-| |-------------------------|-3-----2-----0-----2-----|-------------0-|
| 4/4 |
|--------------|--------------| |--------------|--------------| |--------------|--------------| |--------------|--------------| |-2--4--5--4-2-|-2--4--5--4-2-| |-0--0--0--0-0-|-0--0--0--0-0-|
| Verse |
|--------------|--------------|--------------|--------------| |--------------|--------------|--------------|--------------| |--------------|--------------|--------------|--------------| |--------------|--------------|-5--5-5--7--7-|--------------| (Repeat) |-2--4--5--4-2-|-2--4--5--4-2-|-5--5-5--7--7-|-2--4--5--4-2-| |-0--0--0--0-0-|-0--0--0--0-0-|-3--3-5--5--5-|-0--0--0--0-0-|
| Bridge |
|----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |-5--5-5--5--5-5-|-5--5-5--5--5-5-|-5--5-5--5--5-5-|-5--5-5--5--5-5-| |-7--7-7--7--7-7-|-7--7-7--7--7-7-|-5--5-5--5--5-5-|-5--5-5--5--5-5-| |-5--5-5--5--5-5-|-5--5-5--5--5-5-|-3--3-3--3--3-3-|-3--3-3--3--3-3-| |----------------|----------------|----------------|--------------| |----------------|----------------|----------------|--------------| |----------------|----------------|----------------|--------------| |-2--2-2--2--2-2-|-5--5-5--5--5-5-|-7--7-7--7--7-7-|--------------| |-2--2-2--2--2-2-|-5--5-5--5--5-5-|-7--7-7--7--7-7-|-2--2--4--5-4-| |-0--0-0--0--0-0-|-3--3-3--3--3-3-|-5--5-5--5--5-5-|-0--0--0--0-0-| |----------------|----------------|----------------|--------------| |----------------|----------------|----------------|--------------| |----------------|----------------|----------------|--------------| |-2--2-2--2--2-2-|-5--5-5--5--5-5-|-7--7-7--7--7-7-|--------------| |-2--2-2--2--2-2-|-5--5-5--5--5-5-|-7--7-7--7--7-7-|-2--2--4--5-4-| |-0--0-0--0--0-0-|-3--3-3--3--3-3-|-5--5-5--5--5-5-|-0--0--0--0-0-| |--------------|----------------|--------------|----------------| |--------------|----------------|--------------|----------------| |--------------|----------------|--------------|----------------| |-5------------|----------------|-5------------|----------------| |----5h7--7--7-|------5-------5-|----5h7--7--7-|------5-------5-| |--------------|-5h7-----5h7----|--------------|-5h7-----5h7----| |--------------|--------------| |--------------|--------------| |--------------|--------------| |--------------|--------------| |-2--2--4--5-4-|-2--2--4--5-4-| |-0--0--0--0-0-|-0--0--0--0-0-| back to verse...
| Here's the lyrics and chords. Lyrics were obtained from ftp.uwp.edu; |
| chords are mine. |
| E | |
| Saturday night I was downtown |
| G | A | E | |
| Working for the | FB | I |
| Sitting in a nest of bad men |
| G | A | E | |
| Whiskey bottles p | iling h | igh |
| E | |
| Bootlegging boozer on the west side |
| G | A | E | |
| Full of | people who are d | oing wr | ong |
| Just about to call up the DA man |
| G | A | E | |
| When I h | eard this woman s | inging a s | ong |
| A7 | |
| A pair of 45s made me open my eyes |
| G | |
| My te | mperature started to rise |
| E | G | |
| She was a lo | ng cool woman in a bl | ack dress |
| A | E | |
| Just a | 5'9 beautiful | tall |
| E | |
| With just one look I was a | bad mess |
| A | E | |
| 'Cause that | long cool woman had it a | ll |
| E | |
| I saw her heading to the table |
| G | A | E | |
| With a | tall walking | big black | cat |
| E | |
| When Charlie said I hope that you're able boy |
| G | A | |
| Well I'm | telling you she | knows where it's at |
| E | |
| Well then suddenly we heard a siren |
| G | A | E | |
| And e | verybody st | arted to | run |
| E | |
| Jumping out of doors and tables |
| G | A | |
| Well I h | eard somebody | shooting a gun |
| E | |
| Well the DA was pumping my left hand |
| G | A | E | |
| And | she was | holding my | right |
| E | |
| Well I told her don't get scared |
| G | |
| 'Cause you're | gonna be spared |
| A | |
| Well I'm | gonna be forgiving |
| G | |
| If I | wanna spend my living |
| E | G | |
| With a | long cool woman in a | black dress |
| A | E | |
| Just a | 5'9 beautiful | tall |
| G | |
| With just one look I was a | bad mess |
| A | E | |
| 'Cause that l | ong cool woman had it | all |
| Had it all... |
| -- | |
| Phil Comeau, comeau@crc.sofkin.ca |
| -- |
+----------------------------------------------------------------------------+
| | Steve Portigal, Dep't of CIS, University of Guelph, Guelph, ON, N1G 2W1 | |
| | email: stevep@snowhite.cis.uoguelph.ca Phone: (519) 824-4120 ext 3580 | |
| | ~~~~~~~~ ask me about 'undercover' the Rolling Stones mailing list ~~~~~~~ | |
| | Hey man you got the real bum's eye for clothes.. | |
+----------------------------------------------------------------------------+

##song. You may only use this file for private study, scholarship, or research. ###From: Andrew Rogers## (Hammond / Hazelwood)#Note: acoustic guitar is capoed at 4th fret; chords in () are as fingered#Intro: [Gadd9] [Fadd9] [Gadd9] [Fadd9][C] Gadd9: 3x0203 Fadd9: xx3213
| Verse: |
| B(G | |
| If I could make a wish |
| D#7(B7 | |
| I think I'd pass |
| E(C | Em(Cm | B(G | |
| Can't think of | anything I n | eed |
| B(G | |
| No cigarettes, no sleep |
| D#7(B7 | |
| No light, no sound |
| E(C | Em(Cm | B(G | |
| Nothing to | eat, no books to | read |
| D#m(Bm | |
| Making love with you |
| Em(Cm | B(G | |
| Has left me p | eaceful, warm, and | tired |
| D#m(Bm | |
| What more could I ask |
| Em(Cm | B(G | |
| There's nothing | left to be de | sired |
| Pre-chorus: |
| B(G | D#7(B7 | |
| Peace came upon me and it | leaves me weak |
| E(C | Em(Cm | G(B | |
| So | sleep, silent | angel, go to | sleep |
| Chorus: |
| B(G | F#(D | B(G | |
| Sometimes all I need is the | air that I breathe and to | love you |
| B(G | F#(D | B(G | |
| All I need is the | air that I breathe, yes, to | love you |
| B(G | F#(D | |
| All I need is the | air that I breathe |
| Instrumental: |
| Dm | C | G | D | |
| (2x - first time w/lead guitar and harmony vocals; second time |
| with orchestra) |
| (repeat pre-chorus) |
| (repeat chorus) |
| (repeat instrumental 1X, w/lead guitar and harmony vocals) |
| Coda (repeat to fade): |
| B(G | F#(D | B(G | |
| Sometimes all I need is the | air that I breathe and to | love you |
| B(G | F#(D | B(G | |
| All I need is the | air that I breathe, yes, to | love you |
| -- another ace 70's tab from Andrew Rogers |

| G | C | G | |
| Faithless love like a | river | flows. |
| Bm | C | |
| Raindrops | falling on a broken | rose |
| G | Em | |
| Down in some valley where nobody | goes. |
| Em | G | C | |
| And the | night falls | in |
| G | C | |
| Like a | cold dark | wind. |
| G | Am | C | D7 | G | |
| Faithless | lov | e | like a river | flows. |
| G | C | G | |
| Faithless love, where did | I go | wrong |
| Bm | C | |
| Was it telling | stories in a heartbreak | song? |
| G | Em | |
| Where nobody's right, nobody was | wrong. |
| Em | G | Em | |
| Faithless | love will | find you, |
| C | G | C | |
| And its | misery entw | ine you. |
| G | Am | C | D7 | G | |
| Faithless | lov | e, | where did I go | wrong. |
| G | C | G | |
| Whell I guess I'm | standing in the | hall of broken dreams; |
| C | D | G | |
| That's the | way it sometimes | goes. |
| C | G | |
| And every | new love never | turns out like it seems; |
| C | D | C | D7 | |
| Guess the | feeling comes and | goes. |
| G | C | G | |
| Faithless love like a | river | flows. |
| Bm | C | |
| Raindrops | falling on a broken | rose |
| G | Em | |
| Down in some valley where nobody | goes. |
| Em | G | Em | |
| Faithless | love has | found me, |
| C | G | C | |
| Thrown its | chilly arms aro | und me. |
| G | Am | C | D7 | G | |
| Faithless | lov | e | like a river | flows.# Submitted to the ftp.nevada.edu:/pub/guitar archives# 7 September 1992 |

| Bm | Bm/A | G | |
| Though | Adam was a | friend of mine, I | did not know him well |
| D | D/C# | Bm | Bm/A | G | |
| He was | alone in | his ex | istence, | He was | deep into his well |
| D | D/C# | Bm | Bm/A | G | |
| I could | guess what | he was | laughing | at, But I | couldn't really tell |
| D | D/C# | Bm | Bm/A | G | D | |
| Now the | story's | told that | Adam | jumped, But I'm | thinking that he | fellrepeat pattern for all verses |
| Together we went traveling, as we received the call |
| His destination India, and I had none at all |
| Well I still remember laughing, with our backs against the wall |
| G | D | G | D | |
| I sit before my only | candle, but it's | so little light to find my | way |
| G | A | Bm | |
| Now this | story unfolds | before my | candle |
| D/A | A | |
| Which is | shorter every hour as it | reaches for the day |
| Bm | F#m | |
| Well I | feel just like a candle in a | way |
| G | D | A7 | G | D | A | |
| I guess I'll get | there but I wouldn't | say | for | sure |
| When we parted we were laughing still, as our goodbyes were said |
| And I never heard from him again, as each our lives we led |
| except for once in someone else's letter that I read |
| I sit before my only candle, like a pilgrim sits beside the way |
| Now this journey appears before my candle |
| as a song that's growing fainter, the harder I play |
| well I fear before I am I'll fade away |
| Though Adam was a friend of mine, I did not know him long |
| And when I stood myself beside him, I never thought I was as strong |
| still it seemed he stopped his singing in the middle of his song |
| I'm holding out my only candle, though it's so little light to find my way |
| now this story's been layed beneath my candle |
| and it's shorter every hour as it reaches for the day |
| yes I feel just like a candle in a way |

| C | G | |
| Of the words that all've been | spoken, |
| F | C | |
| somehow the | feeling still wasn't | right, |
| F | Am | G | F | C | |
| and still we | continued | on through the | night. |
| G | |
| Tracing our steps from the be | ginning, |
| F | C | |
| till they | vanished into the | air. |
| F | Am | G | F | |
| Trying to understand how | our live | had let us | fail. |
| F | Am | G | F | G | |
| Looking hard | into your eyes, there was | nobody | I'd ever | known. |
| F | Am | G | |
| Such an empty | surprise | to feel so | alone. |
| C | G | |
| Now for | me, some words come | easy |
| F | C | |
| but I know that | they don't mean that | much, |
| F | Am | G | C | |
| compared with the | things that they say | when lovers | touch. |
| C | G | |
| You'll never knew what I | loved in you, |
| F | C | |
| I don't know | what you loved in | me. |
| F | Am | G | F | |
| Maybe the picture of some | body you will | hope that I might | be. |
| F | Am | G | C | G | |
| Awake again, I | can't pretend and I | know I am | al | one. |
| F | Am | G | C | G | |
| And | close to the | end of the feeling we've | kn | ow | n. |
| F | C | |
| How long have I been | sleeping? |
| F | Am | G | C | |
| How long have I been | drifting al | one through the | night? |
| F | Am | |
| How long have I been | dreaming I |
| G | C | |
| could make it right if I | close my eyes |
| F | Am | |
| and try | with all my might to be the | one you need ... |
| F | Am | G | C | G | |
| Awake again, I | can't pretend and I | know I am | al | one. |
| F | Am | G | C | G | |
| And | close to the | end of the feeling we've | kn | ow | n. |
| F | C | |
| How long have I been | sleeping? |
| F | Am | G | C | |
| How long have I been | drifting al | one through the | night? |
| F | Am | |
| How long have I been | running for |
| G | C | |
| that morning flight through the whispering | promises |
| F | C | G | |
| in the | changing light of the | bed where we both | lie, |
| C | |
| late for the | sky. |
| ./. 'Der Frank, der war in Kanada ... es war aber kana da!' |
| _|| |/|_ |
| / |
| >______< |
| || Frank W. Semrau (2:2480/76.95) Point 95 der DO IT! |

##song. You may only use this file for private study, scholarship, or research. ####Capo on the 2nd fret.#Chorus (W. Jennings,W. Nelson):
| A | E | |
| T | ake back the weed,take back the cocaine b | aby |
| A | |
| Take back the pills,take back the whiskey t | oo |
| E | |
| I don't need them now,your love was all i was | after |
| A | |
| I'll make it now,i can get off on y | ou |
| Verse 1 (W. Nelson): |
| D | A | |
| I c | an get by on little or nothing at a | ll,i know |
| D | E | |
| I c | an get high just thinking about you | ,and so |
| Chorus. |
| Verse 2 (W. Jennings): |
| D | A | |
| Who w | ould have thought this was something that i'd ever | do |
| D | E | |
| I'm w | orking it out,mellowing out on | you |
| Chorus (x2). |
| Thanks to David M.Potter (dmp12@cornell.edu) for the lyrics. |
| Perret Charles-Amir : perret@diva.univ-mlv.fr |

| Em | G | |
| Well, she's | walkin' through the | clouds |
| Am | Em | |
| with a | circus mind that's running | wild |
| Bm | Bb | Am | |
| Butterflies and zebras and | moonbeams |
| G | |
| and uh fairy | tales |
| F(add9 | |
| That's | all she ever thinks about |
| C | D | |
| Riding with the | wind |
| Em | G | |
| When I'm | sad she comes to | me |
| Am | Em7 | |
| with a | thousand smiles she gives to me | free |
| Bm | Bb | |
| It's alright she says | It's alright |
| Am | C | G | F(add9 | |
| Take | anything you want | from me |
| C | |
| anything |
| D | |
| anything solo ad libitum |

