Native Son (1991)
Down in the Shacks Where the Satellite Dishes Grow (1991)
(The) Judybats were an alternative rock band from Knoxville, Tennessee, active primarily in the late 1980s and early 1990s. First formed in 1987 after vocalist Jeff Heiskell, who with Ed Winters (guitar) had been playing acoustically in Knoxville as a duo, met Tim Stutz (bass) at a local bar called Hawkeyes Corner. Stutz, Johnny Sughrue (guitarist) and Terry Casper (drums) had known each other since high school and had been playing music together as a trio. Peggy Hambright, who was Stutz and Sughrue’s roommate, added keyboards, violin and vocals. The JudyBats played locally to large audiences before signing to Sire Records in 1990. The band took their name from a song written by a friend of theirs, which contained the line "punch me with a judybat" in a punning allusion to Punch and Judy shows.
The band contributed a cover of The 13th Floor Elevators’ "She Lives (In a Time of Her Own)" to the 1990 tribute album Where the Pyramid Meets the Eye: A Tribute to Roky Erickson, followed shortly by their debut album Native Son. The official form of the band’s name was never entirely clear — although the band was credited as The Judybats on the cover of Native Son, all of their subsequent albums listed the band’s name as just Judybats, or sometimes JudyBats, although several CD singles from the later albums retained the word The.
Casper subsequently left the band, and was temporarily replaced by session drummer Kevin Jarvis on their second album, Down in the Shacks Where the Satellite Dishes Grow. Following that album, Hambright and Stutz both left the band, and were replaced by Paul Noe on bass and Dave Jenkins on drums. The revised lineup released the band’s most commercially successful album, Pain Makes You Beautiful, in 1993, and had successful singles on college radio and adult album alternative stations with "Being Simple", "All Day Afternoon" and "Incredible Bittersweet".
The lineup remained stable for the band’s fourth album, 1994’s Full-Empty, but the album fared poorly on the charts and the band broke up soon afterward. Heiskell, Noe and Jenkins pursued a new musical direction under the name Doubters Club, releasing the album Fleur de Lisa independently in 1996 after being dropped from a development deal with Sire Records.
The Doubters Club was a reconfiguration of the Judybats.
After the Doubters Club dissolved, Heiskell seriously considered quitting the music industry. Reed Pendleton (Doubters Club, Immortal Chorus) encouraged Jeff to stay the course. Reed’s effect layered guitar riffs lent well to Heiskell’s lyrics. Soon a series of weekend song writing sessions led to Heiskell and Pendleton creating songs: Break my heart, Shine, Your too much, Full forward angel, Always, Love will out and California.
Moving forward they formed the band "Shoho".....Jeff’s nickname for the local scenesters that often attend the band’s shows. With a line up that consisted of Heiskell (vocals), Pendleton (guitar) along with local bassist Rob Bell and twin brothers Doug Hairrell (second guitar / fiddle) and drummer Mike Hairrell. Early band sessions were held in a remote log cabin south of Knoxville, where the new line up developed a guitar forward sound with "Brit-Pop" influences. The band settled on Judybats as the final band name.....upon the insistence of new manager "SuperFrank".
Highlights include: recording a cover of Paul McCartney’s "Love in Song" for the 2001 McCartney tribute album Listen to What the Man Said and "Break my heart" was included on the Oxford American’s annual Southern Music issue.
Heiskell has since released two solo albums, Soundtrack for an Aneurism in 2006, Clip-On Nose Ring in 2008, and Arriving in 2015. Heiskell is releasing a new album in late Summer of 2017 titled Emotional Terrorism. He is currently shooting video for one of the songs with Knoxville videographer Douglas Stuart McDaniel.
Heiskell acknowledged that he is gay in a 1994 interview with The Advocate, but otherwise rarely spoke about his sexuality with the press, and only wrote about it indirectly in his songs, until his solo albums.
In the fall of 2015 Tim Stutz released music via Bandcamp under the name because of robots