5,351

(16 replies, posted in Chordie's Chat Corner)

Tomorrow morning I'm going by a friend's home studio to have him record me playing my kid's favorite lullaby so that my wife can play it for them at night while I'm in Alaska.  Featherbed by John McCutcheon.  He plays it on a hammered dulcimer, so I arranged it a bit for guitar in a way that sounds good to me (with sincere apologies to Mr. McCutcheon).  What's weird is that after I don't know how many stage appearances playing for hundreds of strangers and I don't know how many times playing for a congregation in a praise band, I'm a bit nervous about playing in front of one friend with a microphone. 

I'll let y'all know how it turns out.  Maybe even have Detman101 post it on YouTube (if I ever get around to mailing him the thumb drive from Zurfapalooza). 

- Zurf

Lovely pun on reel Ken.  Good work. 

- Zurf

Actually, I just checked and it's more like 3,900 miles.  But what's 700 miles between friends?

- Zurf

I couldn't let it slide off the page.

We all need a little randomness now and then.  Or so the Hollywood movies would have us believe.  Have you ever noticed that, anyone who is the least bit disciplined in how they run their lives is portrayed as mean, evil, or at the very best quirky. 

Looking forward to my pending salmon harrassment.  It's only four days and 3,200 miles away. 

- Zurf

5,355

(22 replies, posted in Chordie's Chat Corner)

Everything OK Detman? 

- Zurf

5,356

(6 replies, posted in Acoustic)

If you want louder, you want heavier gauge. 

However, acoustic is acoustic and not electric.  String vibrations will never be equal to amps for volume.  Also, be aware that the guitar projects outward and your ears are upward.  Finally, be aware that by supporting the back with your body by having good posture and holding the guitar firmly against your midsection will improve projection of an acoustic guitar. 

Heavier strings, good posture, firmly held guitar position.  You'll get more volume.  And a heavier gauge pick. 

Also, quit playing in the midst of a hurricane or from the back of moving pickup trucks.  That will quiet the wind noise some. 

- Zurf

5,357

(3 replies, posted in Chordie's Chat Corner)

Welcome home. 

- Zurf

5,358

(3 replies, posted in Chordie's Chat Corner)

Sounds curious.  Welcome to Chordie.

What I want to get is a Talent Amplifier to hook into the sound system so that everything that comes out the speakers sounds great no matter what garbage I put into them.

5,359

(11 replies, posted in Acoustic)

Also, I've been using on-line lessons for songs I like recently.  Reading about techniques is one thing, but having the video that I can replay and replay and replay with me trying to get the particular lick each time is very helpful.  I'm at a place where the most usual open chords are down solid and I'm so-so with the F, F#, and Bm shaped barre chords (B remains evil, though I actually got one the other day) and I can strum OK and know a few fingerpick patterns, so now I really need to learn some good left hand technique to bring the chords and strums "alive".  That's what the videos are helping me to do.  After a while of this, I'm going to move to doing a lot of scales and arpeggios practice so that I can throw down some lead licks like Detman101. 

- Zurf

5,360

(11 replies, posted in Acoustic)

There's tons of them.  Go to Amazon and search on "Easy Guitar" or some such.  You'll get more hits than you bargained for is my bet.

Most of them have the notes AND tab, but the tab is there.

Or just take a visit to your local shop.  That's the better way, because then you can put your hands on them and see whether you can follow.  You want one that you can follow but just barely, or that is just a little bit out of reach on some songs but in reach on others. 

- Zurf

5,361

(11 replies, posted in Chordie's Chat Corner)

alvee33 wrote:

B is a good friend of mine. It's Fm I have issues with.

Willie Nelson and Johnny Cash did a VH1 Storytellers album together.  They were about to do a Willie song and Johnny asked about the chords. 

Willie said "Oh, it's in A." 
Johnny, not satisfied with that answer, asked "And that leads to what?" 
Willie said, "F#m." 
"Figured it would," said Johnny, "I'll be looking at my watch during that part."

You aren't alone.  Oddly, I had a little trouble with F, and I'm improving on it.  But F#m and Bm shapes came fairly easily.  I still need to practice them hard to get them quickly in songs, but I no longer avoid songs with F, F#m, or Bm in them.  I always arrange around Evil B's.  If the song's in E, then I just use B7.  If anyone asks I claim it's because the seventh chord gives it a plaintive feel that needs to be resolved, but really it's because I can't play a B. 

- Zurf

5,362

(11 replies, posted in Chordie's Chat Corner)

F isn't a problem.  It's a little slow, but I can hit it about 1/3 of the times I need to in songs when playing.  It needs practice, but it's not a problem.  B, now.  B is evil. 

Nela - I'll try that.  B by barring at the 4th fret.  I'll try it.  Could make things easier. 

The memory is correct, the problem I've been having with B is that my ring finger doesn't bend back, only down.  I have been for months pushing it backwards as far as it will go without causing pain and trying to get some flexibility in it.  There's not much, but there's a little tiny bit now. 

- Zurf

5,363

(11 replies, posted in Chordie's Chat Corner)

bensonp wrote:

One of these days, Zurf, you're going to be playing a B without thinking and you will wonder what all the fuss was about.  You'll be a born again Chordie.

I will always know what the fuss was about.  smile

Russel, I'll let you know when and if I ever want you to revoke my B chord amnesty.

- Zurf

5,364

(8 replies, posted in Chordie's Chat Corner)

Sounds familiar.

I have in my basement right now within an arms reach or a short walk to the other side of the room two electric basses, a clasical guitar, a folk guitar, a fiddle, an autoharp, and a Crown Royal sack full of harmonicas.  I didn't get serious about it until around 35, so I'm a little ahead of you.