##song. You may only use this file for private study, scholarship, or research. ###comments and questions to Mike A. Hall.# ---------------------------------------------------------------------------#@SONG: Son Of A Son Of A Sailor#Son of a Son of a Sailor#1978[G]As the son of a son of a sailor
F C G I went out on the sea for ad venture
C G Ex panding the view of the captain and crew
D G Like a man just released from in denture
G As a dreamer of dreams and a traveling man
F C G I have c halked up many a mile
C G Read dozens of books about heroes and crooks
D G And I l earned much from both of their s tyles
Chorus:
F C Son of a son, son of a son
G Son of a son of a sailor
F C Son of a gun, load the last ton
C One step ahead of the jailer
Now away in the near future
Southeast of disorder
You can shake the hand of the Mango man
As he greets you at the boarder
And the lady she hails from Trinidad
Island of the spices
Salt for your meat and cinnamon sweet
And the rum is for all your good vices
F C H aul the sheet in as we ride on the wind
G That our forefathers harnessed be fore us
F C H ear the bells ring as the tide rigging sings
G It's a son of a gun of a chorus
Where it all ends I can't fathom my friends
If I knew I might toss out my anchor
So I'll cruise along always searching for songs
Not a lawyer a thief or a banker
But the son of a son, son of a son
Son of a son of a sailor
Son of a gun, load the last ton
One step ahead of the jailer
I'm just a son of a son, son of a son
Son of a son of a sailor
F C The sea's in my veins, my t radition remains
G I'm just glad I don't live in a trailer
--------------------------------------------------------------------
@SONG: Fool Button
@CHORDS: Mike Hall (mhall@moe.coe.uga.edu)
Fool Button
By: Jimmy Buffett
1978
A I woke up in a strange room
I'd never seen before
Weird paintings on the walls
Mirrors on the ceiling
I bolted for the door
D Lookin' for my rentacar
Was the Cordoba blue or red?
A Tryin' to remember where I put the keys
Tryin' to remember what I said
Chorus:
D I pushed the fool button
A My night went haywire
D I pushed the fool button
E Set my brain on fire
Now I was sittin' in the corner of a very laid back bar
A little three piece band playin' on the stand
Not knowin' what lay in store
In a flash a man with a hat and a harmonica stormed the stage
The crowd went berserk, the band said what a jerk
As he went into a blues rampage
Chorus:
It was a fool palace
Double knit on parade
They pushed the fool button
As the skinny boy played and played
Push it, push it, push it
Try to make a point of protectin' the innocent
But none of them can be found
It can happen anytime
Happen anyplace
It can happen in your own home town
If you don't believe my words
Or think my story's true
Get a bottle of rum and a Eskatrol
And watch the same thing happen to you
Chorus:
We'll push the fool button
I'll meet you in the bar
We'll push the fool button
Where everyone's a star
(Jimmy pushed the fool button)
(He pushed it like a fool, Bubba)
(Pushin' like a fool)
(Pushed the button like a fool)
(Pushed the fool button)
(Pushed it like a fool)
(Pushed the button like a fool)
----------------------------------------------------------------
@SONG: The Last Line
@CHORDS: Mike A. Hall (mhall@moe.coe.uga.edu)
The Last Line
By: Keith Sykes
1977 F C F C Given my life for songs that I sing
F C F C Matter of fact, I've given every thing
F C F C Time has come to not make a sound
F C F C Time has come to lay my burdens down
F Bb F Whoa oh oh (woe oh woe oh woe oh)
C F C Whoa oh (woe oh woe oh woe oh)
G C It's come from be hind
F G Now is the time
F C F C For the last line ( last line)
Managed to keep some friends on my side
To live through the times of the rumors and lies
Now it's time to rest my heart
Let some other innocent fool take my part
Whoa oh oh (woe oh woe oh woe oh)
Whoa oh (woe oh woe oh woe oh)
It's come from behind
Now is the time
For the last line (last line)
( saxophone solo)
Whoa oh oh oh (woe oh woe oh woe oh)
Whoa oh (woe oh woe oh woe oh)
It's come from behind
Now it's the time
For the last line (last line)
So don't pay me no mind, I'm walkin' away
You'll see me again on some other day
You'll see me again, I'll be ready to go
And pour out my songs with my heart and my soul
Whoa oh oh (woe oh woe oh woe oh)
Whoa oh (woe oh woe oh woe oh)
It's come from behind
Now is the time
For the last line (last line)
Yes it's come from behind
Now is the time
For the last line (last line)
Ah the last line (last line)
--------------------------------------------------------------------
@SONG: Livingston Saturday Night
Livingston Saturday Night
By: Jimmy Buffett
1975 E B You got your Tony Lama's on your jeans pressed tight
A7 E You take a few tokes make you feel alright
A B7 E Rockin' and a rollin' on a Livingston Saturday n ight
B Pickup's washed and you just got paid
A7 E With any luck at all you might even get laid
A B E 'Cause they're pickin' and a kickin' on a Livingston Saturday night
A E So won't you listen to the sound of the hot country band
B7 E Boot heels a' shufflin' on the dance floor sand
A E S ing a song, play some pong, shoot a little pool
F#7 B7 Hittin' on the honeys right outta high school
A B7 Fifteen may get ya twenty, that's all right
A7 B7 E 'Cause they'll be rockin' and a rollin' on a Livingston Saturday night
(alright Timmy...)
Whoa listen to the sound of the hot country band
Boot heels a shufflin' on the dance floor sound
Hum a song, play some pong, eat a deviled egg
Temperature is risin' better pop another keg
Fifteen may get ya twenty, that's all right
'Cause they'll be rockin' and a rollin' on a Livingston Saturday night
(where's that harpoon man...)
Whoa ya gotta listen to the sound of the hot country band
Boot heels a shufflin' on the dance floor sound
Sing some songs, play some pong, eat a deviled egg
Temperature is risin' better pop another keg
Fifteen may get ya twenty, that's all right
'Cause they'll be rockin' and a rollin' on a Livingston Saturday night
Yeah I say they'll be rockin' and a rollin' on a Livingston Saturday night
One more time they'll be rockin' and a rollin' on a Livingston Saturday night
--------------------------------------------------------------------
@SONG: Cheeseburger in Paradise
Cheeseburger in Paradise
By: Jimmy Buffett
1978
Intro: ** Play '|' as strums or beats
Bm |||| A |
Bm |||| G |
Bm |||| A | D |
G A D Tried to a mend my car nivorous ha bits
G A D Made it nearly seventy da ys
G A D Losin' we ight without s peed, eatin' sun flower seeds
E A Drinkin' lots of carrot juice and soakin' up rays
G A D G But at night I'd have these w onderful dreams
G A Bm Some kind of sensuous tre at
G D G D Not zuc chini, fettu cini or bu lgar w heat
G D A D But a big warm b un and a h uge hunk of m eat
Chorus:
G A D C heese burger in paradise
G A D Heaven on Earth with an o nion slice
G A D Not too par ticular, no t too precise
G D A D I'm just a Cheese burger in parad ise
Heard about the old time sailor men
They eat the same thing again and again
Warm beer and bread they said could raise the dead
Well it reminds me of the menu at a Holiday Inn
But times change, sailors these days
When I'm in port I get what I need
Not just Havanas or bananas or daiquiris
But that American creation on which I feed
Chorus:
Cheeseburger in Paradise
Medium rare with mustard be nice
Heaven on Earth with an onion slice
I'm just a Cheeseburger in Paradise
** (Guitar Tacet throughout)
** I like mine with lettuce and tomato
** Heinz 57 and French fried potatoes
** Big kosher pickle and a cold draft beer
** Well good God almighty which way do I steer for my
Chorus:
Cheeseburger in Paradise
Makin' the best of every virtue and vice
Worth every damn bit of sacrifice to get a
Cheeseburger in Paradise
I need a Cheeseburger in Paradise
I'm just a Cheeseburger in Paradise
Repeat intro
Repeat Guitar Tacet part (above)
--------------------------------------------------------------------
@SONG: Coast of Marseilles
@CHORDS: Matt Landrum (mdl@cypress.com)
Coast of Marseilles
By: Keith Sykes
1978
E G#7 C#7 I sat there on the coast of Marseille s
A Bm7 A My thoughts came by like wind through my ha nd
E G#7 C#7 How good it'd be to feel you agai n
A Bm7 A/E How good it's be to feel that way again
E G#7 Would you be re membering me
A Bm7 A I ask that question time and again
E G#7 The answer came and haunted me so
A Bm7 A/E I would not want to think it again
C9 B9 E No, I would not want to think it agai n
C#m7 G#m7 C#m B E Youuu uuuuu make it so hard to forget
C#m7 G#m7 C#m A B A Iiiii iiiii haven't stopped loving you yet
E G#7 When I left the coast of Marseilles
A Bm7 I hadn't done what I'd come to do
E G#7 Spen t all the money I'd saved
A Bm7 Still did not ge t over you
C9 B9 No, I still did not get over you
C#m7 C9 B9 Oooooo oooo oo
--------------------------------------------------------------------
Chord diagrams: (EAGBDe) (use lots of bar chords, and walk down bass)
A/C# - x4x2xo B9 - x21222 Cm7 - x35343 E6 - o2212o A/E - xx2x2o C7 - x35353 C#m7 - x46454 E/D - xxoxoo Bm7 - x24232 C9 - x32333 E/B - o2x1xo G#7 - 464544 -------------------------------------------------------------------- ----------------------------------------------------------------
@SONG: Cowboy In The Jungle
@CHORDS: Mike A. Hall (mhall@moe.coe.uga.edu)
Cowboy in the Jungle
By: Jimmy Buffett
1978
G There's a cowboy in the jungle
Am And he looks so out of place
D With his shrimpskin boots and his cheap cheroots
C D G And his skin as white as paste
G Headin' south to Paraguay
Am Where the Gauchos sing and shout
Now he's stuck in Porto Bello
C D Since his money all ran out
So he hangs out with the sailors
Night and day they're raisin' hell
And his original destination's just another
Story that he loves to tell
With no plans for the future
He still seems in control
From a bronco ride to a ten foot tide
He just had to learn to roll
Chorus:
G C D G Roll with the punches
C D G Play all of his hunches
C D Make the best of whatever came his way
C D G What he lacked in ambi tion
C D Em He made up with in- tuition
C D G Plowing straight a head come what may
Steel band in the distance
And their music floats across the bay
While American women in moomoos
Talk about all the things they did today
And their husbands quack about fishing
As they slug those rum drinks down
Discussing who caught what and who sat on his butt
But it's the only show in town
Chorus:
They're tryin' to drink all the punches
They all may lose their lunches
Tryin' to cram lost years into five or six days
Seems that blind ambition erased their intuition
Plowin' straight ahead come what may
Refrain:
Am C G But I don't want to live on that kind of is land
Am C G No I don't want to swim in a roped off sea
Em A7 Too much for me, too much for me
C D G I've got to be where the wind and the water are free
Alone on a midnight passage
I can count the falling stars
While the Southern Cross and the satellites
They remind me of where we are
Spinning around in circles
Living it day to day
And still twenty four hours may be sixty good years
It's still not that long a stay
Chorus:
We've gotta roll with the punches
Learn to play all of our hunches
Makin' the best of whatever comes your way
Forget that blind ambition
And learn to trust your intuition
Plowin' straight ahead come what may
D C G And there's a cowboy in the jungle
--------------------------------------------------------------------
@SONG: Man~ana
@CHORDS: Mike A. Hall (mhall@moe.coe.uga.edu)
Man~ana
By: Jimmy Buffett
1978
D She said I can't go back to America soon
It's so goddamn cold it's gonna snow until June
G Em Yeah, they're freezin' up in Buffalo, stuck in their cars
A G D And I 'm lyin' here 'neath the sun and the stars
D C ustoms man tells her that she's gotta leave
She's got a plan hidden up her shrewd sleeve
G Em Wants to find her a captain, a man of strong mind
A G D And any direction he blows'll be fine.
CHORUS:
G D Please don't say man~ana if you don't mean it
A D I have heard those words for so very long
G D Don't try to describe the ocean if you've never seen it
A G D Don't ever forget that you just may wind up being wrong
Tried and I tried but I don't understand
Never seems to work out the way I had it planned
Hangin' out in a marina when Steve Martin called
Singin' anybody there really wanna' get small
But women and water are in short supply
There's not enough dope for us all to get high
I hear it gets better, that's what they say
As soon as we sail on to Cane Garden Bay
Chorus:
Please don't say man~ana if you don't mean it
I have heard your lines for so very long
Don't try to describe the scenery if you've never seen it
Don't ever forget that you just may wind up in my song
(spoken: 'Alright, let's reggae Reefers'')
SOLO: D G A G D
Called all my friends on those cheap nightly rates
Sure was good to talk to the old United States
While the lights of St. Thomas lie twenty miles west
I see General Electric's still doing their best
I've got to head this boat south pretty soon
New album's old and I'm fresh out of tunes
But I know that I'll get 'em
I know that they'll come
Through the people and places and Callwoods Rum
Last Chorus:
So please don't say man~ana if you don't mean it
I have done your lines for so very long
Don't try to describe a Kiss concert if you've never seen it
Don't ever forget that you just may wind up being gonged! (gong)
A G D And I hope Anita Bryant never ever does one of my songs
--------------------------------------------------------------------
@SONG: African Friend
@CHORDS: Sean Costello (costells@guvax.acc.georgetown.edu)
African Friend
By: Jimmy Buffett
1978
G C G Disem barking at Duvalier Airport
D C G Seeking transpor tation to town
G C G As the purple ink dried on his passport
D C G He could still feel the eyes look a round
(Some French stuff) casino
Spoke to the cabbie and smiled
Driver replied vous o louvos
As he motioned the dark man inside
Bm C CHORUS: Business in Aruba con cluded
Am D Dsus4 He now had a little money to sp end
C D G That's how I came to meet my African friend
We were rolling the bones several hours
Conversing as most gamblers do
We were calling on all of our powers
Hoping to see the night through
But not approving at all of our winning,
Pit boss he tugged at his sleeve
Through the whole thing my new friend was grinning
When he motioned it's time we should leave
With our night at the tables behind us
We were ready just to do it again
That's when I came to know my African friend
INSTRUMENTAL
But I woke up on the steps of a whorehouse
Soldier told me I better leave
As I stumbled to find me a taxi
I saw a note pinned to my sleeve
It was a pleasure and a hell of an evening
Truly was our night to win
But the authorities insist on my leaving
Take care, my American friend
With my weekend in Haiti concluded
I now had a little money to spend
That's how I came know my African Friend
---------------------------------------------------------------------
End of the SOASOAS GCC section...
12/4/94 MAB

| Intro: (Do Twice) Capo 1st Fret |
E[--3—-3------------------------0—-0--------------------] B[--0—-0------------------------1—-1--------------------] G[--0--0-----------0------------0—-0--------------------] D[--0—-0--0--2—-4-----4—--2—-0--2—-2-----0—-2—-3—-2-----] A[--2—-2------------------------3—-3—-3--------------3--] E[--3—-3------------------------3—-3--------------------]
| Verse 1: |
| G | C | G | |
| When I think of those E | ast End li | ghts |
| C | |
| Muggy nights |
| G | F | C | |
| The curtains drawn in the li | ttle room downstai | rs |
| F | G | |
| Prima Donna lord you really sh | ould have been there |
| F | G | C | |
| Sitting like a princess pe | rched in her elec | tric chair |
| Cm | |
| And it's o | ne more beer |
| A7 | |
| And I don't hear you a | nymore |
| C | |
| We've a | ll gone crazy lately |
| C#dim | G | |
| My f | riends out there rolling round the bas | ement floor |
| D | |
| Ah ah ah ah | ah ah ah |
| Chorus: |
| C | G | Am | G | |
| And someone saved my lif | e tonight sug | ar bear |
| C | G | Am | |
| You almost had your ho | oks in me di | dn't you dear |
| G | C | Bm7 | |
| You n | early h | ad me roped and tied |
| C | C#dim | |
| Altar-bound, hyp | notized |
| G | |
| Sweet fr | eedom whispered in my ear |
| C#dim | |
| You're a b | utterfly |
| C | |
| And b | utterflies are free to fly |
| C#dim | G | Bm7 | C | |
| Fly away, h | igh away | bye b | ye |
| C | Bm7 | Am | G | F | |
| Ooh ooh | ooh ooh ooh ooh | ooh |
| Intro: (do twice) |
| Verse 2: |
| G | C | G | |
| I never realized the pas | sing ho | urs |
| C | |
| Of evening showers |
| G | F | C | |
| A s | lip noose hanging i | n my darkest dre | ams |
| F | G | |
| I'm s | trangled by your haunted so | cial scene |
| F | G | C | |
| Just a pawn out-pl | ayed by a dominating que | en |
| Cm | |
| It's four o'clock in the morning |
| A7 | |
| Damn it li | sten to me good |
| C | |
| I'm sleeping with myself tonight |
| C#dim (x45650) G |
| Saved in time, thank God my music's still alive |
| D | |
| Ah ah ah a | h ah ah |
| Back To Chorus Â…Â…Â…Â…Â…Â…Â…Â…Â…Â…Â…Â…Â…Â…Â…Â… |
| (Then do Intro Twice Again, then go to Bridge) |
| Bridge: |
| Am | G | |
| And I would have walked head on into the dee | p end the river |
| Em7 | |
| Clinging to your stocks and bonds |
| C | |
| Paying your H | .P. demands forever |
| Am | G | |
| They're coming in the morning with a tr | uck to take me home |
| Em7 | C | |
| Someone saved my life tonight, som | eone saved my life tonight |
| Em7 | C | |
| Someone saved my life tonight, som | eone saved my life tonight |
| Em7 | |
| Someone saved my life tonight |
| C | C#dim | Bm7 | C | |
| So save your strength and run the field you pl | ay alone |
| Back To Chorus AgainÂ…Â…Â…Â…Â…Â…Â…Â…Â…Â…Â…Â…Â…Â…Â…Â… |
| (Then go to the ending) |
| Ending: |
Do Intro throughout this part G & C-------6 times and fade
| G | C | |
| Someone saved, someone saved, someone saved my lif | e tonightÂ…Â…Â…Â…Â…Â…Â…Â… |

| Spoken: |
| Am7 | D7 | |
| Now somewhere in the Black Mountain hills of | Dakota |
| G7 | |
| there lived a young boy named Rocky Rac | coon |
| And one day his woman ran off with another guy |
| C | |
| Hit young Rocky in the eye |
| C/B | |
| Rocky didn't like that, |
| Am7 | D7 | |
| he said I'm gonna get that boy |
| G7 | |
| So one d | ay he walked into town |
| C | C/B | |
| and booked himself a r | oom in a local s | aloonSing: |
| Am7 | D7 | |
| Rocky Raccoon, checked i | nto his room, |
| G7 | C | C/B | |
| o | nly to find Gideon's Bi | ble. |
| Am7 | D7 | |
| Rocky had come, e | quipped with a gun, |
| G7 | C | C/B | |
| to s | hoot off the legs of his ri | val |
| Am7 | D7 | |
| His ri | val it seems, had b | roken his dreams, |
| G7 | C | C/B | |
| by s | tealing the girl of his fan | cy |
| Am7 | D7 | |
| Her n | ame was McGill, And she c | alled herself Lil, |
| G7 | C | C/B | |
| but e | veryone knew her as N | ancy |
| Now she and her man, who called himself Dan, |
| were in the next room at the hoedown |
| Rocky burst in and grinning a grin, |
| he said 'Danny boy, this is a showdown.' |
| But Daniel was hot, he drew first and shot, |
| and Rocky collapsed in the corner. |
| Am7 | D7 | G7 | C | C/B |
| (instrumental) |
| Now the doctor came in, stinking of gin, and proceeded to lie on the table |
| He said, 'Rocky, you met your match,' |
| but Rocky said, 'Doc, it's only a scratch |
| and I'll be better, I'll be better, Doc, as soon as I am able.' |
| Now Rocky Raccoon, he fell back in his room only to find Gideons Bible |
| Gideon checked out and he left it no doubt |
| to help with good Rocky's revival. |

##song. You may only use this file for private study, scholarship, or research. ###From: Andrew Rogers##up to this point had been a remake of an oldie. This (one of the few## 'Poor Side Of Town'##
Emaj7 F#m7 Doo-do-do-do-wah, shoobee-doobee
Emaj7 F#m7 Doo-do-do-do-wah, shoobee-doobee
Verse 1:
Emaj7 F#m7 How can you tell me how much you miss me
Emaj7 F#m7 When the last time I saw you you wouldn't even kiss me
A G#m7 That rich guy you been seein'
F#m7 A Must have put you d own
E So w elcome back, baby
E To the poor side of t own
guitar (2X; played at end of each verse):
(E) (N.C.)
v v v v
-------0--0--------------- ------------0h2-0--------- ------------------0h1p0h1- -------------------------- -------------------------- -0------------------------
Verse 2:
To him you were nothing but a little plaything (little plaything,
doo-wah)
Not much more than an overnight fling (overnight fling, doo-wah)
To me you were the greatest thing
This boy had ever found
And girl, it's hard to find nice things
On the poor side of town
Bridge:
D Gmaj7 I can't blame you for tryin'
C Bm I'm tryin' to m ake it too
C Bm I've got one little h angup, baby
Am G B Emaj7 I just can't make it witho ut you (without you, o oh, without you , aah)
Verse 3:
So tell me, are you gonna stay now (gonna stay now, doo-wah)
Will you stand by me all the way now (all the way now, doo-wah)
With you by my side
They can't keep us down
Together we can make it, baby
From the poor side of town
Verse 4 (first two lines sung by background singers):
So tell me how much you love me
Come near to me and say you need me now
Oh, with you by my side
This world can't keep us down
Together we can make it, baby
From the poor side of town
Coda (repeat to fade):
Emaj7 F#m7 Doo-do-do-do-wah, shoobee-doobee
-- another ace 60's tab from Andrew Rogers

##song. You may only use this file for private study, scholarship, or research. ###written by J. Vincent/H. Smith#tab transcribed by Collins Crapo#(twice):
| C | 2 | 3 | 4 | G | 2 | C | 2 | G7 | C | |
| I wanna | jump but I'm afraid I'll fall |
| I wanna holler but the joint's too small |
| G | |
| Young man rhythm's got a hold of me too |
| C | G7 | |
| I got the | rockin' pneumonia and the boogie woogie | flu |
| Verse 2: |
| Call some other's baby that ain't all |
| I wanna kiss her but she's way too tall |
| Young man rhythm's got a hold of me too |
| I got the rockin' pneumonia and the boogie woogie flu |
| Verse 3: |
| I wanna squeeze her but I'm way too low |
| I would be runnin' but my feets too slow |
| Young man rhythm's got a hold of me too |
| I got the rockin' pneumonia and the boogie woogie flu |
| (repeat opening instrumental) |
| (repeat verse 3) |
| Verse 4: |
| Baby comin' now I'm hurryin' home |
| I know she's leavin' cause I'm takin' too long |
| Young man rhythm's got a hold of me too |
| I got the rockin' pneumonia and the boogie woogie flu |
| (repeat opening instrumental and fade) |

| G | C | |
| Oh-oh-oh- | oh-oh-oh-oh |
| G | C | |
| Oh-oh-oh- | oh-oh-oh-oh |
| G | C | |
| Oh-oh-oh- | oh-oh-oh-oh |
| G | C | |
| Baby | I need your lovin' |
| G | C | |
| Baby | I need your lovin' |
| G | C | |
| Although | you're never near |
| G | C | |
| Your voice | I often hear |
| G | C | |
| Another day, | another night |
| G | C | |
| I long | to hold you tight |
| G | C | |
| 'cause I- | -'m so lonely |
| CHORUS: |
| F | G7 | |
| Baby I | need your lovin' |
| C | Am | |
| Got to have | all your lovin' |
| F | G7 | |
| Baby I | need your lovin' |
| C | Am | |
| Got to have | all your lovin' |
| Verse 2: |
| Some say it's a sign of weakness |
| For a man to beg |
| Then weak I would rather be |
| If it means havin' you to keep |
| 'Cause lately I've been losin' sleep |
| (chorus) |
| Bridge: |
| G | C | G | C | |
| Every | night I call your | name |
| G | C | G | C | |
| Sometimes I | wonder, girl, will I ever | be the same? |
| Verse 3: |
| When you see me smile you know |
| Things are just gettin' worse |
| Any smile you might see baby |
| Has all been rehearsed |
| Baby I can't go on without ya |
| This lonliness won't let me live without ya |
| This emptiness inside me baby |
| Makes me feel half alive |
| (repeat chorus and fade) |

##song. You may only use this file for private study, scholarship, or research. ###From: rickl1@IX.netcom.com (rick)###Stuart Schulman bass#Eric Lilljequist guitar#
| A | |
| Sunshine go away today |
| E | |
| I don't feel much like | dancing |
| A | |
| Some man's gone he's trying to run my life |
| D | |
| He don't know what he's | asking |
| A | |
| He tells me I better get in line |
| E | |
| Can't hear what he's | saying |
| A | |
| When | I grow up I'm gonna make it mine |
| D | |
| These ain't dues I been | paying |
| D | A | |
| How much does it | cost |
| I'll buy it |
| D | A | |
| The time is all we've | lost |
| I'll try it |
| D | A | |
| He can't even | run his own life |
| G | E | |
| I'll be | damned if he'll run | mine Sunshine |
| A | |
| Sunshine go away today |
| E | |
| I don't feel much like | dancing |
| A | |
| Some man's gone he's trying to run my life |
| D | |
| He don't know what he's | asking |
| A | |
| Working starts to make me wonder where |
| E | |
| Fruits of what I do are | going |
| A | |
| He says in love and war all is fair |
| D | |
| He's got cards he ain't | showin |
| D | A | |
| How much does it | cost |
| I'll buy it |
| D | A | |
| The time is all we've | lost |
| I'll try it |
| D | A | |
| And | he can't even | run his own life |
| G | E | |
| I'll be | damned if he'll run | mine Sunshine |
| A | |
| Sunshine come on back another day |
| E | |
| I promise you I'll be | singin |
| A | |
| This old world she's gonna turn around |
| D | |
| Brand new bells will be | ringing |
| From Jonathan Edwards 'Jonathan Edwards' |
| Capricorn Records 1971 |
| Castle Hill Publishing(ASCAP) |

| chorus |
| C | F | C | |
| Your | mama don't dance, and your | daddy don't rock 'n' | roll |
| F | C | |
| Your | mama don't dance, and your daddy don't rock 'n' | roll |
| G | F | |
| but when | evening rolls around and it's | time to go to town |
| C | |
| Where do you | go? To rock 'n roll? |
| The old folks say that you got to end your date by ten |
| If you're out on a date and bring her home late, it's a sin |
| There just ain't no excuse, you know you're going to lose, you never win |
| I'll say it again |
| (and it's all because)chorus |
| solo |
| F | |
| You pulled into a drive-inn and you found a place to park |
| You hopped into the backseat where you know it's nice and dark |
| You're just about to move and thinking it's a breeze |
| There's a light in your eye and then a guy says: 'Out of the car long hair!' |
| G | F | C | |
| Ooo | wee, you're coming with | me said the local po | lice |
| (and it's all because)chorus (2X) |
| Where do you go? To rock 'n roll? |
| Where do you go? To rock 'n roll? endlick |

