-----------------------------------------
| Actually in C#; capo 6. |
| [The parts that say "G(9) G" are often a complicated mix of |
| G(9), G, and G6. Same deal for "Em(9) Em7". See the end |
| of the file for details.] |
| G(9 | introG | G | G(9 | Em(9 | Em7 | Em(9 | Em7 | |
| ] |
| G(9 | introG | G | G(9 | Em(9 | Em7 | Em(9 | Em7 | |
| ] |
| G(9 | G | G(9 | G | |
| It's | ten o'clock in Tor | onto, I check into a | room on the twenty-first | floor |
| Em(9 | Em7 | Em(9 | Em7 | |
| I'm traveling on cr | uise control, turn on the | TV and lock the d | oor |
| G(9 | G | G(9 | G | |
| I hear a news re | porter; she says, | will you look into the | sky |
| Em(9 | Em7 | Em(9 | Em7 | |
| Ton | ight we're in the midst of a | lunar eclipse; | mmmm, what a heavenly | sight |
| C | C | C | C | |
| I pull back the c | urtains, and there a | bove the building ac | ross the street |
| D | D | D | D | |
| I spy the m | an in the moon | playing hide and | seek |
| G(9 | instruG | G | G(9 | |
| menta | l] |
| Em(9 | instruEm7 | Em7 | Em(9 | |
| menta | l] |
| I try to keep my eyes fixed on that elusive moon |
| But I'm distracted; across the way, I can see into some rooms |
| There's a young woman sitting at a desk, so busy writing |
| Now a man sits next to her, looks like they're fighting |
| She buries her head in her hands, and silently she cries |
| He gets up, paces, pounds the wall, shakes his fist up to the sky |
| instrumental |
| (To the moon, Alice) |
| Tab from: bttp://www.guitaretab.com/l/lavin-cbristine/10158.btml | |
| Two rooms down, I can see Jimmy Stewart and Grace Kelly |
| No, it's just a Hitchcock film; a wide-screen color TV |
| Over in the corner, there's an old man playing with a black cat |
| If he saw me spying like this, what would he think of that |
| Would he think that I am a voyeur, or just another lonely one |
| An interloper taking notes of heartache on the run |
| instrumental |
| Oh, oh, oooooh |
| Ba da dee deeee |
| Ba da dee dee deeee deeee deee-eeee |
| Now the moon is bathed in darkness, that woman is bathed in tears |
| Grace Kelly bathed in the limelight for so many years |
| I'm bathed in the darkness behind this window pane |
| Watching light and love and life wax and wane |
| Now the old man and the black cat are dozing in an easy chair |
| Are visions dancing in their heads of moonbeams in the air |
| instrumental |
| Oh, oh, oooooh |
| Ba da dee deeee |
| Ba da dee dee deeee deeee deee-eeee |
| It's ten o'clock in Toronto (ten o'clock in Toronto) |
| Ten o'clock in Toronto (ten o'clock in Toronto) |
| Ten o'clock in Toronto (ten o'clock in Toronto) |
| Ten o'clock in Toronto (ten o'clock in Toronto) |
| repeat instrumental part and fade |
| CHORDS: |
| In the intro and ending, she plays the G & Em parts something like this: |
| (d=strum down, u=strum up, p=pick just the lowest 1 or 2 strings; |
| capital letters are accented.) |
| |G(9) | G G6 G |G(9) | G G6 G | |
| |P D u D u d U |d U d U d U d u |P D u D u d U |d U d U d U d u | |
| |^ ^ ^ ^ |^ ^ ^ ^ |^ ^ ^ ^ |^ ^ ^ ^ | |
| |Em(9) Em7 Em Em7 |Em9 Em7 Em Em7 | |
| |P D d u d U | u d U u D u |p u D U u d U | u d U u D u | |
| |^ ^ ^ ^ |^ ^ ^ ^ |^ ^ ^ ^ |^ ^ ^ ^ | |
| G(9)=320203; G=320003; G6=322003; Em(9)=024000; Em7=020000; Em=022000 |
| In the instrumental parts at the end of each verse, and to some |
| extent within the verses, she plays the G chords with a sharper 2/2 |
| feel (one TWO three FOUR); the Em's get a little sharper, but not as |
| much as the G's. And note that the subtle chord changes aren't as |
| pronounced in the parts that have words. |
| - Adam Schneider, schn0170@maroon.tc.umn.edu |