

| Intro: |
| Chorus 1: |
| G | C | A | D | |
| We | Wish You A Merry | Christmas We | Wish You A Merry | Christmas |
| B7 | Em | C | D7 | G | |
| We | Wish You A Merry | Christmas And a | Happy | New | Year |
| Em | D | A7 | D | |
| Good | tidings we | bring to | you and your | kin |
| G | D | C | D7 | G | |
| Good | tidings for | Christmas and a | Happy | New | Year |
| Verse 1: |
| G | C | A | D | |
| Oh | bring us some figgy | pudding oh | bring us some figgy | pudding |
| B7 | Em | Am | D7 | G | |
| Oh | bring us some figgy | pudding And a | cup of | good | cheer. |
| Chorus |
| Verse 2: |
| G | C | A | D | |
| We won't go until we | get some We | won't go until we | get some |
| B7 | Em | A | D7 | G | |
| We | won't go until we | get some So | bring some | out | here |
| Chorus 2: |
| G | C | A | D | |
| We | Wish You A Merry | Christmas We | Wish You A Merry | Christmas |
| B7 | Em | C | D7 | G | |
| We | Wish You A Merry | Christmas And a | Happy | New | Year |
| Em | D | A7 | D | |
| Good | tidings we | bring to | you and your | kin |
| G | D | C | D7 | G | |
| Good | tidings for | Christmas and a | Happy | New | Year |

| Intro: |
| D | C | G |
| G | |
| Baby's good to me, you know, |
| D7 | |
| she's happy as can be, you know, she | said so. |
| C7 | G | |
| I'm in love with | her and I feel fi | ne. |
| G | |
| Baby says she's mine, you know, |
| D7 | |
| she tells me all the time, you know, she | said so. |
| C7 | G | |
| I'm in love with | her and I feel fi | ne. |
| G | Bm | C7 | D7 | |
| I'm so | glad that | she's my little | girl. |
| G | Bm | Am | D7 | |
| She's so | glad, she's | telling all the | world. |
| G | |
| That her | baby buys her things, you know, |
| D | |
| he buys her diamond rings, you know, she | said so. |
| D7 | C7 | G | |
| She's in love with | me and I feel fi | ne. |
| D7 | C7 | G | |
| She's in love with | me and I feel fi | ne. |
| Chords used: |

| C | A | C | A | C | A | G | F | G | D |
| D | |
| Left a good job in the city, workin for the man every night and day |
| and I never lost one minute of sleep, worryin' 'bout the way things might |
| A | Bm | |
| have been. | Big wheel a-keep on turnin' Proud | Mary keep on burnin', |
| D | |
| Roll | - in', rollin', rollin' on the river. |
| D | |
| Cleaned a lot of plates in Memphis, pumped a lot of 'tane down in New |
| Orleans, But I never saw the good side of the city, till I hitched a ride |
| A | Bm | |
| on a river boat queen. | Big wheel a-keep on turnin, Proud | Mary keep on |
| D | |
| burnin, roll | - in, rollin, rollin on the river. |
| C | A | C | A | C | A | G | F | G | D | |
| D | |
| if you come down to the river, bet you're gonna find some people who live, |
| you don't have to worry, cause you have no money, people on the river are |
| A | Bm | |
| happy to give. | Big wheel keep on turnin, Proud | Mary keep on burnin, |
| D | |
| roll | - in, rollin, rollin on the river. |

| G | Bbdim | Am7 | D7 |
| G | Bbdim | Am7 | D7 | G | Dm7 | G7 | |
| I'm nothing | special, in | fact I'm a | bit of a | bore |
| C | E7 | Am | Am7 | D7 | D7b13 | |
| If | I tell a joke, you've | probably heard it b | efore |
| G | D | |
| But | I have a talent, a | wonderful thing |
| G | G7 | C | Cm | |
| 'Cause | everyone | listens when | I start to | sing |
| Em | |
| I'm so | grateful and proud |
| Am | Am7 | D7 | |
| All I | want is to | sing it out | loud |
| So I say |
| G | Am | D7 | G | |
| Thank you for the | music, the | songs I'm | singing |
| Em | Em7 | A7 | D7 | |
| Thanks for | all the | joy they're | bringing |
| G | Am | Bm | Em7 | C | |
| Who can live with | out it, I | ask in | all hones | ty |
| Cm | |
| What would life | be? |
| G | G7 | E | |
| Without a | song or a | dance what are | we? |
| Am | C | |
| So I say | thank you for the | music |
| D7 | G | Bbdim | Am7 | D7 | |
| For | giving it to | me |
| Mother says I was a dancer before I could walk |
| She says I began to sing long before I could talk |
| And I've often wondered, how did it all start? |
| Who found out that nothing can capture a heart |
| Like a melody can? |
| Well, whoever it was, I'm a fan |
| - chorus except: |
| D7 | F | |
| For | giving it to | me |
| Cm6 | G | Cm6 | G | |
| I've been so | lucky, I am the | girl with golden | hair |
| Cm6 | B7 | Em | Em7 |
| I wanna sing it out to everybody |
| Am7 | D7 | |
| What a joy, what a life, | what a chance! |
| - chorus except: |
| D7 | G | G7 | E | |
| For | giving it to | me |
| Am | C | |
| So I say | thank you for the | music |
| D7 | G | |
| For | giving it to | me |
| - Chords: |
| Gdim: xx2323 |
| Am6: x04555 |
| B7b13: 224043 |
| END |
+--------------------------------------------------------------------------+
| | This file is the author's own work and represents their interpretation | |
| | of the song. You may only use this file for private study, scholarship, | |
| | or research. | |
+--------------------------------------------------------------------------+
| Ultimate-Guitar.Com © 2005 |

| A | C | D | E | A | |
| I am he as | you are he as | you are me and | we are all tog | ether |
| C | D | A | |
| See how they run like pigs from gun, see | how they fly, I'm c | ryin' |
| A | C | D | E | A | |
| Sitting on a corn | flake, | I'm w | aiting for the van to | come |
| F | B7 | |
| Corporation tee-shirts, stupid bloody Tuesday, | man, you've been a naughty |
| boy, you let your face grow long |
| C | D | E | |
| but I am the | eggman, we are the | eggmen, I am the | walrus, goo goo g' joob |
| A | C | D | E | A | |
| Mister City | Policeman sitting, | pretty little po | licemen in a | row |
| C | D | A | |
| See how they fly like Lucy in the Sky, see | how they run, I'm | cryin' |
| E7 | D | A | E | D | |
| I'm | cry...... | , I'm c | ryin', I'm c | ry..... | ... |
| A | C | D | E | A | |
| Yellow matter custa | rd, | dripping from a dead dog's | eye |
| F | B7 | |
| Crabalocker fish wife, pornographic priestress, | man you've been a |
| naughty girl you let your knickers down |
| C | D | E | |
| But I am the | eggman, we are the | eggmen, I am the | walrus, |
| goo goo g' joob, g' goo goo g' joob |
| (musical break- exact same as Intro) |
| B | A | G | F | E | |
| Sitting in an | English | garden waiting | for the s | un |
| F | B7 | |
| If | the sun don't | come you get your tan from standing in the english rain |
| C | D | E | |
| I am the | eggman, we are the | eggmen, I am the | walrus |
| D7 | |
| goo goo g' joob, | g' goo goo g' joob |
| A | C | D | E | A | |
| Experts textperts | choking smokers, | don't you think the | joker laughs at | you |
| C | D | A | |
| See how they spy like pigs in the sky, see | how they snide, I'm | cryin' |
| A | C | D | E | A | |
| Semolina Pilcha | rd, | climbing up the Eiffel | Tower |
| F | B7 | |
| Element'ry penguins singing Hare Krishna, | man, you should've seen him |
| kicking Edgar Allen Poe |
| C | D | E | |
| I am the | eggman, we are the | eggmen, I am the | walrus |
| D7 | |
| goo goo g' joob, g' | goo goo g' joob |
| C | |
| goo goo g' joob, g' goo goo g' joob |
| B7 | |
| g' go | o... |
| A | G | F | E | |
A du-du-du baw, a du-du-du baw, a du-du-du baw, a du-du-du baw,
| B7 | |
| a du-du-du | baw |
| B7 | A | G | F | E | |
This song is from PJ's Guitar Chords & Lyrics site
|
This song is from PJ's Guitar Chords & Lyrics site |

| D | F# | |
| Once I had a love and it was a | gas |
| D | |
| Soon turned out, I had a heart of | glass |
| F# | |
| Seemed like the real thing only to | find |
| D | |
| Much mistrust, love's gone be- | hind |
| D | F# | |
| Once I had a love and it was di- | vine |
| D | |
| Soon found out I was losing my | mind |
| Bb | F# | |
| It seemed like the real thing but I was so | blind |
| D | |
| Much mistrust, love's gone be- | hind |
| Chorus 1: |
| G | |
| In between |
| D | |
| What I find is pleasing and I'm | feeling fine |
| D | |
| Love is so confusing there's no | peace of mind |
| If I fear I'm losing you |
| E | A | D | |
| It's | just no good, you | teasing like you do |
| D | |
| Oo oo, la la |
| D | |
| Oo oo, la la |
| Verse 2: |
| D | F# | |
| Once I had a love and it was a | gas |
| D | |
| Soon turned out, I had a heart of | glass |
| F# | |
| Seemed like the real thing only to | find |
| D | |
| Much mistrust, love's gone be- | hind |
| Chorus 1: |
| G | |
| Lost inside |
| D | |
| Adorable illusion and I | cannot hide |
| G | |
| I'm the one you're using, please don't push | me aside |
| We coulda made it cruising, yeah |
| E | A | D | |
| Riding high on l | ove's true bluish light |
| D | |
| Oo oo, la la |
| D | |
| Oo oo, la la |
| Verse 3: |
| D | F# | |
| Once I had a love and it was a | gas |
| D | |
| Soon turned out to be a pain in the | ass |
| F# | |
| Seemed like the real thing only to | find |
| D | |
| Much mistrust, love's gone be- | hind |
| Coda: |
| D | |
| Oo oo, la la |
| D | |
| Oo oo, la la |

| A | C#m | G | Bm | A | C#m | G | Bm | |
| Lay, lady, | lay, | lay across | my big brass | bed |
| Lay, lady, lay, lay across my big brass bed |
| E | F#m | A | |
| Whatever c | olors you have | in your mind |
| I'll show them to you and you'll see them shine |
| A | C#m | G | Bm | A | C#m | G | Bm | |
| Lay, lady, | lay, | lay across | my big brass | bed |
| Stay, lady, stay, stay with your man awhile |
| Until the break of day, let me see you make him smile |
| E | F#m | A | |
| His clothes | are dirty but | his hands are clean |
| And you're the best thing that he's ever seen |
| A | C#m | G | Bm | A | C#m | G | Bm | |
| Stay, lady, | stay, | stay with your m | an awh | ile |
| C#m | E | F#m | A | |
| Why wait any longer for the | world | to be | gin |
| C#m | A | |
| You can have your cake and eat it t | oo |
| C#m | E | F#m | A | |
| Why wait any longer for the o | ne y | ou lo | ve |
| C#m | Bm | |
| When he's st | anding in front of y | ou |
| Lay, lady, lay, lay across my big brass bed |
| Stay, lady, stay, stay while the night is still ahead |
| I long to see you in the morning light |
| I long to reach for you in the night |
| Stay, lady, stay, stay while the night is still ahead |
| play A using the F shape on the 5th fret and C#m using the Bm shape on the 4th fret and the F shape on the 3rd fret for G then Bm as shown in chord diagram |
| it makes an easy progression. |

| D | G | A | |
| Chorus: |
| G | A | D | G | |
| Hey! Mister | Tambourine Man, | play a song for | me. |
| D | G | Em | A | |
| I'm not | sleepy and there | is no | place I'm | going to. |
| G | A | D | G | |
| Hey! Mister | Tambourine Man, | play a song for | me. |
| D | G | Em | A | D | G | D | |
| In the | jingle jangle | morning | I'll come | following | you. |
| G | A | D | G | |
| Though I | know that evenin's | empire has | returned into the | sand. |
| D | G | D | G | |
| Vanished from my | hand, left me | blindly here to | stand |
| Em | A | |
| but | still not | sleeping! |
| G | A | D | G | D | G | |
| My | weariness a | mazes me, I'm | branded on my | feet I | have no one to | meet. |
| D | G | Em | A | |
| And the | ancient empty | street's too | dead for | dreaming. |
| Chorus |
| Take me on a trip upon your magic swirlin' ship |
| My senses have been stripped, my hands can't feel the grip, |
| my toes too numb to step, wait only for my boot heels |
| to be wandering |
| I'm ready to go anywhere, I'm ready for to fade |
| Into my onw parade cast your dancing spell my way, |
| I promise to go under it |
| Chorus |
| Though you might hear laughin' spinnin' swingin' madly across the sun |
| It's not aimed at anyone, it's just escapin' on the run |
| And but for the sky there are no fences facin' |
| And if you hear vague traces of skippin' reels of rhyme |
| To your tambourine in time, it's just a ragged clown behind |
| I wouldn't pay it any mind, it's just a shadow you're |
| seein' that he's chasing |
| Chorus |
| Then take me dissapearin' through the smoke rings of my mind |
| Down the foggy ruins of time, far past the frozen leaves |
| The haunted, frightended trees out to the windy beach |
| Far from the twisted reach of crazy sorrow |
| Yes, to dance beneath the diamond sky with one hand wavin' free |
| Silhouetted by the sea, circled by the circus sands |
| With all memory and fate drive deep beneath the waves |
| Let me forget about today until tomorrow |
| -- | |
| _ _ |
| (_/_) |
| (O O) .## 'It may be raining, |
| `'/ .'.( but there's a rainbow above you...' |
| .-`'_.'.' || -The Eagles _ _ |
| ,' .-'.'_-'/ (_/_) |
| ( -<, ' _/_-' (~ O) |
`-./B / | .------------------------ooO--`'/--Ooo-------------------------.
| __.' _| |Frans Bosma `' | PTT Telecom B.V., I&AT | |
| // _/ ) |E-mail : f.l.bosma@telecom.ptt.nl | P.O. Box 188 | |
| ('( | / |Phone : +31 50 851267 | 9700 AD Groningen, Holland| |
|/ |---------------------------------------------------------------|
| ) |_, |DISCLAIMER: This statement is not an official statement from, | |
| _/,_/ -' |nor does it represent an official position of, PTT Telecom B.V.| |
` `---------------------------------------------------------------'

| G | C | G | C | G | C | G | C | |
| Longer boats a | re co | meing to win | us c | omeing to win us th | eir co | meing to win | us |
| G | C | G | C | G | C | G | D | |
| Longer boats a | re co | meing to win | us | hold on to | the | shore.. | .... |
| C | G | C | G | G | C | G | G | C | G | |
| They'll be ta | king the key from the | door. | .. | .. | .. | .. | .. | .. |
| G | D | G | D | G | C | G | |
| I don't | want no God on my lawn | just a | flow | er I can | help a | long |
| G | D | G | D | C | Em | A | |
| Cause the so | ul of nobody knows | How a a fl | ow | er gr | ows |
| C | Em | A | |
| Yes How a fl | ower | grows |
| G | C | G | C | G | C | G | C | |
| Longer boats a | re co | meing to win | us c | omeing to win us th | eir co | meing to win | us |
| G | C | G | C | G | C | G | D | |
| Longer boats a | re co | meing to win | us | hold on to | the | shore.. | .... |
| C | G | C | G | G | C | G | G | C | G | |
| They'll be ta | king the key from the | door. | .. | .. | .. | .. | .. | .. |
| G | D | G | D | G | C | G | |
| Mary dropped her pants by the sand | and let a | par | son come and | take her | han | d |
| G | D | G | D | C | Em | A | |
| But the | soul of nobody Knows | where the p | ars | on | goes, |
| C Em A Many G C G's |
| Where The parson go |
| Chrous |
| Later |
| Glen |
| ___ Blue Wave/QWK v2.12 |

| G | Cmaj7 | D | |
| I've | never seen you looking so l | ovely, as you did ton | ight. |
| B7 | Em | D | C | D | |
| I've | never seen you shine so | bright... | mmmh mm | h |
| I've never seen so many men ask you if you wanted to dance. |
| They're looking for a little romance, given half a chance. |
| Am7 | |
| And I have | never seen that dress you're wearing |
| D | Em | |
| Or the | highlights in your hair that catch your e | yes. |
| D | |
| I have been | blind. |
| Dsus4 | G | Cmaj7 | D | Em | Bm7 | Em | |
| The | lady in r | ed, | is | dancing w | ith me.... | cheek to | cheek. |
| Am7 | D7 | G | |
| There's nobody h | ere, | it's just you and m | e. |
| G7 | |
| It's where I want to b | e. |
| C | B7 | Em | Dsus4 | Dbm7b5 | |
| But I hardly kn | ow | this beauty by my | si-i- | i-i-de | . |
| Am | D | G | |
| I'll never forg | et.. | . the way you look ton | ight. |
| Break A Dmaj7 Esus4 2x |
| I've never seen you looking so gorgeous as you did tonight, |
| I've never seen you shine so bright... you were amazing. |
| I've never seen so many people want to be there by your side, |
| And when you turned to me and smiled, it took my breath away. |
| I have never had such a feeling, |
| Such a feeling of complete and utter love, |
| As I do tonight. |
| The lady in red, is dancing with me.... cheek to cheek. |
| There's nobody here, it's just you and me. |
| It's where I want to be. |
| But I hardly know this beauty by my side, oh. |
| Am | D | Em | Dsus4 | Dbm7b5 | |
| I'll never fo | rget.. | .. the way you look ton | i-i-i- | i-i-ght. |
| Am | D | G | Cmaj7 | |
| I never will f | orget the | way you look t | onight. |
| Dsus4 | G | Cmaj7 | |
| The | lady in | red, |
| Dsus4 | G | Cmaj7 | |
| the | lady in r | ed, |
| Dsus4 | G | Cmaj7 | |
| my | lady in r | ed, |
| Dsus4 | G | |
| my | lady in | red. |
| I love you... |

| G | |
| C | ome on all of you big strong men, |
| C | |
| U | ncle Sam needs your help again. |
| G | |
| He's g | ot himself in a terrible jam |
| C | |
| W | ay down yonder in Vietnam |
| A7 | D | |
| So | put down your books and p | ick up a gun, |
| G | C | |
| We're g | onna have a whole lotta f | un. |
| Chorus: |
| D7 | Eb7 | G | |
| And it's | one, | two, th | ree, |
| G7 | C | |
| W | hat are we fi | ghting for? |
| G | |
| Don't ask me, I do | n't give a damn, |
| C | |
| Next stop is V | ietnam; |
| D7 | Eb7 | G | |
| And it's f | ive, | six, s | even, |
| G7 | C | |
| O | pen up the pe | arly gates, |
| A | D | |
| Well there ai | n't no time to w | onder why, |
| G | C | |
| Whoop | ee! we're all gonna d | ie. |
| 2: |
| G | |
| C | ome on generals, let's move fast; |
| C | |
| Y | our big chance has come at last. |
| G | |
| G | otta go out and get those reds |
| C | |
| The o | nly good commie is the one that's dead |
| A7 | D | |
| You k | now that peace can only be w | on |
| G | C | |
| When we've bl | own 'em all to kingdom c | ome. |
| (Chorus) |
| 3: |
| G | |
| C | ome on Wall Street, don't move slow, |
| C | |
| Why m | an, this is war au-go-go. |
| G | |
| There's pl | enty good money to be made |
| C | |
| Suppl | ying the Army with the tools of the trade, |
| A7 | D | |
| J | ust hope and pray that if they d | rop the bomb, |
| G | C | |
| They d | rop it on the Viet C | ong. |
| (Chorus) |
| 4: |
| G | |
| C | ome on mothers throughout the land, |
| C | |
| P | ack your boys off to Vietnam. |
| G | |
| C | ome on fathers, don't hesitate, |
| C | |
| S | end your sons off before it's too late. |
| A7 | D | |
| You can | be the first one | on your block |
| G | C | |
| To have your b | oy come home in a b | ox. |
| (Chorus) |

| |=> piano 4 Takte, dann instrumental Verse |
| (no chords) |
| G | D | G | C | D | |
| Put a candle i | n the window |
| G | Em | G | D | |
| Ca | use I feel I've g | ot to move |
| G | D | C7 | |
| Though I'm g | oin', | goin' I'll be comin' home soon |
| G | D | G | C | D | |
| Long as | I can see the l | ight |
| (chords) |
| G | D | G | C | D | |
| Pa | ck my bag and let' | s get moving |
| G | Em | G | D | |
| Caus | e I'm bound to dr | ift a while |
| G | D | C7 | |
| When I'm | gone, | gone you don't have to worry |
| G | D | G | C | D | |
| Long as | I can see the | light |
| instrumental (Verse inkl. guitar-solo) |
| G | D | G | C | D | |
| Guess | I've got that old trav | elin' bone |
| G | Em | G | |
| Cause | this feeling won't leav | e me alone |
| G | D | C | |
| But I w | on't, w | on't be losing my way |
| G | D | G | C | D | |
| Long as | I can see the | light |
| G | D | G | C | D | |
| Put a candle i | n the window |
| G | Em | G | D | |
| Ca | use I feel I've g | ot to move |
| G | D | C7 | |
| Though I'm g | oin', | goin' I'll be comin' home soon |
| G | D | G | C | D | |
| Long as | I can see the l | ight |
| G | D | G | C | D | |
| End: Long as | I can see the l | ight | (repeat and fade out) This song is from PJ's Guitar Chords & Lyrics site |