| Verse 1: |
| Dm | C | |
| The t | axman's taken a | ll my dough |
| F | C | |
| And l | eft me in my st | ately home |
| A | /G | /F | /E | Dm | |
| Lazin' | on a | sunny | aftern | oon |
| C | |
| And I can't s | ail my yacht |
| F | C | |
| He's t | aken everyth | ing I've got |
| A | /G | /F | /E | Dm | |
| All I've g | ot's this | sunny a | ftern | oon |
| Chorus 1: |
| D7 | G7 | |
| Save me, save me, save me from this squ | eeze |
| C7 | F | A7 | |
| I got a big | fat mama tryin' to break | me |
| Dm | G7 | |
| And I | love to live so pl | easantly |
| Dm | G7 | C7 | |
| L | ive this life of | luxu | ry |
| F | A7 | Dm | /C | /B | /Bb | |
| Lazin' on a s | unny after | noon |
| A | /G | /F | /E | |
| In the s | ummert | ime |
| Verse 2: |
| My girlfriend's run off with my car |
| And gone back to her ma and pa |
| Tellin' tales of drunkenness and cruelty |
| Now I'm sittin' here |
| Sippin' at my ice-cooled beer |
| All I've got's this sunny afternoon |
| Chorus 2: |
| Help me, help me, help me sail away |
| Or give me two good reasons why I oughta stay |
| 'Cause I love to live so pleasantly |
| Live this life of luxury |
| Lazin' on a sunny afternoon |
| In the summertime |
| Transcribed by Andrew Rogers. Check out these other |
| 60's and 70's tabs by him. |
| From: Harlan L Thompson |
| SUNNY AFTERNOON- The Kinks |
| Dm | Dm/C | Dm/B | Dm/Bb | A | A/G | A/F | A/E |
| Dm | C7 | |
| The t | axman's taken a | ll my dough |
| F | C7 | |
| And l | eft me in my st | ately home |
| Dm | Dm/C | Dm/B | Dm/Bb | Dm | |
| Lazin' | on a s | unny | afterno | on |
| C7 | |
| And I can't sai | l my yacht |
| F | C7 | |
| He's ta | ken everyth | ing I've got |
| Dm | Dm/C | Dm/B | Dm/Bb | Dm | |
| All I've g | ot's this s | unny | aftern | oon |
| CHORUS #1: |
| D | D7 | G | G7 | |
| Save me, save me, s | ave me from this sque | eze |
| C7 | F | A7 | |
| I got a big | fat mama tryin' to break | me |
| Dm | G | |
| And I | love to live so pl | easantly |
| D7 | G7 | |
| L | ive this life of lux | ury |
| F | A | Dm | Dm/C | Dm/B | Dm/Bb | |
| Lazin' on a s | unny after | noon |
| A | A/G | A/F | A/E | |
| In a summ | ertime |
| Dm | Dm/C | Dm/B | Dm/Bb | |
| In a summ | ertime |
| A | A/G | A/F | A/E | |
| In a summ | ertime |
| My girlfriend's run off with my car |
| And gone back to her ma and pa |
| Tellin' tales of drunkenness and cruelty |
| Now I'm sittin' here |
| Sippin' at my ice-cooled beer |
| Lazin |
| CHORUS #2: |
| Help me, help me, help me sail away |
| Or give me two good reasons why I oughta stay |
| 'Cause I love to live so pleasantly |
| Live this life of luxury |
| Lazin' on a sunny afternoon |
| In a summertime, in a summertime |
| In a summertime |
| REPEAT CHORUS #1 |
| Dm/C | Dm/B | Dm/Bb | A | A/G | A/F | A/E |
E --1------1-----1------------------------ B --3------3-----3----2----2----2----2---- G --2------2-----2----2----2----2----2---- D --0------0-----0----2----2----2----2---- A --3------2-----1----0------------------- E -------------------------3----1----0----
| (one could alternately keep on the Dm and add the bass notes |
| all the way down to E) |
| (from Face to Face, 1966, also on Greatest Hits) |
| (sent by Harlan at harlant@hawaii.edu) |

e:-------------------3-3--------------------------2-2----| B:-------------------3-3-3------------------------3-3----| G:o--0h2p0-----0--0--0-0-0----0h2p0---0-4p2p0-----2-2---o| D:o--------4p0----0----0-0----------4---------0---0-0---o| A:----------------2------2-2-----------------------------| E:----------------3--------3-----------------------------| e:------------------3-3-------------------------2-2-----------| B:------------------3-3-3-----------------------3-3-----------| G:---------------0--0-0-0--0h2p0----0--4p2p0----2-2-----------| D:----2---0-2-0--0----0-0---------4----------0--0-0-----------| A:0-2---2--------2------2-------------------------------------| E:---------------3--------------------------------------------|
| C(add | D | G/B |
e:--------------------------------------------------------------| B:----------------3-3-3-----3-3-3-----3---------------------/-5-| G:---0h2p0--------0-0-0-----0-0-0-----0---(strum and slide)---0-| D:---------4p0----2-2-2-----0-0-0-----3---------------------/-5-| A:-------------3--3-3-3--2--2-2-2--1--1---------------------/-3-| E:--------------------------------------------------------------| e:-------------------3-3--------------------------2-2----| B:-------------------3-3-3------------------------3-3----| G:o--0h2p0-----0--0--0-0-0----0h2p0---0-4p2p0-----2-2---o| D:o--------4p0----0----0-0----------4---------0---0-0---o| A:----------------2------2-------------------------------| E:----------------3--------------------------------------| e:------------------3-3-------------------------2-2-----------| B:------------------3-3-3-----------------------3-3-----------| G:---------------0--0-0-0--0h2p0----0--4p2p0----2-2-----------| D:----2---0-2-0--0----0-0---------4----------0--0-0-----------| A:0-2---2--------2------2-------------------------------------| E:---------------3--------------------------------------------|
| Dsus2 |
e:----------------------------------------2-2-2-0--------------| B:-----------------3--3-------------------3-3-3-3--------------| G:--0h2p0----------0--0-------------------2-2-2-2--------------| D:---------4p0-----2--0------------0-2p0--0-0-0-0--------------| A:-------------3---3--2-------0--2-----------------------------| E:-----------------------3--3----------------------------------| e:--------------------2-2-2-0--------------------2-2-2--2-2-2--| B:--------------------3-3-3-3--------------------3-3-3--3-3-3--| G:--------------------2-2-2-2--------------------2-2-2--2-2-2--| D:------------0--2p0--0-0-0-0------------0--2p0--0-0-0--0-0-0--| A:-------0--2-----------------------0--2-----------------------| E:--3--3-----------------------3--3----------------------------| e:-------------------3-3---------------------------2-2---------| B:-------------------3-3-3-------------------------3-3---------| G:--0h2p0-----0---0--0-0-0--0h2p0---0--4p2p0-------2-2---------| D:--------4p0-----0----0-0--------4----------0-----0-0---------| A:----------------2------2-------------------------------------| E:----------------3--------------------------------------------|
| Hey, lady, you got the love I need; |
e:------------------3-3----------------0h2-----2--2-2-2--| B:------------------3-3-----3--5p3-5p3---------3--3-3-3--| G:-0h2p0-----0------0-0--/4--------------------2--2-2-2--| D:-------4p0--------0-0------------------------0--0-0-0--| A:------------------2-2----------------------------------| E:------------------3-3----------------------------------|
| maybe ..... more than enough. |
e:-------------------3-3----------------------------------2-2--| B:-------------------3-3-3--------------------------------3-3--| G:--0h2p0-----0---0--0-0-0------0h2p0---0--4p2p0----------2-2--| D:--------4p0-----0----0-0------------4----------0--------0-0--| A:----------------2------2-------------------------------------| E:----------------3--------------------------------------------|
| Oh, darlin, darlin' darlin' walk a while with me. |
| (Repeat 3 times) |
e:----------------------|-------------------2-2-2-0-------------------| B:-----------------3--3-|-------------------3-3-3-3-------------------| G:-0h2p0-----------0--0-|o------------------2-2-2-2------------------o| D:-------4p0-------2--0-|o-----------0-2p0--0-0-0-0------------------o| A:-----------3-----3--2-|-------0-2-----------------------------------| E:----------------------|--3--3---------------------------------------|
| Oh, you got so much.... |
| A | G |
e:-9---7-----| B:-10--8-----| G:-9---7-----| D:-----------| A:-----------| E:-----------|
| This is played like this: |
| A A A A G G G G G G G G / A A A A |
| (Just listen to the song, it's not hard to figure out.) |
| A |
e:---3--2--2-------| B:---3--3--3--2----| G:---0--2--2--2----| D:---0--0--0--2----| A:---2--------0----| E:---3-------------|
| G(no 3rd) A(no 3rd) |
e:---------------------------------------------|------3---2--2----| B:---------------------------------------------|------3---3--3--2-| G:---------------------------------------------|------0---2--2--2-| D:---------------------------------------------|------0---0--0--2-| A:--5-5-5-5-5------------7-7-7--9-7--5-5-5-5-5-|------2---------0-| E:--3-3-3-3-3------------5-5-5--5-5--3-3-3-3-3-|------3-----------|
| 1. Many have I loved, and many times been bitten. |
| 2. Many times I've lied and many times I've listened. |
| 3. Many dreams come true and some have silver linings. |
e:---------------------------------------------| B:---------------------------------------------| G:---------------------------------------------| D:---------------------------------------------| A:--5-5-5-5-5------------7-7-7--9-7--5-5-5-5-5-| E:--3-3-3-3-3------------5-5-5--5-5--3-3-3-3-3-|
| 1. Many times I've gazed along the open |
| 2. Many times I've wondered how much there |
| 3. I live for my dream and a pocketful |
e:----------------------|----------------------| B:----------------------|----------------------| G:o---------------------|---------------------o| D:o---------------------|---------------------o| A:-------5---5-5---5h7--|-------5---5-5---5----| E:-5-5-7---7-----7------|-5-5-7---7-----7---7--|
| 1. road. |
| 2. is to know. |
| ____________________ |
| | 1.2. | You play the above in number order. |
| Obviously, play all of number 1 |
e:---3--2--2-------| first, the return to the beginning
B:---3--3--3--2----| and play number 2, then back to
G:---0--2--2--2----| start and play number 3 and continue
D:---0--0--0--2----|
A:---2--------0----|
E:---3-------------|
| _____________________ |
| |3. | |
e:------------------|
B:------------------|
G:------------------|
D:------------------|
A:-7-7-7-9-7--------|
E:-5-5-5-5-5--------|
| 3. of gold. |
| This is also played at the end of each verse: |
| A | G |
e:-9--9--9--9--9--9--9-7-7-7-7-7-----------------| B:-10-10-10-10-10-10-108-8-8-8-8-----------------| G:-9--9--9--9--9--9--9-7-7-7-7-7-----------------| D:------------------------------------------------| A:------------------------------------------------| E:------------------------------------------------|
| G | D | A5 | E |
e:--3--3-3--2--2-2---2------0-----| B:--3--3-3--3--3-3---3------0-----| G:--0--0-0--2--2-2---2--2---1-----| D:--0--0-0--0--0-0---0--2---2-----| A:--2--2-2--------------0---2-----| E:--3--3-3------------------0-----| e:--------10--------------------------------------------------| B:--10b12~~~~10b12r10--------10-----------------------9-------| G:----------------------9b11~~~~9b11r9-------9---7---11b13----| D:---------------------------------------7h9---9--------------| A:------------------------------------------------------------| E:------------------------------------------------------------| e:--------10------------------------------------------0-------| B:--10h12~~~~10h12p10--------10----------------------7b9------| G:----------------------9h11----9h11p9-------9---7------------| D:---------------------------------------7h9---9--------------| A:------------------------------------------------------------| E:------------------------------------------------------------|
| (Guitar Solo) |
e:-------------|------------------------|-------------------------| B:----------5--|------------------------|-------------------------| G:-4b6~--4b6~r4|-4b6r4b6r4b6r4--2~------|-----------------2-------| D:-------------|---------------------2-4|-2-4--2-4--2-4-2---4~--2-| A:-------------|------------------------|-------------------------| E:-------------|------------------------|-------------------------| e:----------------------------|--------------|--------------------| B:----------------------------|--------------|--------------------| G:----------------------------|--------------|---------------16b18| D:4p2---2---------------------|--------------|--------------------| A:----4--4-2-4-2--------------|--------------|--------------------| E:---------------4-5-2-0-2-0-0|-2-2-2-2/7b8b9|-2p0-2-2-0h2~-------| e:----14--14---19b21~-|-18-16-14----14--14-------17---------17-----| B:-17---17--17--------|----------17---17---17b19----17-17b19--17-17| G:--------------------|--------------------------------------------| D:--------------------|--------------------------------------------| A:--------------------|--------------------------------------------| E:--------------------|--------------------------------------------| e:------17-----------17-----------17------------17-----| B:-17b19--17-17-17b19--17-17-17b19--17-17-17b19---17-17| G:-----------------------------------------------------| D:-----------------------------------------------------| A:-----------------------------------------------------| E:-----------------------------------------------------| e:------17------------------------------------| B:-17b19--17b19-17-16p15--14------------------| G:----------------------17--17-16-14--16p14-14| D:----------------------------------16--------| A:--------------------------------------------| E:--------------------------------------------| e:----------------------------------|-------------------| B:----------------------------------|-------------------| G:-14-14b15--------14-14b15---------|-------------------| D:---------16-14-16---------16-14-16|-16p15p14-----(14)-| A:----------------------------------|-------------------| E:----------------------------------|-------------------| e:------------------------------4-------------------16--18-----| B:---------------------------5------------------17--------------| G:---------------1--3-3-3-6-------15-15-15--18------------------| D:------------2-------------------------------------------------| A:--1-1-1-4-----------------------------------------------------| E:--------------------------------------------------------------| e:----------------------|----------------------|---3--2--2-------| B:----------------------|----------------------|---3--3--3--2----| G:o---------------------|---------------------o|---0--2--2--2----| D:o---------------------|---------------------o|---0--0--0--2----| A:-------5---5-5---5h7--|-------5---5-5---5----|---2--------0----| E:-5-5-7---7-----7------|-5-5-7---7-----7---7--|---3-------------| e:---------------------------------------------|------3---2--2----| B:---------------------------------------------|------3---3--3--2-| G:---------------------------------------------|------0---2--2--2-| D:---------------------------------------------|------0---0--0--2-| A:--5-5-5-5-5------------7-7-7--9-7--5-5-5-5-5-|------2---------0-| E:--3-3-3-3-3------------5-5-5--5-5--3-3-3-3-3-|------3-----------|
| 4. Mellow is the man who knows what he's been missin' |
| 5. Many is a word that only leaves you guessin' |
e:---------------------------------------------| B:---------------------------------------------| G:---------------------------------------------| D:---------------------------------------------| A:--5-5-5-5-5------------7-7-7--9-7--5-5-5-5-5-| E:--3-3-3-3-3------------5-5-5--5-5--3-3-3-3-3-|
| 4. Many, many men can't see the |
| 5. guessin' 'bout a thing you really ought |
e:----------------------|----------------------|---3--2--2-------|
B:----------------------|----------------------|---3--3--3--2----|
G:o---------------------|---------------------o|---0--2--2--2----|
D:o---------------------|---------------------o|---0--0--0--2----|
A:-------5---5-5---5h7--|-------5---5-5---5----|---2--------0----|
E:-5-5-7---7-----7------|-5-5-7---7-----7---7--|---3-------------|
| 4. open road. |
e:--------------------2-|-------------------3----|
B:--------------------3-|-------------------0----|
G:--------------------2-|-------------------0----|
D:---------0-2-0------0-|---------0-2-0-----0----|
A:-----0-2-------2-0----|-----0-2-------2-0------|
E:-3-3------------------|-3-3--------------------|
| 5. to know. |
| Play the above a *TOTAL* of 10 times while fading, and then, very softly, |
| play this: |
| (Some sort of organ/piano arr. for guitar) |
e:--------------------2--|--------------|------------------------| B:--------------------3--|--------------|------------------------| G:--------------------2--|--0h2p0-----0~|--0h2p0---0--4p2p0------| D:---------0-2-0------0--|--------4p0---|--------4----------0~---| A:-----0-2-------2-0-----|--------------|------------------------| E:-3-3-------------------|--------------|------------------------|
| G | C | D |
e:--------------|---------------|----------------3--3--0--0--2~--| B:--------------|---------------|----------------3--3--1--1--3~--| G:-0h2p0------0~|---------------|-0h2p0-----0~---0--0--0--0--2~--| D:-------4p0----|-----0h2--2h4~-|-------4p0------0--0--2--2--0~--| A:--------------|-0h2-----------|----------------2--2--3--3------| E:--------------|---------------|----------------3--3------------|
| Csus2 | G/B | Gm/B | Csus2 | G |
e:-------------------3-------3---------3-----------3-------3---3-| B:-----------------3-------3-------3-------3-----------3---3---3-| G:-0h2p0---------0-------0-------0---0---0---0---0---0---0---0-0-| D:--------4p0--------------------------------------------------0-| A:-------------3~------2~------1~--------------3~--------------2-| E:-------------------------------------------------------------3-|
| Tabbed by: Orion Joseph please send all comments thank you |

Received: from ucscb.UCSC.EDU by animal-farm.nevada.edu id; Tue, 21 Sep 1993 01:21:39 -0700 ------------------------
| C | C | G | G | |
| I | feel so bad, I got a | worried mind; | I'm so lonesome | all the time |
| G | G | C | |
| Since I left my | baby behind on | Blue Bayou |
| C | C | G | G | |
| Saving nickels, | saving dimes; | working till the | sun don't shine |
| G | G | C | |
| Looking forward to | happier times on | Blue Bayou |
| C | C | G | |
| I'm | going back someday, | come what may to | Blue Bayou |
| C | C | G | |
| Where the | folks are fine, and the | world is mine on | Blue Bayou |
| C | C7 | F | Fm6 | |
| Where those | fishing boats with their | sails afloat, if | I could only | see |
| C | G | C | |
| That | familiar sunrise through | sleepy eyes, how | happy I'd be |
| Gonna see my baby again |
| Gonna be with some of my friends |
| Maybe I'll feel better again on Blue Bayou |
| Saving nickels, saving dimes |
| Working till the sun don't shine |
| Looking forward to happier times on Blue Bayou |
| I'm going back someday, come what may to Blue Bayou |
| Where the folks are fine, and the world is mine on Blue Bayou |
| Where those fishing boats with their sails afloat, if I could only see |
| That familiar sunrise through sleepy eyes, how happy I'd be |
| C | C | G | G | |
| (ins | trum | enta | l) |
| C | C7 | F | Fm6 | |
| Oh that | boy of mine | by my side, the | silver moon and the | evening time |
| C | G | C | |
| Oh, | some sweet day, gonna | take away this | hurtin' inside |
| G | G | |
| Well I'd | never be blue, my | dreams come true |
| G G C C C C. |
| On Blue Bayou |