- Zurf

5,365

(11 replies, posted in Chordie's Chat Corner)

I played a B today.  It was all by itself, not in the midst of a song, and it took a really long time to press things and look and see if I was pressing right and all that.  But I played it without any muted notes or any "snot". 

3,000 more times like that and maybe I'll be able to hit it once in a while when I need it.

- Zurf

5,366

(22 replies, posted in Chordie's Chat Corner)

Ya bunch of whiners.  Put your own tune to it!  (that was tongue in cheek in case anyone thinks I'm actually upset with y'all)

There is a serious note to that tongue in cheek comment though (please pardon the pun).  If the song strikes you, the meter and the timing will come.  If it doesn't strike you, and you can't "hear" the song or at least begin to hear it, then it's a fair comment to make.  If you can hear it, that's fair too. 

But I have to admit too, that sometimes the volume of songs all at once can be overwhelming.  I don't check in there frequently, and so when I do there's maybe twenty or thirty songs to look at.  I can't look at that many and keep my head straight and still meet my other obligations, so I generally only look at the ones that have titles to which I relate or that catch my eye.

- Zurf

5,367

(22 replies, posted in Chordie's Chat Corner)

Sorry.  I haven't been in the Songwriting forum much lately.  However, I do like your style from when I was more active over there. 

- Zurf

5,368

(8 replies, posted in Chordie's Chat Corner)

Welcome.

5,369

(7 replies, posted in Chordie's Chat Corner)

My wife and I joke about "she can really belt it out", because so many think it is a complement.  It is a style.  Some people do well with that style, while others do not.  It is also a style that has been grossly overdone in recent years, especially if you listen to Country music or to Alternative Rock (about which I am still trying to figure out what the alternative is because it sounds like the same four chords in the same order as regular old Rock to me). 

- Zurf

5,370

(11 replies, posted in Acoustic)

To expand a little on what Guitarpix said and emphasize it a little, this is what I learned in tennis.  On the last day of my first tennis class, our instructor gave us this bit of advice.  He said, "Now you know a little something.  You know it because I shared it with you and helped you.  Now you know all the basics of the game.  There are intermediate and advanced techniques, but most tournament players rely on the basics shot after shot.  The only difference between them and you is practice.  To improve your game you need to do two things.  First, play with people who are better than you are and pay attention to what they do.  Second, play with people who are not as good as you are and coach them to improve."  I may have paraphrased a bit. 

So I would suggest a similar approach to your learning to improve on guitar.  Though with guitar I really don't like to say "better" or "not as good" so much as "from whom you can learn" and "who you can teach".  Even the best musicians in the world can learn by playing with others. 

- Zurf

It depends on the environment in which the guitar is stored, how oily your hands are, the style(s) you play, the size of the strings, the finish of the strings, the materials from which the strings are made, etc.  Lots of variables.  I get about three to four weeks out of my strings but much longer out of my nylon classical's strings.

- Zurf

Kudos to you then.

Usually, there's not just one problem or cause for anything.  Sometimes when everything is done wrong it all works together for a good sound.  Think Allman Brothers.  On their live recordings, it's hard to tell whether everyone on stage is actually playing the same song, but it comes out with a good sound in the end.  Macy Gray can't breath worth a squat, but she makes it work for her.  So just because something is "wrong" doesn't mean it's really WRONG.  If you don't like it, that's wrong enough and something worth fixing.

Good for Lightning Joe for doing a free set-up.  That's pretty amazing service.  Make sure you let him know you appreciate it.

- Zurf

5,373

(14 replies, posted in Acoustic)

fish24 wrote:

My wife says that my singing is making me sick. Has anyone else experienced this problem?

Yes.  Your wife just called and she said my singing is making her sick too. 

On the serious side, it's all about posture.  The standing thing is good too.  Given that standing is working for you, I'm betting that you have too low of a chair, or that you are slumping in it, or you are sitting too deeply in the chair or something like that.  If you want to continue to sit, try a high stool like a barstool where you can't sit too deeply or slump too much or you'll fall off.  That's exactly why I have ever fallen off a barstool.  Too much slouching.  No other reason.  Nuh-uh.  Nope. 

I first played bass as classical upright bass in an orchestra.  So now even when I play blues or country bass on an electric, I still stand.  It just feels wrong to play bass when sitting for some reason.  Guitar I sit, but I sit on the edge of the chair (the way Momma taught me not to) and I try my best to keep my back up straight (just the way Momma wanted me to but I never did). 

If you're having too many adult beverages with dinner, perhaps the problem has nothing to do with guitar. 

If you feel nauseous whenever you eat a meal, you might have a medical problem too, like gallstones or too much stomach acid or something.  It it's only when you play guitar, then it's almost certainly posture. 

- Zurf

alvee33 wrote:

How's about this version of the dreaded B monster...

X21X02

Muted E string. 1st finger 1st fret of D string. 2nd finger 2nd fret of A string. Mute the G string by leaning your 1st finger against it slightly. Open B string. 3rd finger 2nd fret of e string.

I'd still practice X24442 or X2444X though.

Muting two strings in the same chord is NOT HELPFUL!!  big_smile

- Zurf

To add to Stormside - tapping your foot is good IF you have a way to know that you're tapping it in beat.  In a band, you have a conductor who helps to keep the beat.  On your own, you don't have that luxury.  One thing you can do at first to help you is to get a metronome.  A metronome is the number one best thing to use to help you to stay in beat.  It won't help you sing any though.  But what you can do with a metronome is to start a song you know veeeeeeeerrrrrrrrryyyyyyyyyyy sssssssssllllllllloooooooooowwwwwwwwlllllllyyyyy and as you get it down, you can bump up the speed and still sing in pitch and on beat until you get it to a speed that you think sounds good (which is not always the same speed that the original recording artist did it). 

- Zurf