| E | |
| and so it is |
| E | A | |
| just like you said it would | be |
| A | B | |
| life goes easy on | me |
| A | E | |
| most of the | time |
-0-----0-- -0-----0-- -1-2-1-1-- -2-----2-- -2-----2-- -0-----0--
| and so it is |
| the shorter story |
| no love no glory |
| B | C#m | |
| no hero in | her skies |
| I can't take my eyes off of you |
| CHORUS NOTATION |
| A | |
| 1st time - |
| 2nd | |
| - | Abm | F#m | |
| 3rd | - |
| E | |
| 4th - |
| A | |
| 5th - |
| A | |
| 6th - |
| and so it is |
| just like you said it should be |
| we'll both forget the breeze |
| most of the time |
| and so it is |
| the colder water |
| the blower's daughter |
| B | C#m | |
| the pupil i | n denial |
| I can't take my eyes off of you |
| CHORUS NOTATION |
| A | |
| 1st time - |
| 2nd | - | Abm | F#m | |
| 3rd | - |
| E | |
| 4th - |
| A | |
| 5th - |
| A | |
| 6th - |
| F# | B | |
| did I say that I | loathe you? |
| B | Abm | |
| did that I say that I | want to |
| Db | Ebm | |
| leave it all b | ehind? |
| I cant take my mind off of you |
| CHORUS NOTATION |
| B | |
| 1st time - |
| 2nd | - | A#m | Abm | |
| 3rd | - |
| F# | |
| 4th - |
| Abm | |
| 5th - |
| F# | |
| 6th - |
| my mind |
| 'til I find somebody new |
| matias - matiasreed@hotmail.com |

| D | C | G | C | D | D | C | G | C | D | D | C | G | C | D | D | F#m | G | |
| Oh my lo | ve, Janine, I'm h | elpless for your s | mile |
| E | E7 | A | G | D | |
| L | ike a Polish wa | nderer I tr | avel onw | ards to your l | and |
| A | G | F#m | |
| And were it n | ot just for the j | ewels I'd close your | hand |
| Your strange demand to 'collocate' my mind |
| Scares me into gloom, you're too intense |
| I'll have to keep you in your place |
| I've no defence, I've got to keep my veil on my face |
| CHORUS: |
| D | D/C | G | C | G | |
| J | anine, J | anine, you'd l | ike to kn | ow me w | ell |
| C | G | F | C | |
| But I' | ve got things in | side my head that e | ven I can't fa | ce |
| D | D/C | G | C | G | |
| Ja | nine, J | anine, you'd l | ike to c | rash my wa | lls |
| C | G | F | C | |
| But i | f you take an ax | e to me you'll k | ill another m | an |
| D | C | G | C | D | D | C | G | C | D | |
| Not me at a | ll |
| You're fey, Janine, a tripper to the last |
| But if I catch you standing on my toes |
| I'll have a right to shout you down |
| For you're a lazy stream, in which my thoughts would drown |
| So stay, Janine, and we can glide along |
| I've caught your wings for laughs |
| I'm not obliged to read you statements of the year |
| So take your glasses off and don't act so sincere |
| CHORUS |
| D C G C D (repeat and ad lib) |
| NOTE: chords are just approximate, any improvements welcome. |
| FROM: Space Oddity, 1969. |

| Bb | D | Gm | Eb | |
| People s | tared at the | makeup on his | face |
| Bb | Gm | F | D | |
| Laughed at his l | ong black hair | , his animal g | race |
| Gm | Eb | |
| The boy in the | bright blue jeans |
| Bb | D | |
| Jumped up on the s | tage |
| Bb | F# | |
| And | lady stardust s | ang his songs |
| E | F# | |
| Of | darkness and dis | grace |
| B | F# | E | F# | |
| And he was | al | right, the | band was alto | gether |
| B | F# | E | F# | |
| Yes he was | al | right, the | songs went on for | ever |
| F#m | F#m(#7 | |
| And he was | awful | nice |
| F#m7 | F#m6 | |
| Really quite out of | sight |
| B | F# | E | F# | |
| And he sang | all | night | long |
| The femme fatales emerged from shadows |
| To watch this creature fair |
| Boys stood upon their chairs to make thier point of view |
| I smiled sadly for a love I could not obey |
| And Lady Stardust sang his songs |
| Of darkness and dismay |
| And he was alright, the band was altogether |
| Yes he was alright, the songs went on forever |
| And he was awful nice |
| Really quite paradise |
| And he sang all night long |
| Eb | Em | F | |
| Ooh, how I s | ighed when the | y asked if I knew his name |
| Oh they were alright, the band was altogether |
| Yes he was alright, and the song went on forever |
| He was up all night |
| Really quite out of sight |
| He sang all night long |

| Bsus2 | |
| S | py, spy, pretty girl |
| E9 | Bsus2 | |
| I see you see me through your window |
| Don't turn your nose up |
| E9 | Bsus2 | E9 | |
| Well, you can if you need to, you won't be the first or | last |
| G | D | |
| It must strain you to look down so far from your | Father's house |
| E | D | A | Bm | Bm7 | |
| And I | know what a | louse like | me in his | house could do for | you |
| F# | E | D | A | |
| I'm the Cream of the | Great U | topia | Dream |
| F# | E | D | G | D | |
| And | you're the gleam in the | depths of your | banker's spleen |
| D | G | D |
| G | D | |
| I'm a phallus in pigtails |
| G | D | |
| And there's blood on my nose |
| G | D | |
| And my tissue is rotting |
| G | D | |
| Where the rats chew my bones |
| G | C | G | |
| And my | eye sockets empty |
| C | G | |
| See nothing but pain |
| D | G | D | |
| I keep | having this brainstorm |
| G | D | |
| About twelve times a day |
| A | B | C | D | |
| So now, | you could spend the | morning walking | with me, quite a | mazed |
| G | Gm | D | G | D | |
| As I'm | Unwashed and | Somewhat Slightly | Dazed |
| D | G | D |
| G | D | |
| I got eyes in my backside |
| G | D | |
| That see electric tomatoes |
| G | D | |
| On credit card rye bread |
| G | D | |
| There are children in washrooms |
| G | C | G | |
| Holding | hands with a queen |
| C | G | |
| And my heads full of murders |
| D | G | D | G | D | |
| Where on | ly killers scream |
| A | B | C | D | |
| So now | you could spend the | morning talking | with me quite a | mazed |
| G | Gm | D | G | D | G | D | |
| And I'm | raving mad and | Somewhat Slightly | Dazed |
| Solo: F F C C |
| A | D |
| G | D | |
| Now you run from your window |
| G | D | |
| To the porcelain bowl |
| G | D | |
| And you're sick from your ears |
| G | D | |
| To the red parquet floor |
| G | C | G | |
| And the | Braque on the wall |
| C | G | |
| Slides down your front |
| D | G | D | |
| And | eats through your belly |
| G | D | |
| It's very catching |
| A | B | C | D | |
| So now, | you should spend the | mornings lying to your | Father quite a | mazed |
| G | Gm | D | G | D | |
| About the | strange Unwashed and | Happily Slightly | Dazed |
| Repeat until fade...C F C |
| HY.. |

| This came over recently; I've just converted it to ChordPro. |
| In loading it up, I realized I've lost the attribution to the person |
| who originally wrote this up; I'm sorry. |
| C | G | C | G | |
| Hey la la... | Hey la la... |
| Am | G | |
| Didn't know what time is was, and the lights were low - ow - | ow |
| D | |
| I leaned back on my radio - o - | o |
| D7 | G | Bb | C | |
| Some cat was laying down some | rock'n'roll, 'lotta soul', he s | aid. |
| Am | G | |
| Then the loud sound did seem to fa - a - a | de, |
| D | |
| Came back like a slow voice on a wave of pha - a - a | se, |
| D7 | B | A | |
| That weren't no D.J., that was | hazy cosmic jive. |
| G | Em | Bm | D | |
| There's a s | tarman w | aiting in the sky, he'd l | ike to come and m | eet us, |
| D7 | |
| but he th | inks he'd blow our minds. |
| G | Em | Bm | D | |
| There's a s | tarman w | aiting in the sky, he's t | old us not to b | low it, |
| D7 | |
| 'cause he k | nows it's all worth-while, he told me: |
| C | Cm | G | E7 | Am | D7 | |
| Let the c | hildren lose it, | let the c | hildren use it, | let all the c | hildren boogie. |
| C | G | D | G | C | G | D | |
| Am | G | |
| I had to phone someone, so I picked on you - ou - | ou |
| D | |
| Hey, that's far out, so you heard tim too - oo - | oo |
| D7 | G | Bb | C | |
| Switch on the T.V., we may | pick him on channel | two. |
| Am | G | |
| Look out your window, I can see his ligh - igh - | ight, |
| D | |
| if we can sparkle he may land tonigh - igh - | ight, |
| D7 | B | A | |
| Don't tell your papa or he'll | get us locked up in fright. |
| Repeat chorus twice |
| Fade out repeating Bb F C F while singing: la la- la la ...... |
| -- | |
| ========================================================================== |
| Joe Hartley - jh@cadre.com - Cadre Technologies, Inc. |
| Without deviation from the norm, 'progress' is not possible. - Frank Zappa |
| Loostner's Castor Oil Flakes - The All-weather Breakfast! |

| G | Bm | C | D7 | |
| Thrown like a star in | my vast sleep I | open my eyes to t | ake a peep |
| G | Bm | C | D7 | |
| To find that I was | by the sea | gazing with tran | quility |
| F | C | G | |
| 'Twas | then that the Hurdy G | urdy Man came s | inging songs of love |
| F | C | G | D7 | G | |
| Then when the Hurdy G | urdy Man came | singing songs | of | love |
| Chorus |
| F | C | G | D7 | G | |
| Hurdy gurdy hur | dy gurdy hurdy | gurdy gurdy | he | sang (rpt 3 times) |
| F | C | G | G |
| Histories of ages past unenlightened shadows cast |
| Down through all eternity the crying of humanity |
| 'Tis then that the Hurdy Gurdy Man comes singing songs of love |
| Then that the Hurdy Gurdy Man comes singing songs of love |
| Rpt chorus |
| Rpt 1st line of chorus ad lib to end |

| Em | Am | Em | Am | Em | B | Em | |
| People are strange W | hen your a | Stranger | Faces look | ugly w | hen your | alone |
| Women Seem Wicked When your unwanted Streets are uneven when you are |
| down |
| Em | G | B | B | |
| When Your strange | Faces come out in the rain | When Your strang | e |
| G | B | |
| Nobody remembers your name | When your strange When your strange |
| When your strange........ |
| (Start Over again, repeat) |
| Tab |
Start off with --------- Then strum down the chords and
--------- then backup.
---------
---------
-2-------
---0--3--
| If this doesn't help let me know, and when I get time I'll |
| tab her out for you. You should be able to work it out with the chords. |
| Later |
| Glen |
| Date: Mon, 17 Jul 1995 11:43:11 -0400 (EDT) |
| From: Douglas French |
| Subject: people_are_strange.crd |
| People Are Strange |
| Words and music by The Doors |
| time: 4/4 |
| key: F minor |
| Fm | Bbm | Fm | |
| People are strange | when you're a str | anger, |
| Bbm | Fm | Bbm6 | C7 | Fm | |
| Faces look ug | ly | when you're | a - l | one. |
| Fm | Bbm | Fm | |
| Women seem wicked | when you're un - | wanted, |
| Bbm | Fm | C7 | |
| Streets are u | neven | when you're down, when you're |
| C | Ab | Bbm7 | C7 | C7 | |
| strange. | Faces come out of | the | rain | when you're |
| C7 | Ab | Bbm7 | C7 | |
| strange. | No one remembers | your | name when you're |
| C7 | C7 | C7 | C7 | |
| strange when you're | strange when you're | strange | ... |
| ==================== |
| Douglas French |
| dfrench@site.gmu.edu |
| ==================== |

| A | E | |
| Sylvia's mother says Sylvia's busy, too busy to come to the p | hone |
| A | |
| Sylvia's mother says Sylvia's trying, to start a new life of her | own. |
| D | A | |
| Sylvia's mother says S | ylvia's happy... |
| E | A | |
| So w | hy don't you leave her a | lone? |
| E | |
| And the | operator says :' Forty cents more, for the next three minutes.' |
| chorus |
| D | A | |
| Ple | ase Mrs. Avery, I've j | ust got to talk to her |
| E | A | |
| I'll only keep her a wh | ile |
| D | A | |
| Please Mrs. Avery, just w | ant to tell her |
| E | |
| Goodb | ye... |
| A | E | |
| Sylvia's mother says Sylvia's packing, she's goin' to be leaving tod | ay. |
| A | |
| Sylvia's mother says Sylvia's marrying, a fellow down Galveston-W | ay |
| D | A | |
| Sylvia's mother says 'P | lease don't say nothing... |
| E | A | |
| To m | ake her start crying and | stay.' |
| E | |
| And the | operator says :' Forty cents more, for the next three minutes.' |
| chorus |
| D | A | |
| Ple | ase Mrs. Avery, I've j | ust got to talk to her |
| E | A | |
| I'll only keep her a wh | ile |
| D | A | |
| Please Mrs. Avery, just w | ant to tell her |
| E | |
| Goodb | ye... |
| A | E | |
| Sylvia's mother says Sylvia's hurrying, she's catching the nine'o'clock t | rain. |
| A | |
| Sylvia's mother says:'Take your umbrella, cause Sylvia it's starting to r | ain.' |
| D | A | |
| And | Sylvia's mother says 'T | hank you for calling... |
| E | A | |
| And so | won't you come back agai | n.' |
| E | |
| And the | operator says :' Forty cents more, for the next three minutes.' |
| chorus |
| D | A | |
| Ple | ase Mrs. Avery, I've j | ust got to talk to her |
| E | A | |
| I'll only keep her a wh | ile |
| D | A | |
| Please Mrs. Avery, just w | ant to tell her |
| E | |
| Goodb | ye... |
| Tell her goodbye |
| Please, tell her goodbye |
| Goodbye...... |
| ------------------------------------------------------------------- |
| 'So the secret to good self-esteem is to lower your expectations |
| to the point where they are already met?' -- Hobbes |
| 'Right. We should take pride in our mediocrity!' -- Calvin |
| ------------------------------------------------------------------- |

| D | G | |
| I've played the wild rover | for many a year, |
| D | G | A | D | |
| and i | 've spent all my | money on w | hiskey and | beer, |
| G | |
| and now i'm returning with g | old in great store, |
| D | G | A | D | |
| and i | swear i will pl | ay the wild | rover no m | ore, |
| A | D | G | |
| and i | ts no nay never, | no nay never no m | ore, |
| D | G | A | D | |
| wi | ll i play th | e wild rover, no n | ever more | . |
| D | G | A | D | |
| And | its | exac | tly like this for the whole song. Come on the rebel's. |

| D | 2 | 3 | |
| Now a co | untry bo | y called Shorty |
| G | |
| And a | city boy named Dan |
| D | |
| Had to | prove who could win the fastest |
| E7 | A | |
| To | win Miss Lucy's | hand |
| D | |
| Now | Dan had all the money |
| G | |
| And he | also had the looks |
| D | |
| But | Shorty must've had somethin', boys |
| A7 | D | |
| That | can't be found in | books |
| CHORUS: |
| G | |
| Well, | 'Cut across, Shorty, Shorty, cut across!' |
| D | |
| That's | what Miss Lucy said |
| G | |
| 'Cut across, Shorty, Shorty, cut across; |
| A7 | D | |
| It's | you I wanna | wed!' |
| Verse 2: |
| Now Dan had been in trainin' |
| A week before the race |
| He made up his mind ol' Shorty |
| Would end in 2nd place |
| And Dan, with his long legs a-flyin' |
| Left Shorty far behind |
| And Shorty heard him holler out |
| 'Miss Lucy, you'll soon be mine!' |
| (chorus) |
| Verse 3: |
| But Shorty wasn't worried |
| There was a smile upon his face |
| He knew that he was gonna win |
| 'Cause Lucy had fixed the race |
| And just like that old story |
| About the turtle and the hare |
| When Dan crossed over the finish line |
| He found Shorty waitin' there |
| (chorus) |
| (repeat and fade): |
| A7 | D | |
| 'It's | you I wanna | wed!' |

| G | |
| I remember when rock was young |
| Em | |
| Me and susie had so much fun |
| C | |
| Holding hands and skimming stones |
| D | |
| had an old gold chevy and a place of my own |
| G | |
| But the biggest kick i ever got |
| Em | |
| Was doing a thing called the Crocodile Rock |
| C | |
| While the other kids were Rocking round the clock |
| D | |
| We were hopping and bopping to the Crocodile Rock |
| Chorus |
| G | |
| Well Crocodile Rocking is something shocking |
| Em | |
| When your feet just cant keep still |
| C | D | |
| I never knew me a better time | and i guess i never will |
| G | |
| Oh lawdy mama those friday nights |
| Em | |
| When susie wore her dresses tight |
| C | D | |
| And the crocodile Rocki | ng was out of sight |
| Verse 2: |
| G | |
| But the years went by and the Rock just died |
| Em | |
| Susie went and left us for some foreign guy |
| C | |
| Long nights cryin by the Record machine |
| D | |
| Dreaming of my chevy and my old blue jeans |
| G | |
| but they'll never kill the thrills we've got |
| Em | |
| Burning up to the Crocodile Rock |
| C | |
| Learning fast as the weeks went past |
| D | |
| We really thought that the Crocodile Rock would last |
| Chorus |

| G | D | Em | D | C | C-D-G | |
| Maybe I didn't t | reat you | quite as g | ood as I s | hould have |
| G | D | Em | D | A7 | |
| Maybe I didn't l | ove you q | uite as o | ften as I c | ould have |
| C | G | Am7 | |
| Little things I should have s | aid and done |
| G/B | Am | |
| I just | never took the | ti--me |
| Chorus: |
| D | C | D | G | Am | G7 | C | |
| You were | always | on my m | ind (you were a | lways | on my m | ind) |
| D | G | C-D-G | |
| You were | always on my | mind |
| G | D | Em | D | C | C-D-G | |
| Maybe I didn't h | old you | all those l | onely, lonely t | imes |
| G | D | Em | D | A7 | |
| And I guess I never t | old you, | I'm so h | appy that you're | mine |
| C | G | Am7 | |
| If I made you feel s | econd best |
| G/B | Am | |
| Girl I'm so | sorry, I was | bli--nd |
| Chorus: |
| D | C | D | G | Am | G7 | C | |
| You were | always | on my m | ind (you were a | lways | on my m | ind) |
| D | G | C-D-G | |
| You were | always on my | mind |
| G | D | Em | C | G/B | Am | D | |
| Te-- | ll | me, t | ell me that your | sweet love hasn't d | i--e | d |
| G | D | Em | C | G/B | Am | D | |
| Gi-- | ve | me, give me | one more chance to | keep you satisf | i-e | d |
| G | D | Em | D | A7 | |
| Solo: |
| C | G | Am7 | |
| Little things I should have s | aid and done |
| G/B | Am | D | |
| I just | never took the | ti-- | me |
| D | C | D | G | Am | G/B | C | |
| You were | always | on my m | ind (you were a | lways | on my m | ind) |
| C | D | G | |
| You were | always on my | mi- | -nd |
| G | D | Em | D | C | G | Am7-D | |
| (no chord) G |
| You were always on my mind |
| G | D | Em | D | C | C-D-G | |
| Maybe I didn't t | reat you | quite as g | ood as I s | hould have |
| G | D | Em | D | C | C-D-G | |
| Maybe I didn't l | ove you q | uite as o | ften as I c | ould have |
| G | D | Em | D | C | C-D-G | |
| Maybe I didn't h | old you | all those l | onely, lonely t | imes |
| G | D | Em | D | C | C-D-G | |
| And I guess I never t | old you, | I'm so h | appy that you're m | ine |
| Chord progressions with a dash in it (C-D-G) just means one strum each |
| and go to the next chord quickly. |

| G | C | |
| We're caught in a trap; | I can't walk out |
| D | C | G | |
| because I love | you too much, | baby. |
| G | C | |
| Why can't you see, | what you're doing to me, |
| D | C | D | C | Bm | D7 | |
| when you don't believ | e a word I | say? |
| (1st Chorus:) |
| C | G | Bm | C | D | |
| We can't go on | together | , with Suspicious Mi | nds; |
| Em | Bm | C | D | D7 | |
| and we can't buil | d our dreams | , on Suspicious | Minds. |
| G | C | |
| So, if an old friend I know, | drops by to say hello, |
| D | C | G | |
| would I still se | e suspicion | in your eyes? |
| G | C | |
| Here we go again, | asking where I've been. |
| D | C | D | C | Bm | D7 | |
| You can see these tear | s are real I'm c | rying. |
| (2nd Chorus:) |
| C | G | Bm | C | |
| We can't go on | together | , with Suspicious Mi | nds; |
| Em | Bm | C | B7sus4 | B7 | |
| and we can't buil | d our dreams, | on Suspicious | Minds... |
| Em | Bm | C | |
| Oh, let our | love survive, |
| D | |
| I'll dry the | tears from your eyes. |
| Em | Bm | C | |
| Let's don't let a | good thing die, | when honey, |
| D | G | C | G | D7 | |
| you | know I've never, | lied to you; | Mmm, | yeah, | yeah! |
| (repeat first verse and fade) |

---------------------------
| G | C | G | D | G | |
| There goes my baby, with | someone new, |
| D | G | |
| He sure looks happy, I s | ure am blue, |
| C | D | |
| She was my baby, till | he stepped in, |
| C | D | G | |
| I'm through with romance, th | at might have | been, |
| (CHORUS) |
| C | G | C | G | |
| Bye bye love, | bye by | e happiness, |
| C | G | D | G | |
| Hello lon | eliness, I think I'm gonna cry, |
| C | G | C | G | |
| Bye bye love, | bye b | ye sweet cares | s, |
| C | G | D | G | |
| H | ello emp | tiness, I feel like I could die | , |
| C | D | G | |
| Bye bye my love, go | odbye. |
| I'm through with romance, I'm through with love, |
| I'm throuhg with countin', the stars above. |
| And here's the reason, that I'm so free, |
| My .lovin' baby, is through with me. |
| (Repeat Chorus) |