##song. You may only use this file for private study, scholarship, or research. ##Received: from herman.cs.uoguelph.ca by snowhite.cis.uoguelph.ca (5.64/1.35)#Message-Id:# (1.37.109.4/16.2) id AA14464; Wed, 15 Sep 93 14:56:28 -0400#From: Steve L Portigal#Subject: (fwd) Re: REQ: 'Simple Man'- Lynyrd Skynyrd#Organization: Akbar and Jeff's Thesis Hut#Status: OR#Path: nermal.cs.uoguelph.ca!torn!nott!bnrgate!nmerh207!corpgate!crchh327.bnr.ca!harsch#Newsgroups: rec.music.makers.guitar.tablature#Date: 15 Sep 1993 17:04:38 GMT#Lines: 40#References:##>#>Subject says it...#>Any help?#>Scott#Simple man is, well, simple. A real 3 chord wonder. Walk up#[Am] [a]Wel[b]l moma t[C]old me[G], when I was[Am] young,
| C | G | Am | |
| Come sit b | e side me | , my only | son. |
| C | G | Am | |
| And listen | to me, | and the words I | say. |
| C | G | Am | |
| And they will | help you my | son, some sunny | day. |
| (other verse) |
| Chorus |
| a | b | C | G | Am | |
| An | d be a si | mpl | e kind of | man, |
| C | G | Am | |
| And be some | thing | , you love and under | stand, |
| C | G | Am | |
| Be a sim | ple, | be a simple | man, |
| C | G | Am | |
| Wont yout | do this for | me son, if you | can, |
| The word are easy to pick out. |
| Have fun, |
| -jc harsch |
| -- |
+----------------------------------------------------------------------------+
| | Steve Portigal, Dep't of CIS, University of Guelph, Guelph, ON, N1G 2W1 | |
| | email: stevep@snowhite.cis.uoguelph.ca Phone: (519) 824-4120 ext 3580 | |
| | ~~~~~~~~ ask me about 'undercover' the Rolling Stones mailing list ~~~~~~~ | |
| | I wanna ride the big wave...open up the bomb bay.. | |
+----------------------------------------------------------------------------+
| From sportiga@uoguelph.ca Thu Sep 16 00:13:07 1993 |
| Received: from herman.cs.uoguelph.ca by snowhite.cis.uoguelph.ca (5.64/1.35) |
| id AA25922; Thu, 16 Sep 93 00:13:07 -0400 |
| Message-Id: |
| Received: by herman.cs.uoguelph.ca |
| (1.37.109.4/16.2) id AA08393; Thu, 16 Sep 93 00:12:43 -0400 |
| Date: Thu, 16 Sep 93 00:12:43 -0400 |
| From: Steve L Portigal |
| To: sportiga@herman.cs.uoguelph.ca |
| Subject: (fwd) REQ: 'Simple Man'- Lynyrd Skynyrd |
| Newsgroups: rec.music.makers.guitar.tablature |
| Organization: Akbar and Jeff's Thesis Hut |
| Reply-To: stevep@snowhite.cis.uoguelph.ca |
| Status: OR |
| Path: nermal.cs.uoguelph.ca!torn!nott!bnrgate!corpgate!crchh327.bnr.ca!crchh646!atallah |
| From: atallah@bnr.ca (Isa Atallah) |
| Newsgroups: rec.music.makers.guitar.tablature |
| Subject: REQ: 'Simple Man'- Lynyrd Skynyrd |
| Date: 16 Sep 1993 03:00:45 GMT |
| Organization: Bell-Northern Research, Richardson, TX |
| Lines: 9 |
| Message-ID: |
| NNTP-Posting-Host: crchh646.bnr.ca |
| X-Newsreader: TIN (version 1.2 PL0) |
| I think the (a b) means |
-------- -------- -------- -------- -0-2---- --------
| -- |
+----------------------------------------------------------------------------+
| | Steve Portigal, Dep't of CIS, University of Guelph, Guelph, ON, N1G 2W1 | |
| | email: stevep@snowhite.cis.uoguelph.ca Phone: (519) 824-4120 ext 3580 | |
| | ~~~~~~~~ ask me about 'undercover' the Rolling Stones mailing list ~~~~~~~ | |
| | I wanna ride the big wave...open up the bomb bay.. | |
+----------------------------------------------------------------------------+
| From sportiga@uoguelph.ca Thu Sep 16 10:53:46 1993 |
| Received: from herman.cs.uoguelph.ca by snowhite.cis.uoguelph.ca (5.64/1.35) |
| id AA27693; Thu, 16 Sep 93 10:53:46 -0400 |
| Message-Id: |
| Received: by herman.cs.uoguelph.ca |
| (1.37.109.4/16.2) id AA28435; Thu, 16 Sep 93 10:53:27 -0400 |
| Date: Thu, 16 Sep 93 10:53:27 -0400 |
| From: Steve L Portigal |
| To: sportiga@herman.cs.uoguelph.ca |
| Subject: (fwd) Re: REQ: 'Simple Man'- Lynyrd Skynyrd |
| Newsgroups: rec.music.makers.guitar.tablature |
| Organization: Akbar and Jeff's Thesis Hut |
| Reply-To: stevep@snowhite.cis.uoguelph.ca |
| Status: O |
| Path: nermal.cs.uoguelph.ca!torn!howland.reston.ans.net!europa.eng.gtefsd.com!uunet!pipex!sunic!news.funet.fi!funic!sauna.cs.hut.fi!teklara |
| From: teklara@tekla.fi (Perttu Raivio) |
| Newsgroups: rec.music.makers.guitar.tablature |
| Subject: Re: REQ: 'Simple Man'- Lynyrd Skynyrd |
| Date: 16 Sep 1993 06:53:49 GMT |
| Organization: BREWTeX - Wine, women, and song... |
| Lines: 57 |
| Distribution: world |
| Message-ID: |
| References: |
| NNTP-Posting-Host: xelnet.tekla.fi |
| In-reply-to: ds049@cleveland.Freenet.Edu's message of 15 Sep 1993 07:01:40 GMT |
| Most of it goes as follows: |
| C | G |
--------|---------------------------|---------------------------|
--------|---------------1-----------|---------------------------|
--------|.-----0-----------0-----0--|--------------0------------|
--------|.--------2-----------2-----|-----0-----------0-----0---|
--0--2--|---3--------3--------------|--------2-----------2------|
--------|---------------------------|--3--------3---------------|
| Am7 |
|---------------------------|--------------3------------|
|---------------1-----------|-----------------1---------|
|------2-----------2-----2--|-----2--------------------.|
|---------2-----------2-----|--------2-----------------.|
|---0--------0--------------|--0--------0--------0--2---|
|---------------------------|---------------------------|
| If I remember it correctly, the chorus and bridge are: |
| C | G |
--------|-----------------------|------------------------|
--------|-----------------------|------------------------|
--------|.--5-------------------|------------------------|
--------|.--5-------------------|--5---------------------|
--0--2--|---3-----3-/-5--3--0--|--5------3-/-5--3------|
--------|-----------------------|--3-----------------3---|
| Am7 |
|-----------------------|-----------------|
|-----------------------|-----------------|
|-----------------------|----------------.|
|--7--------------------|--7-------------.|
|--7--------------------|--7-------0--2---|
|--5--------0--3--0--3--|--5--------------|
| -- | |
| K.P.Raivio - Helsinki U of T - raivio@niksula.hut.fi |
| Ei fl|ittej{, ei niin dzoukin p{tk{{k{{n... |
| -- |
+----------------------------------------------------------------------------+
| | Steve Portigal, Dep't of CIS, University of Guelph, Guelph, ON, N1G 2W1 | |
| | email: stevep@snowhite.cis.uoguelph.ca Phone: (519) 824-4120 ext 3580 | |
| | ~~~~~~~~ ask me about 'undercover' the Rolling Stones mailing list ~~~~~~~ | |
| | I wanna ride the big wave...open up the bomb bay.. | |
+----------------------------------------------------------------------------+

##song. You may only use this file for private study, scholarship, or research. ###George McCorkle/Marshall Tucker Band#
| Em | C | |
| Took my fam'ly away from my | Carolina home |
| Em | C | |
| Had dreams about the West and | started to roam |
| Em | C | |
| Six long months on a | dust covered trail |
| Em | C | |
| They say heaven's at the end but | so far it's been hell |
| chorus |
| C | G | D | |
| And there's | fire on the mountain, | lightnin' in the air |
| Am | C | Em | |
| gold in them hills and it's | waitin' for me | there |
| We were diggin' and siftin' from five to five |
| sellin' everything we found just to stay alive |
| gold flowed free like the whiskey in the bars |
| sinnin' was the big thing, lord and Satan was his star |
| chorus |
| Dance hall girls were the evenin' treat |
| Empty cartridges and blood lined the gutters of the street |
| Men were shot down for the sake of fun |
| Or just to hear the noise of their forty four guns |
| chorus |
| Now my widow she weeps by my grave |
| Tears flow free for her man she couldn't save |
| Shot down in cold blood by a gun that carried fame |
| All for a useless and no good worthless claim |
| chorus (2x) (end on G instead of Em) |
-----------------------------------------------------------
| jk13@aol.com (John Kearney) |
| 'If we do not change direction, we will end up where we are |
| headed.' Lao Tsu |
-----------------------------------------------------------

| Em | D | C | |
| So close no matter | how far |
| Em | D | C | |
| Couldn't be much more | from the heart |
| Em | D | C | |
| Forever trusting | who we are |
| G | B | Em | |
| And | nothing else | matters |
| Em | D | C | |
| Never opened my | self this way |
| Em | D | C | |
| Life is ours, we live it | our way |
| Em | D | C | |
| All these words I don't | just say |
| G | B | Em | |
| And | nothing else | matters |
| Em | D | C | |
| Trust I seek and | find in you |
| Em | D | C | |
| Every day for us | something new |
| Em | D | C | |
| Open mind for a | different view |
| C | A | D | C | |
| Never cared for what they | do |
| A | D | C | |
| Never cared for what they | know |
| C | A | D | C | |
| Never cared for what they | say |
| A | D | C | |
| Never cared for what they | play |
| A | D | C | |
| Never cared for what they | do |
| A | D | C | |
| Never cared for what they | know |
| Greetings from Marco Tolenaars, mtolenaars@home.nl |

##song. You may only use this file for private study, scholarship, or research. ###From: Emily Meyer##different from the ones posted in this week's#similar version when I was a kid. I think these are#soundtrack, or pretty close, although I may be missing##Key of D, Starting pitch:
(A)One (D)evening, (A7) as the (D) sun went (A7)down
And the (D) jungle (A7) fires were (D)burning,
Down the track came a (A7) hobo, (D) hamming,
And he said, 'Boys, (A7)I'm not (D) turning.
I'm (G)headed for a (D) land that's (G) far a-(D)way
Be-(G)side the crystal (A)fountains.
I'll (D)see you (A7) all this (D)coming (A7) fall
In the (D)Big Rock (A7) Candy (D)Mountain.
Verses:
In the (D)Big Rock Candy Mountains
There's a (G)land that's fair and (D)bright,
Where the (G)handouts grow on (D)bushes
And you (G)sleep out ev'ry (A)night,
Where the (D)boxcars are all empty,
And the (G) sun shines ev'ry (D)day
O the (G)birds and the (D)bees
And the (G)cigarette (D)trees,
The (G)rock rye (D) springs
Where the (G) whang doodle (D) sings
In the (A7)Big Rock Candy (D)Mountains.
In the Big Rock Candy Mountains,
All the cops have wooden legs,
And the bulldogs all have rubber teeth
And the hens lay soft-boiled eggs.
The farmer's trees are full of fruit
And the barns are full of hay.
O I'm bound to go, where there ain't no snow,
Where the sleet don't fall and the wind don't blow
In the Big Rock Candy Mountains.
In the Big Rock Candy Mountains,
You never change your socks,
And the little streams of alkyhol
Come trickling down the rocks.
The shacks all have to tip their hats
And the railroad bulls are blind,
There's a lake of stew and of whiskey, too,
And you can paddle all around in a big canoe
In the Big Rock Candy Mountains.
In the Big Rock Candy Mountains,
The jails are made of tin,
And you can bust right out again,
As soon as they put you in.
There ain't no shorthandled shovels
No axes, saws or picks-
I'm a-going to stay, where you sleep all day
Where they boiled in oil the inventor of toil
In the Big Rock Candy Mountains.

| G |
| C | G | |
| D | ay after day I'm more conf | used |
| C | G | |
| I look for the light in the pouring | rain |
| C | G | |
| You know that's a game that I hate to | lose |
| Am | C | |
| I'm feeling the pain, | ain't it a shame |
C - - - / / G - - - / / x4 / x4 / Am - - - / / C - - - / //
| Ch: G |
| Give me the beat boys, to soothe my soul |
| D | |
| I | want to get lost in your rock 'n' roll |
| C | |
| And d | rift away... |
| Give me the beat boys, to soothe my soul |
| I want to get lost in your rock 'n' roll |
| And drift away... |
| Beginning to think that I'm wasting time |
| Don't understand the things that I view |
| 'Cause the world outside looks so unkind |
| Now I'm counting on you, to carry me through |
| C: Give the beat boys, to soothe my soul |
| I want to get lost in your rock 'n' roll |
| And drift away... |
| Give the beat boys, to soothe my soul |
| I want to get lost in your rock 'n' roll |
| And drift away... |
| B: Am C G |
| When my mind is free, you know a melody can move me |
| Am | |
| When I'm feeling blue, |
| C | D | |
| the | guitar comin' through to s | oothe me |
| And thanks for the joy that you've given me |
| I want you to know that I believe in your song |
| The rhythm, the rhyme, and harmony |
| You helped me along, makin' me strong |
| Ch: Give me the beat boys, to soothe my soul |
| I want to get lost in your rock 'n' roll |
| And drift away... |
| Give me the beat boys, to soothe my soul |
| I want to get lost in your rock 'n' roll |
| And drift away... (Repeat as needed) |

| G | Em | C | D | |
| Any he | art not t | ough nor st | rong eno | ugh |
| B7 | G | B7 | Em | |
| To ta | ke alot of pa | in, t | ake a lot of | pain |
| C | D | C | |
| Love is like a cl | oud, it holds a lot of r | ain |
| G | |
| Love h | urts |
| F | C | G | |
| o | ooooh oo | oooh love hu | rts |
| I'm young, I know, but even so |
| I know a thing or two |
| I learned from you |
| I really learned a lot, really learned a lot |
| Love is like a flame, it burns you when it's hot |
| Love hurts |
| oooooh oooooh love hurts |
| BRIDGE |
| Em | B7 | Em | B7 | Em | B7 | Em | |
| Some | fools think of | happin | ess, b | lissful | ness, t | ogethern | ess |
| A | |
| Som | e fools fool themselves I guess |
| Am | D | |
| Th | ey're not fooling | me |
| C | G | B7 | Em | |
| I know it isn't t | rue, I k | now it isn't t | rue |
| B7 | C | D | C | |
| Love is just a l | ie, made to ma | ke you blue |
| G | |
| Love | hurts |
| F | C | G | |
| o | ooooh oo | oooh love | hurts |
| F | C | G | |
| o | ooooh oo | oooh love | hurts |
| F | C | |
| o | ooooh...oo | oooh. |
| The Everly Brothers did the original version, I'm told. |
| I've never heard it, but I think that this is a pretty good |
| interpretation of the version recorded by Nazareth. |

| F | D | F | D |
| F | D | |
| Old man look at my life, I'm a lot like y | ou were |
| F | D | |
| Old man look at my life, I'm a lot like y | ou were |
| C | G | D | F | C | F |
| D | F | C | G | |
| Old man l | ook at my life, | twenty four and there's | so much more |
| D | F | C | F | |
| Live alone in a | paradise that m | akes me think of two |
| D | F | C | G | |
| Love lost, s | uch a cost, | give me things that d | on't get lost |
| D | C | F | G | |
| Like a coin that w | on't get tossed, r | olling home to you |
| D | Am7 | Em7 |
| D | Am7 | Em7 | |
| Old man take a look at my life, I'm a lo | t like | you |
| D | Am7 | Em7 | |
| I need someone to love me the whol | e day | through |
| D | Am7 | Em7 | |
| Oh, one look in my eyes and you can t | ell that's | true |
| D | F | C | G | D | F | C | F |
| D | F | C | G | |
| Lullabys, l | ook in your eyes, | run around the s | ame old town |
| D | F | C | F | |
| doesn't mean that m | uch to me - to m | ean that much to you |
| D | F | C | G | |
| I've been f | irst and last, | look at how the t | ime goes past |
| D | C | F | G | |
| But I'm all al | one at last, r | olling home to you |
| D | Am7 | Em7 |
| D | Am7 | Em7 | |
| Old man take a look at my life, I'm a lo | t like | you |
| D | Am7 | Em7 | |
| I need someone to love me the whol | e day | through |
| D | Am7 | Em7 | |
| Oh, one look in my eyes and you can t | ell that's | true |
| D | F | C | G | D | F | C | F | D |
| F | D | |
| Old man look at my life, I'm a lot like y | ou were |
| F | D | |
| Old man look at my life, I'm a lot like y | ou were |
| F | C | G | D |

| A | E | D | |
| There is a t | own in North Ont | ario |
| A | E | D | |
| With dream co | mfort, memory | to spare |
| A | E | D | |
| And in my m | ind I still ne | ed a place to go |
| A | E | D | |
| All | of my ch | anges were there |
| A | E | D | |
| Blue blue | windows b | ehind the stars |
| A | E | D | |
| Yell | ow moon on | the rise |
| A | E | D | |
| And the big birds | flying ac | ross the skies |
| A | E | D | |
| Throwing s | hadows on | our eyes, leave us |
| A | E | D | |
| Helpless, | helpless, | helpless |
| A | E | D | |
| Baby | can you h | ear me now |
| A | E | D | |
| The chains are | locked and | tied against the door |
| A | E | D | |
| Baby s | ing with | me somehow |
| Repeat 1st verse |
| Repeat chorus |

| Em | D | Em | D | Em | |
| Come as you | are, as you | were, as I | want you to | be |
| D | Em | D | Em | |
| As a | friend, as a | friend, as an | old ene | my |
| D | Em | D | Em | |
| Take your | time, hurry | up, The choice is | yours, don't be | late |
| D | Em | D | E | G | |
| Take a | rest, as a | friend, as an | old memo | ria |
| E | G | E | G | E | G | |
| memo | ria, | memo | ria, | memo | ria |
| Come dowsed in mud, soaked in bleach, as I want you to be |
| As a trend, as a friend, as an old memoria |
| memoria, memoria, memoria |
| A | C | A | C | |
| And I | swear that I | don't have a | gun |
| A | C | |
| No I | don't have a | gun |
| No I don't have a gun |
| memoria, memoria, memoria, memoria |
| And I swear that I don't have a gun |
| No I don't have a gun (5x) |
| Em | D | Em | |
| memo | ria |

| G | B | |
| Sittin' in the morning | sun, |
| C | B | Bb | A | |
| I'll be | sittin' when the eve | nin' | come. |
| G | B | |
| Watchin' the ships roll | in, |
| C | B | Bb | A | |
| then I | watch 'em roll away | a | gain |
| C | E9 | |
| Yeah, I'm | sittin' on the dock of the | bay, |
| E | G | E9 | |
| Watchin' the tide | roll a | way. |
| E | A | |
| Ooh, | I'm just sittin' on the dock of the | bay, |
| G | |
| wastin' | time. |
| I left my home in Georgia, |
| headed for the Frisco bay. |
| I have nothin' to live for, |
| look like nothin's gonna come my way. |
| So I'm just gonna sit on the dock of the bay, |
| Watchin' the tide roll away. |
| Ooh, I'm just sittin' on the dock of the bay, |
| wastin' time. |
| G | D | C | |
| Looks | like | nothin's gonna change; |
| G | D | C | |
| ev | erything | still remains the same. |
| G | D | C | |
| I can't do | what ten people tell me to do, |
| F | D | |
| so I guess I'll remain | the same. |
| Sittin' here restin' my bones, |
| and this loneliness won't leave me alone. |
| Two thousand miles I roam |
| just to make this dock my home |
| Now I'm gonna sit at the dock of the bay, |
| Watchin' the tide roll away. |
| Ooh, I'm just sittin' on the dock of the bay, |
| wastin' time. whistle over G & E |

##song. You may only use this file for private study, scholarship, or research. ##From: 'Lynn R. Francis'### You Don't Even Know Who I Am
By Patty Loveless
Verse: 1
F C G C F C G |
F C G C F C G |
She left the Car... in the driveway. She left the key in the door.
F C G C F C G |
She left the kids... at her mamas, and the laundry piled up on the floor.
F C G C F C G |
She left two rings... on the pillow, right where it wouldn't be missed.
F C G C F C G |
She left a note... in the kitchen, next to the grocery list. It said
F | C | Am G F |
you don't even know who I am... You left me a long time ago.
F | C | G (pause) F C
You don't even know who I am... So what do you care if I... go.
Verse: 2
G C F C G |
F C G C F C G |
He left the rings... on the pillow... and he left the clothes on the floor.
F C G C F C G |
And he called her to say... he was sorry... but he couldn't remember what for.
F C G So he said I've been doing... some thinking,
F C G |
I've been thinking that maybe your right...
F C G C F C G |
I go to work... every morning... and I come home to you every night. And you
F | C | Am G F |
don't even know who I am... You left me along time... ago.
F | C | G (pause) F C G C
You don't even know who I am... So what do I care if you go.
F | C | G (pause) F C G C F C G C
You don't even know who I am... So what do I care if you go.
Submitted by:
Lynn R. Francis
lynn@tstc.edu
Texas State Technical College
Network Services

##song. You may only use this file for private study, scholarship, or research. ###Date: October 26, 1997#Album: When Fallen Angels Fly#Note: If you hate this flat key, just ignore the flats and the Cm becomes a#Http://www.neteze.com/asf/tabbycat/00asf.htm those are zeros not oohs.# Here I Am Patty Loveless#
| Eb | |
| Don't do it darlin' Don' you dare look in there |
| Ab | |
| You s | aid you didn't wanna see me |
| Eb | |
| But you've been lookin' for me everyw | here |
| Bb | |
| And you k | now that you're gonna find me |
| Ab | Eb | |
| If you k | eep on drinkin' f | ast |
| Cm | |
| 'Cause H | oney I'm right there waiting on you |
| Ab | Eb | |
| At the bo | ttom of your g | lass |
| Ab | Eb | |
| And h | ere I am Here I | am |
| Ab | Eb | |
| In the bo | urbon and the w | ater |
| Bb | Ab | |
| That b | urn you just a like a b | rand |
| Eb | |
| Here I | am |
| Eb | |
| It ain't working darlin' Hard as you may try |
| Ab | Eb | |
| You keep he | arin' the words you told me in everyone's good | bye |
| Bb | |
| And you k | now |
| Ab | Eb | |
| that you're just one step from an | other one being g | one |
| Cm | |
| I k | now I've seen 'em all unravel |
| Ab | Eb | |
| I've been watchin' it all a | long |
| Ab | Eb | |
| And h | ere I am here I | am |
| Ab | Eb | |
| In every lie you're h | earin' |
| Bb | Ab | Eb | |
| That b | urn you just a like a b | rand here I | am |
| Eb | Ab | Cm | Ab | |
| And h | oney, I got over you p | assin' me over a | long time | ago |
| Eb | Ab | |
| And my p | ride was stronger when | I was younger |
| Cm | Ab | |
| Now | I'd rather have you to k | now |
| Ab | Eb | |
| That here I | am here I | am |
| Ab | Eb | |
| I still ca | rry a flame | for you |
| Bb | Ab | Eb | |
| B | urnin' me like a b | rand here I | am |

