1,726

(9 replies, posted in Guitars and accessories)

Choosing a new guitar, especially when moving a different style than what's familiar, is a bit of an adventure .. but very enjoyable. Apart from esthetics and such, the fundamental difference in hollow bodies is whether or not they have a center block under the bridge. A block will give you more sustain, but noticeably lessens the depth and warmth of the full hollow body. Center-block designs also tend to have shallower bodies, which also affects the tone.

I looked up the local price of your Epiphone Riviera Custom P93, and there a few others in that price range that might be worth considering:

1) Gretsch Streamliner series (w/ Bigsby) have both a semi-hollow and full-hollow in this price range (luscious sounding pickups)

2) Ibanez Artcore Expressionist or AF-series (nice slim neck, which wasn't suitable for my large hands)

3) Godin 5th Avenue series (full-hollow, best for jazz)

When I compared what you're considering and these others, the Gretsch full-hollow suited my taste best (sound, feel, etc.). But that's entirely personal, and any of the ones you're looking at would be excellent value for the money. I fully agree with Doug that one can't go wrong with an Epiphone ... very well made.

1,727

(9 replies, posted in Acoustic)

Thanks for the help, folks. I finally picked up a G7th Capo on Monday, and am glad for the recommendations. Although not cheap ($50) it really does work better than the Dunlop Trigger I was using, especially on the 12-string. Thanks again!

http://thumbs1.ebaystatic.com/images/g/GZQAAOSwD2pXFmvh/s-l225.jpg

1,728

(580 replies, posted in Bands and artists)

David Gilmour    "Murder"    (where? when?)

https://www.youtube.com/watch?v=lboYTLHkX5M

A very emotional piece from David's 3rd solo album (About Face, 1984). He articulates how affecting a local murder has been on his own soul, and his desire to not have feelings of rage & revenge take hold of him. The ending guitar solo easily rivals his best work from Pink Floyd.

https://upload.wikimedia.org/wikipedia/en/5/51/David_Gilmour_About_Face.jpg

1,729

(474 replies, posted in Bands and artists)

Spencer Elliott   "Insignificant"   (original composition)

https://www.youtube.com/watch?v=Fz_0IuINCeQ

Spencer's unique guitar was custom made for him by Jedidiah Wiebe from British Columbia, Canada. (http://jedidiah.ca) Mr. Wiebe builds his guitars from 100% re-purposed wood, so there's no waiting period for the wood to open up / breathe to get the full warmth and tone. Spencer's multi-scale / fan-fret guitar enables many alternate tunings, such as the B  F#  D  F#  B  D tuning used for "Insignificant". Dropping the E-string to a C on a regular scale guitar leaves the string too slack and floppy to be of much use.

This video is a bit dramatic with the whole B&W business, but the composition and playing is dynamite.

1,730

(6 replies, posted in Poems)

lol Good one, EB ... love your humorous twist at the end. I'm a non-drinker, so does that make me even scarier?

1,731

(2 replies, posted in Electric)

Baldguitardude wrote:

Some distortions sound like crap through the loop.  I generally put all my effects in line, crank my tube amp to an unreasonably high volume and then pull the output back down with a volume soak in the effects loop.

I do something similar, BGD ... at least partially. My Traynor YCS50 has a built-in power soak that takes it down to 15W.

Generally, I like to run distortion / gain / OD effects in the path from the guitar to the amp input. Filter effects (wah, phase, flange, etc.) seem to sound better through the Effects Loop. I'd like to know how many Distortion pedals I've bought - tried - returned over the years. I've yet to hear one I truly like. None of them sounded as good as hitting the 12AX7's directly, using the Gain channel on the amp itself ... that whole tube VS transistor clipping business.

1,732

(1,560 replies, posted in Bands and artists)

Sweet and smooth ... the sax & piano blend so beautifully. Badeye, you sure can pick 'em!

1,733

(7 replies, posted in Chordie's Chat Corner)

Very nice ... the jazzy arrangement & her expressive voice reminds me of our Joni Mitchell. It's actually not quite as simple as it sounds on the surface; nice progressions.