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To: alt-guitar-tab@cs.utexas.edu,
rec-music-makers-guitar-tablature@cs.utexas.edu,
jamesb@animal-farm.nevada.edu
From: 'Dan Newcombe'
Date: 27 Sep 93 08:46:56 EDT
Subject: CRD: _Internal Exile_ by Fish
Reply-To:
Priority: normal
X-Mailer: Pegasus Mail v2.3 (R4).
Internal Exile by Fish, from the album Internal Exile.
This song is rather easy to play, at least the guitar part. The fiddles
whistle and accordian make it sound tough. Listen to the album for the
rythym.
-Dan Newcombe, dnewcomb@cybernet.cse.fau.edu
The chords used are:
G C B A
EADGBE EADGBE EADGBE EADGBE
|||||| |||||| |||||| ||||||
320033 x32010 x20010 x02220
|||||| |||||| |||||| ||||||
Intro:
G
G C G
I saw a blue umbrella in Princes Street Gardens,
C B A G
Heading out west for the Lothian Road.
G C G
An Evening News stuffed deep in his pocket,
C B A G
Wrapped up in his problems, to keep away the cold.
G C G
Grierson's spirit haunts the dockyards,
C B A G
Where the only men working are on documentary crews,
G C G
Shooting film as the lines get longer,
C B A G
As the seams run out, all the oil runs dry.
(Chorus)
G C G G A G
Hey there laddie, Internal Exile! When will you realise, we got to let go?
G C G G A G
Hey there lassie, Internal Exile! When will you realise, we got to let go?
G C G G A G
G C G
Starlings wheeling round Georgian spire,
C B A G
And the fires of Grangemouth burn the skies
G C G
A lion sleeps in a tenemant close,
C B A G
In a country that's tired and deaf to his roar.
(Chorus)
Same chords, just picked:
G C G
They bury a wasteland deep in the wildernes,
C B A G
Poison the soil and reap the harvest,
G C G
of blind indifference, greed and apathy,
C B A G
Sowed way back in our history.
G C G
The fish are few and the harbours are empty,
C B A G
The kells now rot on our oil slicked shores.
G C G
The sheep are gone, the farms deserted,
C B A G
We're out of sight and we're out of mind.
(Chorus)
G C G
Like our fathers before us, We've eyes for america,
C B A G
Dream of a new life on foreign shores.
G C G
But wherever we go, we'll always know
C B A G
that the land we stand on, is never our own.
(Chorus)
We gotta go now, ....
(Faster part)
G C B G C B
(REAL FAST)
G C G A G
--
Daniel A. Newcombe Clayton State College
Computing Services Morrow, GA 30260
E-Mail Address: newcombe@aa.csc.peachnet.edu (404)-961-3421
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
- I just want to be free - I'm happy to be lonely.
Marillion, Misplaced Childhood

| A | A7 |
E|-------------|--------------------------------------|
B|---------10--|--14b-14--------10h12----10-----------|
G|--9--11------|-------------11-------11-----11-----9/|
D|-------------|--------------------------------------|
A|-------------|--------------------------------------|
E|-------------|--------------------------------------|
| D | Ebdim |
E|--------------------------------------------------------------|
B|----10--12----10-------10-----15b--14--10----10--12b-p10------|
G|/11--------11-------11-----11-------------11--------------11--|
D|--------------------------------------------------------------|
A|--------------------------------------------------------------|
E|--------------------------------------------------------------|
| A | F#m | Bm | E |
E|-----------14-------------------------------------------------|
B|--14---------------12b-p10--12----------10h12----10--12b-p10--|
G|-------------------------------------11-------11--------------|
D|--------------------------------------------------------------|
A|--------------------------------------------------------------|
E|--------------------------------------------------------------|
| A | D7 | A | E7 |
E|-----------5-8--------10-11-12-----------------------|
B|-----------7-10-------12-13-14-----------------------|
G|------------------------------------------------------|
D|------------------------------------------------------|
A|------------------------------------------------------|
E|------------------------------------------------------|
| A | A7 | |
| I need someone's | hand, to lead me through the night |
| D | Ebdim | |
| I need someone's | arms, to hold and | squeeze me tight |
| A | F#m | Bm | E | |
| Now when | the night begins, | I'm at an end |
| A | D7 | A | E7 | |
| Because I | need | your love so | bad. |
| A | A7 | |
| I need some | lips, to feel next to mine |
| A | Ebdim | |
| I need someone to | stand up, and tell me | when I'm lyin' |
| A | F#m | Bm | E | |
| And when the | lights are low, | and it's | time to go |
| A | D7 | A | A7 | |
| That's when I | need | your love so | bad. |
| D | Ebdim | |
| So why don't you | give it up, and bring it | home to me |
| A | A7 | |
| Or write it on a | piece of paper baby, so it can be read to me |
| B7 | |
| Tell me that you | love me, and stop driving me mad |
| E | F | E | E7 | |
| Oh because | I, | I need your love so | bad. |
| A | A7 | |
| I need your | soft voice, to talk to me at night |
| D | Ebdim | |
| I don't want you to | worry baby, I know we can | make everything alright |
| A | F#m | Bm | E | |
| Listen to my plea, | baby, | bring it to | me |
| A | D7 | A | E7 | |
| Because I | need | your love so | bad. |
| Repeat intro and fade. |
| __________________________________________________________ |
| Malc Brookes, St Helens, England |
| EMail: malc@malbro.demon.co.uk |
| WWW Guitar Tab: http://www.malbro.demon.co.uk/tab/ |

-------------------------------------------------------------------------------
-------------------------------------------------------------------------------
| D | |
| C | all out the instigator |
| Em | |
| Because there's s | omething in the air |
| D | |
| We've got to g | et together sooner or later |
| Em | |
| Because the rev | olution's here |
| *(see tab below) |
| And you know it's right |
| D D/C D/B D/C D and so on.... |
e|--------------------------------------------| B|------3--------3-------3-------3-------3----| G|----2--------2-------2-------2-------2------| D|--0------0-------------------------0--------| A|-----------3-----3-2-----2-3-----3----------| E|--------------------------------------------|
| And you know it's right |
| Em | |
| We have got to get it together |
| *(see tab below) |
| We have got to get it together now |
| D D/C D/B D/C D and so on.... |
e|--------------------------------------------| B|------3--------3-------3-------3-------3----| G|----2--------2-------2-------2-------2------| D|--0------0-------------------------0--------| A|-----------3-----3-2-----2-3-----3----------| E|--------------------------------------------|
| D | |
| R | un through the fields and houses |
| Em | |
| Because there's so | mething in the air |
| D | |
| We've got to g | et together sooner or later |
| Em | |
| Because the r | evolution's here |
| * (see tab below) |
| And you know it's right |
| D D/C D/B D/C D and so on.... |
e|--------------------------------------------| B|------3--------3-------3-------3-------3----| G|----2--------2-------2-------2-------2------| D|--0------0-------------------------0--------| A|-----------3-----3-2-----2-3-----3----------| E|--------------------------------------------|
| And you know that its right |
| Em | |
| We have got to get it together |
| *(see tabs below) |
| We have got to get it together now |
| D7 |
e|-----2----------2-------| B|------------1-----------| G|---2----0h2-------2-----| D|-0------------0---------| A|------------------------| E|------------------------| X2
| C7 |
e|------0----------0------| B|-------------1----------| G|---------0h3-------3----| D|----2-------------------| A|--3------------3--------| E|------------------------| X2
| D7 |
e|-----2----------2-------| B|------------1-----------| G|---2----0h2-------2-----| D|-0------------0---------| A|------------------------| E|------------------------| X2
| C7 |
e|------0----------0------| B|-------------1----------| G|---------0h3-------3----| D|----2-------------------| A|--3------------3--------| E|------------------------| X2
| Bb7 (play barred) |
e|------------------------| B|------------------------| G|------------------------| D|------7----------7------| A|----8--------6-----6----| E|--6------6h8---6--------| X2
| A7 |
e|------------------------| B|------2----------2------| G|-------------0-----0----| D|----2----0h2------------| A|--0------------0--------| E|------------------------| X2
| Modulation: |
| Bb7 | A7 | B |
e|--6-6-6-6--5-5-5-5--7-7-7-7-7-7-7-7--| B|--6-6-6-6--5-5-5-5--7-7-7-7-7-7-7-7--| G|--8-8-8-8--7-7-7-7--8-8-8-8-8-8-8-8--| D|--6-6-6-6--5-5-5-5--9-9-9-9-9-9-9-9--| A|--7-7-7-7--6-6-6-6--9-9-9-9-9-9-9-9--| E|--6-6-6-6--5-5-5-5--7-7-7-7-7-7-7-7--|
| E | |
| C | all out the instigator |
| F#m | |
| Because there's s | omething in the air |
| E | |
| We've got to g | et together sooner or later |
| F#m | |
| Because the r | evolution's here |
| E E/A - E/C# - E/A (see tab below) |
| And you know its right |
| And you know that its right |
| F#m | |
| We have got to get it together |
| E | |
| We have got to get it together n | ow |

| GD | GDEF# | |
| Intro: FC FC FC |
| CHORUS: |
| GG | C | C | DD | GD | |
| Ev | erybody is wo | nde | rin' what and wh | ere they all c | ome from. |
| GG | C | C | DD | |
| Ev | erybodys a wo | rry | in' 'bout where they're gonna | go |
| GD | |
| When the whole things d | one. |
| GG | C | C | |
| But no one knows for ce | rta | in |
| GG | C | C | |
| And so i | t's all the same | to | me. |
| GD | GDEF# | |
| FF CC |
| I think I'll just let the mystery be. |
| GG | C | C | |
| Some say once gone you're g | one | forever |
| DD | GD | |
| And some say you're gonna come b | ack. |
| GG | C | C | |
| Some say you rest in the a | rms | of the savior |
| DD | GD | |
| If in sinful ways you l | ack. |
| GG | C | C | |
| Some say that they're comin' | bac | k in a garden |
| DD | GD | |
| Bunch of carrots and little sweet | peas. |
| GG | DD | |
| I think I'll just let the myste | ry be. |
| *CHORUS* |
| MUSIC INTERLUDE (SAME AS CHORUS) |
| GG | C | C | |
| Some say they're goin' to a p | lac | e called glory |
| DD | GD | |
| and I aint' sayin' it aint' a | fact. |
| GG | C | C | |
| But I've heard that I'm on the | roa | d to purgatory |
| DD | GD | |
| And I don't like the sound of t | hat. |
| C | B | GG |
| I believe in love and I live my life accordingly |
| GD | GDEF# | |
| CC |
| But I choose to let the mystery be. |
| *CHORUS* |
| Phil Shields: |
| Albury,NSW,Australia. |
| Packet radio:- VK2CPR@VK3KAW.#NEV.VIC.AUS.OC |
| Phone:- 6160215008 |

| D | Bm | |
| D | id i dissapoint you, o | r let you down? |
| G | D | A | |
| S | hould i be feeling guilty, or let the jud | ges fr | own? |
| D | Bm | |
| ' | Cos i saw the end, b | efore we'd begun |
| F#m | G | |
| Y | es i saw you were blinded, and i k | new i had won. |
| D | |
| Y | ou touched my heart, you touched my soul, |
| Bm | |
| Y | ou changed my life and all my goals, |
| G | |
| A | nd love is blind and that i knew when, |
| G | D | A | |
| M | y heart was bl | inded | by you. |
| D | |
| I | 've kissed your lips and held your head, |
| Bm | |
| S | hared your dreams and shared your bed, |
| F#m | |
| I | know you well, i know your smell, |
| G | |
| I | 've been, addicted to you. |
| D | Bm | |
| G | oodbye my lover, | goodbye my friend, |
| G | D | A | |
| Y | ou have been the one, you have b | een the one f | or me. |
| D | Bm | |
| G | oodbye my lover, | goodbye my friend, |
| G | D | A | |
| Y | ou have been the one, you have b | een the one f | or me. |
| D | Bm | |
| I | am a dreamer, | but when i wake, |
| G | D | A | |
| Y | ou can't break my spirit, its my dr | eams you t | ake, |
| D | Bm | |
| A | nd as i move on, | remember me, |
| F#m | G | |
| R | emember us and all we, | used to be. |
| D | |
| I | 've seen you cry, i've seen you smile, |
| Bm | |
| I | 've watched you sleeping for a while, |
| G | |
| I | 'd be the father of your child, |
| G | D | A | |
| I | 'd spend, a l | ifetime | with you. |
| D | |
| I | know your fears and you know mine, |
| Bm | |
| W | e've had our doubts but now we're fine, |
| F#m | |
| A | nd i love you, i swear thats true, |
| G | |
| I | cannot live, without you. |
| D | Bm | |
| G | oodbye my lover, | goodbye my friend, |
| G | D | A | |
| Y | ou have been the one, you have b | een the one f | or me. |
| D | Bm | |
| G | oodbye my lover, | goodbye my friend, |
| G | D | A | |
| Y | ou have been the one, you have b | een the one f | or me. |
| D | G | D | A |
| G/D | Bm | F#m | G | |
| A | nd i will, | hold your hand in | mine, in | mine when i'm asleep |
| G/D | Bm | F#m | G | |
| A | nd i will, | bear my soul in | time, when i'm | kneeling at your feet. |
| D | Bm | |
| G | oodbye my lover, | goodbye my friend, |
| G | D | A | |
| Y | ou have been the one, you have b | een the one f | or me. |
| D | Bm | |
| G | oodbye my lover, | goodbye my friend, |
| G | D | A | |
| Y | ou have been the one, you have b | een the one f | or me. |
| What a great song. Well done Jimmy. |
| END |
+--------------------------------------------------------------------------+
| | This file is the author's own work and represents their interpretation | |
| | of the song. You may only use this file for private study, scholarship, | |
| | or research. | |
+--------------------------------------------------------------------------+
| Ultimate-Guitar.Com © 2005 |

| D | C | G | A | |
| It was | just after su | n-rise and | down by the | sea |
| Em | Bm | G | A | |
| down on the | sand flats where | nothing will | grow |
| D | C | G | A | |
| come | drumming and | footsteps like | out of a | dream |
| Em | Bm | A | - | |
| where the | golden green | waters come i | n. |
| D | C | G | A | |
| Just | nine lucky | soldiers had | come through the | night |
| Em | Bm | G | A | |
| half of them | wounded and | barely ali | ve |
| D | C | G | A | |
| Just | nine out of t | wenty was a- | headed for | home |
| Em | Bm | C | G | A | - | |
| with | eleven sad st | ories to t | el | l. |
| C | G | Em | Bm | |
| I re | member quite | clearly when I | got out of | bed |
| C G Em A G A. |
| I said, 'Oh, good morning. What a beautiful day.' |

| D | C | G | A | |
| It was | just after su | n-rise and | down by the | sea |
| Em | Bm | G | A | |
| down on the | sand flats where | nothing will | grow |
| D | C | G | A | |
| come | drumming and | footsteps like | out of a | dream |
| Em | Bm | A | - | |
| where the | golden green | waters come i | n. |
| D | C | G | A | |
| Just | nine lucky | soldiers had | come through the | night |
| Em | Bm | G | A | |
| half of them | wounded and | barely ali | ve |
| D | C | G | A | |
| Just | nine out of t | wenty was a- | headed for | home |
| Em | Bm | C | G | A | - | |
| with | eleven sad st | ories to t | el | l. |
| C | G | Em | Bm | |
| I re | member quite | clearly when I | got out of | bed |
| C G Em A G A. |
| I said, 'Oh, good morning. What a beautiful day.' |

| D G A D G F# A |
| G | C | F | C | G | |
| Well the | sun is surely | sin | kin' | down |
| Dm | Am | G | F | Dm | G | |
| And the | moon is | sl | owly | ri | sin' |
| C | F | C | G | |
| So this old world mu | st still | be spinni | n' round |
| Dm | Am | G | F | C | G | C | |
| And | I st | ill l | ove | yo | u |
| F | E | G | |
| So | close | your | eyes |
| Bb | F | Am | |
| You can close your | eyes, it's all | right |
| Dm | G | |
| I don't know no | love songs |
| Bb | F | Am | |
| And | I can't sing the | blues any | more |
| Dm | Em7 | F | |
| But | I can | sing this | song |
| Dm | Em7 | F | |
| And | you can | sing this | song |
| G | Am | Dm | Em7 | F | G | |
| When I'm | gone. |
| G | C | F | C | G | |
| It | won't be long be | fore a | nother d | ay |
| Dm | Am | G | F | Dm | G | |
| We gonna | have a | good | time |
| C | F | C | G | |
| And | no one's gonna | take that | time a | way |
| Dm | Am | G | F | C | G | C | |
| You can | stay as | long as you | like |
| (Chorus) |

| Sheet Music by Leonord Cohen |
| G | Em | G | Em |
| G | Em | |
| I heard there was a s | ecret chord |
| G | Em | |
| That | David played and it | pleased the Lord |
| C | D | G | D | |
| But | you don't really | care for music, d | o ya? |
| G | C | D | |
| W | ell it goes like this the | fourth, the | fifth |
| Em | C | |
| The minor fall and the | major lift |
| D | B7 | Em | |
| The | baffled king | composing halle | lujah |
| C | Em | C | G | D | G | Em | G | Em | |
| Ha | llelujah, ha | llelujah, ha | llelujah, ha | llelu | -u-u-u-ja | aah |
| G | Em | |
| Well your faith was strong but you | needed proof |
| G | Em | |
| You | saw her bathing | on the roof |
| C | D | G | D | |
| Her | beauty and the moon | light over | threw ya |
| G | C | D | |
| She tied you to the | kitchen ch | air |
| Em | C | |
| She broke your throne and | she cut your hair |
| D | B7 | Em | |
| And | from your lips she | drew the halle | lujah |
| C | Em | C | G | D | G | Em | G | Em | |
| Ha | llelujah, ha | llelujah, ha | llelujah, ha | llelu | -u-u-u-ja | aah |
| G | Em | |
| Baby | i've been | here before |
| G | Em | |
| I've | seen this room and i've | walked this floor |
| C | D | G | D | |
| I used | to live alone | before i | knew ya |
| G | C | D | |
| I've seen | your flag on the | marble | arch |
| Em | C | |
| But love is not a | victory march |
| D | B7 | Em | |
| It's a | cold and it's a | broken halle | lujah |
| C | Em | C | G | D | G | Em | G | Em | |
| Ha | llelujah, ha | llelujah, ha | llelujah, ha | llelu | -u-u-u-ja | aah |
| G | Em | |
| Well there | was a time when | you let me know |
| G | Em | |
| What's | really going | on below |
| C | D | G | D | |
| But now | you never | show that to me | do ya | ? |
| G | C | D | |
| But remember | when i | moved in | you |
| Em | C | |
| And the | holy dove was | moving too |
| D | B7 | Em | |
| And every | breath we drew | was halle | lujah |
| C | Em | C | G | D | G | Em | G | Em | |
| Ha | llelujah, ha | llelujah, ha | llelujah, ha | llelu | -u-u-u-ja | aah |
| G | Em | |
| Well, | maybe there's a | god above |
| G | Em | |
| But all | i've ever | learned from love |
| C | D | G | D | |
| Was how | to shoot | somebody who outdrew | ya |
| G | C | D | |
| It's not a | cry that | you hear at | night |
| Em | C | |
| It's not | somebody who's | seen the light |
| D | B7 | Em | |
| It's a cold | and it's a | broken | hallelujah |
| C | Em | C | G | D | G | Em | G | Em | |
| Ha | llelujah, ha | llelujah, ha | llelujah, ha | llelu | -u-u-u-ja | aah |

| Capo on the 3rd fret |
| Intro |
| C | D |
| C | Am | G | D | |
| Wond'ring | aloud how we | feel to | day |
| C | Am | G | D | |
| Last night sipped the | sunset my | hands on her | hair |
| C | D | G | D | Em | |
| We are our own | saviours as we | start both our | hearts beating | life |
| G | D | |
| into each | other |
| C | Am | G | D | |
| Wond'ring | aloud will the | years treat us | well |
| C | Am | G | D | |
| As she floats in the | kitchen I'm | tasting the | smell |
| C | D | |
| Of | toast as the | butter runs |
| G | D | Em | |
| Then she | comes, spilling | crumbs on the | bed |
| G | D | |
| And I shake my | head |
| Dm | C | G | |
| And it's | only the | giving that | makes you |
| Em | D | |
| What you | are |
This song is from PJ's Guitar Chords & Lyrics site |