##song. You may only use this file for private study, scholarship, or research.##Date: Tue, 07 Apr 1998 14:14:43 -0500#Subject: TAB:Wait 'Till the Midnight Hour by Wilson Pickett#/Date: Thu, 14 Nov 1996 15:28:28 -0500#/Subject: ./p/pickett_wilson/in_the_midnight_hour.crd#OK, so Wilson Pickett and Steve Cropper still disagree over who deserves#is primarily responsible, they created an instant soul classic. --AWR#Andrew Rogers did all the work on this, I just threw in the tabbed solo# 'In The Midnight Hour'##
| D | B | A | G | E | A | E | A | |
| Verse 1: |
| A | E | A | E | |
| I'm gonna w | ait til the m | idnight h | our |
| E | A | E | |
| That's when my l | ove comes t | umblin' d | own |
| E | A | E | |
| I'm gonna w | ait 'til the m | idnight h | our |
| E | A | E | |
| When there's | no one e | lse aro | und |
| B | A | |
| I'm gonna t | ake you girl and h | old you |
| B | A | |
| And | do all the things I t | old you |
| E | |
| In the midnight h | our |
| (to coda on repeat) |
| A | E | A | E | |
| Yes I | am, oh, y | es, I | am |
| D | B | |
| (One more thing I wanna say right here) |
| Verse 2: |
| I'm gonna wait 'til the stars come out |
| And see that twinkle in your eyes |
| I'm gonna wait 'til the midnight hour |
| That's when my love begins to shine |
| You're the only girl I know |
| That really loves me so |
| In the midnight hour |
| Oh, yeah, in the midnight hour |
| D | B | |
| (Yeah! All right - play it for me one time now) |
| Instrumental: |
| E | A | E | A | E | D | B | E | A | E | D | E | A | B |
------------------|---------------|------------------------------------------ -0---------------0|---------------|------0------------------------------------ ---2-2-1----2-2---|-2-1-2---------|-2-2-----2-2-1---2------------------------- ------------------|--------4-2-4--|-------------------0-0-2------------------- ------------------|---------------|------------------------------------------- ------------------|---------------|-------------------------------------------
| (repeat verse 1) |
| Coda: (repeat E-A chord progression as per verse) |
| Just you and I... oh, baby, hah! |
| Just you and I... nobody around, baby, just you and I |
| All right... you know what? |
| I'm gonna hold you in my arms... |
| Just you and I, oh yeah |
| In the midnight hour |
| Oh, baby, in the midnight hour (fade) |
| -- another ace 60's tab from Andrew Rogers |
| tabbed instumental ONLY from Doug Finch |

##song. You may only use this file for private study, scholarship, or research. #
| Em | G | Em | G | Em | Am7 | Em | Am7 | G | G | C | D | Am | G | |
| So, so you think you can | tell, heaven from | hell? Blue skies from | pain? |
| D | C | Am | |
| Can you tell a green | field, from a cold steel | rail? A smile from a | veil? |
| G | C | D | |
| Do you think you can | tell? Did they get you to | trade, your heroes for | ghosts? |
| Am | G | D | |
| Hot ashes for | trees? Hot air for a | cool breeze? Cold comfort for | change |
| C | Am | G | |
| And did you ex | change, a walk-on part in the | war, for a lead role in a | cage... |
| (guitar solo - repeat intro) |
| C | D | |
| How I wish, how I wish you were | here |
| Am | G | |
| We're just | two lost souls swimming in a fishbowl | , year after year |
| D | C | Am | |
| Running over the same old ground | , what have we found - the same old | fears? |
| G | |
| Wish you were | here |
| INTRODUCTION |
| (Well my version of it-you'll have to work out the solo yourself-I |
| only play this one on my own so the actual solo sounds a bit suspect!) |
--0--3------------ Strum g ---------3------------ strum g
--------0--2------ a feW -------2-------------- again!!
--------------3--- TimeS -----2----------------
------------------ --0-------------------
------------------ ----------------------
------------------ ----------------------
| This sounds pretty good, not the actual sheet |
| music version but fits very well with the above chords!!!!! |
| The actual music is in another key, lots of sus chords which is |
| practically the same sound as above!!!! |
#song. You may only use this file for private study, scholarship, or research.#
| Date: Tue, 19 May 1998 19:09:38 -0700 |
| From: Ray Espinoza |
| Subject: p/pink_floyd/wish_you_were_here.crd |
| Wish you were here - Pink Floyd |
| (R. Waters-D. Gilmour) |
| WISH YOU WERE HERE album 1975 |
| tabbed by Ray Espinoza |
| This is the only version i heard from the wish you were here cd. |
| I am tabbing this by ear so it may not be perfect but |
| it sounds hella cool. hope you like it, |
| Ray |
| This is played in standard tuning low to high |
| E | A | D | G | B | E | |
| the into/fill is used a few times in the song |
| Guitar1 plays this: Fill1 |
E----------5--3-----------|-------------------------|
B----------5--3-----------|-------------------------|
G-------------------------|-------------------------|
D------0--2-----3p2p0-----|-------0--2---2--0-------|
A---0h2---------------2-0-|----0h2-----------2--0---|
E--3----------------------|--3----------------------|
| this part is played 4 times before the 2nd guitar comes |
| in. This part is played in the background of guitar2 |
| until the start of the lyrics |
| Guitar2 plays this: |
E--------------------------------3/5-5-3----------------
B------3--5--3-------------------3/5-5-3--3/5-5-3-5-3-0-
G---2h4-----4---4p2p0---------------------2/4-4-2-4-2-0-
D---------------------0----0-0--------------------------
A-----------------------1/2-----------------------------
E-------------------------------------------------------
E------------------------|-------------------------------|
B-----3--5--(7)-5-3------|--------3--5----3--------------|
G--2h4--------------4--2-|--2 (6)4----(6)4---2-----------|
D------------------------|-------------------------------|
A------------------------|-------------------------------|
E------------------------|-------------------------------|
E------------------------|-------------------------------|
B------3-5-(7)5-3-5------|-------------------------------|
G--2h4-------------------|--2--(6)4--2--0----------------|
D------------------------|-------------------------------|
A------------------------|-------------------------------|
E------------------------|-------------------------------|
| Then the chords and the lyrics come in. |
| G | C | D | |
| So, so you think you can t | ell |
| Am | G | D | |
| heaven from h | ell, blue sky from pa | in. Can you tell a green fi | eld, from a |
| C | Am | G | |
| cold steel ra | il, a smile from a va | il? Do you think you can te | ll? |
| C | D | Am | |
| Did they get you t | rade, your heros for gh | osts, hot ashes for t | rees, hot air |
| G | D | C | |
| from a coo | l breeze, cold comfort for cha | nge, did you exch | ange, a walk on |
| Am | G | |
| the part of the w | ar, for a lead role in the c | age. |
| Fill1 is played here again along with the solo. |
| the solo will be added soon, i haven't yet perfected it yet. |
| C | D | Am | |
| H | ow i wish, how i wish you were he | re. We're just | two lost souls swimming |
| G | D | C | |
| in a fish bowl, | year after year. | Running over the same old ground, | but have |
| Am | G | |
| we found the same old fea | rs, wish you were he | re. |
| second solo played, very identical to the first solo, with a few alterations. |
| i will add that also |

| Emadd9 | |
| Hey | you, out there in the cold, getting lonely, getting old, |
| Bm | |
| Can you | feel me? |
| Emadd9 | |
| Hey | you, standing in the aisle, with itchy feet and fading smile, |
| Bm | |
| Can you | feel me? |
| Dsus2 | G | D | C | |
| Hey you, don't help them to bury the | li | ght. |
| Bm | C | Em | |
| Don't give i | n without a fi | ght. |
| Emadd9 | |
| Hey | you, out there on your own, sitting naked by the phone, |
| Bm | |
| Would you | touch me? |
| Emadd9 | |
| Hey | you, with your ear against the wall, waiting for someone to call out, |
| Bm | |
| Would you | touch me? |
| Dsus2 | G | D | C | |
| Hey you, would you help me to carry the | sto | ne? |
| Bm | C | Em | |
| Open your heart, | I'm coming | home.solo (guitar): |
| But it was only fantasy. |
| The wall was too high, as you can see. |
| No matter how he tried he could not break free. |
| And the worms ate into his brain. solo (fretless bass): |
| Emadd9 | |
| Hey | you, out there on the road, always doing what you're told, |
| Bm | |
| Can you | help me? |
| Emadd9 | |
| Hey | you, out there beyond the wall, breaking bottles in the hall, |
| Bm | |
| Can you | help me? |
| Dsus2 | G | D | C | |
| Hey you, don't tell me there's no hope at | all. |
| Bm | Em | |
| Together we stand, divided we | fall. |

| Bm | A | |
| Hello, Is there any body | in there? |
| G | D/F# | Em | Bm | |
| Just nod if you can | hear me, | is there a | nyone at home? |
| A | |
| Come on, now, I hear your feeling down, |
| G | D/F# | Em | Bm | |
| well, | I can ease y | our pa | in, get you | on your feet again. |
| A | G | D/F# | |
| relax, I need soem infor | mation, first, just | the basic | facts, |
| Bm | |
| Can you s | how me where it hurts |
| D | A | |
| There is no pain you are rec | eding, |
| D | A | |
| A distant ships smoke, on the hor | izon, |
| C | G | |
| You are only coming through in w | aves, |
| C | G | |
| Your lips move, but I can't hear what your sayin | g, |
| D | A | |
| When | I was a child, I had a f | ever, |
| D | A | |
| my | hands felt just like, two bal | lons, |
| C | G | |
| Now I've got that feeling once again | , |
| G | C | |
| I can't explain, you would not und | erstand, |
| This is not how I am, |
| A | G/B | C | G | D | |
| I_______________ | _____ | __ have becom | e, comforatbly nu | mb. |
| solo 1 |
---14vvvvvv-----12-14>15>14------------------------------------------------ ------------------------------15>17vvvvvvvvvv>15--15-14-------------------- ---------------------------------------------------------14---------------- -------------------------------------------------------------1412vvvvvv--- --------------------------------------------------------------------------- --------------------------------------------------------------------------- --14>12--14>(15)>14---------------------------------------------------------- -----------------------15>17---------15--14---------------------------------- ---------------------------------------------14------------------/12vvvvvv--- -------------------------------------------------1412--11--9--7------------- ----------------------------------------------------------------------------- ----------------------------------------------------------------------------- --------------------------------------------------------------- --------------------------------------------------------------- ---11--------------119---97vvvvv----9>7------7---9---11>12--- ----------14--12----------------------------9------------------ --------------------------------------------------------------- --------------------------------------------------------------- ---15-14-12--------------------------------------------------- ------------15-12--------------------------------------------- ------------------12------------------------------------------ ---------------------12vvvvvvvv--109vvvvvvv---1097vvvvv---- -------------------------------------------------------------- --------------------------------------------------------------
| v-- strike note |
----------------------------------------------------------- ----------------------------------------------------------- -11>(12)vvvvvvvv--9>(11)===(11)==>9>7---------------------- ---------------------------------------7/97vvvvvvvvvvv--- ----------------------------------------------------------- -----------------------------------------------------------
| Bm | A | G | D/F# | Em | |
| O.K., just a little pin | prick, there'll be no more | (sc | ream), |
| Bm | |
| But you may | feel a little sick. Can you stand up? |
| A | G | D/F# | Em | |
| I do believe it's w | orking, good. That'll keep you | going throught | the s | how, |
| Bm | |
| C'mon it's time to go |
| D | A | |
| There is no pain you are rece | ding, |
| D | A | |
| A distant ships smoke on the hor | izon, |
| C | G | |
| You are only coming through in wa | ves, |
| C | G | |
| Your | lips move, but I can't hear what your say | ing, |
| D | A | |
| When | I was a child, I caught a flee | ting glimpse, |
| D | A | |
| Out of the corner of my e | ye, |
| C | G | |
| I turned to look, but it was go | ne, |
| C | |
| I can not put my finger on | it now, |
| G | |
| The child is grown, the drea | m is gone, |
| A | G/B | C | G | D | |
| and I___________ | _____ | ___, have b | ecome comfortably | numb. |
| solo |
--------------------------------------------------------------- --------------------------------------------------------------- --7--9--9>(11)vvvvvv--9>(11)>9>7---7--9--9--7-------7vvvvvvv--- ---------------------------------9-------------9--9------------ --------------------------------------------------------------- --------------------------------------------------------------- -------------------------------------------10---------------------------------- --------10------10--12--12>(15)>12>10--12-------------------------------------- ---/11------11---------------------------------------7--9--9>(10)>9>7---------- -----------------------------------------------------------------------9vvvvvv- ------------------------------------------------------------------------------- ------------------------------------------------------------------------------- --------------------------------------------------------------------------- ----10>7-------7----------------------------------------------------------- -----------9-------9---7-------------------------------7------------------- --------------------------9vvvvvvvvvv--------7---7--9-----9>7---9vvvvvv---- -----------------------------------------/9-------------------------------- --------------------------------------------------------------------------- --9--9>(10)----7-------7--------------------------- -------------------10-----10>(12)vvv----10>7------- -----------------------------------------------9--- --------------------------------------------------- --------------------------------------------------- --------------------------------------------------- -------7-------------------------------------------------------- --7--7---10>7--------------------------------------------------- --------------9>(11)>9>7---9-7---------------------------------- -------------------------9-----9-7------------------------------ -----------------------------------9-8-7-5---5vvvvvvvvvvvvvv---- -------------------------------------------7-------------------- --------------------------7------------------------------------------------- ------------------------7---10>7-------------------------------------------- --7-7-7vvvvvvv---9>(11)----------9>(11)>9>7---9-7--------------------------- --------------------------------------------9-----9>7----------------------- ------------------------------------------------------97-5-7>5---5--7-7/9-- ----------------------------------------------------------------7----------- ----------------------------7----------------------------7------------------ --------------------------7---10--------7--------------7---10>7------------- -------------7---7-9>(11)--------9>(11)---7--9--9>(11)----------9>(11)>9>7-- --7-7-7--9>7---9------------------------------------------------------------ ---------------------------------------------------------------------------- ---------------------------------------------------------------------------- ----------------------------------------------------------------------------- ---------------------------7--------------7-7-7------------------7-7-7------- ----9-7--------------------7--------------7-7-7------------------7-7-7------- --9-----9-7----------------7--9vvvvvvv----7-7-7--'9'vvvvvvvvvv---7-7-7--9vvv- ------------9-8-7-5---5>0---------------------------------------------------- --------------------7-------------------------------------------------------- ---------------------------------------------7------------------------ --7---------------------------------------------10>7--10>(12)====>10-- --7----9>(11)>9>7-----7--9--9>(11)vvvvvvvv---------------------------- -----7-------------9-------------------------------------------------- ---------------------------------------------------------------------- ---------------------------------------------------------------------- ----------7------------------------------------------------------- --------7---10>7-------------------------------------------------- -9>(11)----------9>(11)>9>7-9>7---7---------------------------7--- --------------------------------9---9>7-9>7---7------------9--7--- --------------------------------------------9---9-8-7------------- ------------------------------------------------------10-7-------- ----------------------------------------------------------------------- ----------7-----7>(8)>7--------------------------7-----------------7--- --------7-7-----7>(8)>7-----------------7>9>7----7-----------------7--- --9-7-9---7-----7>(8)>7-7vvvvvv-7>9------------9---9>7-----7-9>7>9----- --------------------------------------------------------9-------------- ----------------------------------------------------------------------- ------------------------------------7-----17-17-17>(19)vvv--17-19-21-21>(22)vv- --------7---7---7--7------7---7--7--7------------------------------------------ --9>7---7---7---7--7----7-7---7--7--7------------------------------------------ ------9-----7-----------------------7------------------------------------------ ------------------------------------------------------------------------------- ------------------------------------------------------------------------------- --21>(22)vvv-21-21>(22)>21--21>(22)-21>(22)-21>(22)>21--19>21>19-19-19--- -------------------------------------------------------------------------- -------------------------------------------------------------------------- -------------------------------------------------------------------------- -------------------------------------------------------------------------- -------------------------------------------------------------------------- ------------------------------------------------------------------------------ --17-17-17--17>(19)>17>15----17-17-17vvvvvv---15--17-17>(18)>17>15vvv--------- --------------------------16-----------------------------------------16-16-16- ------------------------------------------------------------------------------ ------------------------------------------------------------------------------ ------------------------------------------------------------------------------ ----------------------------10---------10----12-12>(13)-10-12-------12-- --------------------10>(12)----10>(12)----10------------------12-12----- --14-16vvv-------------------------------------------------------------- -----------14-12-------------------------------------------------------- -----------------14----------------------------------------------------- ------------------------------------------------------------------------ ------------------------------------------------------------- -12>(15)>12--12-10---------------------------------------7--- -------------------9>(11)>9>0--9>7---7-9>7---------------7--- -----------------------------------9-------9-7--------------- -----------------------------------------------9-8-7-5------- ------------------------------------------------------------- -----------------------------------7--7--7--7---7---7---7--7-7--7---7--7-- ---7--7--7--7--7-----7---7---7--7--7--7--7--7---7---7---7--7-7--7---7--7-- ---7--7--7--7--7-----7---7---7--7----------------------------------------- -------------------9---9---9---------------------------------------------- -------------------------------------------------------------------------- -------------------------------------------------------------------------- ---7----------------------------------------------- ------10------------------------------------------- ----------9>(11)-9--7------------------------------ ----------------------9-9-9-7----7-7>9-9>7-9vvvvv-- --------------------------------------------------- ---------------------------------------------------
| ** NOTE** |
| When changing from an A to a G/B to a C in the chorus, do it like this; |
| A | G/B | C |
-----0-------3----0--- -----2-------3----1--- -----2-------0----0--- -----2-------0----2--- -----0-------2----3---
| listen to the CD to get the exact rythem for this part, it not hard. |
| legend |
---7>(9)------ bend ---7>(9)>7---- bend & release -----'9'------ harmonic ------7/8----- slide

| E | A | E | |
| I'm standing at the crossroads in | life, and I don't know where to | go. |
| B | |
| You know you've got my heart babe, | but my musics got my soul. |
| A | |
| Let me play it one more time, I'll tell the truth and make it rhyme |
| B | E | |
| and hope they under | stand | me. |
| Chorus: |
| B | |
| Now I lay me down to sleep |
| Pray the load my soul to keep |
| A | E | |
| And if I die before I wake, Feed | Jake |
| B | C#m | A | |
| he's been a | good dog, | my best friend, | right through it all |
| E | B | E | |
| if I | die before I | wake, feed | jake |
| E | A | E | |
| Now Broadways like a | sewer, bums and hookers everyw | here. |
| B | |
| Whinos passed out on the sidewalk, | doesn't anybody care. |
| A | |
| Some say he's worthless, just let him be I for one would have to disagree |
| B | E | |
| and so would their | mam | as |
| Chorus |
| E | A | E | |
| Now if you get an ear | pierced, some will call you | gay. |
| B | |
| But if you drive a pickup, they'll say ' | no, you must be straight' |
| A | |
| What we are and what we ain't, what we can and what we can't. |
| B | E | |
| does it really | mat | ter |
| Chorus |

| F | C | |
| It's been seven hours a | nd thirteen days |
| Bb | |
| Since you took your love away |
| F | C | |
| I go out every night a | nd sleep all day |
| Bb | |
| Since you took your love away |
| F | C | |
| Since you've been gone I can do wh | at ever I want |
| Bb | |
| I can see whomever I choose |
| F | C | |
| I can eat my dinner in a fan | cy restaurant, But |
| Bb | G | |
| nothin', I said nothin' can take aw | ay these blues, `Cause |
| Bb | F | Bb | F | |
| nothing comp | ares, n | othing compares 2 | U |
| F | C | |
| It's been so lonely w | ithout you here |
| Bb | |
| I'm like a bird without a song |
| F | C | |
| Nothing can stop these lone | ly tears from falling, Tell me |
| Bb | C | |
| baby, where did I go w | rong? |
| F | C | |
| I could put my arms around eve | ry girl I see |
| Bb | |
| But they'd only remind me of you |
| F | C | |
| I went to the doctor and guess what | he told me, guess what he told me, He said, |
| Bb | G | |
| Boy you better try to have fun no matter w | hat you do, but he's a fool, `Cause |
| Bb | F | Bb | F | |
| nothing comp | ares, n | othing compares 2 | U |
| F | C | |
| All the flowers that you plant | ed, in the backyard |
| Bb | |
| All died when you went away |
| F | C | |
| I know that living with you baby w | as sometimes hard |
| Bb | G | |
| But I'm willing to give it anothe | r try |
| Bb | F | Bb | F | |
| Nothing comp | ares, n | othing compares 2 | U |
| ================================================= |
| Tim Gordon |
| tgordon@du.edu |

| Em | Dsus2 | Em | Em7 | |
| This one goes out | to the one I'v | e lef | t behind |
| Gsus4 | D | Am7 | C | |
| A simple pr | op, to o | ccupy my t | ime |
| Em | Dsus2 | Em | Em7 | |
| This one goes out | to the one I l | ove |
| Em | Dsus2 | Em | Em7 | Em | Dsus2 | Em | Em7 | |
| Fire | ! | F | ire! |
| This one goes out to the one I love |
| This one goes out to the one I've left behind |
| A simple prop, to occupy my mind |
| This one goes out to the one I love |
| Fire! Fire! |

##song. You may only use this file for private study, scholarship, or research. ##Subject: Re: You've lost that loving feeling#I saw a request for the chords to this a few days ago.#You've Lost That Loving Feeling### |Bb | |C#| |Bb | |C#| |Dm |Em# |F | G##|C |Dm |G |C#| |Dm |Bb | |C#| |Bb | |C | |Bb | |C
| And girl your starting to criticise little things I do. |
| | |Dm |Em |
| I makes me just feel like crying... |
| |F | G |
| 'cause ba-by something beautiful's dying |
| |C |Dm |G |C |
| You've lost that loving feeling wo-o that lov-ing feeling |
| | |Dm |
| you've lost that lovin' feel-ing now it's |
| |Bb | |C F |
| gone gone gone wo-o wo |
| |G F G |C F |G F G |C F |
| Baby Baby I'll get down on my knees for you |
| |G F G |C F |G F G |C F |
| If you would only love me like you used to do |
| |G F G |C F |G F G |C F |
| We had a love, a love, a love you don't find every day |
| |G F G |C F |G F G |C F |
| Don't don't don't don't let it slip a-way. |
| |G F G |
| |C |Dm |G |C |
| Bring back that lov-ing feeling wo-o that loving feeling |
| | |Dm |Bb | |
| Bring back that lovin' feel-ing 'cause it's gone gone gone and I |
| | | |C F |G F G|C |
| can't go on wo-o wo-o |
| Chris.M. |

