| C | F | |
| A baby's born I the middle of | the night |
| C | F | |
| In a l | ocal delivery room |
| C | F | |
| They grab his feet, smack'em till he cries; |
| Am | G | F | |
| He goes home | the next afternoon |
| C | F | |
| 'Fore you know it he's off to scho | ol |
| C | F | |
| And then he graduat | es in May |
| C | F | Am | G | F | |
| Goes out and gets a Ph.D., th | en cures all so | rts of thin | gs |
| Dm | G | C | F | |
| Wins a Nobel Prize | and saves a million diff | erent lives |
| Dm | G | C | |
| The worlds a better place | for all he's done |
| F | G | C | F | |
| It's funny when you think about | the reason he's al | ive |
| Dm | G | C | F | Am | G | |
| It's a | ll because two people | fell in love |
| II |
| C | F | C | F | |
| Right now at a picnic | shelter down by Ca | ney Creek |
| C | F | Am | G | F | |
| You'll find potato | salad, hot dogs | and baked | beans |
| C | F | C | F | |
| The whole Wilson family's | lined up, fillin' their pa | per plates |
| C | F | Am | G | F | |
| They've drove or flown in | hear from fifteen differen | t state | s |
| Dm | G | C | F | |
| Well Stanley Wilson says tha | t sixty years ago h | e knew |
| Dm | G | C | |
| That Miss Emma Tucker | was the one |
| F | G | C | F | |
| Now five generations ge | t together every | June |
| Dm | G | C | |
| All be | cause two peopl | e fell in love |
| Chorus |
| G | |
| Yea there ain't nothin' | not affected |
| F | |
| When two h | earts get connected |
| C | G | Am | |
| All that is, will be | , or ever was |
| G | |
| Every sin | gle choice we make |
| F | |
| Every brea | th we get to take |
| F | G | C | F | Am | G | |
| Is a | ll because two people | fell in love |
| III |
| C | F | |
| Well, I recall a young | man who was |
| C | F | |
| driftin' aimlessly |
| C | F | |
| And a young waitres | s who seemed |
| Am | G | F | |
| lonesome as | can be |
| Dm | G | C | F | |
| But in a little caf | right off of Four | teenth Avenue |
| Dm | G | C | |
| With a whole lotta help f | rom up above |
| F | G | C | F | |
| We met and things s | ure turned around for me | and you |
| Dm | G | C | |
| And al | l because two people f | ell in love |
| Chorus II |
| G | |
| Baby, there ain't nothin' no | t affected |
| F | |
| When two h | earts get connected |
| C | G | Am | |
| All that is, will be | , or ever was |
| G | |
| I'm glad your dad could | not resist |
| F | |
| Your mama's charms and you | exist |
| F | G | C | |
| All | because two people | fell in love |
| Tag |
| G | |
| You know, to me it's a | ll so clear |
| F | |
| Every one o | f us is here |
| F | G | C | F | Am | G | |
| All becaus | e two people fell in | love |
| Verse I (repeat to fade) |
| C | F | |
| A baby's born I the middle of | the night |
| C | F | |
| In a l | ocal delivery room |
| C | F | |
| They grab his feet, smack'em till he cries; |
| Am | G | F | |
| He goes home | the next afternoon |
| C | F | Am | G | C |