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Another possible tip is to make sure your left elbow is not in contact with your body, but to push it out a few inches. (Maybe 6 to 9) This causes your lower arm and wrist to be straighter, and your fingers will have a better angle to the fret board.
Whether this works or not will have a lot to do with how you hold your guitar; the angle etc.

It's just 12 miles down the road from where I live. I've never seen so many "visitors" to this area. The city of Newport has been planning for this for many years. The only thing you can't plan for is the weather.
Celtic Manor has a wonderful golf course situated in some beautiful countryside. I'm not a great golf fan, but there is plenty of excitement around here at the moment.

It's a while since I last heard that song but I seem to remember that, in this key, it's just Bb (4 beats) G (4 beats) back to D
There is an 8 note counter melody sliding down and sung by one of the other Beatles over Ringo's held top note, but it goes with the chords I've suggested. No need for 8 different chords. How does it sound?

It's the consequence of the way chords are named.
There are major and minor chords in the same way as there are major and minor keys. In the key of C minor the root chord is the chord of C minor. C Eb G C. In C major it is C E G C.
Normally, the major chord is just written C, whereas the minor chord is written Cm.
If I add a 7th to the chord of C major, I have 2 choices, either the normal (leading note) 7th, which is a B; or the flattened 7th which is a Bb.
In music theory, the B forms a major 7th and the Bb forms what is called a "minor" 7th. Both these are in the key of C major.
Minor 7th here refers to the interval between the tonic C and the 7th. It doesn't mean that the chord is C minor. This is where it gets confusing.
So C E G B is C major, with added major 7th, to give its full title
C E G Bb is C major, with added minor 7th
The 1st usually gets shortened to C7 and the second usually to Cmaj7
Both of these short forms leave out a lot of information and are used because it's convenient and we all understand what they mean.

If you are in the key of C minor it gets even more complicated
If you add a 7th you can get
C Eb G B which is C minor with added major 7th **
C Eb G Bb which is C minor with added minor 7th
You can see the potential for confusion now!
If I say "C minor 7th" do I mean C minor with a major 7th or C minor with a minor 7th or C major with a minor 7th?
The answer is that this naming system for chords is not an exact science and has been simplified to make it easier to use.
There are conventions which guitarists follow where we all usually agree what, for example, C7 actually means.
The use of tabs makes things clearer. Then we know exactly what chord is intended.

To answer your question, the author is sort of right. It is what is usually meant by people when they use the expression.
A "minor" 7th can, strictly speaking, refer to the fact that the chord is minor, and also that the 7th is flattened.
To get around this, the term dominant 7th is used to indicate the case where the chord is major and the 7th is flattened.
As I said, in a major key, it's only the 7th chord on the 5th note of the scale (the dominant) that is naturally major with a flattened 7th.
This is why major chords with a flattened (=minor) 7th have come to be called dominant 7ths.
However, the 7th in this chord, because it is flattened, is called a minor 7th. This distinguishes it from the case where the 7th is not flattened, and is called a major 7th.
So, 7ths can be major or minor, and chords can be major or minor.
The author is, I assume, attempting to simplify this. When he says minor 7th, he is referring to a minor chord with a 7th. When he means major chord with a seventh, he uses the term dominant 7th.
It is confusing. Guitar chord names, in order to be useable, don't tell the whole story; and that's where the confusion lies.

I spent years studying music theory (piano) before I picked up a guitar. I found the naming of guitar chords very confusing initially because of just this way of simplifying the names of the chords.
I hope I've explained this reasonably well, but I may well have just made it more confusing!

** C minor with an added major 7th [C Eb G B] or any similar chord in another key sounds very strange. I can't say I know of any song which has this chord.

Yes it really is as simple as that.
If you play an Em shape with a capo on the 5th fret you are playing Am (but with the Em shape). The same for all the other open shapes.
There's a very interesting trick if you are playing as a duo with two acoustic guitars both strumming the same chords. For a bit of variety and to create a much richer and more interesting sound, one guitar plays, lets say, Am in the standard position, and the other plays the Em shape with capo on 5th. (So also plays in Am).
So if your song has chords, say, Am, G, C, player 1 plays those as usual and player two capos the 5th fret and plays the shapes Em, D, G.

There are 2 common "7th" chords - major and minor. When you see "7th" without reference to major or minor it usually means minor 7th.
C with a B is Cmaj7. C with a Bb is C (minor7th) or just C7.
D with a C# is Dmaj7. D with a C is usually just written D7.
The minor 7th is also often called a dominant 7th because it leads back to the basic key.
e.g. D7 (D chord with a C in it) is often the chord that leads back to the key of G.
Hope that helps.

I've often wondered that too!
It's because it follows the following pattern:
Start at the root and by adding 3 and 5 you get the main triad.
Next add 7 to get your 7th (major or diminished)
Next comes 9.
It's just the sequence of adding 3rds above root note.
It indicates (reminds) that the 9th is usually played above the 7th (if present) and in a higher octave as you guessed correctly.
More here
http://juliewaters.com/chordtheory.php

And here she is playing it - upside down and left handed.

http://www.youtube.com/watch?v=w4UWLBHL9wI

There were typos on mine, and those two first A chords in the last line should have been Am not A. I've changed them now.

I had a similar question some time ago and here is the thread - and the outcome.
Lots of helpful people on here.
http://www.chordie.com/forum/viewtopic.php?id=12905

Here's a translation for those who don't understand Swedish.

Does anyone know how to play the old (1942) tune "Vårat gäng" (Our Gang) on the guitar? It starts "Var i stan här finns det än.." and  "Vi är grabbarna som kan .... ..... med vänster hand..."

Var så god.