##song. You may only use this file for private study, scholarship, or research. ##Received: from lux.latrobe.edu.au by LUGA.latrobe.edu.au with SMTP id AA13679#Received: by lux.latrobe.edu.au (5.67a/Ultrix3.0-C)#Date: Fri, 11 Mar 1994 01:36:44 +1000#Message-Id: <199403101536.AA29256@lux.latrobe.edu.au>#Subject: Rolling Stones - Waiting On A Friend#(Vertical bars denote new measures)##'Waiting on a Friend'#Jagger/Richards##|C |F |C |F ;(intro; repeat to taste)# (don't forget to play only the C bass note)# (for the first beat of the first/third meas.)##|Am |F |G |C# Watchin' girls go passing by It ain't the latest thing##|G | |C |#I'm just standin' in a doorway##|G | |C |#I'm just trying to make some sense## $# |Am |F |G |C#1. Out of these girls passing by, the tales they tell of men##|G | |C |#I'm not waiting on a lady##|G | |C | (return to $ for second verse)#I'm just waiting on a friend##2. A smile relieves a heart that grieves,# remember what I said.# I'm not waiting on a lady,# I'm just waiting on a friend.##(after second verse, this bridge:)## |C |F |C#... on a friend I'm just waiting on a friend##|F |C |F |C# just waiting on a friend. I'm just waiting on a friend,## |F |C |F |C#I'm just waiting on a friend, just waiting on a friend##(instrumental for 16 bars, just alternating F and C, one measure each, and#soloing away, then return to '$' for the last two verses)###3. Don't need a whore, don't need now booze,# don't need a virgin priest.# But I need some one I can cry to,# I need someone to protect.##4. Ooh, making love and breaking hearts,# It is a game for youth.# But I'm not waiting on a lady,# I'm just waiting on a friend.##(repeat bridge, fade instrumental...)##This song is excellent fun to play... hope the notation is not too cryptic.#Don't forget to emphasize the 'C' bass note in the intro and bridge...##Here's another hint to help you get that strummed melody at the#beginning:# [C(add9] [Dm] [Fmaj7]e--------------------0--- B-------3-3-3-3---3--1--- G-------0-0-0-0---2--2--- D-------2-2-2-2---3--3--- A-2h3---3-3-3-3------3--- E------------------------
| -- | |
| jonathan byrd |
| jon@apollo.med.utah.edu |
| >From: wade@hobbes.ucsd.edu (Wade Blomgren) |
| Subject: Re: REQ: 'Waiting on a Friend', Stones |
| In an article, pat@gsfc.nasa.gov (patrick m. ryan) writes: |
| > |
| > Anyone got chords to this one? I know the first two |
| > chords are Csus2 and F. |
| The first two chords are the Csus2 and a Dm that sneaks in |
| for one strum before the F. |
| Hope this helps. |
| Wade Blomgren |
| wade@hobbes.ucsd.edu |
--------------------------------------------------------------------------
| Waiting on a Friend (Jagger/Richards) |
| gleaned from the album 'Tattoo You' by The Rolling Stones (1981): |
| Intro: |
| Am | F | G | C | |
| Watchin girls a-passin' by It ain't the latest thing |
| G | C | G | C | |
| I'm just standin' in a doorway I'm just tryin' to make some sense |
| Am | F | G | C | |
| out of these girls a-passin' by...the tales they tell of men |
| G | C | G | C | |
| I'm not waitin' on a lady I'm just waiting on a friend |
| Am | F | G | C | |
| A smile relieves the heart that bleeds remember what I said |
| G | C | G | C | |
| I'm not waitin' on a lady I'm just waiting on a friend |
| (repeat 'I'm just waiting on a friend' on F) |
| Am | F | G | C | |
| Don't need a whore I don't need no booze - don't need a virgin priest |
| G | C | G | C | |
| But I need someone I can cry to I need someone to protect |
| Am | F | G | C | |
| Makin love and breakin hearts - it is a game for youth |
| G | C | G | C | |
| but I'm not waiting on a lady...I'm just waitin on a friend |
| (just waitin on a friend) |
| fade |
| >From: v201lrxa@ubvmsb.cc.buffalo.edu (L'Angelo Misterioso) |
| Subject: TAB: Waiting On a Friend (Stones) |
| I don't know the whole song, but I know some bits. Here's the |
| opening: |
| C(add9 | F |
--0-0-0-0--1-----1-------- --3-3-3-3--1-----1-------- --0-0-0-0--2-----2-------- --2-2-2-2--3--x--3--3----- --3-3-3-3-------------2-3- --------------------------
| 8 times |
| (I haven't figured out the verse yet) |
| This part is in the bridge, after 'I'm just standing in a doorway', and |
| after 'I'm just trying to make some sense': |
| C(Add9 | C |
--0-0-0---0- --3-3-3---1- --0-0-0---0- --2-2-2---2- --3-3-3---3- ------------
| I hope this is a good start. I play along with the tape, and it sounds |
| accurate.....maybe with a couple transfusions I could figure out the rest :) |
| mike |
| Received: from animal-farm.nevada.edu by redrock.nevada.edu (5.65c/M1.4) |
| with SMTP id |
Received: from skycat.usask.ca by animal-farm.nevada.edu id; Sat, 10 Apr 1993 20:16:14 -0700
| Received: from skatter.USask.Ca.usask.ca by SKYCAT.USask.CA (PMDF #2853 ) id |
| <01GWUZE85PLS8ZEEVA@SKYCAT.USask.CA>; Sat, 10 Apr 1993 21:14:59 CST |
| Received: by skatter.USask.Ca.usask.ca (4.1/SMI-4.1) id AA19433; Sat, |
| 10 Apr 93 21:16:00 CST |
| Date: 10 Apr 1993 21:16:00 -0600 (CST) |
| From: dave@skatter.usask.ca (Dave Hornidge) |
| Subject: Tab for Waiting On A Friend by The Rolling Stones |
| To: jamesb@animal-farm.nevada.edu |
| Message-Id: <9304110316.AA19433@skatter.USask.Ca.usask.ca> |
| X-Envelope-To: jamesb@nevada.edu |
| Content-Transfer-Encoding: 7BIT |
| James: |
| Here are my tabs for 'Waiting On A Friend' by The Rolling Stones. |
| WAITING ON A FRIEND |
| By The Rolling Stones |
| This is how I play 'Waiting On A Friend' by The Stones. |
| Corrections and/or comments are welcome. |
| The chords for the intro are as follows: |
| d u d u R d R d u R d |
| C* F Riff |
| then repeat |
| d means downstroke |
| u means upstroke |
| R means rest |
| Riff: |
E|-----------| B|-----------| G|-----------| D|-----------| A|---2--3----| E|-----------|
| CHORDS |
| E | A | D | G | B | E |
----------------
| C* x 3 2 0 3 0 |
| F x x 3 2 1 1 |
| Sorry I don't have the whole song. |
| Dave Hornidge |
| (dave@skatter.usask.ca) |
| END |
| Dave Hornidge |

| C | Am | D | Em | |
| W | hat a d | rag it | is getting | old |
| RIFF: -- 2x's |
PLAY ON HIGH E STRING ---0--2--2/3----3--2--0----
| VERSE: |
| Em | |
| 'K | ids are different today,' |
| I hear every mother say |
| F | |
| Mother needs something today to calm her d | own |
| G | |
| And though s | he's not really ill |
| C | |
| There's a lit | tle yellow pill |
| BREAK: |
| Am | Asus2 | |
| She goes r | unning for the s | helter |
| Am | Asus2 | |
| Of a m | other's little h | elper |
| Em | |
| And it h | elps her on her way |
Gets her through her busy day -- RIFF: -- 2x's
| VERSE: |
| 'Things are different today,' |
| I hear every mother say |
| Cooking fresh food for a husband's just a drag |
| So she buys an instant cake |
| And she burns her frozen steak |
| BREAK: |
| And goes running for the shelter |
| Of a mother's little helper |
| And to help her on her way |
| Get her through her busy day |
| CHORUS: |
| C | |
| Doctor pl | ease |
| D | |
| Some more of th | ese |
| G | |
| Outside the d | oor |
| C | |
| She took four m | ore |
Am D Em -- RIFF: -- 1x
| What a drag it is getting old |
| VERSE: |
| 'Men just aren't the same today |
| I hear every mother say |
| They just don't appreciate that you get tired |
| They're so hard to satisfy |
| You can tranquilise your mind |
| BREAK: |
| So go running for the shelter |
| Of a mother's little helper |
| And for to help you through the night |
| Help to minimise your plight |
| CHORUS: |
| Doctor please |
| Some more of these |
| Outside the door |
| She took four more |
| What a drag it is getting old |
| VERSE: |
| 'Life's just much too hard today,' |
| I hear every mother say |
| The pursuit of happiness just seems a bore |
| And if you take more of those |
| You will get an overdose |
| BREAK: |
| No more running to the shelter |
| Of a mother's little helper |
| They just helped you on your way |
| Through your busy dying day |
| OUTRO: |
| RIFF -- 2x's THEN G C G G |
| HEY! |
| any questions, comments or corrections e-mail me at: |
| guitarzan7@hotmail.com |