To: guitar@nevada.edu
Status: OR
Here's how I learned Tull's Thick as a Brick Edit #1. I notice the archive contains something I posted on netnews many moons ago with only about half of it - here's the whole thing. There's a couple of parts where the guitar is pretty low in the mix and I'm not real sure I got it right, but it sounds pretty dang close to me.
Couple of notes - there's a capo at the 3rd fret, which is why the strings at the left of the tab are noted the way they are. So, what I designated as an open string is actually fretted at the 3rd fret by the capo. Secondly, one should use liberal interpretation of the tab - I wasn't too careful in some of the chordal sections about specifying exactly which notes of the chord are hit and which aren't. Nor did I attempt to tab the exact strumming patterns. As always, use tab as a guide, listen to it yourself, and make it sound right!
The lyrics are here for reference only. I placed them close to where they occur but I certainly didn't try to get all the nuances and rhythm for the vocals in there, nor did I make a great attempt to make sure I got all the words right.
I should also note this is only the Ian Anderson acoustic part. There's a few small Martin Barre parts which I will leave as as exercise for the reader.
Now that I got all the disclaimers out of the way, go for it.
david nason ddn@cb.att.com
Corrections by: Larry Haydel larry@maxen.com Just a few corrections, if you listen you can hear that the intro is all played within the 1st four frets. I also added the Em7 during the chorus. Note that I have only made corrections of the intro and the 1st picking sequence during the chorus. More later............................................ ==========
INTRO:
G:|-----2---------------------|---------------------------| D:|-------3-----------3-3-3---|-------3---3-3--3-----3----| A#:|-----2-----2-------0-0-0---|-----2-----------0-----0---| F:|---0-----0---------0-0-0---|---0-----2-0------0-----0--| C:|-0-----4-----0-(2)-2-2-2---|-0-----------3-2-----3-----| G:|-------------------3-3-3---|---------------------------|
G:|---------------------------|---------------------------| D:|-------3-----------3-3-3---|-------3---3-3--3-----3----| A#:|-----2-------2--0--0-0-0---|-----2-----------0-----0---| F:|---0-------0-------0-0-0---|---0-----2-0------0-----0--| C:|-0-------4---0-(2)-2-2-2---|-0-----------3-2-----3-----| G:|-------------------3-3-3---|---------------------------| VERSE:
Really don't mind if you sit this one My word's but a whisper, your deafness a I may make you feel, but I can't make you Your sperm's in the gutter, your love's in the
g:|-2-----------0-------------|--------------------------------------------------------| D:|-3-----------1------3------|-------3------------3-3-3---------3-------------3-3-3---| Bb:|-2-----------2-------------|-----2-------2---0--0-0-0-------2-------2---0---0-0-0---| F:|-0-----------2-------------|---0-------0--------0-0-0-----0-------0---------0-0-0---| C:|-------------0------2------|-0-------4---0--(2)-2-2-2---0-------4---0--(2)--2-2-2---| G:|---------------------------|--------------------3-3-3-----------------------3-3-3---| ^ ^ ^ | | | ------------------ Just Dmaj,Amin and Emin7 chords - listen to the song for the strumming pattern.
out ... shout ... think ... sink ... So you
g:|---------------------------|---------------------------| D:|---------------------------|---------------------------| Bb:|-----2-----2-------0-0-0---|-----2-----2-------0-0-0---| F:|---0-----0---------0-0-0---|---0-----0---------0-0-0---| C:|-0-----4-----0-(2)-2-2-2---|-0-----4-----0-(2)-2-2-2---| G:|-------------------3-3-3---|-------------------3-3-3---|
CHORUS:
ride yourselves over the field as you make all your animal deals and your wisemen don't know how it feels ...
g:|-3-----------0------0------|-2-0-2-0-2-3-2------2-0----| D:|-3-----------2------0------|-3-3-3-3-3-3-3------3-3----| Bb:|-0-----------2------2------|-2-0-2-0-2-0-2------2-0----| F:|-0-----------2------2------|-0-0-0-0-0-0-0------0-0----| C:|-2-----------0------0------|---------------------------| G:|-3-------------------------|---------------------------| ^ ^ ^ ^ ^ | | | | | ---------------------------------- Just Gmaj, Amaj, and Dmaj chords with a little variation thrown in - listen to the song for the strumming pattern.
to be thick as a
g:|-0-0-0-0-0-0-0---0-0-0--0--|-0-0-0--0------------------| D:|-2-0-2-0-2-3-2---2-2-0-(2)-|-2-2-0-(2)-----------------| Bb:|-2-2-2-2-2-2-2---2-2-2--2--|-2-2-2--2------------------| F:|-2-2-2-2-2-2-2---2-2-2--2--|-2-2-2--2------------------| C:|-0-0-0-0-0-0-0---0-0-0--0--|-0-0-0--0------------------| G:|---------------------------|---------------------------|
BRIDGE:
brick
g:|---------------------------|---------------------------| D:|---------------------------|---------------------------| Bb:|-----2-----2-------0-0-0---|-----2-----2-------0-0-0---|F:|---0-----0---------0-0-0---|---0-----0---------0-0-0---| C:|-0-----4-----0-(2)-2-2-2---|-0-----4-----0-(2)-2-2-2---| G:|-------------------3-3-3---|-------------------3-3-3---|
g:|---------------------------|---------------------------| D:|---------------------------|---------------------------| Bb:|-----2-----2-------0-0-0---|-----2-----2-------0-0-0---| <1st time only) F:|---0-----0---------0-0-0---|---0-----0---------0-0-0---| C:|-0-----4-----0-(2)-2-2-2---|-0-----4-----0-(2)-2-2-2---| G:|-------------------3-3-3---|-------------------3-3-3---|
g:|---------------------------|---------------------------| D:|---------------------------|---------------------------| Bb:|-----5-----5-------0-----0-|-----5-----5-----0-----0---| <2nd time only> F:|---7-----7-------------0---|---7-----7-----0-----0-----| C:|-0-----7-----0-(3)---5-----|-0-----7-----5-----3-------| G:|---------------------------|---------------------------|
BRIDGE 2:
And the love that I feel
g:|-2-------------------------|-0-----------0-0-0---------| D:|-3-------------------------|-1-----------0-1-0---------| Bb:|-2-------------------------|-2-----------2-2-2---------| F:|-0-------------------------|-2-----------2-2-2---------| C:|---------------------------|-0-----------0-0-0---------| G:|---------------------------|---------------------------| ^ ^ ^ ^ ^ | | | | | ------------------ Just Dmaj and Amin chords with a little spice thrown in - listen to the song for the strumming pattern.
is so far away
g:|-0------------0------------|-0-------------------------| D:|-1------------1------------|-0-------------------------| Bb:|-0------------0------------|-0-------------------------| F:|-2------------0-(2)--------|-2-------0-(2)-------------| C:|-3------------3------------|-2-------------0-(2)-------| G:|---------------------------|-0-------------------0-(3)-| ^ ^ ^ | | | ------------------ Just Cmaj and Emin chords with a little spice thrown in - listen to the song for the strumming pattern.
I'm a bad dream that I just ha-a-a-a-a-d to-
g:|-3-------------------------|-2-0-2-0-2-0-2-0-----------| D:|-3-------------------------|-2-2-2-2-2-2-2-2-----------| Bb:|-0-------------------------|-3-3-3-3-3-3-3-3-----------| F:|-0-------------------------|-4-------------------------| C:|-2-------------------------|-4-------------------------| G:|-3-------------------------|---------------------------| ^ ^ | | ------------------ Just Gmaj and F#maj chords with a little spice thrown in - listen to the song for the strumming pattern.
da-a-a-a-a-a-y
g:|-2-0-2-0-2-0-2-0-----------|-2-0-2-0-2-----------------| D:|-3-3-3-3-3-3-3-3-----------|-2-2-2-2-2-----------------| Bb:|-2-2-2-2-2-2-2-2-----------|-3-3-3-3-3-----------------| F:|-0-------------------------|-4-------------------------| C:|---------------------------|-4-------------------------| G:|---------------------------|-2-------------------------| ^ ^ | | ------------------ Just Dmaj and F#maj chords with a little spice thrown in - listen to the song for the strumming pattern.
and you shake your head you say it's a
g:|-3-------------------------|-0-0-0-0-0-0-0-------------| D:|-3-------------------------|-2-2-2-0-0-0-0-(2)---------| Bb:|-0-------------------------|-2-2-2-2-2-2-2-------------| F:|-0-------------------------|-2-2-2-2-2-2-2-------------| C:|-2-------------------------|-0-0-0-0-0-0-0-------------| G:|-3-------------------------|---------------------------| ^ ^ | | ------------------ Just Gmaj and Amaj chords with a little spice thrown in - listen to the song for the strumming pattern.
shame
g:|---------------------------|---------------------------| D:|---------------------------|---------------------------| Bb:|-----2-----2-------0-0-0---|-----2-----2-------0-0-0---| F:|---0-----0---------0-0-0---|---0-----0---------0-0-0---| C:|-0-----4-----0-(2)-2-2-2---|-0-----4-----0-(2)-2-2-2---| G:|-------------------3-3-3---|-------------------3-3-3---|
g:|---------------------------|---------------------------| D:|-------------------6-6-6---|-------------------6-6-6---| Bb:|-----5-----5-------7-7-7---|-----5-----5-------7-7-7---| F:|---7-----7---------7-7-7---|---7-----7---------7-7-7---| C:|-0-----7-----0-(5)-5-5-5---|-0-----7-----0-(5)-5-5-5---| G:|---------------------------|---------------------------|
VERSE: Spin me back down the years and the days of my youth Draw the lace and black curtain and shut out the whole truth Spin me down the long ages let them sing the song
g:|---------------------------|---------------------------| D:|-------------------6-6-6---|-------------------6-6-6---| Bb:|-----5-----5-------7-7-7---|-----5-----5-------7-7-7---| F:|---7-----7---------7-7-7---|---7-----7---------7-7-7---| C:|-0-----7-----0-(5)-5-5-5---|-0-----7-----0-(5)-5-5-5---| G:|---------------------------|---------------------------| ^ | Note that there's a subtle, but important change in the rhythm used for the Dmin at this point (as opposed to the previous two measures).
g:|-5-------------------------|-2-------0-(2)-------------| D:|-6-------------------------|-3-------3--3--------------| Bb:|-5-------------------------|-2-------0-(2)-------------| F:|-0-------------------------|-0-------0--0--------------| C:|---------------------------|---------------------------| G:|---------------------------|---------------------------| ^ ^ | | ------------------ Just Fmaj and Dmaj chords with a little spice thrown in - listen to the song for the strumming pattern.

| D | G | Em | Bm | Bm | |
| I bel | ieve in f | ires at m | idnight |
| D | D | Em | |
| when the d | ogs have | all been f | ed. |
| D | G | Em | Bm | |
| A g | olden t | oddy | on the m | antle |
| G | D | D | Em | |
| a | broken gu | n bene | ath the be | d. |
| C | C | G | Em | |
| S | ilken m | ist outs | ide the w | indow. |
| D | D | D | Em | |
| Fr | ogs and n | ewts slip | in the d | ark |
| C | C | G | Em | |
| t | oo much h | urry r | uins the b | ody. |
| D | D | D | A | |
| I'll sit | easy ... f | an the sp | ark |
| D | G | Em | Bm | Bm | |
| k | indled b | y the d | ying | embers |
| D | D | Em | |
| of an | other w | orking d | ay. |
| D | G | Em | Bm | Bm | |
| G | o upst | airs ... take | off your m | akeup |
| D | D | Em | |
| f | old your cl | othes n | eatly away. |
| C | C | G | Em | |
| M | e, I'll s | it and wr | ite this l | ove song |
| D | D | D | Em | |
| as I | all too s | eldom d | o |
| C | C | G | Em | |
| b | uild a l | ittle f | ire this m | idnight. |
| D | D | A | Esus2 | |
| It's g | ood to b | e back | home wi | th you. |
---------------------------------------
| (hakan.mattsson@now.se) |
| -- | |
| HÃ¥kan |

| C | G | Am | F | |
| She said she was a dance | r. I | f I believed it, it was my | busines |
| C | G | Am | |
| She surely knew a thing or t | wo about contr | ol. |
| C | G | |
| Next to the bar we hit the samo | var. |
| Am | F | |
| She almost slipped right t | hrough my fingers. |
| C | G | Am | |
| It was snowing outsi | de and in her | soul. |
| C | G | Am | F | |
| Well, maybe you're a dan | cer, | and maybe I'm the King of | Old Siam. |
| C | G | Am | |
| I thought it through... best | to let the illusion | roll. |
| C | G | |
| I wouldn't say I've never heard that tale befor | e, |
| Am | F | |
| my frozen little se& | ntilde;orita, |
| C | G | Am | |
| but if your dr | eam is good, why not share | it when the nights are c | old? |
| D | G | A | |
| Hey Moscow, what's your story? L | ady, take your time, don't hur | ry. |
| D | A | G | |
| Maybe a student of the agric | ultural pla | n. |
| D | G | A | |
| Hey Moscow, what's your name? If you d | on't want to say, don't wor | ry. |
| D | A | G | |
| It would probably be ha | rd for me to make it sca | n. |
| With her phrase book in her silk soft hand |
| she spoke in riddles while the vodka listened. |
| I said, ``Let me look up love, if I might be so bold.'' |
| She was the nearest thing to Rock and Roll |
| that side of the velvet curtain |
| that separates eastern steel from western gold. |
| Hey Miss Moscow, what's your story? |
| You needn't speak aloud, just whisper. |
| Am I just the closest thing to an Englishman? |
| You've seen me in your magazines, or maybe on state television. |
| I'm your Pepsi-Cola, but you won't take me out the can. |
She said she was a dancer --- so she did.
| She said she was a dancer. If I believed it, it was my business. |
| It felt like a merry dance that I was being led. |
| So I stole one kiss. It was a near miss. |
| She looked at me like I was Jack the Ripper. |
| She leaned in close. ``Goodnight,'' was all she said. |
| So I took myself off to bed. |
| Words and music by IAN ANDERSON |
| TRANSCRIPTION BY PACO JIMENEZ (SPAIN) |
| ALL CORRECTIONS ARE WELCOME |
| ARCHIVEL@teleline.es |

| |F#m7 | |G | |A7sus| | |
| |:D A | |C G :| |
| D | A | C | G | D | A | C | G | |
| Pretty | women out | walking with gor | illas down my st | reet. |
| D | A | C | G | D | A | C | G | |
| From my | window I'm s | taring while my | coffee grows | cold. |
| D | A | |
| Look over th | ere! (Where?) |
| C | G | D | A | C | G | |
| There's a l | ady that I u | sed to k | now. |
| D | G | D | A | D | A | C | G | |
| She's married no | w, or eng | aged, or somethi | ng, so I am t | old. |
| G | A | D | |
| Is she really going | out with | him? |
| G | F#m | Bm | A | G | |
| Is she really gonna | take him | home t | oni | ght? |
| G | A | Bm | |
| Is she really going | out with | him? |
| G | |
| 'Cause if my | eyes don't deceive me, |
| A | D | |
| There's s | omething going wrong around h | ere. |
| Tonight's the night when I go to all the parties down my street. |
| I wash my hair and I kid myself I look real smooth. |
| Look over there! (Where?) |
| Here comes Jeanie with her new boyfriend. |
| They say that looks don't count for much. |
| If so, there goes your proof. |
| (refrain) |
| F#m7 | G | A7sus | B7sus | F#m7 | |
| But if looks could k | ill, there's a | man there who's m | ore down as d | ead. |
| G | A7sus | B7sus | F#m7 | |
| 'Cause I've had my f | ill, 'Listen y | ou, take your h | ands off her h | ead!' |
| G | A7sus | B7sus | A7sus | B7sus | A7sus | |
| I get so m | ean around this s | cene! | Hey, hey, | hey. |
| |:Bb F |Ab Eb :| |
| (refrain) |
| |:Bb F |Ab Eb :| |
| and out |
| -- | |
| Roy M. Randall, FG | |
| Inconsequential Systems, Inc. | Anything worth doing is worth overdoing. |
| zeroy@netcom.com | |

| G | Gmaj7 | C | G | Gmaj7 | C |
| G | Gmaj7 | C | G | Gmaj7 | C | |
| Imagine | there's no | heaven, | it's easy | if you | try |
| G | Gmaj7 | C | G | Gmaj7 | C | |
| No | hell | below us, | above us | only | sky |
| C | Em | Am | C | D | G | D7 | |
| Imagine | all the | people | , | living for to | day. A-ha.. |
| G | Gmaj7 | C | G | Gmaj7 | C | |
| Imagine | there's no | countries, | it isn't | hard to | do. |
| G | Gmaj7 | C | G | Gmaj7 | C | |
| Nothing to | kill or | die for, | and no re | ligion | too. |
| C | Em | Am | C | D | G | D7 | |
| Imagine | all the | people | , | living life in | peace. You-u.. |
| C | D | G | B7 | C | D7 | G | B7 | |
| You may | say I'm a | dreamer | , | but I'm | not the only | one. |
| C | D | G | B7 | |
| I hope some | day you'll | join | us, |
| C | D | G | |
| And the | world will be | one |
| G | Gmaj7 | C | G | Gmaj7 | C | |
| Imagine | no poss | essions, | I wonder | if you | can |
| G | Gmaj7 | C | G | Gmaj7 | C | |
| No need for | greed or | hunger, a | brother | hood of | man |
| C | Em | Am | C | D | G | D7 | |
| Imagine | all the | people | , | sharing all the | world | . You-u.. |
| C | D | G | B7 | C | D7 | G | B7 | |
| You may | say I'm a | dreamer | , | but I'm | not the only | one. |
| C | D | G | B7 | |
| I hope some | day you'll | join | us, |
| C | D | G | |
| And the world | will | live as one |
| This goes well with the acoustic version on YouTube. |

| D | G | F#m | D | |
| People say I'm | cr | azy |
| G | F#m | D | |
| Doing what I'm doing |
| G | F#m | D | |
| Well they give me all kinds of warnings |
| G | F#m | D | |
| To save me from ruin |
| D | Em | A | |
| When I say that | I'm okay, well they | look at me kind of strange |
| G | Em | A | |
| Surely your not | happy now, you no | longer play the game |
| D | G | F#m | D | |
| People say I'm | la | zy |
| G | F#m | D | |
| Dreaming my life away |
| G | F#m | D | |
| Well they give me all kinds of advice |
| G | F#m | D | |
| Designed to enlighten me |
| D | Em | A | |
| When I tell that I'm | doing fine, watching | shadows on the wall |
| G | Em | A | |
| Don't you miss the | big time boy, you're no | longer on the ball |
| Chorus: |
| G | A | D | Bm | |
| I'm just | sitting here watching the | wheels go round and | round |
| G | F#m | Em | D | |
| I really | love to watch them | roll |
| A | G | Bm | A | E/Ab | |
| No | longer riding on | that merry-go- | round |
| G | A | D | |
| I just | had to let it | go |
| C F Em C x2 |
| D | G | F#m | D | |
| People asking questions |
| G | F#m | D | |
| Lost in confusion |
| G | F#m | D | |
| Well I tell them there's no problem |
| G | F#m | D | |
| Only solutions |
| D | Em | A | |
| Well they | shake their heads and they | look at me, as | if I've lost my mind |
| G | Em | A | |
| I | tell them there's | no hurry, I'm just | sitting here doing time |
| Chorus |
| G | A | D | E/Ab | |
| I just | had to let it | go |
| G | A | D | E/Ab | |
| I just | had to let it | go |
| G | A | D | |
| I just | had to let it | go |

| E | |
| I | hear the train a-comin'; it's rollin' 'round the bend, |
| And I ain't seen the sunshine since I don't know when, |
| A7 | E | |
| I'm | stuck in Folsom Prison and time keeps draggin' | on. |
| B7 | E | |
| But that | train keeps a-rollin' on down to San An | tone. |
| E | |
| When | I was just a baby, my momma told me, 'Son, |
| Always be a good boy; don't ever play with guns.' |
| A7 | E | |
| But I | shot a man in Reno, just to watch him | die. |
| B7 | E | |
| When I | hear that whistle blowin', I hang my head and | cry. |
| E | |
| I | bet there's rich folk eatin'in a fancy dining car. |
| They're prob'ly drinkin' coffee and smokin' big cigars, |
| A7 | E | |
| But I | know I had it comin', I know I can't be | free, |
| B7 | E | |
| But those | people keep a-movin', and that's what tortures | me. |
| E | |
| Well if they | freed me from this prison, if that railroad train was mine, |
| I bet I'd move it all a little farther down the line, |
| A7 | E | |
| Far from Folsom Prison, that's where I'd want to | stay, |
| B7 | E | |
| And I'd | let that lonesome whistle blow my blues | away. |

| G | |
| Baby when I met you there was peace unknown |
| G7 | |
| I set out to get you with a fine tooth c | omb. |
| C | G | |
| I was so | ft inside there was something goin o | n |
| G | |
| You do something to me that I can't explain |
| G7 | C | |
| Hold me closer and I feel no p | ain ev'ry b | eat of my heart |
| G | C | G | |
| We got something goin | on |
| Cmaj7 | |
| Tender love is | blind It requires a dedication |
| Cm | |
| All this love we feel needs no conversation |
| CHORUS: |
| G | |
| We r | ide it together uh huh |
| makin' love with each other un huh |
| D7 | G | C | |
| Islands | in the str | eam that is what we a | re |
| Am7 | |
| No one in be-t | ween How can we be wrong |
| G | C | |
| Sail away with | me to another wo | rld |
| G | |
| And we re- | ly on each other uh huh |
| Am7 | G | |
| From one l | over to another uh h | uh |
| G | |
| I can't live without you if the love was gone |
| G7 | |
| Ev'rything is nothing if you got no | one |
| C | |
| And you did w | alk in the night |
| G | C | G | |
| Slowly losin sight of the r | eal thing | But |
| That won't happen to us and we got no doubt |
| G7 | |
| Too deep in love and we got no way | out |
| C | |
| And the me | ssage is clear this could be the year |
| G | C | G | |
| For the re | al thing |
| Cmaj7 | |
| No more will you | cry Baby I will hurt you never |
| Cm | |
| We s | tart and end as one in love for ever we can |
| GO TO CHORUS |

