| G | C | D | G | |
| 1. She's | history; | no one would | give her a | star on the wall |
| 2. It's no mystery; acted in school at the tenderest age |
| 3. Up in Hollywood, stayed with an agent she met in a bar |
| 4. Instrumental to VERSE chords |
| 5. Goodbye Hollywood; leavin' tonight on a 2:30 'Hound |
| C | D | G | |
| 1. | She'd have a | hundred if | pillows could talk |
| 2. Lit up the room when she stepped on the stage |
| 3. Laughed when he told her he'd make her a star |
| 4. (Instru.) |
| 5. Sunrise on sunset she won't be around. They'll re- |
| C | D | Em | C | D | G | |
| 1. | Where have I | seen her be | fore? She's a | face on the | cutting room | floor |
| 2. Came to L.A. for some more, she's a face on the cutting room floor |
| 3. Where had she heard that before? A little face on the cutting room floor |
| 4. (Instru.) |
| 5. place her with so many more, she's a face on the cutting room floor |
| (last verse, repeat & fade) |
| Eb | G | |
| 1. -> goto | verse 2. |
| 2. She had visions of contracts and thousands of people in line to see her |
| 3. -> goto verse 4. |
| 4. One night he told her that she'd never get anywhere in her clothes |
| Eb | D | |
| 2. | Knocking on door after door, after all of this | time |
| 4. He said, "That's what it takes to play movieland musical chairs" |
| D7 | |
| 2. She's not | sure. -> verse 3. |
| 4. Now she knows. It's... -> verse 5 |
| Mark R. Young |
| markyoung@chartermi.net |
| www.geocities.com/resolvingconcerns |
| http://www.norwaymountain.com/events.html |