##song. You may only use this file for private study, scholarship, or research. ###exams, you see) - here's the results.#(dwatson@merle.acns.nwu.edu) and Jan Kaestner (j3kaes01@fsrz1.uni-passau.de)#Comments, corrections and suggestions welcome.###TUESDAY NIGHT MUSIC CLUB - Sheryl Crow##--------------She was [E]born in November 1963 - the day that Aldous [G#m]Huxley died
| F#m | |
| And her mama believed that every man could be free |
| /G# | A7 | |
| So her | mama got high, high, high |
| /B | C7 | |
| And her | daddy marched on Birmingham singing mighty protest songs |
| Am7 | /G | |
| And he pictured all the places where he knew that she'd be | long |
| F | Bb | B | |
| But he | failed and taught her young the | only thing she'd need to carry | on |
| NC |
| He taught her how to |
| E | C#m | G#m | |
| Run baby run baby | run baby run baby | run |
| E | C#m | G#m | |
| Run baby run baby | run baby run baby | run |
| A7 | C7 | |
| Past the | arms of the familiar and their | talk of better days |
| A7 | C7 | D | |
| To the | comfort of the strangers, slipping | out before they say 'so | long' |
| E | |
| Baby loves to | run |
| She counts out all her money in the taxi on the way to meet her plane |
| And stares hopeful out the window |
| at the workers fighting through the pouring rain |
| She's searching through the stations for an unfamiliar song |
| And she's thinking 'bout all the places where she knows she still belongs |
| And she smiles the secret smile because she knows exactly how to carry on |
| So run baby run baby run baby run baby run |
| Run baby run baby run baby run baby run |
| From the old familiar faces and their old familiar ways |
| To the comfort of the strangers, slipping out before they say 'so long' |
| Baby loves to run |
| (Same chords as first half of verse) |
| She's searching through the stations for an unfamiliar song |
| And she pictures all the places where she knows she still belongs |
| And she smiles the secret smile that shows she knows exactly how to carry on |
| So run baby run baby run baby run baby run (repeat to fade) |
| ........... |
| I think there's actually two electric guitars on the recording, but they're |
| doing much the same thing as each other. During the verse, they're playing |
| something along these lines |
| + . . + . . + . . + . . + . . + . . + . . + . . |
| (Stab) (Stab) (Stab) (Stab) |
|-------0-----|-------0-----|-------4-----|-------4-----| |-------0-----|-------0-----|-------4-----|-------4-----| |-------1-----|-------1-----|-------4-----|-------4-----| |-2-----------|-2-----------|-6-----------|-6-----------| |-2-----------|-2-----------|-6-----------|-6-----------| |-0-----------|-0-----------|-4-----------|-4-----------|
| + . . + . . + . . + . . + . . + . . + . . + . . |
| (Stab) (Stab) |
|-------2-----|-------2-----|-------------|-------------| |-------2-----|-------2-----|-------2-----|-------2-----| |-------2-----|-------2-----|-----0---0---|-----0---0---| |-4-----------|-4-----------|---2-------2-|---2-------2-| |-4-----------|-4-----------|-0-----------|-0-----------| |-2-----------|-2-----------|-------------|-------------|
| Arpeggiate the rest of the verse chords in this way as well. |
| The following is played over 'Run baby run ...' |
| + . . + . . + . . + . . + . . + . . + . . + . . |
|---------------------|--------------------|----------------|-------------| |---------------------|--------------------|----------------|-------------| |---9--9---9---------9|-9--9----9---------9|----------------|-------------| |-9h11-9---9---------9|-11-9----9---------9|-9--9-----9-----|-------------| |----------------9h11-|-------11------9h11-|-11-9-----9---11|-9-----------| |---------------------|--------------------|--------11------|-7-----------|
| The following is the pick-up into the last chorus |
| + . . |
---------------| ---------------| -9-------------| -9h11p9----9---| --------11-9---| ---------------|
| Everything else just follows the chords. |
| ............. |
| LEAVING LAS VEGAS |
-----------------
| G | /A | /B | Csus2 | G/B | A7sus | Dsus | D | |
| Li | fe | springs e | ternal | on a gaudy | neon | street |
| Not that I care at all |
| I spent the best part of my losing streak in an Army Jeep |
| For what I can't recall |
| Oh I'm banging on my tv set and I check the odds and I, and I place my bet |
| I pour a drink and I pull the blinds - I wonder what I'll find |
| I'm leaving Las Vegas, the lights so bright |
| Palm sweat blackjack on a Saturday night |
| Leaving Las Vegas |
| Leaving for good, for good |
| I'm leaving for good |
| I'm leaving for good |
| Used to be I could drive up to Barstow for the night |
| Find some crossroad trucker to demonstrate his might |
| But these days it seems nowhere is far enough away |
| So I'm leaving Las Vegas today |
| I'm leaving Las Vegas, oh, the lights so bright |
| Blackjack on a Saturday night |
| I'm leaving Las Vegas |
| I'm leaving for good |
| I'm leaving for good |
| Em | |
| For | good |
| I'm standing in the middle of the desert |
| G | |
| Waiting | for my ship to come in |
| Em | |
| But now no joker, no jack, no king |
| Csus2 | D | |
| Can take this loser hand and | make it win |
| I'm leaving Las Vegas, oh |
| I'm leaving Las Vegas for good |
| For good |
| I quit my job as a dancer at the Lido des Girls |
| Dealing blackjack until one or two |
| Such a muddly line between the things you want |
| And the things you have to do |
| I'm leaving Las Vegas, the lights so bright |
| Palm sweat blackjack on a Saturday night |
| Leaving Las Vegas |
| I'm leaving for good |
| I'm leaving for good |
| Oh, I'm leaving Las Vegas, the lights so bright |
| Palm sweat blackjack on a Saturday night |
| I'm leaving Las Vegas |
| I'm leaving for good |
| I'm leaving for good |
| Oh, I'm leaving Las Vegas, the lights so bright on a Saturday night |
| G Csus2 G Csus2 etc |
| I'm leaving Las Vegas |
| And I won't be back, no I won't be back |
| Not this time |
Chords: G - 320033 G/A - x00033 G/B - x20033 Csus2 - x32033
A7sus - x02033 Dsus - xx0033 D - xx0232 Em - 022000
| .............. |
| The bass, acoustic and electric guitars each play repeating parts throughout |
| the most of this. |
| There is a two bar drum introduction and then the bass comes in with |
| ] ] ] ] ] ] ] ] |
|-----------|-------|-------|---------| |-----------|-------|-------|---------| |--------0-2|-3--2--|-------|-5-5-----| |-3---------|-------|-5-----|-----0-2-|
| After twice through that, the acoustic comes in with |
| ] ] ] ] ] ] ] ] ] |
---------|---------3-3-3-3-|---3---3---|---------3-3---3-|-----3---2---2h3-| -3-3-3-3-|---------3-3-3-3-|---3---3---|---------3-3---3-|-----3---3---3---| -0-0-0-0-|-0-------0-0-0-0-|---0---0---|---------0-0---0-|-----0---2-------| ---------|-----------------|-----------|-----------------|-----------------| ---------|-----------------|-----------|-----------------|-----------------| ---------|-----------------|-----------|-----------------|-----------------|
| After twice through that the verse starts and the electric comes in with |
| ] ] ] ] ] ] ] ] ] |
---------|--------------|-----------------|---------|-----------------| ---------|--------------|-----------------|---------|-----------------| ---------|--------------|-----------------|------2-2|---2-------------| -x-0-----|------x-0-----|-----0-0-----0-0-|---------|---------x-0-----| ---------|----------0-2-|-3-------2-------|-0-------|-----------------| -----2---|-3------------|-----------------|---------|-------------2---|
| (Palm muting throughout) |
| For the chorus, the electric plays more - without the palm muting and |
| possibly uses fuller chords. |
| The bass line for the bridge section goes like this |
| ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] |
|-------|---------|-------|---------|-------|---------|-------|------------| |-------|---------|-2-----|---------|-------|---------|-------|------------| |-------|-------2-|-------|-------2-|-------|---------|-2-----|-2-2--------| |-0-----|-0-0-3---|-------|-0-0-3---|-3-----|-3-3-5---|-------|-----5p3p5--|
| ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] |
|-------|---------|-------|---------|-------|---------|-------|---------| |-------|---------|-2-----|---------|-------|---------|-------|---------| |-------|-------2-|-------|-------2-|-3-----|-----3---|-5--5--|-5-5-----| |-0-----|-0-0-3---|-------|-0-0-3---|-------|-3-3---3-|-------|-----0-2-|
| The acoustic and electric strum the chords over this - I can't be bothered |
| typing these parts up (sorry) |
| .......... |
| STRONG ENOUGH |
-------------
| D | G | Bm | A | |
| God, I feel like | hell to | night |
| (The) tears of rage I cannot fight |
| I'd be the last to help you understand |
| Are you strong enough to be my man? |
| (My man) |
| Nothing's true and nothing's right |
| So let me be alone tonight |
| Cause you can't change the way I am |
| Are you strong enough to be my man? |
| Em | D | G | A | Bm | C | G | |
| Lie | to | me, | I | promise | I'll be | lieve |
| Em | D | G | A | Bm | C | G | |
| Lie | to | me, | but | please | don't | leave |
| (don't leave) |
| I have a face I cannot show |
| I make the rules up as I go |
| It's try and love me if you can |
| Are you strong enough to be my man? |
| (Are you strong enough) to be my man? * |
| (Are you strong enough) to be my man? * |
| (Are you strong enough) my man? * |
| When I've shown you that I just don't care |
| When I'm throwing punches in the air |
| When I'm broken down and I can't stand |
| Will you be strong enough to be my man? |
| Lie to me, I promise I'll believe |
| Lie to me, but please don't leave |
Chords: D - xx0232 G - 320003 Bm - x24432
A - x02220 Em - 022000 C - x32010
| ........... |
| This song is a bit of a swine to transcribe - it doesn't involve any |
| difficult playing techniques, but it does involve a lot of guitars jumping |
| in and out of the mix. The following is an approximation of the main guitar |
| parts. |
| Guitar 1 plays the following riff twice for the introduction, and then four |
| times for the first verse. |
| ] ] ] ] ] ] |
|-----2-------0h2---------|-------------------------| |---------------------0---|-----3---------3-----2---| |-----2-----2-------------|-------------0-----------| |-0-------0-----------0---|-----4-----4---------2---| |-------------------------|-2-------2-------0-------| |-----------------3-------|-------------------------|
| After the first verse, guitar 2 comes in. The following is what the two |
| guitars play throughout the rest of the verses |
| Gtr1 + + + + + + |
|-----2-----2-0h2---------|-------------------------| |-----3-----3---------0---|-----3-----3-3-3-----2---| |-----2---------------0---|-----4-----4-4-4-----2---| |-0-------------------0---|-----4-----4-4-4-----2---| |-------------------------|-2---------------0-------| |-----------------3-------|-------------------------|
| Gtr2 + + + | + + + | |
|-------------------------|-------------------------| |-----------3---------0---|-----3-----3-3-3-3---2---| |-----2-----2---------0---|-----2-----2-2-2-2---2---| |-----2h4-----2p0---------|-----4-----4-4-4-2---2---| |-------------------------|-------------------------| |-----------------3-------|-------------------------|
| The parts at the bridge ('Lie to me...') are as follows - play twice |
| Gtr1 + + + + + + |
|---------0---------------|---------0---------------| |-----------0---0-----3---|-----------0---0-----2---| |-----0-------0-------2---|-----0-------2-------2---| |-------------------------|-------------------------| |-------------------------|-----------------0-------| |-0---------------2-------|-3-----------------------|
| Gtr2 + + + | + + + | |
|-3---3-3---3-3---5-------|-7---7-7---7-7---9-------| |-5---5-5---5-5---7-------|-8---8-8---8-8---10------| |-4---4-4---4-4---7-------|-7---7-7---7-7---9-------| |-------------------------|-------------------------| |-------------------------|-------------------------| |-------------------------|-------------------------|
| Gtr1 + + + + + + |
|-----------------------------|---------0---------------| |-----------0-------0-----1---|-----------0---0-----2---| |---------0------0--------0---|-----0-------2-------2---| |------4------4---------------|-------------------------| |-2-------------------3-------|-----------------0-------| |-----------------------------|-3-----------------------|
| Gtr2 + + + | + + + | |
|-10---10-10--10-10---12------|-7---7-7---7-7---9-------| |-12---12-12--12-12---13------|-8---8-8---8-8---10------| |-11---11-11--11-11---12------|-7---7-7---7-7---9-------| |-----------------------------|-------------------------| |-----------------------------|-------------------------| |-----------------------------|-------------------------|
| The following is what happens for the bit after the third verse - marked |
| in the text above with * : play twice |
| Gtr1 + + + + + + |
|-----2---2-2-2-2-----2---|-----2---2-2-2-2-----0---| |-----3---3-3-3-3-----3---|-----3---3-3-3-3-----2---| |-----2---2-2-2-2-0-------|-4---4---4-4-4-4-2-------| |-0-----------------------|-------------------------| |-------------------------|-------------------------| |-------------------------|-------------------------|
| Gtr2 + + + | + + + | |
|-----5-------5-------5---|-----5-------5-------5---| |-----3-------3-------3---|-----3-------3-------3---| |-----2-------2-------2---|-----2-------2-------2---| |-------------------------|-------------------------| |-------------------------|-------------------------| |-------------------------|-------------------------|
| As well as that, there is also a mandolin (arranged here for guitar) playing |
| this over the top of that |
| ] ] ] |
|-10----10-10-10-10-10-10-10-10-10-10-| |-12----10-10-12-12-10-10-12-12-10-10-| |-------------------------------------| |-------------------------------------| |-------------------------------------| |-------------------------------------|
| The song finishes with |
| Gtr1 + + + |
|-----2-------------------| |-----3-------------------| |-----2-------------------| |-0-----------------------| |-------------------------| |-------------------------|
| Gtr2 + + + | |
|-------------------------| |-------------------------| |-----2-------------------| |-----2h4-----------------| |-------------------------| |-------------------------|
| ......... |
| CAN'T CRY ANYMORE |
-----------------
| Band | in | |
| |G D |G D |G D |G x x| | G D | | G D |G D |G D | |
| G | D | G | |
| Took your car | , | drove to Texas |
| D | G | D | Em | |
| Sorry honey | , | but I suspected | we were | through |
| C G etc |
| And I can't cry anymore |
| Since I left, been feelin' better cause |
| That's what you get when you stay together too long |
| And I can't cry anymore |
| Em | Am | |
| Wouldn't it be good if we could | hop a flight to anywhere |
| Em | A | |
| So long to this | life |
| C | |
| So much for pretending, bad luck's never ending |
| D (stab) |
| And now I know that.. |
| Money comes in but the fact is there's not enough to pay my taxes |
| And I can't cry anymore |
| Well, got a brother - he's got real problems |
| Heroin - no, there's just no stopping him tonight |
| And I won't cry anymore |
| Wouldn't it be good if we could hop a flight to anywhere |
| So long to this life |
| So much for pretending, bad luck's never ending |
| It's never ending |
| (Same chords as first half of verse) |
| Well it could be worse: I could've missed my calling |
| Sometimes it hurts but when you read the writing on the wall |
| Can't cry anymore |
| Em | Am | |
| Wouldn't it be nice if we could | hop a flight to anywhere |
| Em | A | |
| So long to this | life |
| C | |
| So much for pretending, cause bad luck's never ending |
| And too much time I've been spending |
| With my heart in my hands waiting for time to come and mend it |
| D (stab) |
| I can't cry anymore (x5) |
| ............. |
| The following riff is played throughout by two electric rhythm guitars |
| ] (s]tab)] |
|-----3-----------| |-----3-----3-3---| |-----0-----2-2-0-| |-----------0-0---| |-----------------| |-3---------------|
| Tricky, isn't it! Obviously, the chord isn't always a G (and a D), so |
| follow the chords |
| There is also a lead guitar which plays the following during the chorus |
| ('Wouldn't it be good..'): |
| ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] |
|-----------------|---------|-----------------|---------| |-----------------|---------|-----------------|---------| |-----------------|---------|-----------------|---------| |-----------------|---------|-----------------|---------| |-------------2---|-3-------|-------------2---|-4-------| |-0-----0-3-------|---------|-0-----0-3-------|---------|
| ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] |
|------------------|---------|------------------|---------| |-----8---8--------|-8-------|-----8---8--------|---------| |-------7h9p7------7h9-------|-------7h9p7------|-7\-----| |-------------10-7-|---------|-------------10-7-|-7\-----| |------------------|---------|------------------|---------| |------------------|---------|------------------|---------|
| The solo is... |
| ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] |
|-----------------|------------------|-----------------|-----------------| |-8-----8-8-------|-----8----8---8---|-----------------|-----------------| 7h9-----7-7-------|-----7--7h9---7---|-------8---------|-----7---7-------| |-----------------|---9---9----------7h9------7h9------|---7h9-7h9-7---7-| |-----------------|------------------|-----------------|-------------10--| |-----------------|------------------|-----------------|-----------------|
| ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] |
|-----------------|------------------|----------------|------------------| |-----------------|------------------|----------------|------------------| |-----------------|---5------5---5---|-4--------------|------------------| |-----------------|---5----5h7-5h7---|-5--------------|---5------5---5---| |-7-------------5/|/7-----7----------|----------------|---5----5h7-5h7---| |-----------------|------------------|--------------5/|/7-----7----------|
| And finally, the following is played as an outro over the repeated 'I can't |
| cry anymore' line |
| ] ] ] ] ] ] ] ] |
|--------------------|------------------| |--------------------|------------------| |--------------------|------------------| |--------------------|------------------| (repeat to fade) |--------5-5h7-------|------------------| |---3-/7-------------|---3-/7p5---3-0-3-|
| ............ |
| SOLIDIFY |
--------
| Dm | |
| Pouring in and around the great wellspring of simple feeling |
| And I need bearings in the face of your cool cool fire |
| Walking backwards with the pounding of your voice makes my soul tired |
| And concrete is as concrete doesn't - and voices can drown |
| G7 | |
| Why should | I? Why should I? Why should I? Why should I? |
| Bb7 | A7b9 | G7 | |
| So | lidif | y, make me real |
| Bb7 | A7b9 | Dm | |
| So | you | can see | me |
| I guess you thought I'd hide the sun from my liquid thoughts and make ice |
| for you |
| You thought I'd seed my clouds with the rain of your personal dreams |
| I guess you thought I'd throw confetti at your parade of lofty thoughts |
| I guess you thought I'd shine good morning in some good morning Jack - |
| surprise |
| Why should I? Why should I? Why should I? Why should I? |
| Solidify, make me real |
| So you can see me |
| Pouring in and around the great wellspring of simple feeling |
| I need bearings in the face of your cool cool fire |
| Walking backwards with the pounding of your voice makes my soul tired |
| And concrete is as concrete doesn't - and voices can drown |
| Why should I? Why should I? Why should I? Why should I? |
| Solidify, make me real |
| So you can see me |
| Chords: Dm - x x x 10 10 10 G7 - xxx767 |
| Bb7 - x x x 10 9 10 A7b9 - xxx688 or xx7688 |
| ........... |
| There are at least three guitars on the recording here (not counting the |
| spectacular bass-line). There are two electrics, one on each side, and some |
| acoustic stuff too. The left electric plays with the chords as shown above |
| in a suitably funky manner - |
| ] ] ] ] |
|------9/10-10-10-10----10----------10----9/10-| |------9/10-10-10-10----10----------10----9/10-| |------9/10-10-10-10----10----------10----9/10-| etc |----------------------------------------------| |----------------------------------------------| |----------------------------------------------|
| (compression makes this sound well cool) |
| Meanwhile, the right electric plays this repeatedly - |
| ] ] ] ] ] ] ] ] |
|-------15-13-----------------|-------15-13-------------| |-------------15--------13h15-|-------------15----------| |-----------------------------|-------------------------| |-----------------------------|-------------------------| |-----------------------------|-------------------------| |-----------------------------|-------------------------|
| When you get to the G7 chord , the two electrics keep on with what they're |
| doing, but an acoustic slide guitar does this - |
| ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] |
|-------------|-------------|-------------|-------------| |-------------|-------------|-------------|-------------| |/12----------|/12----------|/12----------|/12----------| |-------------|-------------|-------------|-------------| |-------------|-------------|-------------|-------------| |-------------|-------------|-------------|-------------|
| Then an acoustic guitar (I'm not sure whether or not it's the same one - |
| you could give the part to one or both of the electric guitars since they |
| drop out here) plays the chords in much the same way as the left guitar was |
| doing up to now - |
| ] ] ] ] |
|------10---10-10-------10----10-10---10-10----| |------9----9--9--------9-----9--9----9--9-----| |------10---10-10-------10----10-10---10-10----| etc |----------------------------------------------| |----------------------------------------------| |----------------------------------------------|
| When you reach the Dm chord, the electrics go back to what they were doing, |
| and the acoustic plays |
| ] ] ] ] ] ] ] ] |
|-----10--10------------------|-----10--10------------------| |/10----10--10----------------|/10----10--10----------------| |-------------7--/10----------|-------------7--/10----------| |-----------------------------|-----------------------------| |-----------------------------|-----------------------------| |-----------------------------|-----------------------------|
| ] ] ] ] ] ] ] ] |
|-----10--10------------------|-----10--10------------------| |/10----10--10----------------|/10----10--10----------------| |-------------7--/10----9-----|-------------7--/10-9--7-----| |-----------------------------|-----------------------------| |-----------------------------|-----------------------------| |-----------------------------|-----------------------------|
| After the second verse, this becomes |
| ] ] ] ] ] ] ] ] |
|-----10--10------------------|-----10--10------------------| |/10----10--10----------------|/10----10--10----------------| |-------------7--/10----------|-------------7--/10----------| |-----------------------------|-----------------------------| |-----------------------------|-----------------------------| |-----------------------------|-----------------------------|
| ] ] ] ] ] ] ] ] |
|-----10--10----------------------|---------------------------| |/10----10--10--------------------|---------------------------| |-------------9--/10--9--10-9---10|----9--10-9--5/////7-------| |---------------------------------|---------------------------| |---------------------------------|---------------------------| |---------------------------------|---------------------------|
| ............. |
| THE NA-NA SONG |
--------------
| A | |
| Video countdown cyber phallic optics |
| Profligate talk shows scrounging for a topic |
| Rock-a-buy gravy train cradle's gonna rock me |
| 37 million's what Larry Parker got me |
| World War XIV, my first Sony |
| Beatles wrote the Nike song and called it macaroni |
| Billy Jean Burger King, chauvinist pig pen |
| U.S. Army only wants a few straight men |
Na-na, na-na na-na, na-na na-na na-na
| Panaflex, Soloflex, Genuflect, Pope |
| What the world needs now is babies, gun and hope |
| Guardian angel dust in the wind cries Mary |
| Wanna be Madonna but the price is too high, very |
| Perfect rhythm Nazis in the pagan rhythm nation |
| Everybody's equal in the glow of radiation |
| Gotta four wheel drive and I park it in the driveway |
| When I get drunk I drive it on the parkway |
| Gotta get a TV set for my car |
| Tonight's the Battle of the Network Stars |
Na-na, na-na na-na, na-na na-na na-na Na-na, na-na na-na, na-na na-na na-na
| Sanaflush Bud-Bowl makin' me sick |
| Cause anybody in a helmet looks just like a dick |
| Steely Dan, rather be hammer than a nail |
| The Serbs, the Poles, and the cheque's in the mail |
| Eat, sleep, live, die, @#$%ing record label |
| G Gordon Liddy under the table, table, table |
| Clarence Thomas organ grinder Frank Dileo's dong |
| Maybe if I let him I'd have had a hit song |
Na-na, na-na na-na, na-na na-na na-na
| (Repeat to fade) |
| ........... |
| That's right, A the whole way through! - I always suspected that three |
| chord rock and roll was complicating things unnecessarily... |
| There's no guitar on this song at all, so just strum along. |
| However, I'm not too sure whether or not anybody in the States will have |
| this, but there was a free limited edition live CD released with the album |
| over here recorded at the BBC studios in London, which finishes with the |
| song 'Volvo Cowgirl' - this is just The Na-na song with different chords |
| put to it. I'll transcribe it if anyone's interested... |
| ........... |
| NO ONE SAID IT WOULD BE EASY |
----------------------------
| A | G | F#m | D | |
| It's obvi | ous the | trouble we're | in |
| When your father pulls up in a Mercedes Benz |
| He says he just happened to be in the neighbourhood |
| But before he leaves he slips the landlord the rent |
| You say, 'It's just a question of eliminating obstacles' |
| As you throw your dinner out the kitchen door |
| You say, 'I know how you try |
| A G F#m G* F#m |
| But, honey, let's eat out tonight' |
| D | /E | /F# | A | |
| No one said it | would | be | easy |
| But no one said it'd be this hard |
| No one said it would be easy |
| No one thought we'd come this far |
| You can't seem to ever fold up a shirt |
| I bring it up and you think I'm a jerk |
| But I think we're here to stay |
| I can't imagine it any other way |
| No one said it would be easy |
| But no one said it'd be this hard |
| No one said it would be easy |
| No one thought we'd come this far |
| F#m G A* Bm |
| Sometimes I wonder who he's picturing |
| Em | |
| When he looks at me |
| G | |
| When he looks at me and smiles |
| A | G | F#m | D | A | G | F#m | G | |
| No one said it would be easy |
| No one said it'd be this hard |
| No one said it would be easy |
| No one thought we'd come this far |
| Oh, and look, we've come this far |
| NB The guitars are tuned (low to high) DADGAE (ie drop the B and low E |
| strings down by a whole tone) |
Chords: A - x02200 G - 555xxx F#m - 444xxx D - 000200 (or 000202)
G* - 5x0003 A* - 777xxx Bm - 999xxx Em - 222xxx
| ................ |
| Don't be scared off by the funny tuning - this song is dead easy to play - |
| beauty in simplicity. |
| There are three guitars on the recording - one electric and two acoustics. |
| Throughout the verses, the electric plays: |
| ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] |
-----0-----|---------|-----------------|---------|-----------0-----| -----------|---------|-----------------|---------|-----------------| -----------|---------|-----------------|---------|-----------------| -7/9---97-|---------|-----------------| --------|-------7/9---97-| -----------|---------|-----------------|---------|-----------------| -----------|---------|-------4-5---4\-|-0-------|-----------------|
| Meanwhile the first acoustic guitar plays |
| ] ] ] ] ] ] ] ] ] ] ] ] (]NH]) |
-----0-----|-------------|-------------|-------12----|-------0---0-----| -----------|-------0-----|-0-----------|-------12----|-------0---0-----| -2/4---4-2-|-2-----2-----|-2-----------|-------------|-------------4-2-| -----------|-2-----2-----|-2---4-5--4--|- 0-----------|-0--------------| -----------|-0---0-0---0-|-0---4-5--4--|-0---0-----0-|-0---0-----------| -----------|-------------|-----4-5--4--|-0---0-----0-|-0---0-----------|
| The second acoustic comes in on the line 'He says he just happened ..' with |
| ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] |
|-0---0-0---0-|-0-----------|-0---0-0---0-|-0-----0---------| |-0---0-0---0-|-0-----------|-0---0-0---0-|-0-----0---------| |-2---2-2---2-|-2-----------|-2---2-2---2-|-2-----2---------| |-2---2-2---2-|-2---4-5--4--|- 0--0-0---0-|-0-----0---------| |-0---0-0---0-|-0---4-5--4--|-0---0-0---0-|-0-----0---------| |-------------|-----4-5--4--|-0---0-0---0-|-0-----0---------|
| When going into the chorus, replace the last two bars of each of these |
| figures with: |
| Elec + + + + + + + + |
|-----------------|-----------------| |-----------------|-----------------| |-----------------|-----------------| |-----------------|-----------------| |-----------------|-----------------| |-5---------------|-------------4\-|
| Ac-1 + + + + | + + + + | |
|-----------------|-----------------| |-----------------|-----------------| |-----------------|-----------------| |-5-----5-5-----5-|-5-----------4---| |-5-----5-5-----5-|-5-----------4---| |-5-----5-5-----5-|-5-----------4---|
| Ac-2 + + + + | + + + + | |
|-3-----3-3-----3-|-3---------------| |-0-----0-0-----0-|-0---------------| |-0-----0-0-----0-|-0---------------| |-0-----0-0-----0-|-0---------------| |-----------------|-----------------| |-5-----5-5-----5-|-5---------------|
| The chorus consists of: |
| Elec + + + + + + + + + + + + + + + + |
|-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| |-0---------------|---------2---4---|-7---------------|-------4-5---4\-|
| Ac1&2+ + + + | + + + + | + + + + + + + + |
|-0-----0-0-----0-|-0-----0-0---0---|-----------------|-----------------| |-0-----0-0-----0-|-0-----0-0---0---|-0-----0-0-----0-|-0---------------| |-2-----2-2-----2-|-2-----2-2---2---|-2-----2-2-----2-|-2---------------| |-0-----0-0-----0-|-0-----0-0---0---|-2-----2-2-----2-|-2-----4-5---4---| |-0-----0-0-----0-|-0-----0-0---0---|-0-----0-0-----0-|-0-----4-5---4---| |-0-----0-0-----0-|-0-----0-0---0---|-----------------|-------4-5---4---|
| played 4 times. |
| The bridge ('Sometimes I wonder...') consists of: |
| Elec + + + + + + + + + + + + + + + + |
|-----------------|-----------0-----|-----------------|-----------0-----| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| |-----------------|-------7/9---97-|-----------------|-------7/9---97-| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------|
| Ac1&2+ + + + | + + + + | + + + + + + + + |
|-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| |-4-----4-4---4---|-5-----5-5---5---|-7-----7-7---7---|-9-----9-9---9---| |-4-----4-4---4---|-5-----5-5---5---|-7-----7-7---7---|-9-----9-9---9---| |-4-----4-4---4---|-5-----5-5---5---|-7-----7-7---7---|-9-----9-9---9---|
| Elec + + + + + + + + + + + + + + + + |
|-----------------|-----------0-----|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| |-----------------|-------7/9---97-|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------|
| Ac1&2+ + + + | + + + + | + + + + + + + + |
|-----------------|-----------------|-----------------|-----------0-----| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-------2/4---4-2-| |-2-----2-2---2---|-2-----2-2---2---|-5-----5-5---5---|-5----(Ac1 only)-| |-2-----2-2---2---|-2-----2-2---2---|-5-----5-5---5---|-5---------------| |-2-----2-2---2---|-2-----2-2---2---|-5-----5-5---5---|-5---------------|
| The solo is: (the backing is the same as a verse) |
| ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] |
|---------|---------------------|-----------------|---------------------| |---------|---------------------|-----------------|---------------------| |---------|---------------------|-----------------|---------------------| |-2-------|--------/4-------2p0-|-2/4-------------|---------4-----5---7-| |--------0|---------------------|-----------------|---------------------| |---------|---------------------|-----------------|---------------------|
| ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] |
|---------|---------------------|---------------------|-----------------| |---------|---------------------|---------------------|-----------------| |---------|---------------------|-0-------------------|-----------------| |-7----2--|-----2--/4-------2p0-|---------------------|-----------------| |--0------|---0---0-------------|-------0h2-----------|-----------------| |---------|---------------------|---------------------|-------------4\-|
| ........ |
| WHAT I CAN DO FOR YOU |
---------------------
| |Am | |D | |F | |G | | x2 |
| Am | D | |
| I'm so glad you're awake; | that you're not like the others |
| F | G | |
| Cause they're so straight-laced | and no fun |
| Gosh that's nice, that lingerie |
| Makes me feel like .. oh, I don't know |
| Am | D/A | Am | |
| You're a very pretty | thing - you remind me of so | meone |
| D/A | |
| You must have heard some | awful nasty things about me, but |
| F | Am | |
| What I can do for you there's no one else on | God's green earth can do |
| F | Am | |
| What I can do for you there's no one else on | God's green earth can do |
| D | Em | F | |
| Just ask anybody | , they'll tell you that it's | true |
| G | Em | C | G/B | Am | |
| There's no one else on earth can | do the | things that | I can | do for | you |
| (For you, for you) x8 |
| You're never gonna make it all by yourself |
| You're gonna need a friend, you're gonna need my help |
| I have so much to offer if you just be nice |
| If you do what I say and don't make me say it twice |
| Am | D/A | |
| Do you mind if I just | rub my hand up, thus |
| Am | D/A | |
| Come on just my hand | , come on just my hand. |
| Am | D/A | |
| You got to understand | : I'm gonna be your man |
| Am | D/A | |
| I'm gonna be your man | , you're gonna need me (I'm gonna be your man) |
| Am | D/A | |
| I'm gonna make you under | stand, yeah (I'm gonna be your man...) |
| Am | D/A | |
| I'm gonna be your man | , gonna be, I'm gonna be your man (I'm gonna be ..) |
| What I can do for you there's no one else on God's green earth can do |
| What I can do for you there's no one else on God's green earth can do |
| Just ask anybody, they'll tell you that it's true |
| There's no one else on earth can do the things that I can do for you |
| (For you, for you) x lots |
| (There's no else on earth can do those things |
| that I can do, that I can do for you) |
| ............ |
| There is one guitar on the recording (probably a telecaster with a bit of |
| slapback echo for extra coolness) which comes in on the line 'You're a very |
| pretty thing..' - I've only transcribed as far as the link into the second |
| verse because: |
| a - once you get the idea of what's going on, it's kind of fun to improvise |
| b - I'm lazy |
| (Hold bend) |
| ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] |
|---------|---------|---------|---------------------------------| |-8-------|---------|---------|---------------------------------| |-7b9-----|-9b11----|-7b9-----|-9-r-7---5---7b9r7p5-------------|

