I don't have a TV and so I don't get to watch much football. But I could not believe what I heard about the Cardinals!
THEY MOVED OUT OF ST. LOUIS!!!
Holy cow, that's news!
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Guitar chord forum - chordie → Posts by jerome.oneil
I don't have a TV and so I don't get to watch much football. But I could not believe what I heard about the Cardinals!
THEY MOVED OUT OF ST. LOUIS!!!
Holy cow, that's news!
Don't forget to get your blues name.
http://www.outliermusic.com/jokes_bluesname.htm
Mine is "Bony Baby King"
jerome.oneil wrote:We call it "Rock 'n Tonk," or sometimes "Punk and Western."
Something like, "Keep Your Hands to Yourself" by Georgia Satellites?
Well, lets put it this way. We only play two covers as a band, and they're both Johnny Cash numbers.
My Sweet Irish Honey bought me an English to Irish translation book so we could converse. From it, I learned two more glorious terms.
"Mankey" as in "general grungy icky dirty feeling" and "skanger," a woman of questionable moral character.
The next band I play in will be called "The Mankey Skangers" or I'm quitting. ![]()
The circle of 5ths is the ideal tool for this kind of transposition.
I would like to point out that "The Beetles" is, in fact, "The Beatles."
That is all!
jerome.oneil wrote:We call it "Rock 'n Tonk," or sometimes "Punk and Western."
Brings to mind this band http://www.youtube.com/watch?v=ZW93XixRMLA Is it something like that? Taught to be proud is another good tune by them...
That is good stuff! We're far, far less talented. ![]()
We call it "Rock 'n Tonk," or sometimes "Punk and Western."
Don't let it intimidate you. It's really not that complicated. A little practice and a little study, and you'll have a moment of clarity. Then the sky is the limit!
Theory is realtively simple, once you understand the framework. It's one of those things where a few relatively simple rules allow for amazing complexity.
If you understand the few basic rules, the complexity becomes less so.
Drummers can't count. That's what the bassist is for. And you call yourself a tubatooter...
- Zurf
Troof!
I think it's due to the missing chromosomes....
Just like to say a big thanks to Alvee for the help.
I actually got an email from Chris Dedrick today (he's the guy from free design) and he amazingly sent me a copy of the original vocal arrangements. Unfortunately its all in sheet music form, but It's not to hard to take from that and arrange on the guitar is it?
Cheers
Nope. Not at all.
If you have a scan of it, or can email it to me, I'd be happy to help you out.
One of my favourite songs to play is American Pie, Don McClean.. try puttin a metranome to that one. LOL...
A metranome might well come in handy for me, a still relatively new player (7 months)... i too tend to go muuuuuuuuuuuuuch to fast, (especially playing 'Wonderwall..!').. But, since getting a multi effect pedal for my 'leccy guitar, i use the drum machine on that to help me keep time.
Drum machines are a good alternative, and gives you a much more "natural" feeling about how the rhythm sits.
keep in mind that there are sharps and flats and you must know which notes are sharp or flat and the only way to do that is with basic theory Jerome can help you with that better then I so good luck with it
The beauty of the scale patterns is you don't really even need to know which are sharp and flat, or even the notes you're playing at all. You could close your eyes, pick a random spot on the fretboard, and play the scale just by following those patterns.
I guess your question isn't answered there.
Yes, you can play the notes of a chord as part of a lead. But if you're wanting to play leads, you really need to understand scales. If you know one of the five scale patterns, you can play in any key.
so basically the notes that make up a chord i can start a lead riff in? no, im sorry thats wrong. i guess i dont understand what a realtive minor is. i dont have alot of music " learning " im self tought and play by ear.
Here's a practical side of it that you can apply to the fretboard right now.
I'm sure you know the minor pentatonic scale pattern. It's one of the 1st things you learn. Lots of wankery is to be had with it. ![]()
Here is A minor pentatonic. This pattern is completely portable, so you can move it anywhere.
---------------------------5-----
----------------------5-8--------
-----------------5-7-------------
------------5-7------------------
-------5-7-----------------------
--5-8----------------------------
Using that as an example:
If someone is playing in a major key, you can always play a lead using that major scale. You can also slide your finger down the neck three frets, and play the minor pentatonic scale pattern from there, and you will be fine.
So for this example, if someone is playing a song in C major, find C on the sixth string (8th fret). You can play C major from there. You can also slide down to the 5th fret (A), and play the pentatonic minor pattern from there, and you're still in key.
Just for comparisons sake, here is C major pentatonic. Can you see how the patterns line up?
---------------------------5-8---
----------------------5-8--------
-----------------5-7-------------
------------5-7------------------
-------5-7-----------------------
----8----------------------------
That's a good, and useful question. Understanding the relationship between scales and chords is an important thing. I've got a couple of sticky's up on scales that would be worth reading.
The short answer is that each note in a scale will relate to a different kind of chord, because of the chords that will be built from the notes of that scale.
So an example. Lets use G major.
The G major scale is
G A B C D E F# G
Triads make up chords, so G major chord is
G B D
That's pretty standard stuff.
But lets move up to the II in G major, and build a triad.
That gives us
A C E : A minor.
If we move to the III,
B D F#: B minor.
The IV
C E G: C major
The V:
D F# A: D major
The VI:
E G B: E minor
The VII:
F# A C: F# diminshed
So if you're able to play the major scale, you can determine which triads are going to be appropriate for the key.
From a scale perspective, the various modes are what you need to know. You've probably heard of "relative minor" scales. What that means is that each major scale has a minor scale made up of the exact same notes. For G major, it's E minor.
G major scale:
G A B C D E F# G
E minor scale:
E F# G A B C D E
The relative minor for any major scale is indicated by the VI of the scale, so it's easy to locate.
Each of the modal scales is determined in the exact same way.
A Dorian is derived from G major. Exact same notes. You will also note that you can build the aforementioned triads from this scale.
A B C D E F# G A
B Phrygian:
B C D E F# G A B
C Lydian:
C D E F# G A B C
D Myxolidian:
D E F# G A B C
E Aoelian (a.k.a E minor):
E F# G A B C D E
F# Lydian (a.k.a freaky jazz guy
)
F# A B C D E F#
So all of that is derived directly from the major scale. If you know the scale patterns, all of this will fall out of it, and you don't have to memorize hardly anything.
well put jerome. im glad to see you have your own music theory forum. i think its about time
Well thanks! Feel free to drop by and theorize. ![]()
The best thing you can do to help your practice time is to get a guitar stand, set it up next to where you spend the majority of time in your house, and put the guitar on it.
Guitars in cases have to be taken out and put away. Guitar's in easy reach get picked up and noodled with.
Rap is poetry. It's an often grim and disturbing verbal painting of the environment in which the artist comes from.
Sturgeon's Law applies to rap, much like everything else.
I actually like Jeromes response. Something similar to what i was thinking of saying but his poster says it all.Ken
The Dude knows what's up. ![]()
There's a blugrass number in there somewhere....

There's a lot of discussion on what's proper and what's not, but I think most of us would agree that George Carlin's "seven words you can't say on TV" qualifies as a baseline. ![]()
Don't sweat it. Just remember that we have lots of youngsters that read, and exercise a little discretion.
That's not temptation, Zurf, that's OPPORTUNITY!
And you wouldn't want to pass on a great opportunity, would ya?
Guitar chord forum - chordie → Posts by jerome.oneil
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