51

(23 replies, posted in Acoustic)

Guitarpix, I think I just found the post you were refering to:

http://www.chordie.com/forum/viewtopic.php?id=15254

What a post! that must have taken some serious research. Think I will print that one out.

52

(23 replies, posted in Acoustic)

Wise words indeed! Thanks Zurf.

53

(23 replies, posted in Acoustic)

I certainly will. The guy I go to is really friendly and usually happy to help so I will pump him for as much info as I can and post up what I find.
Until I came to this forum I thought I was the only one who didn't know this kind of stuff, everyone else in the music shops seem to just walk up and confidently pick up their stuff like it's the easiest thing in the world. I find it quite intimidating sometimes walking up to a guy who is doing major league solos and riffs and asking "what's a capo?". Like being the thick kid in school!
Going on to these forums and finding that there are other people out there who struggle to get into some chord shapes and are not at all sure about some aspects of their instrument has been a revalation to me. I am not alone!!
Thanks people.

54

(23 replies, posted in Acoustic)

Wow!! I had no idea that strings were such a science. When I bought this guitar new, it actually had ordinary steel strings like an electric which made it play really easy but the sound was very thin. When I had it set up properly, it came back with bronze strings which sounded much better.
I think I will go and see the Luthier at the weekend and take some professional advice. I don't want to damage something by experimenting.
Thanks for all the advice everyone. I knew I could rely on you.

55

(23 replies, posted in Acoustic)

Guitarpix, you are indeed a gentleman of the highest order!

56

(23 replies, posted in Acoustic)

Woah! I make it a point not to touch anything with the word 'Truss' in the title! That way lies madness methinks.
I think the neck is okay, if I press down hard enough there is no problem at all. I'm just a bit perturbed that I even have to think about it when I am not playing any different to how I normally would. I am thinking that it must be the strings because I got them from a different shop and I don't think that I have had this make before. Having had a root through my guitar stuff I have bags with Jim Dunlop and DAddario and the like but no Martin. I take my guitar to a Luthier every year for a set up and he generally just hands me the same strings he put on. I don't have to look. Lazy I suppose.
Think I will take Amy's advice and have a peruse of this forum, see if I can learn something. Although last time a young lady told me to excercise my right arm It didn't go well!!

Nights in White Satin for me. Just love it. First thing I learned on the guitar and I still play it almost every time I pick it up.

58

(29 replies, posted in Chordie's Chat Corner)

Be nice to have a job that involved playing guitar wouldnt it?!!

59

(23 replies, posted in Acoustic)

Ah.
I'll get my bowl then. Thanks guys.
Is there a thread on string type? I must admit I go into the shop and I'm presented with a wall full of strings and I have no idea which to chose. The man in the shop usually just grabs a pack and says those are a good general purpose string and I just go along with him.

60

(23 replies, posted in Acoustic)

I use a tuner which tells me the octave so I should be okay there I think. There isn't a huge difference but it is noticeable, to me at least. When I played before I am sure I didn't have to press so hard. Perhaps I need more breakfast cereal!

61

(23 replies, posted in Acoustic)

Hi Everyone,

I have recently re-strung the old acoustic and the string tension seems higher than before. I can't remember what make of string I had on it before but they were definitely "looser" if that's the term. I am finding that I really have to press hard to stop barre chords buzzing when I play them. I have checked the string diameters and they are identical to the last strings I had on. Does the manufacturer make a difference? The one's I have just put on are Martin 80\20 Bronze in light guage .012 - .054.
Any help would certainly be appreciated or I'm going to end up with a left forearm like Popeye!!

62

(3 replies, posted in Poems)

Hi Tommydone. Just got to watch your video. Well done man, from the heart.

63

(29 replies, posted in Chordie's Chat Corner)

I think for me it's the simple joy of music. I am really not confident with a six string and I have to be almost dragged in front of an audience, but here's the thing, they do drag me! If I screw up they really don't care and encourage me along. There seems to be a need in us that makes us love to listen to live music. I am the same, if someone has a guitar I love to listen to them even if they can't sing for toffee.
And if you do go down okay? Well that applause is kind of addictive isn't it?

64

(3 replies, posted in Poems)

Whether we understand or not doesn't matter. That's a lovely poem, thanks for letting us read it. Do you put your poems to music?

65

(21 replies, posted in Chordie's Chat Corner)

I started out on the bass way back at the start of the eighties and soon joined a band. We got good enough to earn a little money and I was lucky enough to be able to buy my dream guitar, a Rickenbacker 4001 in custom white. I'd always loved the sound of a Rickenbacker and I thought they were the finest looking guitar I'd ever seen.
I played that guitar in several bands with lot's of other guitarists for twenty odd years and while they all kept changing guitars as new features and fashions changed I always stuck with my old faithfull Rick. Eventually I needed my weekends back and I got fed up with humping closet sized speaker cabs up and down stairs so I gave up the band, sold my gear and bought an acoustic six string in the hope of learning to play it.
After a few months it was clear to me that I couldn't live without a Rickenbacker though. I still had another bass but it just wasn't the same. Eventually I gave in and went out and bought another one, this time in black.
That was three years ago I think and even though I must have spent many thousands of hours playing one of those basses, I still feel the same excitement as I pick up the case and I can literally feel the hair on the back of my neck stand up when I open the lid. When I finish playing it, I stand it on a guitar stand and just admire it.
In all those years I have never met anyone else that feels like that about their instrument so I have decided to come out of the closet as it were in front of my fellow musicians and ask:
Is it wrong?
Should I book myself in for councelling?
What do you think guys?

66

(16 replies, posted in Acoustic)

Thanks Amy it's nice to be here! It has it's good points being tall but big fingers can be a pain on the guitar sometimes. B7 for example comes out as FFRUPP as my fingers damp all the strings next door to the ones I'm supposed to be fretting!! Also you bang your head a lot. It is handy for basketball though!
Back on topic, a really nice example of a slash chord is on the first two chords in Handbags and Gladrags by Stereophonics. Its the same chord but the second time through starts with a different bass note. I have seen quite a few people play a different note altogether for that second chord because they don't realise it's only the bass note changing.

67

(16 replies, posted in Acoustic)

Six feet five and about 230 pounds. When I tried to put in a user name there were lots of Daves so I tried Bigdave and that was taken so I put the great on and that worked.

68

(16 replies, posted in Acoustic)

I find you can pretty much ignore the slash bass note when you're strumming but it makes a heck of a lot of difference when you're finger picking. The alternate bass note often gives the song a kind of running bass line while the actual chord doesn't change. It can be really effective.

69

(139 replies, posted in Chordie's Chat Corner)

Love it!!
Weirdest thing is, I can play B without any trouble, either open or barred but I can't play B7 for the life of me! I can't even cheat with a barred A7 without at least a fifteen minute run up! Rules out lots of the Beatles catalogue for me.

70

(139 replies, posted in Chordie's Chat Corner)

Thanks Guitarpix, I see exactly what you mean. I've had a go and you're right about the easier changes. Only trouble now is I have to re-engage my brain to play it!! I've practised that long with the conventional chords, my hands want to take over even though they keep doing it wrong. I love playing the guitar but it can sure be frustrating!!

Thanks Zurf. What is a B chord amnesty? Or is that a can of worms I don't want to look into!!

71

(139 replies, posted in Chordie's Chat Corner)

Hi all, new to Chordie and first post! I am currently working on Hey There Delilah like Giutarpix at the top of this thread. Struggling to get into the Bm smoothly but it's getting better with practice. Not sure the wife agrees though!