| G | |
| Livin' my life in a slow hell |
| C | |
| Different | girl every night |
| At the hotel |
| D | |
| I ain't seen the sunshine in |
| C | G | |
| Three damn days |
| Been fuelin' up on cocaine and whiskey |
| C | |
| Wish I had a good girl to miss me |
| D | C | |
| Lord I wonder if I'll | ever |
| G | |
| Change my | ways |
| Em | |
| I put your | picture away |
| G | |
| Sat down and | cried today |
| D | |
| I can't | look at you |
| C | G | |
| While I'm | lying next to | her |
| Em | |
| I put your | picture away |
| G | |
| Sat down and | cried today |
| D | |
| I can't | look at you |
| C | G | |
| While I'm | lying next to | her |
| I called you last night in the hotel |
| C | |
| Everyone knows |
| But they won't tell |
| D | |
| But their | half-hearted smiles |
| C | G | |
| Tell me | somethin' just ain't | right |
| I've been waitin' on you for a long time |
| C | |
| Fuelin' up on heartaches and cheap wine |
| D | C | G | |
| I ain't heard from | you in three damn | nights |
| Em | |
| I put your | picture away |
| G | |
| I wonder | where you've been |
| D | |
| I can't | look at you |
| C | G | |
| While I'm | lyin' next to | him |
| Em | |
| I put your | picture away |
| G | |
| I wonder | where you've been |
| D | |
| I can't | look at you |
| C | G | |
| While I'm | lyin' next to | him |
| G | |
| I | saw you yesterday with an old friend |
| C | |
| It was the | same ol' same |
| How have you been |
| D | C | |
| Since you've been gone my | worlds been |
| G | |
| Dark and | gray |
| You reminded me of brighter days |
| C | |
| I | hoped you were coming home to stay |
| D | |
| I was | headed to church |
| C | G | |
| I was off to | drink you | away |
| I thought about you for a long time |
| C | |
| Can't seem to get you off my mind |
| D | C | G | |
| I can't understand why we're | living life this | way |
| Em | |
| I found your | picture today |
| G | |
| I swear I'll | change my ways |
| D | C | |
| I just | called to say I | want you |
| G | |
| To come back | home |
| Em | |
| I found your | picture today |
| G | |
| I swear I'll | change my ways |
| D | C | |
| I just | called to say I | want you |
| D | |
| To come back | home |
| D | C | |
| I just | called to say I | love you |
| G | |
| Come back | home |

| D | |
| Well I don't know why I came here tonight |
| D | |
| I got the feeling that something ain't right |
| G7 | |
| I'm so | scared in case I fall off my chair |
| D | |
| And I'm wondering how I'll get down the stairs |
| A | |
| Clowns to the left of me |
| C | G | D | |
| Jokers to the | right, here I | am |
| Stuck in the middle with you |
| The second verse is: |
| Yes I'm stuck in the middle with you |
| And I'm wondering what it is I should do |
| It's so hard to keep this smile from my face |
| Losing control, yeah, I'm all over the place |
| Clowns to the left of me, Jokers to the right |
| Here I am, Stuck in the middle with you. |
| Bridge: |
| G7 | |
| Well you started out with nothing and you're proud that you're a |
| D ^^^^^^^ ^^^^^^^^^^^ |
| Self made man |
| G7 | |
| And your friends, they all come crawlin, slap you on the back and say |
| ^^^^^^^^^^^^^^^^^^^^^^ |
| D | A7 | |
| ^^ |
| Please.... Please..... |
| Third Verse: |
| Trying to make some sense of it all |
| But I can see that it makes no sense at all |
| Is it cool to go to sleep on the floor |
| Cause I don't think that I can take anymore |
| Clowns... |
| (Intrumental Verse) |
| (Bridge) |
| (Repeat first verse) |
| ** I think that this is right now. |
| Comments? Corrections? |
| Drake Hirasawa. |
| drake@sgl.ists.ca |
| From: dwaite@uoguelph.ca (Dave S Waite) |
| Subject: Re: REQ: Stuck in the middle with you - by ? |
| CR72438902 (cr72438902@aol.com) wrote: |
| : In article |
| : Lathwell) writes: |
| : Steelers Wheels |
| : The whole songs cords is : D G A play around with thoses cords and you |
| : will get it worked out |
| D | |
| Well I don't know why I came here tonight |
| D | |
| I got the feeling that something ain't right |
| G7 | |
| I'm so | scared in case I fall off my chair |
| D | |
| And I'm wondering how I'll get down the stairs |
| A | |
| Clowns to the left of me |
| C | G | D | |
| Jokers to the | right, here I | am |
| Stuck in the middle with you |
| Bridge: |
| G7 | |
| Well you started out with loving and you found that you're a |
| D | |
| Self made man |
| G7 | |
| And you fancy I'll come crawlin, slap you on the back and say |
| D | D7 | |
| Please.... | Please..... |
| This is all from memory, so it may not be perfectly accurate. If it's not |
| under Stealer's Wheel at nevada try Joe Rafferty or Gerry Egan (sp?). |
| Since we're on the topic of Reservoir Dogs, anybody got crds/tabs for |
| little green bag by George Baker. I've tabbed the into, and I'll post |
| when I've got time, but I'd like to also get the rhythm chords (can't |
| figure 'em out) |
| -- | |
| *************************************************************************** |
| DAVE S. WAITE dwaite@uoguelph.ca GO LEAFS *************************************************************************** |

##song. You may only use this file for private study, scholarship, or research. ##Newsgroups: rec.music.makers.guitar.tablature#From: rpaley1@cc.swarthmore.edu (Bob Paley)#Message-ID:#Sender: news@cc.swarthmore.edu (USENET News System)#Organization: Swarthmore College#Lines: 39#Here's one from 'Fear of Music' Corrections and comments are definitely##rpaley1@cc.swarthmore.edu#Verse:
D Em Everyone is trying to get to the bar
G D The name of the b ar, the bar is called h eaven
Em The band in heaven plays my favorite song
G D They play it once again, they play it all night l ong
Chorus:
Bm Am C G Heaven is a pl ace where n othing ever h appens
Bm Am C G Heaven is a pl ace where n othing ever h appens
Verse:
There is a party, everyone is there
Everyone will leave at exactly the same time
It's hard to imagine that nothing at all
Could be so exciting, could be so much fun
Repeat Chorus:
Verse:
When this kiss is over it will start again
It will not be any different, it will be exactly the same
It's hard to imagine that nothing at all
could be so exciting, could be so much fun
Repeat Chorus:

##song. You may only use this file for private study, scholarship, or research. ##e-mail: Christian_Korbanka@msn.com##date: 95/10/15#
| E | A | E | |
| And she was l | ying in the gr | ass |
| E | A | E | |
| And she could h | ear the highway bre | athing |
| E | A | E | |
| And she could s | ee a nearby fac | tory |
| E | A | E | |
| She's making s | ure she is not dre | aming |
| Bb | F | C | F | |
| See the li | ghts of the nei | ghbor's ho | use |
| Bb | C | F | |
| Now she's sta | rting to r | ise |
| Bb | F | C | F | |
| Take a mi | nute to | concentrat | e |
| Bb | G | C | |
| And | she opens | up her e | yes |
| E | A | D | A | |
| The world was mo | ving, she was | right there w | ith it |
| E | A | D | A | |
| And she w | as |
| E | A | D | A | |
| The world was mo | ving she was | floating ab | ove it |
| E | A | D | A | |
| And she w | as |
| E | A | E | |
| And she was dri | fting thorugh the bac | kyard |
| E | A | E | |
| And she was ta | king off her dr | ess |
| E | A | E | |
| And she was mo | ving very sl | owly |
| E | A | E | |
| Rising | up above the ea | rth |
| Bb | F | C | F | |
| Moving i | nto the | univers | e |
| Bb | C | F | |
| Drifting t | his way and t | hat |
| Bb | F | C | F | |
| Now tou | ching the gr | ound at a | ll |
| Bb | G | C | |
| Up ab | ove the y | ard |
| E | A | D | A | |
| The world was mo | ving, she was | right there w | ith it |
| E | A | D | A | |
| And she w | as |
| E | A | D | A | |
| The world was mo | ving she was | floating ab | ove it |
| E | A | D | A | |
| And she w | as |
| Bm | |
| She was g | lad about it ... no doubt about it |
| G | |
| She isn't sure about where she's gone |
| Bm | |
| No time to think about what to tell them |
| G | |
| No time to think about what she's done |
| E | A | E | |
| And she w | as |
| E | A | E | |
| And she was loo | king at her | self |
| E | A | E | |
| And things were lo | oking like a mo | vie |
| E | A | E | |
| She had a plea | sant elev | ation |
| E | A | E | |
| She's moving o | ut in all dir | ections |
| Bb | F | C | F | |
| Oh, | oh, | oh, | ... |
| Bb | C | F | |
| Oh, | oh, | oh, ... |
| Bb | F | C | F | |
| Oh, | oh, | oh, | ... |
| Bb | G | C | |
| Oh, | oh, | oh, ... |
| E | A | D | A | |
| The world was mo | ving, she was | right there w | ith it |
| E | A | D | A | |
| And she w | as |
| E | A | D | A | |
| The world was mo | ving she was | floating ab | ove it |
| E | A | D | A | |
| And she w | as |
| E | A | D | A | |
| Joining the wo | rld of mis | sing per | sons |
| E | A | D | A | |
| And she w | as |
| E | A | D | A | |
| Missing en | ough to | feel al | right |
| E | |
| And she w | as |

| Intro |
| Am | Am7/G | Am6/F# | F |
| Am | G | D | E7 |
| Am | Am7/G | Am6/F# | F | |
| I | look at you | all see the | love there that's | sleeping |
| Am | G | D | E7 | |
| While my gui | tar gently | weeps |
| Am | Am7/G | Am6/F# | F | |
| I | look at the | floor and I | see it needs | sweeping |
| Am | G | C | E7 | |
| Still my gui | tar gently | weeps |
| A | C#m | F#m | C#m | |
| I don't know | why | nobody | told you |
| Bm | E7/4 | E7 | |
| how to unfold your | love |
| A | C#m | F#m | C#m | |
| I don't know | how | someone contr | olled you |
| Bm | E7/4 | E7 | |
| They bought and sold | you |
| I look at the world and I notice it's turning |
| While my guitar gently weeps |
| With every mistake we must surely be learning |
| Still my guitar gently weeps Solo |
| Am | Am7/G | Am6/F# | F |
| Am | G | D | E7 |
| Am | Am7/G | Am6/F# | F |
| Am | G | C | E7 |
| I don't know how you were diverted |
| You were perverted too |
| I don't know how you were inverted |
| No one alerted you. |
| Am | Am7/G | Am6/F# | F | |
| I | look at you | all see the | love there that's | sleeping |
| Am | G | D | E7 | |
| While my gui | tar gently | weeps |
| Am | Am7/G | Am6/F# | F | |
| ..Look at you | all |
| Am | G | D | E7 | |
| Still my gui | tar gently | weeps | Solo to the end... |
| Olivier |
| -------------------------------------------------------------------------------- |
| Olivier Florent Laboratoire MASI CAO-VLSI, Universite Paris VI |
| florent@masi.ibp.fr France |
| -------------------------------------------------------------------------------- |
| -- |
| +----------------------------------------------------------------------------+ |
| | Steve Portigal, Dep't of CIS, University of Guelph, Guelph, ON, N1G 2W1 | |
| | email: stevep@snowhite.cis.uoguelph.ca Phone: (519) 824-4120 ext 3580 | |
| | ~~~~~~~~ ask me about 'undercover' the Rolling Stones mailing list ~~~~~~~ | |
| | I wanna ride the big wave...open up the bomb bay.. | |
| +----------------------------------------------------------------------------+ |

| intro |
| Em | Bm |
| Em | |
| Hey, well, I'm the | friendly stranger in the black sedan |
| Bm | |
| Won't you | hop inside my car |
| Em | |
| I got | pictures, got candy, I'm a loveable man |
| Bm | |
| I like to | take you to the nearest starchorus |
| C | B | |
| I'm your | vehicle baby, I'll take you | anywhere you wanna go |
| C | B | |
| I'm your | vehicle woman, by | now I'm sure you know |
| A | |
| That I | love ya (love ya) |
| B | |
| I | need ya (need ya) |
| C | D | Em | |
| I | want ya, got to | have your | child |
| Em | Bm | |
| riff: |
| Em | |
| Well, | if you want to be a moviestar, |
| Bm | |
| I'll spend a | ticket to Hollywood |
| Em | |
| But | if you wanna stay just the way you are |
| Bm | |
| You know I | think you really shouldchorus |
| Oh, you know I dosolo, guitar + riff |
| couplet 1 + refrein herhalen |
| riff |
| refrein (2x) -> |

--- ---------------------------------------------------------------------------- ---------------h-p-h-----------h-p-h-----------h-p-h------------------------ ---h---5--/9--7-9-7-9-------7-5-7-5-7---/7--9-7-9-7-9-7--------------h--p--- --5-7-------------------/7--7-5-7-5-7---/7--7-7-7-7-7-7---7/9---10--9-10-9-- -------0----------------/5--------------/8----------------8/10--10--10------ ----------------------------------------------------------------------------
| Chords: |
| Am | Dadd2 | |
| I | s it getting | better |
| Fmaj7 | G6+ | |
| O | r do you feel the | same |
| Am | Dadd2 | |
| W | ill it make it | easier on you |
| Fmaj7 | G6+ | |
| N | ow you got someone to b | lame |
| You say |
| C | Am | |
| O | ne love, | one life |
| Fmaj7 | C | |
| W | hen it's one need | in the night |
| Am | |
| It's one love | we get to share it |
| Fmaj7 | C | |
| It | leaves you baby if you | don't care for it |
Am-Dadd2-Fmaj7-G6+
| Did I disappoint you |
| Or leave a bad taste in your mouth |
| You act like you never had love |
| And you want me to go without |
| Well it's too late tonight |
| To drag the past out into the light |
| We're one, but we're not the same |
| We get to carry each other, carry each other |
| One |
| (Solo) |
| Have you come here for forgiveness? |
| Have you come to raise the dead? |
| Have you come here to play Jesus |
| To the lepers in your head? |
| Did I ask too much, more than a lot |
| You gave me nothing, now it's all I got |
| We're one, but we're not the same |
| We hurt each other then we do it again |
| You say |
| C | Am | |
| L | ove is a temple, | Love a higher law |
| C | Am | |
| L | ove is a temple, | Love the higher law |
| C | G | |
| You a | sk me to enter, but t | hen you make me crawl |
| Fmaj7 | |
| And I can't be holding | on to what you got |
| C | |
| When all you got is h | urt |
| One love, one blood |
| One life, you got to do what you should |
| One life with each other |
| Sisters, brothers |
| One life, but we're not the same |
| We get to carry each other, carry each other |
| One. One. |
|-12-12-------------------|-12-12-13-13-12-------| |-------15-15-13-13-15----|----------------15-13-| |-------------------------|----------------------| |-------------------------|----------------------| |-------------------------|----------------------| |-------------------------|----------------------|

##song. You may only use this file for private study, scholarship, or research. ####The chords are very easy. In part-A, I use my thumb on the low-E string#the syncopation in the tab below. Hope you enjoy it.## by Van Morrison# [Am7] [Bm7] [Am7] [Bm7]|---5------7--------5------7------| |:--5------7--------5------7-----:| |---5------7--------5------7------| |---5------7--------5------7------| |:--x------x--------x------x-----:| |---5---0---7---0---5---6---7---0-|
| Part B: |
| Dm7 | Am7 | Dm7 | Am7 |
|---5--5-----5-----5--5-----5----| |---6--6-----5-----6--6-----5----| |---5--5-----5-----5--5-----5----| |---7--7-----5-----7--7-----5----| |---5--5-----x-----5--5-----x----| |------------5--------------5----|
| Dm7 | Am7 | Dm7 | E7 |
|---5--5-----5------~-5-5-5----~--------| |---6--6-----5------~-6-6-6----~-9-9-9--| |---5--5-----5------~-5-5-5----~-7-7-7--| |---7--7-----5------~-7-7-7----~-6-6-6--| |---5--5-----x------~-5-5-5----~-7-7-7--| |------------5------~----------~-0-0-0--|
| INTRO: |
| Am7 Bm7 Am7 Bm7 (repeat) |
| VERSE 1: |
| Am7 | Bm7 | Am7 | Bm7 | |
| well it's a | marvelous | night for a | moondance | with the |
| Am7 | Bm7 | Am7 | |
| stars up a- | bove in your | eyes |
| Am7 | Bm7 | Am7 | Bm7 | |
| a fan- | tabulous | night to make | romance | 'neath the |
| Am7 | Bm7 | Am7 | |
| color of | october | skies |
| Am7 | Bm7 | Am7 | Bm7 | |
| all the | leaves on the | trees are | falling | to the |
| Am7 | Bm7 | Am7 | |
| sounds of the | breezes that | blow |
| Am7 | Bm7 | Am7 | Bm7 | |
| and i'm | trying to | place to the | calling | of the |
| Am7 | Bm7 | Am7 | |
| heartstrings that | play soft and | low |
| Dm7 | Dm7 | Am7 | |
| and every time | I | touch you |
| Dm7 | Dm7 | Am7 | |
| you just | tremble in- | side |
| Dm7 | Dm7 | Am7 | |
| and I know | how | much you want me |
| Dm7 | Dm7 | Dm7 | |
| that | I cant hide |
| Am7 | Bm7 | Am7 | Bm7 | |
| can | I just | have one | more moon- | dance with |
| Am7 | Bm7 | Am7 | |
| you | my | love |
| Am7 | Bm7 | Am7 | Bm7 | |
| can | I just | make some | more ro- | mance with |
| Am7 | Bm7 | Am7 | |
| you | my | love |
| VERSE 2: |
| well I want to make love to you tonight |
| I can't wait til the morning has come |
| and I know that the time will be just right |
| and straight into my arms you will come |
| when you come my heart will be waiting |
| to be sure that you're never alone |
| there and then all my dreams will come true dear |
| there and then I will make you my own |
| you know the night's magic seems to |
| whisper and hush and all the |
| soft moonlight seems to shine |
| on your blush |
| can I just have one more moondance with you |
| my love |
| can I just make some more romance with you |
| my love |

| Intro: |
e -------------- -------------- -------------- -------------- B -------------- -------------- -------------- -------------- G -------------- -------------- -------------- -------------- D -------------- -------------- -------------- -------------- A -----2--3--2-- ----2--23--2-- -----2--3--2-- -------------- E --3----------- -3------------ --3----------3 --------------
| Verse 1: |
| G | C | G | C | G | C | G | |
| When I'm a wa | lkin' I | strut my st | uff, t | hen I'm | so strung | out. |
| G | C | G | C | G | C | G | |
| I'm | high as a | kite, | I just | might | stop to | check you | out.Chorus: |
| Em | C | |
| Let me go | on, like a | blister in the sun. |
| Em | C | D | |
| Let me go | on, big | hands I know your the | one.Verse 2: |
| G | C | G | C | G | C | G | |
| Body be | ats, I | stain my s | heets. | I don't | even know | why. |
| G | C | G | C | G | C | G | |
| My g | irlfriend | she at | the en | d, sh | e is sta | rting to c | ry.Chorus |
| Repeat Verses |

| G | D | |
| Now I've got a couple more years on you babe & that's | all |
| G | |
| I've had more chances to fly & more places to | fall |
| It's not that I'm wiser it's just that I've spent |
| C | |
| More time with my back to the | wall |
| D | G | |
| And I've p | icked up a couple a more years on you babe & that's | all |
| Now I've walked a couple more roads than you babe & that's all |
| And I'm tired of running while you're only learning to crawl |
| And you're going somewhere but I've been to somewhere |
| And found it was nowhere at all |
| And I picked up a couple more years on you babe & that's all |
| break.... G D G |
| Sayin' goodbye girl don't ever come easy at all |
| But you got to fly cause you're hearin' them young eagles call |
| Someday when you're older |
| You'll smile at a man strong & told |
| And say I got a couple more years on you babe & that's all |
| You'll say |
| repeat 1st verse...... |
| mmmmm | mmmm | mmmm | mmmmm | mmm | |
| nicholdb@magi.com (Daniel Nicholas) |

| A | D | A | |
| I've | held it all in, | Lord knows I've | tried |
| A | E | A | |
| But it's an | awful awakening in a | country boy's | life |
| A | D | A | |
| To | look in the mirror in | total sur | prise |
| A | E | A | |
| At the | hair on my collar and the | age in my | eyes. |
| CHORUS |
| A | D | A | |
| A | manda, | light of my | life |
| A | E | A | |
| Fate should have made you a | gentleman's | wife |
| A | D | A | |
| A | manda, | light of my | life |
| A | E | A | |
| Fate should have made you a | gentleman's | wife |
| 2ND VERSE |
| It's a measure of people who don't understand |
| The pleasures of life in a Hillbilly band. |
| I got my first guitar when I was fourteen |
| Now I'm pushing 30(?), still wearing jeans. |