| ADGCEe | |
| Tuning: Standard - |
| Tabbed By: Dean Hill - Comments, Suggestions? the.scotsman@blueyonder.co.uk |
| Dords Used | |
| B(799877); A(577655); G(355433); F#(244322); E(022100) |
| Intro | |
| |B |A G F# |E | |
e ---------------------------------------
B -----------------------------000000000-
G -8888888-XX-666-XX-4-XX-3-XX-111111111-
D -9999999-XX-777-XX-5-XX-4-XX-222222222-
A -9999999-XX-777-XX-5-XX-4-XX-222222222-
E -7777777-XX-555-XX-3-XX-2-XX-000000000-
| Verse 1 | |
| B |
| You know you coulda been a wonder, |
| A | |
| Takin' your circus to the s | ky-y-y |
| E | |
| You couldn't take it on the | tightrope, |
| A | |
| No, you had to take it on the | side, |
| E | |
| You always like it under | cover, |
| A | |
| Tucked in between your dirty | she-e-ets, |
| E | |
| But no one's even evident | to ya, |
| D | C | B | A | |
| In between the | hollers | and the | scre-e-eams. |
| Dorus 1 |
| And a said nah nah, |
| E | D | C | B | A | |
| Hey hey, another | dirty bird ain't | givin' | out a | taste, hey, |
| E | D | C | B | A | |
| In the | black of the night, 'til the | red morning | light | . |
| Verse 2 | |
| B |
| You got your cosy little corner, |
| A | |
| All night your jammin' on your | di-i-ick |
| E | |
| And hangin' out just like a | street sign, |
| A | |
| And pulled a twenty dollar | tri-i-ick, |
| E | |
| I hear you're blowin' like a f | eather, |
| A | |
| And then they rub it in your | fa-a-ace, |
| E | |
| Oh once they've had all they're | fun, hun, |
| D | C | B | A | |
| You'll work the | bottom | of the | ca-a-age. |
| Dorus 2 |
| And a said nah nah, |
| E | D | C | B | A | |
| Hey hey, another | dirty bird ain't | givin' | out a | taste, hey, |
| E | D | C | B | A | |
| In the | black of the night, 'til the | red morning | light | . |
| And a said nah nah, |
| E | D | C | B | A | |
| Hey hey, you're g | ivin all your | cinnam | on a | way-ey, |
| | B | A G F# | E | |
| That's not right! Aaaarrrrrggggghhhhh! |
| Solo | |
| | B | A G F# | E | E | |
| B | A G F# | E | E |<----------(Everything drops out apart from drums)
| Middle 8 |
| Hey hey, another dirty bird ain't givin' out a taste, |
| Ah hey, keep on givin' away and givin' it away, (givin' it away) |
| (Bass Enters)---> |
| But hey-heh-hey, you're givin' all your cinnamon away-ey-ey-ey, |
(Guitar Enters)--------------------------------------------------> | B | A |
| Ah hey hey, you're givin' all your cinnamon away. |
| Outro | |
| B A G F# E |
| Ah hey hey, another dirty bird ain't givin' out a taste, hey, |
| E | D | C | B | A | |
| In the | black of the night, 'til the | red morning | light. |
| And a said nah nah, |
| E | D | C | B | A | |
| Hey hey, you're g | ivin all your | cinnam | on a | way-ey, |
| | B | A G F# | E | |
| That's not right! Aaooww! C'Mon! |
| And a said nah nah, |
| E | D | C | B | A | |
| Hey hey, another | dirty bird ain't | givin' | out a | taste, hey, |
| E | D | C | B | A | |
| In the | black of the night, 'til the | red morning | light. |
| And a said nah nah, |
| E | D | C | B | A | |
| Hey hey, you're g | ivin all your | cinnam | on a | way-ey. |
| Anding | |
| | B | A G F# | E(.) |
| ********************************************** |
| *KINGS OF LEON - RED MORNING LIGHT LEAD PARTS* |
| ********************************************** |
| b - Bend |
| () - Bracketed numbers are the note you bend up to |
| h - Hammer On |
| p - Pull Off |
| r - Return |
| / - Slide Up |
| - Slide Down |
| d - Strum Down |
| u - Strum Up |
| PM - Palm Mute |
| NH - Natural Harmonics |
| ^ - Vibrato |
| NOTE: Lead guitar mirrors rhythm parts 'til solo. (As far as I can work out) |
| Then mirrors again 'til end of song. |
| SOLO |
| d | u | d | u | d | u | d | u | d | u | d | u | d | u | d | u | d | u | d | u | d | u | d | u | d | u | d | u | d | u | d | u | |
| E - | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12-|- | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12- |
| B -12121212121212121212121212121212-|-12121212121212121212121212121212- |
G ----------------------------------|---------------------------------- D ----------------------------------|---------------------------------- A ----------------------------------|---------------------------------- E ----------------------------------|---------------------------------- E --------------12----12----15b(17)-|-(17)-(17)-(17)-(17)---15-12------ B -15p12--12-15----15---------------|---------------------------------- G ------14--------------------------|---------------------------------- D ----------------------------------|---------------------------------- A ----------------------------------|---------------------------------- E ----------------------------------|---------------------------------- E -12------------------12-----------|-12------------------------------- B -12--15-12-15b(17)r15----15-------|----15-12---------12-------------- G -12-------------------------------|----------14b(16)----14-12-14----- D ----------------------------------|---------------------------------- A ----------------------------------|---------------------------------- E ----------------------------------|---------------------------------- E --------1212------1212------------| B --------1212------1212------------| G -14b(16)----14b(16)---14b(16)r14-| D ----------------------------------| A ----------------------------------| E ----------------------------------|
| OUTRO | |
| - In the outro, just after the '...C'Mon!' bit, the lead plays this: |
e ----------------------------------| B ----------------------------------| G ----------------------------------| D -7b(9)-(9)-7p5--5-----------------| A --------------7-------------------| E ----------------------------------|
| **************************************************************************************** |
| **************************************************************************************** |
| **************************************************************************************** |

| EADGBe | |
| Tuning: Standard - |
| Tabbed By: Dean Hill - Comments, Suggestions? the.scotsman@blueyonder.co.uk |
| Cbords Used | 10 | 12 | 12 | 11 | 10 | 10 | |
| G(355433); D( | ); Bm(799777); A(577655) |
| Intro | |
| ('One, Two, One, Two, Three, Four.') |
| | G | G | D | D | |
| G | G | D | D |<----------------------------(GUITAR DROPS OUT)
| Verse 1 | |
| N.C |
| Little Mona Lisa laying by my side, |
| N.C. |
| 'Crimson and Clover' pullin? overtime, |
| N.C |
| I feel too close to be a losin? touch, |
| Bm | |
| By | givin? in, what am I givin? up?, |
| A | |
| Am I losin? way too much? |
| Cborus | |
| G D |
| A hey, California Waiting, |
| G | D | |
| Eve | ry little thing's a gotta be just right, |
| G | D | |
| But | say, while you tryin? to | save me, |
| G | D | |
| A | can a get back a my lonely life? |
| Verse 2 | |
| G D |
| I?m goin? so fast and I can?t slow down, |
| G | D | |
| It?s | hard to get up when you?re spinnin? round and r | ound, |
| G | D | |
| I?d | give you the news a but nothin?s changed, |
| Bm | |
| I?d | sing you a song but they flew it away, |
| A | |
| A | ll wrapped up in this stupid ass game. |
| Cborus | |
| G D |
| A hey, California Waiting, |
| G | D | |
| Eve | ry little thing?s a gotta be just right, |
| G | D | |
| But | say, while you tryin? to | save me, |
| G | D | |
| A | can a get back my lonely life? |
| Solo | |
| | A | A | A | A | |
| | A | A | A | A | |
| Outro | |
| G N.C. |
| A Hey, California Waiting, |
| N.C. N.C. |
| Every little thing?s gotta be just right, |
| G(PM) D(PM) |
| Well say, while you?re tryin? to save me, |
| G(PM) D |
| A can a get back my lonely life? |
| G | D | |
| A | hey, California | Waiting, |
| G | D | |
| Eve | ry little thing?s a gotta be just ri-ght, |
| G | D | |
| But say, | while you tryin? to save | me, |
| G | D | |
| A | can a get back my lonely life? |
| G | D | |
| A | can a get back a my lonely life? A | can I get back...(Tell me Tell me!) |
| | G | G | D | D | A can a get back...ETC. (Ad Lib.) |
| | G | G | D | D | A can a get back...ETC. (Ad Lib.) |
| | G | G | D | D | A can a get back...ETC. (Ad Lib.) |
| A said a... |
| | G | G(.) |
| ...can I get back a my lonely life? |
| *********************************************** |
| *KINGS OF LEON - CALIFORNIA WAITING LEAD PARTS* |
| *********************************************** |
| b - Bend |
| () - Bracketed numbers are the note you bend up to |
| h - Hammer On |
| p - Pull Off |
| r - Return |
| / - Slide Up |
| - Slide Down |
| d - Strum Down |
| u - Strum Up |
| PM - Palm Mute |
| NH - Natural Harmonics |
| ^ - Vibrato |
| INTRO |
e ----------------------------------------------------------------------- B ----------------------------------------------------------------------- G ----------------------------------------------------------------------- D -----------------4-------------------4--------------------4------------ A -7--5--2--7-5-7---7--7--5--0--7-5-7---7--7--5--2--7-5-7---7--7--5--0- E -----------------------------------------------------------------------
| VERSE 1 | |
| - NOTHING IS PLAYED |
| CBORUS | |
| X4 - Matthew alternates between G(3554XX) & Dmaj7(XX022X) with a |
| gentle palm muted style, played on every beat and half beat. |
| I.E. 8 strums to a bar! with some beats accentuated. Shown by a * |
| (Hope that's not too confusing!) SEE BELOW FOR TAB. |
| * * * * * * * |
| 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & |
e ----------------------------------------------------------------- B ---------------------------------2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2- G -4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2- D -5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0- A -5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5--------------------------------- E -3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3---------------------------------
| VERSE 2 | 01:12 | |
| - NOTHING PLAYED 'TIL | - (BELOW) |
e ---------------------------------------------------------------------- B ---------------------------------------------------------------------- G -7----/11--/14--7------------7----/11--/14--7------------6---------- D ---------------------------------------------------------------------- A -5----/9---/12--5------------5----/9---/12--5------------4---------- E ----------------------------------------------------------------------
| CBORUS | |
| - REPEAT CHORUS |
| SOLO |
e ----0-------00-----2-0----------0-------0------0-----0------0-2-2p0--- B -0h2--2--0h2---2p0-----2p0-2--2----2p0-----2p0----2p0---5p2----------- G ---------------------------------------------------------------------- D ---------------------------------------------------------------------- A ---------------------------------------------------------------------- E ----------------------------------------------------------------------
| OUTRO |
---------------------0-0-------0---2-2---------------- -0h2p0---2p0-0-2p0-0-----2p0-0---0-----4p2p0----0----- -------2----------------------------------------0----- ------------------------------------------------0----- ------------------------------------------------2----- ------------------------------------------------3-----
| OUTRO | 02:22 | |
| - (continued) @ |
e ------5-----7p5---------5-----------5-----7p5---------5----- B -7p5----7p5----7p5-7p5----7p5--7p5----7p5----7p5-7p5----7p5- G ----7-----------------7-----------7-----------------7------- D ------------------------------------------------------------ A ------------------------------------------------------------ E ------------------------------------------------------------
| (PLAY THIS 5 TIMES) * * * * * * * |
| 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & |
e ----------------------------------------------------------------- B ---------------------------------2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2- G -4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2- D -5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0- A -5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5--------------------------------- E -3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3---------------------------------
| 02:58 | |
| THEN @ |
---------------------------------------------------------------------- -------------------7--------------------------7----------------------- -9-7-9-7--9--9-7-9---9-7----9-7-9-7--9--9-7-9---9-7------------------- ---------------------------------------------------------------------- ---------------------------------------------------------------------- ---------------------------------------------------------------------- ---------------------------------------------------------------------- -------------------7--------------------------7----------------------- -9-7-9-7--9--9-7-9---9-7----9-7-9-7--9--9-7-9---9-7------------------- ---------------------------------------------------------------------- ---------------------------------------------------------------------- ---------------------------------------------------------------------- ---------------------------------------------------------------------- -------------------7--------------------------7----------------------- -9-7-9-7--9--9-7-9---9-7----9-7-9-7--9--9-7-9---9-7------------------- ---------------------------------------------------------------------- ---------------------------------------------------------------------- ---------------------------------------------------------------------- ---------------------------------------------------------------------- -------------------7-------------------------------------------------- -9-7-9-7--9--9-7-9---9-7-7-------------------------------------------- ---------------------------------------------------------------------- ---------------------------------------------------------------------- ----------------------------------------------------------------------
| **************************************************************************************** |
| **************************************************************************************** |
| **************************************************************************************** |

| EADGBe | |
| Tuning: Standard - |
| Tabbed By: Dean Hill - Comments, Suggestions? the.scotsman@blueyonder.co.uk |
| Cbords Used | 10 | 12 | 12 | 11 | 10 | 10 | |
| F#(244322); B(799877); A(577655); D( | ) |
| Intro | SEE LEAD TAB FOR INTRO RIFF |
[Verse 1]------>[PLAY INTRO RIFF ALL WAY THROUGH]
| F# | |
| A | free, that's all that she could be, that?s why she?ll never stay, |
| A White, barenaked in the night, and lookin? for some play |
| A just another girl that wants to rule the world, or any time or place, |
| And when she gets into your head, you know she?s there to stay. |
| Cborus | |
| B A |
| You want it, Well she?s got it, |
| F# | |
| Molly?s Chambers gonna change your mind, |
| B | D | |
| She?s got your, | your pistol, |
| F# | |
| Molly?s Chambers gonna change your mind, |
| Molly?s Chambers gonna change your mind. |
[Verse 2]------>[PLAY INTRO RIFF ALL WAY THROUGH]
| F# | |
| Slow, she?s burnin? in your soul, with whispers in your ear, |
| 'S okay I?ll give it anyway, just get me out of here, |
| You?ll plead, you?ll get down on your knees, for just another taste, |
| And when you think she?s let you in, that?s when she fades away. |
| Cborus | |
| B A |
| You want it, Well she?s got it, |
| F# | |
| Molly?s Chambers gonna change your mind, |
| B | D | |
| She?s got your, | your pistol, |
| F# | |
| Molly?s Chambers gonna change your mind, |
| Molly?s Chambers gonna change your mind. |
| Solo | |
| | B D | F# | |
| | B D | F# | |
| | B D | F# | |
| | A | B | |
| Outro | |
| (B) A |
| You want it, Well she?s got it, |
| F# | |
| Molly?s Chambers gonna change your mind, |
| B | D | |
| A she?s got your, | your pistol, |
| F# | |
| Molly?s Chambers gonna change your mind. |
| B | A | |
| You want it, | Well she?s got it, |
| F# | |
| Molly?s Chambers gonna change your mind, |
| B | D | |
| She?s got your, | your pistol. |
| ********************************************* |
| *KINGS OF LEON - MOLLY'S CHAMBERS LEAD PARTS* |
| ********************************************* |
| b - Bend |
| () - Bracketed numbers are the note you bend up to |
| h - Hammer On |
| p - Pull Off |
| r - Return |
| / - Slide Up |
| - Slide Down |
| d - Strum Down |
| u - Strum Up |
| PM - Palm Mute |
| NH - Natural Harmonics |
| ^ - Vibrato |
| INTRO | |
| - THERE'S 2 PARTS TO THIS. |
| CALEB (RHYTHM), PLAYS: |
| 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & |
e ------------------------------------------------------------------ B ---------------------------------------------------------------22- G ---------------------------------------------------------------33- D -4-----4---4---4-4-----4---4---4-4-----4---4---4-4-----4---4---44- A -4-----4---4---4-4-----4---4---4-4-----4---4---4-4-----4---4---44- E -2-----0---0---0-2-----0---0---0-2-----0---0---0-2-----0---0---00-
| 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & |
----------------------------------------------------------------- -2--------------------------------------------------------------- -3--------------------------------------------------------------- -4-----4---4---4-4-----4---4---4-4-----4---4---4-4-----4---4---4- -4-----4---4---4-4-----4---4---4-4-----4---4---4-4-----4---4---4- -2-----0---0---0-2-----0---0---0-2-----0---0---0-2-----0---0---0-
| NOTE:- AFTER EVERY: -4- IS PLAYED, CALEB RESTS HIS INDEX FINGER ON THE 6TH STRING |
| -4- AT THE 2ND FRET, NOT ACTUALLY FRETTING IT, JUST DAMPING IT! |
| -0- |
| ...AND MATTHEW (LEAD), PLAYS: |
| 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & |
e ----------------------------------------------------------------- B ----------------------------------------------------------------- G ----------------------------------------------------------------- D -4---4-4-4-4-4-4-4---4-4-4-4-4-4-4---4-4-4-4-4-4-4---4-4-4-4-4-4- A -4---4-4-4-4-4-4-4---4-4-4-4-4-4-4---4-4-4-4-4-4-4---4-4-4-4-4-4- E -2---2-0-2-0-2-0-2---2-0-2-0-2-0-2---2-0-2-0-2-0-2---2-0-2-0-2-0-
| 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & |
----------------------------------------------------------------- ----------------------------------------------------------------- ----------------------------------------------------------------- -4---4-4-4-4-4-4-4---4-4-4-4-4-4-4---4-4-4-4-4-4-4---4-4-4-4-4-4- -4---4-4-4-4-4-4-4---4-4-4-4-4-4-4---4-4-4-4-4-4-4---4-4-4-4-4-4- -2---2-0-2-0-2-0-2---2-0-2-0-2-0-2---2-0-2-0-2-0-2---2-0-2-0-2-0-
| VERSE 1 | |
| - ONLY CALEB PLAYS, AND HE PLAYS THIS: |
| 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & |
----------------------------------------------------------------- ----------------------------------------------------------------- ----------------------------------------------------------------- -4-----4---4---4-4-----4---4---4-4-----4---4---4-4-----4---4---4- -4-----4---4---4-4-----4---4---4-4-----4---4---4-4-----4---4---4- -2-----0---0---0-2-----0---0---0-2-----0---0---0-2-----0---0---0-
| CBORUS |
| 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & |
e -7---7---7---7---5---5---5---5---------------------------------- B -7---7---7---7---5---5---5---5---------------------------------- G -8---8---8---8---6---6---6---6---------------------------------- D -9---9---9---9---7---7---7---7---4---4-4-4-4-4-4-4---4-4-4-4-4-- A -9---9---9---9---7---7---7---7---4---4-4-4-4-4-4-4---4-4-4-4-4-- E -7---7---7---7---5---5---5---5---2---2-0-2-0-2-0-2---2-0-2-0-2--
| 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 |
-7---7---7---7---10---10---10---10- -7---7---7---7---10---10---10---10- -8---8---8---8---11---11---11---11- -9---9---9---9---12---12---12---12- -9---9---9---9---12---12---12---12- -7---7---7---7---10---10---10---10-
| 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & |
----------------------------------------------------------------- ----------------------------------------------------------------- ----------------------------------------------------------------- -4---4-4-4-4-4-4-4---4-4-4-4-4-4-4---4-4-4-4-4-4-4---4-4-4-4-4-4- -4---4-4-4-4-4-4-4---4-4-4-4-4-4-4---4-4-4-4-4-4-4---4-4-4-4-4-4- -2---2-0-2-0-2-0-2---2-0-2-0-2-0-2---2-0-2-0-2-0-2---2-0-2-0-2-0-
| VERSE 2 |
LET RING-------------?-------------?
| '...whispers in your ear' |
e -------------------0-------------0------------------------------------ B -------------------7---5-7-5-7-5-7---5-7-5-7-5------------------------ G ---------------------------------------------------------------------- D ---------------------------------------------------------------------- A ---------------------------------------------------------------------- E ---------------------------------------------------------------------- LET RING-------------?-------------?
| '...get me out of here' |
e -------------------0-------------0------------------------------------ B -------------------7---5-7-5-7-5-7---5-7-5-7-5------------------------ G ---------------------------------------------------------------------- D ---------------------------------------------------------------------- A ---------------------------------------------------------------------- E ---------------------------------------------------------------------- LET RING-------------?-------------?
| '...just another taste' |
e -------------------0-------------0------------------------------------ B -------------------7---5-7-5-7-5-7---5-7-5-7-5------------------------ G ---------------------------------------------------------------------- D ---------------------------------------------------------------------- A ---------------------------------------------------------------------- E ---------------------------------------------------------------------- LET RING-------------?-------------?
| '...when she fades away' |
e -------------------0-------------0------------------------------------ B -------------------7---5-7-5-7-5-7---5-7-5-7-5------------------------ G ---------------------------------------------------------------------- D ---------------------------------------------------------------------- A ---------------------------------------------------------------------- E ----------------------------------------------------------------------
| CBORUS 2 |
LET RING-------------?-------------? e -5-5-5-5-3-3-3-3---0-------------0------------------------------------- B -5-5-5-5-3-3-3-3---7---5-7-5-7-5-7---5-7-5-7-5------------------------- G ----------------------------------------------------------------------- D ----------------------------------------------------------------------- A ----------------------------------------------------------------------- E ----------------------------------------------------------------------- LET RING-----------------?-------------?-------------?------------? e -7-7-7-7-10-10-10-10---0-------------0-------------0-------------0------------- B -7-7-7-7-10-10-10-10---7---5-7-5-7-5-7---5-7-5-7-5-7---5-7-5-7-5-7---5-7-5-7-5- G ------------------------------------------------------------------------------- D ------------------------------------------------------------------------------- A ------------------------------------------------------------------------------- E -------------------------------------------------------------------------------
| SOLO |
e ---------------------------------------------------------------------- B -17b(19)-17b(19)-17b(19)-17b(19)-17b(19)r17-14------------------------ G -----------------------------------------------16b(18)r16-14-14-14-16- D ---------------------------------------------------------------------- A ---------------------------------------------------------------------- E ---------------------------------------------------------------------- ---------------------------------------------------------------------- -17-----------17-17-----------17-17---------17-17--------------------- -16b(18)-(18)----16b(18)-(18)----16b(18)r16-14-16b(18)---------------- ---------------------------------------------------------------------- ---------------------------------------------------------------------- ---------------------------------------------------------------------- ---------------------------------------------------------------------- ---------------------------------------------------------------------- -4b(6)r4-2---2-4-4b(6)r4-2---2-4-4b(6)r4-4b(6)r4-2---2-4-------------- -----------4---------------4-----------------------4------------------ ---------------------------------------------------------------------- ---------------------------------------------------------------------- ---------------------------------------------------------------------- ---------------------------------------------------------------------- -4b(6)-4b(6)--(6)(6)(6)(6)(6)r4/6------------------------------------- ---------------------------------------------------------------------- ---------------------------------------------------------------------- ----------------------------------------------------------------------
| OUTRO |
LET RING-------------?-------------? e -------------------0-------------0------------------------------------- B -------------------7---5-7-5-7-5-7---5-7-5-7--------------------------- G ----------------------------------------------------------------------- D ----------------------------------------------------------------------- A ----------------------------------------------------------------------- E ----------------------------------------------------------------------- LET RING-----------------?-------------? e -7-7-7-7-10-10-10-10---0-------------0--------------------------------- B -7-7-7-7-10-10-10-10---7---5-7-5-7-5-7---5-7-5-7-5--------------------- G ----------------------------------------------------------------------- D ----------------------------------------------------------------------- A ----------------------------------------------------------------------- E ----------------------------------------------------------------------- LET RING-------------?-------------? e -5-5-5-5-3-3-3-3---0-------------0------------------------------------- B -5-5-5-5-3-3-3-3---7---5-7-5-7-5-7---5-7-5-7-5------------------------- G ----------------------------------------------------------------------- D ----------------------------------------------------------------------- A ----------------------------------------------------------------------- E ----------------------------------------------------------------------- DOUBLE TIME|------------| e -7-7-777-10-10-10-10-10------------------------------------------------ B -7-7-777-10-10-10-10-10------------------------------------------------ G ----------------------------------------------------------------------- D ----------------------------------------------------------------------- A ----------------------------------------------------------------------- E -----------------------------------------------------------------------
| **************************************************************************************** |
| **************************************************************************************** |
| **************************************************************************************** |

