1,576

(281 replies, posted in Chordie's Chat Corner)

I was on the edge between the Piedmont and the Blue Ridge in Virginia.  The piedmont had essentially no snow.  Up the eastern side of the first foothill to the Skyline Drive entry only to find that the west slope of the same hill was coated in ice and Skyline Drive was closed.  Very sharp demarcation of where snow fell in the Old Dominion this past weekend. 

We're expecting some nastiness, but it all depends on the model you look at as to what we'll get here in the northern tip of the state.  All the models show that Bluejeep's area is supposed to get ugly, though. 

- Zurf

1,577

(16 replies, posted in Guitars and accessories)

Guild D40 Bluegrass Jubilee.  Best guitar I've ever owned and am ever likely to own.

1,578

(37 replies, posted in Chordie's Chat Corner)

Dirty Ed wrote:
Zurf wrote:

Nope.  First song was Southern Cross.  Second song will be Sundown.  Getting the strumming pattern on that one is tough.  Jumping from G5 to G5/7 is not all that easy either.  It's going to take some practice.  Also, coming up with a decent intro arrangement when there are at least three very important parts and only one of me will be a fun challenge.

Back in the days when I played a Guild jumbo 12'er I learned a lot of Gordan Lightfoot songs from a book I bought that showed all the fingerings from his "Gord's Gold" album. For Sundown, the chords used were E5, B7sus4, A and D. The E5 was formed by barring the A,D and G strings on the second fret and using the little finger on the G string, 4th fret.  Moving to the B7sus4 was easy - just move the little finger over to the D string, 4th fret while still barring the A, D and G on the second fret.  If you want to play in G then I guess you could just capo up and use the same chord fingerings. You might want to try it buddy.

Instead of a 12er these days I just Nashville high-tune one of my git-fiddles.  Puts out a sound somewhere between a 12 string and a mandolin. Works real well when played along with other guitars played in normal tuning.

DE

Thanks Soiled One!

1,579

(37 replies, posted in Chordie's Chat Corner)

unclejoesband wrote:
Zurf wrote:

Nope.  First song was Southern Cross.

What key are you using?

A with no capo.

1,580

(27 replies, posted in Chordie's Chat Corner)

Roughly 30 fishing rods split amond fly, spinning, baitcaster, and surf rods. A lot of them were bought to have rods to teach children.

6 bows, aching for more, but will wait until I know how to use my two first. The other four are for family and friends to use.

1,581

(7 replies, posted in Chordie's Chat Corner)

It would only be a violation if you provided a link that the moderators thought was likely that you were receiving a financial benefit from it. We're definitely allowed to make personal observations and recommendations.

1,582

(37 replies, posted in Chordie's Chat Corner)

Nope.  First song was Southern Cross.  Second song will be Sundown.  Getting the strumming pattern on that one is tough.  Jumping from G5 to G5/7 is not all that easy either.  It's going to take some practice.  Also, coming up with a decent intro arrangement when there are at least three very important parts and only one of me will be a fun challenge.

1,583

(27 replies, posted in Chordie's Chat Corner)

3 acoustics, 1 solid body electric, 2 solid body electric basses, a fiddle, and an autoharp. 

If you count the guitars I have 'loaned' to people never expecting them to be returned, add 3 more acoustics.  My usual rule on loans is that they can keep the guitar for as long as they continue to practice or play, but if they decide at some point to give it up then I want the guitar back to pass on to someone else.

Also, two canoes, a raft, and six kayaks.

1,584

(37 replies, posted in Chordie's Chat Corner)

So I'm looking at bone bridges so that I can preserve the factory one while playing with another one to lower the action.  I found a source that has Martin specific bridges of several sizes, but they don't look the same.  Any suggestions? 

At only a few dollars a piece, my first thought is to buy several possible blanks and sand 'til I get one to fit. 

After taking a straight edge to the neck, I don't think I'm going to get much out of it by reducing relief.  I don't want to go through getting a reset.  So...I'm going to jump on (not off) the bridge! 

- Zurf

1,585

(22 replies, posted in Chordie's Chat Corner)

Best wishes from Virginia.

1,586

(37 replies, posted in Chordie's Chat Corner)

NELA wrote:

But how does she play? Is she gentle on the fingers? Does she put a grin on yo're face?
Does she "jangle" in all the right places? Have you stuck yo're nose in the soundhole and smelled the essence of a great new guitar? Admit it - it's something we all do.

Nela

Plays nice.

Gentle on finger tips, but not on finger muscles.

She puts a grin on my face.

She jangles a lot.  I've learned that she jangles a lot more with a soft pick and a lot less with a stiff pick.  That's useful information to have.

I have not stuck my nose in the soundhole.  The back and sides are a resin based material like carbon fiber or fiberglass, except that the fiber content is wood fiber.  If I took a big ol' whiff of that, it might take me a while to find my feet again.

Thanks for all the well wishes folks.  I've been wanting a Martin for some while.  I really like the way they sound.  Though this isn't a traditional Martin with the high tech materials, it surely sounds like one.  I'm going to work on lowering the action a little.  Shave down the bridge a little, and take some relief out of the neck ought to do it.  My fingers are getting stronger, that's for sure.  And I'm having to be a lot more precise about where I place them to get both strings.  I have a feeling this guitar will force me to become a better player. 

Now it's time to start working on an arrangement of Sundown...

