Stigmata Martyr Bauhaus
e--------------------------------------------------|
B--------------------------------------------------|
G--------------------------------------------------|
D--------------------------------------------------|
A--------------------------------------------------|
E-|2|-|2|-|2|-|2|-|2|-|2|-|2|-|2|-|2 3/4|-|2 3/4|--|
e--------------------------------------------------|
B--------------------------------------------------|
G--------------------------------------------------|
D--------------------------------------------------|
A--------------------------------------------------|
E-|2 3/4|-|2 3/4|-|2 3/4|-|2 3/4|-|2 3/4|-|2 3/4|--|
e---------------------------------...
B---------------------------------...
G---------------------------------...
D---------------------------------...
A---------------------------------...
E-|4|-|4|-|4|-|4|-|4|-|4|-|4|-|4|-...
G--------------------------------------------...
D--------------------------------------------...
A--------------------------------------------...
E-0-3-2-1-0--0-3-2-1-0--0-3-2-1-0--0-3-2-1-0-...
[E] [G] [F#] [F] [E]
If you don't understand this, find someone to
explain, because it takes far too long to write
out chord diagrams.
Do we have any questions about that?
chad.
(chad@lsmsa.edu)
From chad@lsmsa.edu Fri Jan 19 04:18:29 1996
guitar@nevada.edu
cc: Chad Crawford <chad@fermat.lsmsa.edu>
Subject: Bauhaus' "stigmata martyr"
Message-ID: <Pine.ULT.3.91.960118221428.24556B-100000@fermat.lsmsa.edu>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
Status: RO
I'm sorry. It's by Bauhaus
This is "Stigmata Martyr." Fret numbers enclosed
in pipes (i.e. |4|) mean to play the natural
harmonics above that fret (or in the case of
|2 3/4| that fraction past the indicated fret.
If you can't figure it out, e-mail me and I'll
try to explain to you.
(distorted electric guitar)
e--------------------------------------------------| B--------------------------------------------------| G--------------------------------------------------| D--------------------------------------------------| A--------------------------------------------------| E-|2|-|2|-|2|-|2|-|2|-|2|-|2|-|2|-|2 3/4|-|2 3/4|--| e--------------------------------------------------| B--------------------------------------------------| G--------------------------------------------------| D--------------------------------------------------| A--------------------------------------------------| E-|2 3/4|-|2 3/4|-|2 3/4|-|2 3/4|-|2 3/4|-|2 3/4|--| e---------------------------------... B---------------------------------... G---------------------------------... D---------------------------------... A---------------------------------... E-|4|-|4|-|4|-|4|-|4|-|4|-|4|-|4|-...
play a simile of this for a few measures. the
bass is doing something like this:
G--------------------------------------------... D--------------------------------------------... A--------------------------------------------... E-0-3-2-1-0--0-3-2-1-0--0-3-2-1-0--0-3-2-1-0-...
the fretted notes are bent enough to sound
slightly ominous and sickening. Use your own
delicately-honed sensibilities to figure this out.
after the intro, the guitar does something
really simple, but cool:
e-X-0-...
B-X-0-...
G-X-0-...
D-X-0-...
A-X-0-...
E-X-0-...
make sure that the open strings are not allowed
to ring for very long at all. Not quite
staccato, but just a short fuzzy bark.
After you do that a couple times, the guitar
plays the chords that the bass roots imply:
[E] [G] [F#] [F] [E]
If you don't understand this, find someone to
explain, because it takes far too long to write
out chord diagrams.
Do we have any questions about that?
chad.
(chad@lsmsa.edu)
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