| G | D | G |
E|-------------------|-------------------|-------------------|-------------------| B|----3---3---3---3--|----3---3---3---3--|----7---7---7---7--|----3---3---3---3--| G|----4---4---4---4--|----4---4---4---4--|----7---7---7---7--|----4---4---4---4--| D|----5---5---5---5--|----5---5---5---5--|----7---7---7---7--|----5---5---5---5--| A|----------5--------|----------5--------|--5----------------|----------5--------| E|--3----------------|--3----------------|----------5--------|--3----------------|
| t t t t t t t t |
| Note: This pattern just repeats itself, just follow the chord changes and don't be |
| afraid to variate a little for flavor. |
| verse: |
| G | |
| They put a parking lot on a piece of land |
| D | G | |
| Where the super | market used to stand |
| D | |
| Before that they put up a bowling | alley |
| G | |
| On the site that used to be the local | pally |
| C | G | |
| That's where the big bands | used to come and play |
| D | G | |
| My sister went there | on a Saturday |
| chorus1: |
| C | |
| Come | dancin' |
| G | |
| All her boyfriends | used to come and call |
| D | C | G | |
| Why not come | dancin', it's | only natural |
| verse: |
| G | |
| Another Saturday, another date |
| D | G | |
| She would be ready but she'd | always make him wait |
| D | |
| In the hallway, in antici | pation |
| G | |
| He didn't know the night would end up in frust | ration. |
| C | G | |
| He'd end up blowing all his | wages for the week |
| D | G | |
| All for a cuddle and a | peck on the cheek |
| chorus2: |
| C | |
| Come | dancin' |
| G | |
| That's how they did it when | I was just a kid |
| D | C | G | |
| And when they said come | dancin', my | sister always did |
| bridge: |
| Em | D | C | |
| My | sister should have | come in at | midnight |
| D | Em | D | C | |
| And my | mom would always | sit up and | wait |
| D | Em | D | C | |
| It | always ended | up in a | big brawl |
| D | Em | D | C | |
| When my | sister used to | get home | late |
| Note: Here I just softly tap-brush against the muffled strings in twos, |
| playing the chords. |
| G | |
| Out of my window I can see them in the moonlight |
| D | G | |
| Two silhouettes saying goodnight by the garden gate |
| Em | D | C | |
| The | day they | knocked down the | pally |
| D | Em | D | C | |
| My | sister | stood and c | ried |
| D | Em | D | C | |
| The | day they | knocked down the | pally |
| D Em D C (tacet) |
| Part of my childhood died, just died. |
| then: Em D C D x3 (hard strums) |
| verse: |
| G | |
| Now I'm grown up and playing in a band |
| D | G | |
| And there's a car park where the | pally used to stand |
| C | G | |
| My sister's married and she | lives on an estate |
| D | G | |
| Her daughters go out, now | it's her turn to wait |
| C | G | |
| She knows they get away with | things she never could |
| D | G | |
| But if I asked her I | wonder if she would |
| chorus3: |
| C | |
| Come | dancin' |
| G | |
| Come on sister, | have yourself a ball |
| D | C | G | |
| Don't be afraid to come | dancin', it's | only natural |
| C | G | |
| It's | only natural |
| END WITH A QUICK: D G (and maybe add a bit of vibrato to the ending G) |
----------
| ----- | |
| STANDARD TUNING (EADGBE) |
| CHORDS USED: |
| G = 355433 |
| D = X5777X |
| C = X3555X |
| Em = X79987 |

| G | D | D7 | |
| My | makeup is dry and it | cracks on my | chin |
| C | G | D | |
| I'm | drowning my sorrows in | whiskey and | gin |
| G | G | D7 | |
| The | lion tamer's whip doesn't | crack any | more |
| C | G | D | |
| The | lions they won't bite and the | tigers won't | roar |
| C | Am | G | D | |
| La la la | La la la | La la la | La |
| Am | G | D | |
| So | let's all drink to the | death of a | clown |
| G | D | D7 | |
| Won't someone help me to | break up this | crown |
| C | G | D | |
| Let's all drink to the | death of a | clown |
| C | Am | G | D | |
| La la la | La la la | La la la | La |
| C | G | D | |
| Let's all drink to the | death of a | clown |
| G | D | D7 | |
| The | old fortune teller lies | dead on the | floor |
| C | G | D | |
| No | body needs fortunes | told any | more |
| G | D | D7 | |
| The | trainer of insects is | crouched on his | knees |
| C | G | D | |
| And | frantically looking for | runaway | fleas |
| C | Am | G | D | |
| La la la | La la la | La la la | La |
| C | G | D | |
| Let's all drink to the | death of a | clown |
| G | D | D7 | |
| So | won't someone help me to | break up this | crown |
| C | G | D | |
| Let's all drink to the | death of a | clown |
| C | Am | G | D | |
| La la la | La la la | La la la | La |
| C | G | D | |
| Let's all drink to the | death of a | clown |
| G | D | D7 | |
| La la la la la la | la la la | la |
| C | G | D | |
| La la la la la la | la la la | la |
| G | D | D7 | |
| La la la la la la | la la la | la |
| C | G | D | |
| La la la la la la | la la la | la |

| F | C | F | |
| Baby, | you don't know what you're | saying |
| C | Bb | Am | Gm | F | |
| Because you're a victim of | pride's | cit | y | lights |
| Bb | Am | Gm | F | |
| And your | mind | is | not | right |
| C | F | Bb | |
| You think the | world's | at your | feet |
| 'Cos you're starstruck baby starstruck |
| F | |
| You're starstruck baby starstruck |
| Bb | |
| Starstruck baby starstruck |
| Am | Gm | F | |
| You know that you're star | struck | on | me |
| Baby, you're runnin' around like you're crazy |
| You go to a party and dance through the night |
| And you'll drink 'til you're tied |
| And then you're out on your feet |
Bop, bop; etc. F-C-Bb C-Bb-Am-Gm C-Bb-Am-Gm
| Baby, watch out or else you'll be blue |
| 'Cos once you're addicted to wine and champagne |
| It's gonna drive you insane |
| Because the world's not so tame |

| Am | G | |
| The t | ax man's taken all | my dough |
| C | G | |
| And l | eft me in my | stately home. |
| E7 | Am | |
| Lazing on a sunny afternoon | . |
| G | |
| And i can't sa | il my yacht, |
| C | G | |
| He's | taken every | thing i've got, |
| E7 | Am | |
| All i've got this sunny | afternoon. |
| Chorus 1 |
| A7 | D7 | |
| Save me, Save me, Save me from this sque | eze, |
| G | C | E7 | |
| I got a b | ig fat mama trying to break m | e. |
| Am | D7 | |
| And i l | ove to live so | pleasantly, |
| Am | D7 | G | |
| Live this life of luxu | ry, |
| C | E7 | Am | |
| Lazing on a s | unny afternoon, |
| E7 | |
| In the | summertime, |
| Am | E7 | |
| In the | summertime, In the s | ummertime. |
| Verse 2 |
| Am | G | |
| My g | irlfriends run off wit | h my car |
| C | G | |
| And | gone back to her | ma and pa |
| E7 | Am | |
| Telling tales of drunkenness and cruel | ty. |
| G | |
| Now i'm s | itting here, |
| C | G | |
| Sipping on my i | ce cold beer, |
| E7 | Am | |
| Lazing on a sunny after no | on. |
| Chorus 2 |
| Help me, Help me, Help me sail away, |
| Well, give me two good reasons why i oughta stay. |
| 'Cause i love to live so pleasantly |
| Am | D7 | G | |
| Live this life of luxu | ry, |
| C | E7 | Am | |
| Lazing on a s | unny afternoon, |
| E7 | |
| In the | summertime, |
| Am | E7 | |
| In the | summertime, In the s | ummertime. |
| (then its just Chorus 1 again) |
| Outing |
| Am | E7 | |
| In the | summertime, In the | summertime, |
| Then just quietly strum Am until fade (or sudden ending depending on which album you got it on) |
| This Was Tabbed by Huw Wilson-Thomas England |

| E | D | C#m | B | C | D |
-0-0--0--0--0---0-0-0-0-0-0-0-0--0-0----- -9-9--9--9--7---5-5-5-4-4-4-5-5--5/7----- -9-9--9--9--7---6-6-6-4-4-4-5-5--5/7----- -9-9--9--9--7---6-6-6-4-4-4-5-5--5/7----- -7-7--7--7--5---4-4-4-2-2-2-3-3--3/5----- -----------------------------------------
| Verse 1 |
| E | C#m | B | |
| It isn't very diffi | cult to see why |
| C | D | E | |
| You | are the | way you ar | e |
| C#m | B | |
| Doesn't take a ge | nius to realise |
| C | D | E | |
| That | sometimes | life is hard |
| C#m | B | |
| It's gonna take | time |
| C | D | E | |
| But | you'll just | have to | wait |
| C#m | B | |
| You're gonna be | fine |
| C | D | |
| But in the | meantime |
| Chorus |
| E | C#m | B | |
| Come over he | re lad | y |
| C | D | E | |
| Let me | wipe your | tears away |
| C#m | B | |
| Come a little | nearer bab | y |
| C | D | |
| Coz you'll | heal | over |
| C | D | |
| Heal | over |
| C | D | E | |
| Heal | over someday |
| (Same as verse 1) |
| And I don't wanna hear you tell yourself |
| That these feelings are in the past |
| You know it doesn't mean they're off the shelf |
| Because pain's built to last |
| Everybody sails alone |
| But we can travel side by side |
| Even if you fail |
| You know that no one really minds |
| Come over here lady |
| Bridge |
| Lead guitar |
| Em | D | C | D |
--------------------- -------0-----0------- -------------------2- ---5-4---4--2--2/4--- --------------------- -0------------------
| Em | Dsus2 | C | D | |
| Don't hold | on but | don't let go |
| Em | Dsus2 | C | |
| I | know it's | so hard |
| Em | Dsus2 | C | D | Em | |
| You've | got to | try to | trust your | self |
| Dsus2 | C | D | C | E | |
| I | know it's | so hard, | so ha | rd yee | ah |
| E | C#m | B | |
| Come over he | re lad | y |
| C | D | E | |
| Let me | wipe your | tears away |
| C#m | B | |
| Come a little | nearer bab | y |
| C | D | |
| Coz you'll | heal | over |
| C | D | |
| Heal | over |
| C | D | |
| Heal | over |
| C | D | E | |
| Heal | over someday |
| (Back to intro chords) x1 |
| C | D | E | |
| Yeah you're gonna | heal | over |
| enjoy =) !! |
| END |
+--------------------------------------------------------------------------+
| | This file is the author's own work and represents their interpretation | |
| | of the song. You may only use this file for private study, scholarship, | |
| | or research. | |
+--------------------------------------------------------------------------+
| Ultimate-Guitar.Com © 2005 |


-----------------------------------------------------------------------------
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-----------------------------------------------------------------------------
------
| E | A | D | G | B | E |
----------------
| A7 x x 2 0 2 0 (A 7th) |
| Em x 2 0 0 0 0 |
| C6 x x 2 0 1 0 (C Major 6th) |
| C x 3 2 0 1 0 |
| C* x x 4 0 3 0 |
| D9 x x 4 5 3 0 (D 9th) |
| G5 3 x 0 0 3 3 (G 5th) |
| Dsus x x 0 2 3 3 |
| Asus x x 0 2 3 0 |
| - the G A G A progression is played like this (powerful sound) |
E|----2--x--x--x--x----2----2---x--x--x--x--| B|----2--x--x--x--x----2----2---x--x--x--x--| G|----2--x--x--x--x----2----2---x--x--x--x--| D|----2--x--x--x--x----2----2---x--x--x--x--| A|-------x--x--x--x-------------x--x--x--x--| E|--3----x--x--x--x--3----3-----x--x--x--x--|
| - Lots of string muting in the G A G A part |
| - I play the G A G A part by barring the A (x02222) |
| with my index finger leave the A string (string 5) |
| open and tap the G note with my middle finger. |
| - Start the first verse after the 4th repeat of intro |
| so Hangman would come in on repeat 5. |
| - Listen to the song to get timing |
| - I also broke the song up into verses to make it |
| easier to keep track. The way I broke them up |
| may not be the way it was originally written |
-----------------------------------------------------------------------------
| Intro/Riff |
| ^ ^ V ^ ^ V ^ V ^ V ^ ^ V ^ |
E|-------0-0-0--0-0-0-0-0--/-0-0--0--/-0-0-0--| x4 B|-------2-0-2--2-0-1-1-1--/-3-3--3--/-2-0-2--| G|-------0-0-0--0-0-0-0-0--/-0-0--5--/-0-0-0--| D|-------2-2-2--2-2-2-2-2--/-4-4--4--/-2-2-2--| A|---0----------------------------------------| E|--------------------------------------------|
| Verse 1 |
-------
| Riff |
| Hangman Hangman |
| Riff |
| hold it a little while |
| A7 | C6 | |
| I think I see my | friends commin |
| G5 | Asus | |
| ridin a many | mile |
| Riff x2 |
| Verse 2 |
------
| Riff |
| So friends you get a some silver |
| Riff |
| get a little gold |
| A7 | C6 | |
| what did you | bring me my dear friends |
| G5 | Asus | |
| keep me from the | gallows pole |
| Riff x2 |
| A7 | C6 | |
| what did you | bring me |
| G5 | Asus | |
| keep me from the | gallows pole |
| Riff x2 |
| Verse 3 |
-------
| Riff |
| I couldn't get no silver |
| Riff |
| I couldn't get no gold |
| A7 | C6 | |
| you know we're | too damn poor |
| G5 | Asus | |
| to keep you from the | gallows pole |
| Riff x2 |
| Chours |
------
| A7 | Asus | G5 | Asus | |
| Hangm | an Han | gman |
| A7 | Asus | G5 | G5 | |
| hold it a | little | whil | e |
| A7 | Asus | G5 | Asus | |
| I think I s | ee my | brother | commin |
| G5 | Asus | G | A | G | A | |
| ridin a many | mile |
| Verse 4 |
-------
| G | A | G | A | |
| Br | ot | he | r you get a little silver, |
| G | A | G | A | |
| ge | t | a | little gold |
| G | A | G | A | |
| wh | at | d | id you bring me, my brother |
| G5 | Asus | G | A | G | A | |
| to keep me from the | gallows pole |
| Verse 5 |
-------
| G | A | G | A | |
| br | ot | he | r I brought you some silver |
| G | A | G | A | |
| I | br | ou | ght a little gold |
| G | A | G | A | |
| I | Br | ou | ght a little of everything |
| G5 | Asus | G | A | G | A | |
| keep you from the | gallows pole |
| C | Asus | G | A | G | A | |
| Ya I brought y | ou |
| G | A | G | A | |
| to | k | ee | p you from the gallows pole |
| Chours |
------
| A7 | Asus | G5 | Asus | |
| Hangm | an Han | gman |
| A7 | Asus | G5 | G5 | |
| turn your | head a | whil | e |
| A7 | Asus | G5 | Asus | |
| I think I s | ee my | sister c | ommin |
| G5 | Asus | G | A | G | A | |
| ridin a many | mile |
| Verse 6 |
-------
| G | A | G | A | |
| Si | st | er | I emplore you take him by the hand |
| G | A | G | A | |
| ta | ke | h | im to some shady spot and |
| G5 | Asus | G | A | G | A | |
| sit him on the | love of his man |
| please take him |
| G5 | Asus | G | A | G | A | |
| sit him on the | rock of ma | in | m | an | man |
| Chours |
------
| A7 | Asus | G5 | Asus | |
| Hangm | an Han | gman |
| A7 | Asus | G5 | G5 | |
| on your fa | ce a sm | ile |
| A7 | Asus | G5 | Asus | |
| tell me tha | t I'm | free to | ride |
| G5 | Asus | G | A | G | A | |
| ride for many | mile |
| Verse 7 |
-------
| G | A | G | A | |
| Ye | s | yo | u've got a fine sister |
| G | A | G | A | |
| sh | e | wa | nt my blood to boil |
| G | A | G | A | |
| sh | e | wa | nt my blood to boil in her |
| G5 | Asus | G | A | G | A | |
| to keep you from the | gallows pole |
| Verse 8 |
-------
| G | A | G | A | |
| Yo | ur | b | rother brought me silver |
| G | A | G | A | |
| an | d | yo | ur sister want my sole |
| G | A | G | A | |
| fo | r | no | w I laugh oh so hard |
| G5 | Asus | |
| she's swinging on my | gallows pole |
| G | A | G | A | |
| fo | r | no | w I laugh oh so hard |
| G5 | Asus | |
| she's swinging on my | gallows pole |
| G | A | G | A | |
| sw | in | gi | ng on my gallows pole |
| G | A | G | A | |
| sw | in | gi | ng on my gallows pole |
| G | A | G | A | |
| sw | in | gi | ng on my gallows pole |
| G | A | G | A |
| G | A | G | A | |
| I | ke | ep | Swinging |
| G | A | G | A | |
| I | ke | ep | Swinging |
| G | A | G | A | |
| I | ke | ep | Swinging |
| G | A | G | A | |
| Sa | me | s | ong nothing but a dog (I think this is what he is saying) |
| G | A | G | A | |
| Sa | me | s | ong nothing but a dog |
| G | A | G | A | |
| sw | in | gi | ng on my gallows pole |
| G | A | G | A | |
| sw | in | gi | ng on my gallows pole |
| G | A | G | A | |
| sw | in | gi | ng on my gallows pole |
| G | A | G | A | |
| sw | in | gi | ng on my gallows pole |
| G | A | G | A |

| G | G7 | C | C/Eb | |
| Pi | cture your | self in a | boat on a | river |
| G | G7 | C | C/Eb | F | |
| With ta | ngerine | trees and m | armalade | skies |
| G | G7 | C | C/Eb | |
| Som | ebody | calls you, you | answer quite | slowly |
| G | G7 | C | Cm | Bb | |
| A | girl with cale | idoscope | eyes. |
| Ab | Bb | Eb | Ab | |
| C | ellophane flowers of | yellow and green | towering over your | head. |
| Bb | F | C | |
| Look for the girl with the | sun in her eyes and she's | goneChorus |
| F | Bb | C | |
| Lucy in the | Sky with | Diamonds. |
| F | Bb | C | |
| Lucy in the | Sky with | Diamonds |
| F | Bb | C | |
| Lucy in the | Sky with | Diamonds. |
| C | G | |
| Ahhhhhh | hhhhhh. |
| Follow her down to a bridge by a fountain |
| where rockinghorse-people eat marshmallow pies |
| Everyone smiles as you drift past the flowers |
| that grow so incredibly high |
| Newspaper taxis appear on the shore waiting to take you away |
| Climb in the back with your head in your hand and you're goneChorus |
| Picture yourself in a train in a station |
| with plasticine porters with looking glass ties |
| Suddenly someone is there at the turnstile |
| the girl with kaleidoscope eyesRepeat chorus till fade |