1,734

(8 replies, posted in Chordie's Chat Corner)

It's all been said, Mojo ... I hope you have a blast recording your best stuff!

1,735

(2 replies, posted in Electric)

Here's a great video from Phillip McKnight's extensive library of on-line gear talk. In this one, he capably explains why an amplifier's Effects Loop is soooo useful, and where to use it in the signal path:

https://www.youtube.com/watch?v=7Hi7fBwe5JM

This fully enables a guitarist to practice at home without angering everyone in the house with massive volumes, while still being able to enjoy all of the effects, distortion, etc. we all love so much. Enjoy!

1,736

(3 replies, posted in Chordie's Chat Corner)

Smooth style, Bill ... nice find.

I clicked your YouTube avatar, and it opened to a B&W pic of your band (I presume?). And that would be you sitting behind the "skins"?

Awesome!

1,737

(10 replies, posted in Chordie's Chat Corner)

lol lol lol lol lol

That's bloody hilarious ... thanks, Bill! The bassist is acting as if that's his Dad embarrassing him, and the pianist is trying to stifle her smile also. Just what I needed to start the day with.

Many thanks!

1,738

(580 replies, posted in Bands and artists)

The Australian Pink Floyd    "The Great Gig in the Sky"    2011 (featuring Ola Bienskowska & Amy Smith)

https://www.youtube.com/watch?v=sxo0OJkbaMY

Pink Floyd    "The Great Gig in the Sky"    1987  (featuring Clare Torry)

https://www.youtube.com/watch?v=jL5SEBdG5RQ

A bit of an experiment this week. Lots of ladies have tried to sing this signature piece, and they're all compared to Clare Torry's original rendition from PF's "Dark Side of the Moon" album. Other notable renditions are by Samantha Brown & Durga McBroom ("Pulse" tour) and Bianca Antoinette. Many will say, "She was great, but she's no Clare Torry." I was unable to find any live footage of Ms. Torry performing it, except for this one recording of a live performance in 1987. She was a guest with Roger Waters, because of course PF and he had parted ways by then.

First off, it must be said that Clare Torry doesn't sound like Clare Torry. There's always the challenge for any performer to recreate their own high standards, and she clearly missed her own mark. But more importantly, I personally feel that Ms. Ola Bienskowska's version is at least as good as the original studio version ... if not better. Incredible!

https://67.media.tumblr.com/afc2978f29561c92a1bbd425576d5c12/tumblr_mg4o8tpUGB1s03bmbo1_500.jpg

1,739

(10 replies, posted in Electric)

Thanks, Kevin ...

I was pleasantly surprised at how good it sounds for a $700 guitar. And that's the best thing to do, is just go to a music store, plug one in, and see how it feels and sounds. I can talk about how much I like it, but you may get a different impression. I can say that the build quality is very good and everything works properly (got it last Spring).

Another front runner hollow-body (for under $1,000) would be Epiphone's version of the ES-175. They did a limited edition last year with Classic 57 pickups, but I couldn't find one anywhere, so I went with the Gretsch.

(http://www.epiphone.com/Products/Archto … emium.aspx)

http://images.epiphone.com.s3.amazonaws.com/Products/Exclusives/2014/ES-175-Premium/ES175Prium_Thumb.jpg

Cheers!

1,740

(474 replies, posted in Bands and artists)

Jon Gomm   "Stupid Blues"   (original composition)

https://www.youtube.com/watch?v=7BVUPmRiaXQ

Some more great stuff from Jon. I still have a hard time accepting that anyone would beat the snot out of $6,000 Lowden, but Jon's music is as original and fresh as anyone's ... can't argue with the results. This tune just grooves right along ... 1-2-3, 1-2-3, 1-2-3 ...

Gotta roll out early in the morning, so we're a few hours early.

1,741

(16 replies, posted in Music theory)

The more I delve into music theory, moveable chords, jazz chords, the circle of fifths, augment & dimish chords, etc., the more my understanding starts to resemble this great chart:

http://9886-presscdn-0-33.pagely.netdna-cdn.com/wp-content/uploads/2014/11/musicmadness-e1415900002364.jpg

1,742

(4 replies, posted in Chordie's Chat Corner)

Terrific guitar ... Happy NGD!

