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I change the strings when they sound dead or when I need to adjust tuning frequently.
I use .011s on the Takemine with the cedar top. I'm still playing with what strings it likes best, but so far it seems to like Elixir Nanowebs.
I use .012s on the Guild dreadnaught. It likes Earthwood strings.
I use .011s or .012s on the Breedlove. It likes John Pearse or Earthwood.
On my basses, I rarely change the strings. They have to get very dull sounding. On my Yamaha fretless, I use D'Addario flatwound strings. On my Ovation Magnum I use D'Addario strings.
I'll put it on the calendar, but as much as I love the FLamily, my Dad comes first. If all is well with Dad, I'll be there.
Hoping I can have some floor space again, or a spot in the yard for a tent.
beamer wrote:I don't know, the selections have not really. Inspired me that much , I keep looking though.
Metalize them. Acoustic metal folk. You could be a genre progenitor.
That reminds me, I heard a guy's music in a pub that I think you'd like. I should have paid him an extra $10 and picked up two of his CD's so I could send one to you. I didn't think that fast at the pub.
Congratulations. Our mutual friend Sawyer became a grandfather this week. If you've got some back channel way to reach him, he'd probably love to hear from you.
I would pick whichever one suits your fancy and go with that.
I love the creepy monster photo. I would not have thought of a beatnik style approach to that song, but that's what makes this experiment cool. I enjoyed hearing the different take on the song.
That's because by the time you have words, chords, rhythmic notation, time signature, and tempo - you're one step from standard notation. As I said, you've got a choice to make. Either learn standard notation and have all your band learn it to, or use chord charts the way that groups have been doing it since the Ogg decided to beat on a rock next to Oog who was beating on a hollow log.
I recorded another version of Dont' Think Twice It's Alright, but this time tried to sing on key and maybe pick a consistent tempo.
https://soundcloud.com/user-35218982/do … ent-timing
Well I very much liked that. The little bass runs were particularly appreciated.
I recorded a full version of City of New Orleans. I ran out of breath a few times. Sorry Bill.
https://soundcloud.com/user-35218982/ci … ew-orleans
I was mostly on key, which is an improvement.
More would be standard notation.
Shoot, if you're getting rhythmic notation, you're a step ahead of most programs. Time signature means two steps.
Seems to me like you've got a choice to make.
Classical Guitar wrote:Doug_Smith wrote:I have both, and use fingers primarily. Read music notation (albeit slowly & needs lots of work), and started classical but got distracted. Some things just sound better on Nylon strings re: www.youtube.com/watch?v=hFCUKYdUpiM
Haven't used a plectrum in years even on electric guitar, as it just feels awkward not to have all the fingers in "play".
Sounds like you have some very good skills. Do you play with calluses or nails? I play with calluses and keep my nails shorter than the end of my fingers.
The hole in Willie Nelsons guitar is from using a pick. He had a shoulder problem and switch to playing a classical guitar and still used a pick. He liked the sound of it and never changed back. From what I have read he has several more classical guitars at home but only plays his old one when he tours.
The hole in Willie Nelson's guitar is not from using a pick. It is from a fire. It has probably been expanded by using a pick. He must have really liked that guitar going back into a burning building for it.
LOL! Here is an aborted attempt on City of New Orleans that I think all of you will appreciate. Especially those who have raised silly and bold children (Mekidsmom!). I'll try again some other time.
https://soundcloud.com/user-35218982/tu … ew-orleans
I left a message on Soundcloud - but to add to that, I'd like to say that your singing was on-key, and that's more than a whole lot of recording artists are doing these days. Do you think auto-tune just happened? Heck no! Too many people needed a computer to be on key. Not you. You've got it.
unclejoesband wrote:Zurf, I believe you havea new campfire song. 
Thanks Uncle Joe. I'm not satisfied with the version I posted. I like the arrangement and the picking pattern, but the execution leaves room for improvement. I'll keep working on it and try to come up with a better rendition by the end of the month.
It's time to work on City of New Orleans, which is another song I used to pick in my hobbit hole but haven't played for a while.
I really liked your use of triplets.
i can't tell you what to think of yourself, but I liked your arrangement.
What I liked about 50's, 60's and 70's songs are that the radio stations and marketing agents hadn't done such a refined job of segmenting music. You could get songs and groups that don't fit anywhere. Chicago is a good example. Are the jazz? Are they rock? Are they funk? Are they pop? The simple answer is "Yes." Once pop got more and more refined, Chicago proceeded to suck more and more as they set about fitting into the genre. Johnny Cash is another example. He's in the Country and the Rock and Roll halls of fame. Dylan too was folk, pop, and rock all at once. Now, if you aren't formula, you'd better have a darned good internet marketing campaign.
Here's Don't Think Twice It's Alright. I think I may re-record it later in the month after polishing it up a little.
Edit: Do not listen to this version. It is an abomination and will cause permanent hearing loss and could well mess up your sock drawer. There's another version posted later. Listen to that one if you dare.
https://soundcloud.com/user-35218982/do … or-chordie
Dylan did get to spend some time with Woodie Guthrie, shortly before Woodie died. Ramblin' Jack Elliott had spend years with Woodie, taking care of him on the road and learning everything he could. But Dylan took off huge, and at some point a reporter interviewing Ramblin' Jack Elliott asked him how he had learned to sound like Dylan so quickly after Dylan success had got going. Ramblin' Jack Elliott told the reporter that he had sounded like Dylan for twenty years, and Dylan had only been playing for two or three, and then left the reporter to do the math.
Anyway, I knew the Ramblin' Jack Elliott version of Don't Think Twice It's Alright long before I knew it was a Dylan song, so I guess with one person at least he got his revenge.
My favorite version of Don't Think Twice It's Alright is by Ramblin' Jack Elliot. My own cover most closely resembles his. Willie Nelson and Merle Haggard also covered it on their album Django and Jimmie. Just about everyone has covered it. It's one of those songs that a lot of people can relate to, it seems, and because of that everyone who covers it brings their own style and nuance to it. I'm eager to hear what folks make of it.
Edit to add: I typed "Don't Think Twice It's Alright" into YouTube and it came up with twenty or so different covers. From Indigo Girls to Joan Baez to Merle Haggard to Jerry Reed and on and on. Jerry Reed's version is worth a listen.
But I said it was too much responsibility.
OK, so let's do another Dylan - "Don't Think Twice It's Alright."
Roald Dahl was a talented individual.
Here is a list of the famous people from where I grew up:
It's a short list.
- Zurf
Well, I tried a punk version. Didn't work out. I tried to enlist a bass player and drummer. Didn't work out. So, I poured myself an absolutely enormous glass of Evan Williams 1783 on the rocks, grabbed my Martin 12 string and whipped this out. It is not good. It is not bad. It just is.
https://soundcloud.com/user-35218982/kn … rdies-door
Posts found: 976 to 1,000 of 6,975