| G | C | |
| When I saw the ambulance | screaming down Main Street |
| G | D | |
| I didn't give it a | thought |
| G | |
| But | it was my Uncle Eugene |
| C | G | D | G | |
| He | died on October the | 2nd, | 198 | 1 |
| G | |
| And my Uncle Wilbur |
| C | |
| They all called him Skinner |
| G | D | |
| And they said for his younger | ways |
| G | |
| He'd get | drunk in the morning |
| C | |
| And show me the | rolls of fifties and hundreds |
| G | D | G | |
| He | kept in the glove box of his | old grey | Impala |
| Emin | D | G | |
| Chorus: And we're | all gonna | be here fore | ver |
| D | |
| So Mama don't you make such a | stir |
| G | |
| Put down that camera |
| C | |
| A | nd come on and join up |
| G | D | G | |
| The | last of the | family | reserve |
| G | C | |
| Now my second cousin | his name was Calloway |
| G | D | |
| He | died when he'd barely turned | two |
| G | C | |
| And it was p | eanut butter and | jelly what did it |
| G | D | G | |
| The | help she didn't | know what to | do |
| D | G | |
| She just stood there and she w | atched him turn | blue |
| Chorus |
| G | C | |
| And my friend Brian Temple h | e thought he could make it |
| G | D | |
| So | from the third story he | jumped |
| G | |
| And | he missed the swimming pool |
| C | |
| But | only by inches |
| G | D | G | |
| And | everyone | said he was | drunk |
| Chorus |
| G | C | |
| And there was great Uncle Julius and there was | Aunt Annie Miller |
| G | D | |
| And | Mary and Grandaddy | Paul |
| G | C | |
| And there was | Hannah and Ella and | Alvin and Attic |
| G | D | G | |
| And | he owned his | own funeral | home |
| G | C | |
| And there are more I remember and | more I could mention |
| G | D | |
| Than | words I could write in this | song |
| G | C | |
| But I | feel them watching and | I see them laughing |
| G | D | G | |
| And | I, I hear them | singing a | long |
| Chorus |
| There you go...Keep an eye out, more Lovett tunes to come |
| Shaun |

| G | D | Em | |
| I | know I've | seen this place | before |
| G | D | Em | |
| Lord | can't you | hear me | screaming |
| G | D | Em | |
| As a y | oung man | long ago |
| A | G | Em | |
| When | I was tw | enty- | one |
| etc. |
---------------------
| It repeats that progression through the rest of the verses, and |
| with the recording I'm sure you'll have no trouble figuring out the |
| rest. |
| Later, |
| Tim. |
| P.S. Incidently, while we're talking about Lyle-- if anyone else |
| has something to contribute, it would be appreciated. |

| D | C | G | |
| Big w | heels keep on | turning |
| D | C | G | |
| Carry me | home to see my | kin. |
| D | C | G | |
| Singing | songs about the | southland |
| D | C | G | |
| I miss'ole' ' | bamy once again | (and I think it's a sin) |
| Well, I heard Mister Young sing about her |
| Well, I heard ole Neil put her down. |
| Well, I hope Neil Young will remember, |
| A southern man don't need him around anyhow |
| Sweet home Alabama, |
| Where the skies are so blue, CHORUS (and the chords |
| Sweet home Alabama, _still_ don't change!) |
| Lord, I'm coming home to you. |
| F | C | D | |
| In Birmingham they love the Gov'nor B | oo h | oo h | oo ! |
| Now we all did what we could do. |
| Now Watergate does not bother me. |
| Does your conscience bother you? (tell the truth) |
| CHORUS |
| Now Muscle Shoals has got the Swampers |
| And they've been known to pick a tune or two |
| Lord they get me off so much |
| They pick me up when I'm feeling blue |
| Now how about you? |
| CHORUS |
| *************************************************************************** |
| DAVE S. WAITE # 'Watch out where the huskies go |
| dwaite@uoguelph.ca # And don't you eat that yellow snow.' |
| GO LEAFS # Frank Zappa |
| *************************************************************************** |

| C | Am | Dm | Am | |
| a m | illion m | iles our v | egabond h | eels |
| F | C | |
| clocked u | p beneath the clo | uds |
| Dm | Am | G | |
| they're c | ounting d | own to sh | owtime |
| C | Am | F | |
| when we'll d | o it for re | al with the cro | wds |
| Dm | G | Am | F | |
| Air miles are | owning but they | don't come for | free |
| C | Am | F | |
| And they d | on't give you a | ny for p | ain |
| F | C | G | |
| but if it's | all for | nothing |
| C | Am | F | C | |
| all the road | running, h | as been in va | in |
| Fill: C Am C F C |
| Verse 2: |
| C | Am | Dm | Am | |
| the r | imshots come d | own like c | annon fi | re |
| F | C | |
| and thu | nders off the w | all |
| Dm | Am | G | |
| there's a m | an in | every c | orner |
| C | Am | F | |
| and e | ach one's g | iving his | all |
| Dm | G | Am | F | |
| this is my pi | per, t | his is my d | rum |
| C | Am | F | |
| so you'll n | ever will h | ear me compl | ain |
| F | C | G | |
| and if it's | all for n | othing |
| C | Am | F | C | |
| all the roadr | unning h | as been in vai | n |
| F | G | |
| all the road | running |
| F | C | |
| all the road | running |
| Verse 3: |
| Well if you're inclined to go up on the wall |
| It can only be fast and high |
| And those who don't like the danger soon |
| Find something different to try |
| And when there is only a ring in your ears |
| And an echo down memory lane |
| Then if it's all for nothing |
| All the roadrunning has been in vain |
| All the roadrunning |
| All the roadrunning |
| All the roadrunning |
| All the roadrunning |
| Verse 4: |
| The show's packing up, i sit and I watch |
| The carnival eaving town |
| There's no pretending that I'm not a fool |
| For riding around and around |
| Like the pictures you keep of your old wall of death |
| You showed me one time on the plane |
| But if it's all for nothing |
| All the roadrunning, has been in vain |
| Fill: C Am C F C |
| Verse 6: |
| I've a million miles of vagabond sky |
| Clocked up above the clouds |
| And i'm still your man for the roaming |
| For as long as there's roaming allowed |
| There'll be a rider and there'll be a wall |
| As long as the dream remains |
| And if it's all for nothing |
| All the road running, it's been in vain |
| All the roadrunning |
| All the roadrunning |
| All the roadrunning |
| All the roadrunnung |
| ... ... ... |
| Outro: C Am C F C |

| D | A | Bm | |
| Well it ain't no use to s | it and wonder | why Babe |
| G | D | A | |
| It don't matter anyh | ow |
| D | A | Bm | |
| Ain | 't no use to s | it and wonder w | hy Babe |
| G | A | A7 | |
| If'n you don't know me by n | ow |
| D | Bm | |
| When the rooster crows at the b | reak of dawn |
| G | D | A | |
| Look out your window and I | 'll be go | ne |
| D | A | Bm | G | |
| Well you're the re | ason I' | m travelling | on |
| D | A | D | |
| Don't think t | wice it's all rig | ht |
| D | A | Bm | |
| Ain | 't no use in tur | nin' on your light | Babe |
| G | D | A | |
| The light I never know | ed |
| D | A | Bm | |
| Ain't no use in t | urnin' on your li | ght Babe |
| G | A | A7 | |
| I'm on the dark side of the ro | ad |
| D | Bm | |
| Still I wish there was something you would | do or say |
| G | D | A | |
| Something to make me change my m | ind an' st | ay |
| D | A | Bm | G | |
| Well we never did t | oo much ta | lkin' an | yway |
| D | A | D | |
| So don't think tw | ice it's all rig | ht |
| D | A | Bm | |
| I'm goinin' down that l | ong lonesome ro | ad Babe |
| G | D | A | |
| Where I'm bound I for can't te | ll |
| D | A | Bm | |
| But goodbye's J | ust another w | ord Babe |
| G | A | A7 | |
| So I'll just say fare thee wel | l |
| D | Bm | |
| I ain't saying that you tr | eated me unkind |
| G | D | A | |
| You could have done better Babe | but I don't min | d |
| D | A | Bm | G | |
| You just kinda was | ted all of | my precious t | ime |
| D | A | D | |
| But don't think twi | ce it's all ri | ght |
| D | A | Bm | |
| Ain't no use in ca | llin' out my n | ame Babe |
| G | D | A | |
| Like you never done befo | re |
| D | A | Bm | |
| Ain't no use in ca | llin' out my n | ame Babe |
| G | A | A7 | |
| I can't hear you anymo | re |
| D | Bm | |
| I'm thinkin' and wonderin' all the w | ay down the road |
| G | D | A | |
| I once loved a good man a ch | ild now I'm to | ld |
| D | A | Bm | G | |
| Well I gave him my he | art but he wa | nted my so | ul |
| D | A | D | |
| So don't think tw | ice it's all rig | ht |
| D | Bm | |
| Still I wish there was something you would | do or say |
| G | D | A | |
| Something to make me change my m | ind an' st | ay |
| D | A | Bm | G | |
| Well we never did t | oo much ta | lkin' an | yway |
| D | A | D | |
| So don't think tw | ice it's all rig | ht |

| C | D | C | Bb | |
| Lonely rivers | flow to the | sea, to the | sea. |
| C | D | G | |
| To the open | arms of the | sea, yeah. |
| C | D | C | Bb | |
| Lonely rivers | sigh wait for | me, wait for | me. |
| C | D | G | |
| I'll be coming | home, wait for | me. |
| G | Em | C | |
| Whoa, my | love, my | darling. |
| D | G | |
| I've | hungered for your | touch, |
| Em | D | |
| A | long lonely | time. |
| G | Em | C | |
| And time goes | by so | slowly, |
| D | G | |
| And | time can do s | o much. |
| Em | D | |
| Are | you still | mine? |
| G | D | |
| I need your love | . |
| Em | Bm | |
| I | oh | need your love. |
| C | D | G | G7 | |
| God | speed your love | to | me. |
| C | D | C | Bb | |
| Lonely rivers | flow to the | sea, to the | sea. |
| C | D | G | |
| To the open | arms of the | sea, yeah. |
| C | D | C | Bb | |
| Lonely rivers | sigh wait for | me, wait for | me. |
| C | D | G | |
| I'll be coming | home, wait for | me. |
| G | Em | C | |
| Whoa my | love, my | darling. |
| D | G | |
| I've | hungered, hungered for | your touch, |
| Em | D | |
| A | long Lonely | time. |
| G | Em | C | |
| And time | goes by so | slowly, |
| D | G | |
| And | time can do so | much. |
| Em | D | |
| Are | you still | mine? |
| G | D | |
| I need your | love. |
| Em | Bm | |
| I | oh | need your love. |
| C | D | G | Em | C | G | |
| God | speed your love | to me. |


| G | |
| In the | summertime when the weather is high, |
| you can stretch right up and touch the sky, |
| C | G | |
| when the | weather is fine, you got women, you got women on your | mind. |
| D | G | |
| Have a | drink, have a drive, |
| C | G | |
| go out and see what you can | find. |
| G | |
| If her | daddy's rich, take her out for a meal, |
| if her daddy's poor, just do as you feel. |
| C | G | |
| Speed al | ong the lane, do a ton or a ton and twenty- | five. |
| D | |
| When the | sun goes down, |
| C | G | |
| you can | make it make it good in a lay | -by. |
| G | |
| We're not grey | people, we're not dirty, we're not mean, |
| we love everybody but we do as we please. |
| C | G | |
| When the | weather is fine, we go fishing or go swimming in the | sea. |
| D | |
| We're always h | appy, |
| C | G | |
| life's for | living, yeah, that's our philosoph | y. |
| G | |
| Sing a | long with us, da da di di di |
| Da da da da yeah we're happy |
| C | G | |
| Da da | da da, di di di di di da da | da |
| D | |
| Da da da | da , |
| da | da | da | da | da | da | da | da | da | da | da | da |
| piano solo |
| | E E | E E | A A | E E | B A | E E | |
| G | |
| When the win | ter's here, yeah, it's party-time, |
| bring a bottle, wear your bright clothes, it'll soon be summertime. |
| C | G | |
| And we'll | sing again, we'll go driving or maybe we'll settle | down. |
| D | |
| If she's | rich if she's nice, |
| C | G | |
| bring your | friend and we will all go into | town. |
| Motor |
| Intstrumental: |
| | E E | E E | A A | E E | B A | E E | |
| G | |
| In the | summertime when the weather is high, |
| you can stretch right up and touch the sky, |
| C | G | |
| when the | weather is fine, you got women, you got women on your | mind. |
| D | |
| Have a | drink, have a drive, |
| C | G | |
| go out and see what you can | find |
| G | |
| If her | daddy's rich, take her out for a meal, |
| if her daddy's poor, just do as you feel. |
| C | G | |
| Speed al | ong the lane, do a ton or a ton and twenty- | five. |
| D | |
| When the | sun goes down, |
| C | G | |
| you can | make it make it good in a lay | -by. |
| G | |
| We're not gre | y people, we're not dirty, we're not mean, |
| we love everybody but we do as we please. |
| C | G | |
| When the | weather is fine, we go fishing or go swimming in the | sea. |
| D | |
| We're always h | appy, |
| C | G | |
| life's for | living, yeah, that's our philosoph | y. |
| G | |
| Sing a | long with us, da da di di di |
| Da da da da yeah we're happy |
| C | G | |
| Da da | da da, di di di di di da da | da |
| D | |
| Da da da | da , |
| END |
+--------------------------------------------------------------------------+
| | This file is the author's own work and represents their interpretation | |
| | of the song. You may only use this file for private study, scholarship, | |
| | or research. | |
+--------------------------------------------------------------------------+
| Ultimate-Guitar.Com © 2005 |

----------------------------------
| G | D | G | |
| Well, I | dreamed I saw the knights in | armour coming, |
| D | G | |
| Sayin' | something about a | queen. |
| D | A | |
| There where | peasants singin' and | drummers drummin' |
| G | A | |
| And the | archer split the | tree. |
| Bm | C | |
| There was a | fanfare blowin' | to the sun |
| G | C | |
| that was | floating on the | breeze. |
| D | A | |
| Look at Mother Nature | on the run |
| C | G | |
| In the | nineteen seven | ties. |
| D | A | |
| Look at Mother Nature | on the run |
| C | G | |
| In the | nineteen seven | ties. |
| I was lying in a burned out basement |
| With a full moon in my eye |
| I was hoping for replacement |
| When the sun burst through the sky |
| There was a band playing in my head |
| And I felt like getting high |
| I was thinking about what a friend had said |
| I was hoping it was a lie |
| Thinking about what friend had said |
| I was hoping it was a lie |
| Horn solo (lasts one verse) |
| Well I dreamed I saw the silver spaceship flying |
| In the yellow haze of the sun |
| There were children crying and colours flying |
| All around the chosen one |
| All in a dream, all in a dream |
| The loading had begun |
| Flying mother nature's silver seed |
| To a new home in the sun |
| Flying mother nature's silver seed |
| To a new home |
| notes: |
| Intro: DaddE -> D |
| In other words hammer-on the first string as you hit the opening D. |
| (this from the 'Decade' file by inges@??? alt.guitar.tab) |
| From: Alex2670NE@aol.com |
| Date: Sat, 28 Oct 1995 21:33:49 -0400 |
| Subject: After the GoldrushNeil young |
| After the GoldrushNeil young |
| Strum chord once for each and once for the letter itself |
| Intro |
| C F C F |
| Verse |
| C F C F |
| C G F G |
| Am Bb Am Bb |
| Bb C G Bb |
| F C G Bb |
| F |
| Lyrics |
| Well, I dreamed I saw the knights in armour coming, |
| Sayin' something about a queen. |
| There where peasants singin' and drummers drummin' |
| And the archer split the tree. |
| There was a fanfare blowin' to the sun |
| that was floating on the breeze. |
| Look at Mother Nature on the run |
| in the nineteen seventies. |
| Look at Mother Nature on the run |
| In the nineteen seventies. |
| I was lying in a burned out basement |
| With a full moon in my eye |
| I was hoping for replacement |
| When the sun burst through the sky |
| There was a band playing in my head |
| And I felt like getting high |
| I was thinking about what a friend had said |
| I was hoping it was a lie |
| Thinking about what friend had said |
| I was hoping it was a lie |
| Horn solo (lasts one verse) |
| Well I dreamed I saw the silver spaceship flying |
| In the yellow haze of the sun |
| There were children crying and colours flying |
| All around the chosen one |
| All in a dream, all in a dream |
| The loading had begun |
| Flying mother nature's silver seed |
| To a new home in the sun |
| Flying mother nature's silver seed |
| To a new home |
| Marsh26701 or Alex2670NE @aol.com |
| send comments corrections |

| G | C | G | C | |
| Every tim | e | I close my e | yes |
| Em7 | C | |
| It's y | ou and I kno | w now |
| G | Em | Em7 | |
| Who I | am | Yea yea ye | a |
| D | |
| And I kn | ow now |
| G | D | |
| There's a place I go When I'm alon | e |
| Em | |
| Do anything I want be anyone I w | anna be |
| C | |
| But it is us I see and | I cannot believe I'm falling |
| G | D | |
| That's where I'm going where are you going |
| Em | |
| Hold it close won't let this g | o |
| C | |
| Dream catch me, ye | a |
| Em7 | C | |
| Dream catch me when I fa | ll |
| Or else I won't come back at all |
| G | C | G | C | |
| You do s | o much t | hat you don't | know |
| Em7 | C | |
| It's tr | ue and I kno | w now |
| Em | G | Em7 | |
| Who I | am | Yea yea ye | a |
| D | |
| And I kn | ow now |
| G | D | |
| T | here's a place I go when I'm alone |
| Em | |
| Do anything I want be anyone I wa | nna be |
| C | |
| But it is us I see and I | cannot believe I'm falling |
| G | D | |
| T | hat's where I'm going where are you goin | g |
| Em | |
| Hold it close won't let this g | o |
| C | |
| Dream catch me, y | ea |
| Em7 | |
| Dream catch me when I f | all |
| C | |
| Or else I won't come back at all |
| Em | C | G | |
| See you as a mount | ain a fountain of G | od |
| D | Em | |
| See you as as a de | scant soul in the se | tting sun |
| C | G | |
| You as the so | und as the sight of us l | ove |
| D | |
| I'm young |
| G | D | |
| T | here's a place I go when I'm a | lone |
| Em | |
| Do anything I want be anyone I wa | nna be |
| C | |
| But it is us I see and I | cannot believe I'm falling |
| G | D | |
| T | hat's where I'm going where are you goin | g |
| Em | |
| Hold it close won't let this g | o |
| C | |
| Dream catch me, y | ea |
| Em7 | C | |
| Dream catch me when I f | all |
| G | |
| Or else I won't come back at al | l |
| Thanks for reading and enjoy!!! |
| Please rate x |

| Am | Am | D | C | |
| My G | irl, my g | irl, don't l | ie to | me, |
| E | Am | |
| tell me wh | ere did you sleep last n | ight? |
| Am | Am | D | C | |
| In the p | ines, in the pi | nes, where the s | un don't ever sh | ine, |
| E | Am | |
| i would s | hiver the whole night th | rough. |
| Just continue playing the chords in the same order and look up the rest |
| of the text as I am much too lazy. |

| A | D | A | |
| Like pebbles on a beach | , |
| A | E | A | E | |
| Kicked around, | displaced by feet | , |
| D | B | A | E | |
| Like | broken stones, all trying to get | home |
| A | D | A | |
| Like a losers reach | , |
| A | E | A | E | |
| Too slow n short to | hit the peaks | , |
| D | A | |
| so | lost n alone, trying to get h | ome. |
| A | D | |
| As another peice shatters | , |
| A | |
| Another little bit gets l | ost, |
| D | B | A | E | |
| And what else really | matters, at such a | co | st? |
| A | D | A | |
| Like a losers reach | , |
| A | E | A | E | |
| Too slow n short to | hit the peaks | , |
| D | A | |
| so | lost n alone, trying to get h | ome. |
| A | D | A | |
| Trying to get home | ,trying to get home | , |
| E | A | |
| Like broken stones | ,trying to get home |
| Bb Eb (outro.) |

| C | Em | Am | G | |
| GOD GAVE ROCK AND | ROLL TO YO | U, GAVE ROCK AND | ROLL TO YOU, |
| F | Eb-Bb | C | |
| PUT IT IN THE S | OUL OF E | VERYONE. (REPEAT) |
| Bb | |
| YOU CAN LE | ARN TO DANCE OR YOU CAN BE A SQUARE, YOU CAN LET THE MUSIC |
| Ab | Eb | |
| TAKE YOU ANYWHERE BUT WH | ERE WILL YOU BE WHEN THE MU | SIC'S GONE? |
| Bb | |
| YOU CAN LE | ARN TO SING OR YOU CAN PLAY GUITAR, YOU CAN LEARN TO ROCK, |
| Ab | Eb | |
| YOU CAN BE A STAR, BUT WH | ERE WILL YOU GO WHEN THE MU | SIC'S GONE? |
| CHORUS |
| IF YOU LOVE THE SOUND THEN DON'T FORGET THE SOURCE, YOU CAN TURN |
| AROUND, YOU CAN CHANGE YOUR COURSE, 'CAUSE IT'S NEVER TOO LATE TO |
| CHANGE YOUR MIND. YOU CAN LOVE THE ROCK, AND LET HIM FREE YOU SOUL, |
| OR YOU CAN LET THE OLD MAN TAKE HIS TOLL, IT'S NEVER TOO LATE TO |
| CHANGE YOUR MIND. |
| INSTRUMENTAL(CHORUS)- C Em Bb Eb Db |
| Bb |
| KEY CHANGE- |
| Bb | Dm | Gm | F | |
| GO | D GAVE ROCK AND RO | LL TO YOU, | GAVE ROCK AND RO | LL TO YOU, |
| Eb | Db-Ab | Bb | |
| PUT IT IN THE S | OUL OF E | VERYONE!! |

| D | |
| When I wake up, well I know I'm gonna be, |
| G | A | D | |
| I'm gonna | be the man who | wakes up next to | you |
| D | |
| When I go out, yeah I know I'm gonna be |
| G | A | D | |
| I'm gonna | be the man who | goes along with | you |
| D | |
| If I get drunk, well I know I'm gonna be |
| G | A | D | |
| I'm gonna | be the man who | gets drunk next to | you |
| D | |
| And if I haver, hey I know I'm gonna be |
| G | A | D | |
| I'm gonna | be the man who's | havering to | you |
| (Chorus) |
| D | |
| But I would walk 500 miles |
| G | A | |
| And | I would walk | 500 more |
| D | G | |
| Just to | be the man who walks a thousand | miles |
| A | D | |
| To fall down | at your | door |
| D | |
| When I'm working, yes I know I'm gonna be |
| G | A | D | |
| I'm gonna | be the man who's | working hard for | you |
| D | |
| And when the money, comes in for the work I do |
| G | A | D | |
| I'll pass al | most every pen | ny on to yo | u |
| D | |
| When I come home(When I come home), well I know I'm gonna be |
| G | A | D | |
| I'm gonna | be the man who | comes back home to | you |
| D | |
| And if I grow , well I know I'm gonna be |
| G | A | D | |
| I'm gonna | be the man who's | growing old with | you |
| (chorus) |
| Same Pattern As Verses D G A D |
| Da la la (Da la la) |
| Da la la (Da la la) |
| Da la la (Da la la) |
| Da la la (Da la la) |
| D | |
| When I'm lonely, well I know I'm gonna be |
| G | A | D | |
| I'm gonna | be the man who's | lonely without | you |
| D | |
| And when I'm dreaming, well I know I'm gonna dream |
| G | A | D | |
| I'm gonna | Dream about the | time when I'm with | you |
| D | |
| When I go out(When I go out), well I know I'm gonna be |
| G | A | D | |
| I'm gonna | be the man who | goes along with yo | u |
| D | |
| And when I come home(When I come home), yes I know I'm gonna be |
| G | A | D | |
| I'm gonna | be the man who | comes back home with | you |
| G | A | Bm | |
| I'm gonna | be the man who's | coming home with | you |
| (Chorous) |
| Da la la (Da la la) |
| Da la la (Da la la) |
| Da la la (Da la la) |
| Da la la (Da la la) |
| Da la la (Da la la) |
| Da la la (Da la la) |
| Da Da Da Dun Diddle Un Diddle Un Diddle Uh Da Da |
| Da la la (Da la la) |
| Da la la (Da la la) |
| (Chorus) |