A friend that I jam with also bought one of these for his daughter, and he often picks it up to noodle around with, because of the comfortable size. Here's a pic (hope I got the right one) of what they look like ... very pretty finish!

http://c.scdn.gr/images/sku_main_images/008873/8873879/20160421151824_yamaha_fs800_sand_burst.jpeg

1,743

(9 replies, posted in Chordie's Chat Corner)

Zurf wrote:

J-Cube.  Like J-Lo, but with less hair and doesn't look as good in a slinky dress (I'm guessing).  Nice.

Hahahahahahaha ... brilliant! How's this for a logo:

https://pbs.twimg.com/profile_images/700798395200499712/7-cOZJkp.jpg

1,744

(474 replies, posted in Bands and artists)

Strummerboy Bill wrote:

TF, great playing and I loved watching those fingers stretch!

Thanks

Bill

I agree, Bill ... fun to watch and listen to. I've been working on fingerstyle technique for the past year or so, and have made so little progress it's appalling.

1,745

(580 replies, posted in Bands and artists)

Bill , there's no need to apologize for personal music taste ... we all have our favorites and not-so-favorites. I'm not a country / bluegrass fan, but I certainly can appreciate the talent of so many terrific musicians in those genres.

Prog isn't popular amongst the masses (never was) but those of us who like it ... like it a lot. I think there's been so much Prog emphasis on the surreal / fantasy / escapism themes that has turned so many off to it. Most of that stuff is immaterial to me ... I just enjoy the atmospheric nature of the music itself, the imaginative time signatures, the changes, etc. YES is a perfect way to illustrate that, because although most of their work features vocals by Jon Anderson , I'm convinced that most of YES's lyrics have little or no meaning. The voice is simply another "instrument" to enhance the overall sound.

What I'm pleased about is that I don't have to live in the past to enjoy Prog. There are lots of great groups doing it now, each with their own slant on it ... good music should evolve, without disrespect to the past IMHO.

http://images.idakoos.com/B0220000BL0000020431111110383WHRE00AFA,love-progressive-rock.jpg

1,746

(19 replies, posted in Acoustic)

That's a great story, CG, about how you were able to rescue your student's guitar playing with something simple. Good on you, mate!

Like Doug, I've tried them periodically but never got the knack of it. Some guitarists use them very well (like Chet, MacLean, Don Ross, etc.) but I guess it all comes down to preference, musical style, etc. The whole point is to make those strings vibrate to create music; how they're struck / picked / tapped / plucked / etc. just adds to the creative options available.

1,747

(3 replies, posted in Electric)

Playing guitar at 2:00 - 3:00 AM is a great way to make use of insomnia ... couldn't agree more!

1,748

(10 replies, posted in Electric)

I sure love my Gretsch, even though it's one of their lower-end import models.

It's a bit heavier than the average acoustic, but not as heavy as my Les Paul (even with the Bigsby). The nut width (43mm / 1.6875") is the same as most electrics, and I'd actually prefer it to be wider. The tone is what I love most ... they do have a sound that's all their own.

My first choice for a hollow body would be a Gibson ES-175 w/ Classic 57's pickups, but they're way outta my price range.

https://lh3.googleusercontent.com/-SlNFuNkMLMw/Vy9MmW6RbEI/AAAAAAAAALE/_7vMbyYNspIGDAgAh5kxwfDpP7VghI9QgCCo/s512/Rick%2527s%2BGretsch.jpg

1,749

(5 replies, posted in Chordie's Chat Corner)

Great news, Badeye ... and congratulations! The Valley real estate market isn't robust these days, so you must feel like you've won the lottery.

Good stuff, bro!

1,750

(8 replies, posted in Chordie's Chat Corner)

Great to have you back, Graham!

The Chordie community has continued to inspire and inform, albeit your significant contributions have been missed. Russell's band is cracking right along, some of us have new gear, great new songs / poems submitted, been introduced to new music from all over the world, questions answered, etc.

Looking forward to hearing about your recent adventures, new music, etc.