- Zurf

1,587

(14 replies, posted in Acoustic)

Russell's extensible pinky, though impressive, is nothing.  Normtheguitar has an extra set of fingers in his palms.  They retract like cat claws, but they come out when he plays.

1,588

(37 replies, posted in Chordie's Chat Corner)

Got it.  She's settling in with the rest of the guitars.  Getting to know them.  They all seem to be OK with one another. 

http://zurf.smugmug.com/Music/NGD/i-pdgq5JD/0/L/20150211_115134-L.jpg

It's looking like my June is pretty booked up.  July is the month where I'll be burning a bunch of leave camping with my family.  I'm not sure I'm going to figure out a getaway to upstate NY this year.  I love the idea, though.

1,590

(37 replies, posted in Chordie's Chat Corner)

Doug - That's why I like the idea of a stratabond neck and the high tech body and back.  They are less likely to be affected by temperature changes. 

Piecing together what I've read about it, I think the HPL is a resin based product similar to fiberglass or carbon fiber except that the fiber content is from wood rather than spun glass or spun carbon. 

The stratabond is a laminated wood product similar to plywood, except all of the layers of wood are tonewoods and all the grain is going the same direction.  This gives tremendous stiffness and resistance to warping AND is inexpensive to produce.  Plus I think it's real pretty.  I preferred the earlier stratabond necks that had more of a V shape.  This one is more C shaped, but is very, very similar to the neck on my Breedlove OM Retro.  That shouldn't be too surprising because Breedlove was going for a classic Martin feel when they made it. 

Anyway.  I'm extremely stoked.

Sorry Uncle Joe, but I won't be buying that classic Epi from you.

1,591

(37 replies, posted in Chordie's Chat Corner)

I don't have the guit-box yet! Tomorrow.

I got the cash from the insurance settlement from when my truck was crashed into. On the way back from the bank, I stopped by the shop and told them I'd come get it if my Funny Little Honey approved. He gave the thumbs up sign. This is my fourth guitar or bass from this shop, so I think it'll still be there tomorrow with that notice. But...if someone has cash today and says he'll take it, he'd be a fool not to sell it.

- Zurf

1,592

(37 replies, posted in Chordie's Chat Corner)

NGD Eve.

If all goes well, I'll have a Martin D12X1E tomorrow. It's their 12er with HPL back and side, spruce top, and stratabond neck.  Lots of high tech materials, so this is not a tonewood purist's guitar, but it's well set up, sounds great, and has a really good feel.

Cash is in hand, and She Who Must Be Obeyedhas given a thumbs up.

1,593

(6 replies, posted in Poems)

I like it.  I like them both, actually, though on the Jesus Train I'd have to hear it.  Some of the meter and rhyme scheme was hard for me and might take some editing as you put music to it. 

Anyway, I liked it despite having been a bassist in a praise band at a church where there were hand waivers.  There's a time and a place for different things.  I think that's what you're getting at, or at least what I'm taking from this poem.  There's a time for entertainment, and there's a time for worship, and there's a time for study, and they're not necessarily all the same things!  Hmm, seems that Ecclesiastes had that message and The Byrds repeated it to great popularity among a less-than-religious group of people. 

- Zurf

1,594

(10 replies, posted in Acoustic)

Embrace the boom.

1,595

(10 replies, posted in Acoustic)

I've got one of each and love each of them. The one with mahogany is meant for blugrass picking. The highs are clear and sharp, the bass is boomy, and it's LOUD. The one with rosewood has very good mid and high and responds well to hard attacks on the strings. I'm now looking at a Martin with their high pressure laminate (HPL), and it has very clear high and mid clarity, but not so much volume.

1,596

(14 replies, posted in Acoustic)

Doug_Smith wrote:
Zurf wrote:

B chords are evil.  Once you accept that as fact, then you can begin to deal with not making them as close of friends as say, a C chord.

Bill, There's something you should know about brother Zurf....... he's always bashing on the B chord (note his Avatar).  Some of us can still remember when it was the F, and we are holding our breath waiting for the day he discovers dominant 7th b5 or #9 chords.  Russell granted him amnesty from the B but I'm not sure how to inoculate for those.

All in Fun!

Doug

I'm  no fan of E flat 5 either, but it's harder type than B.

Russell is a mutant.  He's not just A mutant, but King of the Mutants.  He's got so much stinking talent, it's amazing.  I love chatting with him and getting his help (which is always freely given - he's not just a fantastic guitar player, but a heck of a great person too). 

- Zurf

1,598

(14 replies, posted in Acoustic)

B chords are evil.  Once you accept that as fact, then you can begin to deal with not making them as close of friends as say, a C chord.

Big ol' campfire circle format, with each taking his turn and others joining if they know the song. We've done a few jam songs where everyone plays, and those are neat, but for me the big fun is hearing everyone's individual selections and styles.

Now some folks have used practice amps, and that's OK, but it's not a big stage bash format.

This year its so big, I bet we'll see more than one circle going at a time with folks floating between them. Or maybe not. We've had quite a few pickers along the New and the Shenandoah and it's worked. The Gettysburg bluegrass jam got upwards of 40 pickers a week, and 'the circle' worked.

1,600

(281 replies, posted in Chordie's Chat Corner)

Beautiful day here in the Old Dominion. I went to the woods at our archery range and had what is a very good score for me. Then I went and had a delicious glass of wine at a winery in the hills while watching the sun set. It was a wonderful day.