Get Free Email and Do More On The Web. Visit http://www.msn.com
To: rob@getinyourcrib.com
SONG: STAY WITH ME ARTIST: RON WOOD/ROD STEWART ALBUM: ROD STEWART ANTHOLOGY & UNPLUGGED TAB BY: DON CZARSKI E-MAIL: guitarzan7@hotmail.com
STAY WITH ME RON WOOD/ROD STEWART
NOTE: ALL CHORDS ARE BARRE CHORDS: E IS PLAYED AT THE 12th FRET D IS PLAYED AT THE 10th FRET A IS PLAYED AT THE 5th FRET B IS PLAYED AT THE 7th FRET
TO PLAY I WOULD SUGGEST THAT YOU 'MOVE' YOUR FINGERS (3rd,4th,5th) AS YOU BARRE THE CHORD AND PLAY THE SONG. A PERFECT EXAMPLE WOULD BE TO WATCH THE VIDEO OF ROD STEWART UNPLUGGED TO SEE WHAT I MEAN AND HOW RON WOOD PLAYS IT.
INTRO: E D A E D A E D A
THEN: A B D A A B D A
THE ENTIRE SONG CONSISTS OF PLAYING: A B D A OVER AND OVER.
In the morning Don't say you love me Cause I'll only kick you out of the door
I know your name is Rita Cause your perfumes smelling sweeter Since when I saw you down on the floor
PLAY SLIDE OVER THESE CHORDS: A B D A guitar
Won't need to much pursuading I don't mean to sound degrading But with a face like that You got nothing to laugh about
Red lips hair and fingernails I hear your a mean old jezabel Lets go up stairs and read my tarot cards
Stay with me Stay with me For tonight you better stay with me
Stay with me Stay with me For tonight you better stay with me
PLAY SLIDE OVER THESE CHORDS: A B D A - 2x's
So in the morning Please don't say you love me Cause you know I'll only kick you out the door
Yea I'll pay your cab fare home You can even use my best colonge Just don't be here in the morning when I wake up
Stay with me Stay with me Cause tonight you better stay with me Sit down, get up, get down
Stay with me Stay with me Cause tonight your going stay with me Hey, whats your name again oh no, get down, wooo
OUTRO: PLAY SLIDE AND GO CRAZY OVER THESE CHORDS: (LIKE INTRO) E D A - PLAY ABOUT 7x's
THEN END ON THIS: A/Ab/G/F A/Ab/G/F -SLIDE FROM A DOWN TO F
ANY QUESTIONS, COMMENTS OR CORRECTIONS E-MAIL ME AT: guitarzan7@hotmail.com
P E A C C C E E E D O N
_______________________________________________________________

| D | Em | G | D | D | D |
| A | G | D | |
| Wake up Maggie I t | hink I've got something to s | ay to you |
| A | G | D | |
| It's l | ate September and I re | ally should be | back at school |
| G | D | G | A | |
| I | know I keep you amus | ed But I f | eel I'm being u | sed |
| Em | F#m | Em | Asus | A | |
| Oh M | aggie I couldn't have tr | ied any | more |
| Em | A | Em | A | |
| You | led me away from | home just to | save you from being a | lone |
| Em | A | D | |
| You s | tole my heart, and t | hat's what really h | urts |
| A | G | D | |
| The | morning sun when it's i | n your face really | shows your age |
| A | G | D | |
| But | that don't worry me | none, in my eyes you're | everything |
| G | D | G | A | |
| I | laughed at a | ll your jokes, my l | ove you didn't need to | coax |
| Em | F#m | Em | Asus | A | |
| Oh Ma | ggie I couldn't have t | ried any | more |
| Em | A | Em | A | |
| You led | me away from | home just to s | ave you from being a | lone |
| Em | A | D | |
| You | stole my soul that's a | pain I can do wit | hout |
| A | G | D | |
| All I needed was a | friend to lend a gu | iding hand |
| A | G | D | |
| But you tu | rned into a lover and m | other what a lover you w | ore me out |
| G | D | G | A | |
| A | ll you did was wreck my | bed And in the m | orning kick me in the h | ead |
| Em | F#m | Em | Asus | A | |
| Oh Ma | ggie I couldn't have t | ried any | more |
| Em | A | Em | A | |
| You | led me away from | home 'cause you | didn't want to be a | lone |
| Em | A | D | |
| You s | tole my heart I couldn't l | eave you if I t | ried |
| Guitar solo 1 |
| Em | G | D | |
| A | G | D | |
| I s | uppose I should c | ollect my books and get b | ack to school |
| A | G | D | |
| Or st | eal my daddy's | cue make a living out of pl | aying pool |
| G | D | G | A | |
| Or f | ind myself a rock and roll | band that | needs a helping | hand |
| Em | F#m | Em | Asus | A | |
| Oh Ma | ggie, I wish I'd | never seen your | face |
| Em | A | Em | A | |
| You made a | first class fool out of | me, but I'm as b | lind as a fool can | be |
| Em | A | D | |
| You | stole my heart but I l | ove you any | way |
| Guitar Solo 2 => |
| Em | G | D | |
| Mandolin Solo => |
| D | Em | G | D | |
| x5 |
| D | Em | G | D | |
| Maggie, I | wish I'd n | ever seen your | face |
| D | Em | G | D | |
| (Mandolin) |
| D | Em | G | D | |
| I'll get on back | home, | one of these d | ays |
| D | Em | G | D | |
| (Mandolin) |
| D | Em | G | D | |
| (Mandolin) |
| �fade out |
| tabbed by Tesscar AKA D. Crandall |

| Am | E7 | G | F | E7 | Am | |
| Angie, | Angie | When will | those | clouds all disap | pear? |
| Am | E7 | G | F | E7 | Am | |
| Angie, | Angie | Where will | it | lead us from | here? |
| G | Dm | Am | |
| With no | loving in our souls and no | money in our | coats |
| C | F | G | |
| You can't | say we're satisf | ied |
| Am | E7 | G | F | Em7 | Am | |
| Angie, | Angie | You can't | say we | never | tried |
| Am | E7 | G | F | Em7 | Am | |
| Angie, you're | beautiful...yeah | but ain't it | time we | said good | bye |
| Am | E7 | G | F | Em7 | Am | |
| Angie, I still | love you | Remember | all those | nights we | cried |
| G | Dm | Am | |
| All the | dreams we held so close Seem to | all go up in | smoke |
| C | F | G | |
| Oh let me | whisper in your | ear |
| Am | E7 | G | F | E7 | Am | |
| (Whispering...) | Angie, | Angie | Where | will it | lead us from | here? |
| During Piano Solo: String (Am, E7, G, F, Em7, Am ) |
| G | |
| Oh | Angie don't you weep |
| Dm | Am | |
| All your | kisses still taste | sweet |
| C | F | G | |
| I hate that | sadness in your | eyes |
| Am | E7 | G | F | Em7 | Am | |
| but | Angie, | Angie | Ain't it | time we | said good | bye...ya |
| String Solo (Am, E7, G, F, Em7, Am )X 2 |
| G | Dm | Am | |
| With no | loving in our souls and no | money in our | coats |
| C | F | G | |
| Oh you can't | say we're satis | fied |
| Dm | Am | |
| but | Angie, I still love you | baby |
| Dm | Am | |
| Every where I look I see your | eyes |
| Dm | Am | |
| There ain't a woman that comes | close to you |
| F | G | Am | |
| Come on | baby dry your | eyes |
| Am | E7 | G | F | Em7 | Am | |
| Angie, | Angie | Ain't it | good | to be a | live |
| Am | E7 | G | F | Em7 | Am | |
| Angie, | Angie | They can't | say we | never tried |

| E | |
| I can't get no |
| A | |
| satisfaction |
| E | |
| I can't get no |
| A | |
| satisfaction |
| E | B7 | |
| And I try | , and I try | , |
| E | A | |
| and I try | , and I try | . |
| E A ( ** = riff here ) |
| I cant ** get no |
| E | A | |
| I cant ** | get no |
| E | A | |
| When Im dr | iving in my c | ar |
| E | A | |
| And that m | an comes on the r | adio |
| E | A | |
| And he's t | ellin' me more and m | ore |
| E | A | |
| about some | useless inform | ation |
| E | A | |
| Supposed to f | ire my imagin | ation |
| E | A | |
| I can't g | et no |
| tacet |
| Oh no no no |
| E | A | |
| hey hey h | ey |
| E | A | |
| thats what I s | ay |
| Chorus |
| When I'm watching my t.v. |
| And a man comes on and tells me |
| Just how white my shirts could be |
| But he cant be a man cos he doesnt smoke |
| The same cigarettes as me |
| I cant get no, |
| no no no. |
| Chorus |
| When I'm riding 'round the world |
| And I'm doing this and I'm tryin' that |
| And Im trying to meet some girl |
| Who tells me 'Baby better come back maybe next week, |
| Can't you see I'm on a losin' streak' |
| I cant get no, |
| no no no. |
| hey hey hey |
| I cant get no..... |
| Riff: |
E--------------------------------- B--------------------------------- G--------------------------------- D--------------------------------- A-2--2~~---2-4-5~~----5-5^4-4^2--- ^ = pull off or slide E---------------------------------
| ***************************************************************************************** |
| The above is solely MY INTERPRETATION of this great song, in a format aimed at learning guitarists. |
| No attempt has been made to copy or reproduce the artist's or publisher's sheet music for the song, |
| if such exists. |
| It can be used for INFORMATIONAL PURPOSES ONLY. To play the song as it should be played, you should |
| purchase the official sheetmusic for the song. You should also purchase and listen to the song to learn |
| the rhythm and timing of the song - this is essential if you wish to play the song with any degree of accuracy |
| ***************************************************************************************** |
This song is from PJ's Guitar Chords & Lyrics site |

| G | Em7 | |
| E | v'rywhere you walk I | always go |
| G | Em7 | Am | |
| I | 'm always giving you the | things you | know |
| D7 | G | G7 | C | D | |
| J | ust say s | o 'cause you g | ave me that fe | eling ins | ide |
| G | Em | |
| But I k | now I must be r | ight |
| Am7 | D7 | Am7 | D7 | G | |
| It's the | sing - | er | not | the | song. |
| G | Em7 | |
| I | t's not the way you give in | willingly |
| G | Em7 | Am | |
| O | thers do it without | thrilling | me |
| D7 | G | G7 | C | D | |
| K | issing m | e that s | ame old f | eeling in | side |
| G | Em | |
| But I k | now I must be r | ight |
| Am7 | D7 | Am7 | D7 | G | |
| It's the | sing - | er | not | the | song. |
| G | Em7 | |
| T | he same old places and the | same old song |
| G | Em7 | Am | |
| W | e've been going there for m | uch too | long |
| D7 | G | G7 | C | D | |
| T | here's so | mething wrong and it g | ives me that f | eeling in | side |
| G | Em | |
| THat I | know I must be | right |
| Am7 | D7 | Am7 | D7 | G | |
| It's the | sing - | er | not | the | song. |

| (C) E: ]0 ]0 ]2 ]0 ]0 ]0 |
| (F) A: 0 2 0 1 2 0 (occasionally hammering the 5th string) |
| (D) F#: 2 2 2 2 2 2 |
| In the Steel Wheels tour he uses his trusty |
| 5-string-open-G-tuned Telecaster. (Obviously |
| Keith's a closet banjo player. Gee...wouldn't |
| an electric banjo version of 'Honkey Tonk |
| Women' be interesting |
| (Note: Keith doesn't have the 6th (bass) string) |
| Open G tuning (capo 5) |
| (C) G: +++000000 (000200 for add9) |
| (F) C: 002010 or sometimes 002012 |
| (occasionally hammering the 4th string) |
| (sometimes he'll quickly slide up to |
| and back or just down from 004030) |
| (D) A: 222222 |
| In the 1968 video 'Rock and Roll Circus' Keith plays |
| the entire set (including 'Jumping Jack Flash' which |
| he now plays in open G, and 'You Can't Always Get |
| What You Want') in standard tuning without a capo. |
| I'm not really sure how he's playing it in the video, |
| but it looks/sounds like he's barring 8-10-12-9-8-8 |
| for the Cadd9. |
| Though Keith doesn't play it this way, if you don't |
| want to bother going to open tuning, the following |
| is easy to play and very close to the same sound: |
| Standard tuning (capo 5) |
| EADGBe |
| (C) G: +++320003 (300203 for add9) |
| (F) C: 032013 (occasionally hammering the 4th string) |
| (D) A: 002220 |
| After all that, the song itself is just pounding out |
| the chords: |
| C F C F... |
| D | G | |
| I | saw her today at the re | ception |
| D | G | |
| A | glass of wine in her | hand |
| D | G | |
| I | knew she was gonna meet her con | nection |
| D | G | |
| At her | feet was a footloose | man |
| Chorus: |
| D | G | |
| You | can't always get what you | want |
| D | G | |
| You | can't always get what you | want |
| D | G | |
| You | can't always get what you | want |
| E | |
| But if you | try sometimes, |
| G | |
| Yo | u might find |
| D | G | D | G | |
| You get what you | need... ahhhh | hhh, | yeah.... | . |
| I went down to the demonstration, |
| To get my fair share of abuse. |
| Singing 'we're gonna vent our frustration, |
| And if we don't we're gonna blow a 50-amp fuse.' |
| You can't always get what you want, |
| You can't always get what you want, |
| You can't always get what you want, |
| But if you try sometimes well you might find |
| You'll get what you need. |
| I went down to the Chelsea drugstore |
| To get your prescription filled. |
| I was standing in line with Mr. Jimmy, |
| And man, did he look pretty ill. |
| We decided that we would have a soda, |
| My favorite flavor, cherry red. |
| I sung my song to Mr. Jimmy, |
| And he said one word to me, and that was 'dead,' |
| I said to him: |
| You can't always get what you want, |
| You can't always get what you want, |
| You can't always get what you want, |
| But if you try sometimes you just might find |
| You'll get what you need, ...oh yes |
| (instrumental) |
| You'll get what you need--yeah, oh baby. |
| I saw her today at the reception, |
| In her glass was a bleeding man. |
| She was practiced at the art of deception, |
| Well I could tell by her bloodstained hands. |
| You can't always get what you want, |
| You can't always get what you want, |
| You can't always get what you want, |
| But if you try sometimes you just might find |
| You just might find |
| You'll get what you need. |
| You can't always get what you want, |
| You can't always get what you want, |
| You can't always get what you want, |
| But if you try sometimes you just might find |
| You just might find |
| You'll get what you need. |
| From kaye@umbsky.cc.umb.edu Sun May 4 09:54:51 1997 |
| Date: Thu, 17 Apr 1997 01:21:12 EDT |
| From: 'Larry J. Kaye' |
| To: GUITAR@OLGA.NET |
| Cc: kaye@umbsky.cc.umb.edu |
| Subject: TAB: Rolling Stones, 'You Can't Always Get What You Want' |
| (upgrade--much more complete fuller version than what's on OLGA now) |
| YOU CAN'T ALWAYS GET WHAT YOU WANT |
| (Jagger-Richards) |
| Original studio recording: |
| Rolling Stones, 'Let It Bleed' album (London Records, 1969) |
| (also on a single, edited--minus 2nd verse, 3rd verse cut in half) |
| Main rhythm guitar: acoustic in OPEN E TUNING, CAPO 8! |
| (Once you figure that out the rest isn't too hard) |
| tempo: medium ballad--about 104 b.p.m. |
| E tuning, low to high: E, B, E, G#, B, E |
| Chords: () = chord with capo |
| F# | Db | F# | Bb | Db | F# | |
| E add 9 | 0 | 0 | 2 | 0 | 0 | 0 (C add 9) (or call it 'add 2'?) |
| A 0 2 0 1 2 0 (F) |
| Ab | 2 | 2 | 2 | 2 | 2 | 2 | E | |
| E | 0 | 0 | 0 | 0 | 0 | 0 | (C) |
| Absus | 2 | 2 | 2 | 3 | 2 | 2 | Esus | |
| B7sus | x | 2 | 1 | 0 | 0 | 0 | (G7sus) |
| (Note: unwilling to tune up to open E? Tuning to open D instead? You'll |
| find this hard to play (capo 10) unless you've got a cut-away. |
| I suggest tuning to open E-flat instead (1/2 step/one fret down from E, |
| 1 up from D) it doesn't put undue strain on the neck and you won't break |
| the G string--it stays G. The you can capo 9 and get to open C, or if that's |
| still hard to finger, capo to 8 and play it in B) |
| _________________________ |
| This song is built around the following 2 bar lick: |
| opening | |
| flourish | E add 9 (=C add 9) A (=F) |
-----------------0---0-------0--0-0-0-0----------0--0--0---------------|| -2--0-------0----0---0---0---0--0-0-0-0-|--0--0--2--2--2---------------|| -2--0----|--0----0---0---0---0--0-0-0-0-|--1--1--1--1--1-------1-------|| -2--0----|--2------------2------2---2---|--0--0--0--0--0-------0-------|| ---------|--0------------0--------------|--2--------------0--2---------|| ---------|--0------------0--------------|--0----------------------0----||
| pull-off hammer-on |
| this pattern repeats throughout the song |
| with slight (mostly rhythmic) variations--listen to recording for rhythm |
| ______________________ |
| Full structure: lyrics, chords--in capoed tone, measures (|) |
| (Opening: choir sings 1st verse, chorus) |
| C add9 | F x 4, with French horn intro. |
| Verse: |
| | C add 9 | F |
| I saw her today at the reception, |
| | C add 9 | F |
| a glass of wine in her hand |
| | C add 9 | F |
| I knew she was gonna meet her connection, |
| | C add 9 | F |
| at her feet was a footloose man |
| Chorus: |
| | C add 9 | F |
| You can't always get what you wa-ant x 3 |
| | D (see fill #1 below) | F | C | F |
| but if you try sometimes, you might find, you get what you need |
| Verse 2: |
| I went down to the demonstration, to get my fair share of abuse |
| Singing, 'we're gonna vent our frustration, |
| if we don't we're gonna blow a 50 amp fuse' |
| Chorus |
| Verse 3 (add 4 extra C add 9, F's--twice as long): |
| I went down to the Chelsea Drug Store, to get your prescription filled |
| I was standing in line with Mr. Jimmy, and man did he look pretty ill |
| We decided we would have a soda, my favorite flavor--cherry red |
| I sung my song to Mr. Jimmy, |
| and he said one word to me and that was 'dead' |
| I said to him... |
| Chorus |
| Interlude, with brief electric solo and choir: |
| Dsus| C | F | Dsus| G7sus| then an instrumental chorus with last line sung |
| (If you don't have a choir handy--I seem to have misplaced mine right at the |
| moment--or a lead guitarist, try changing the rhythm to rapid strumming) |
| Verse 4: (back to standard pattern/rhythm) |
| I saw her today at the reception, in her glass was a bleeding man |
| She was practiced at the art of deception, |
| I could tell by her bloodstained hands |
| Chorus 3 times, then repeat and fade on C add 9, F with choir |
| ___________________ |
| Fill #1, last line of chorus, first time only: |
-----------------------------------------------------------| -----------------------------------------------------------| --2------------------------------1--------------------1----| --2----------------------2-------0----------------0--------| --2----------------0--2----------2------------0--2---------| --2--------------2---------------0-------------------------|
| h.o. h.o. |
| Electric for lead is in standard tuning, using C7 scale |
| play 8th fret C, F barre chords during chorus |
| _______________________ |
| Notes: Chelsea Drug is (was) a real drug store in south London--rock |
| musician, fan and junkie hang-out in 60's, 70's, 80's, maybe still. |
| Mr. Jimmy is clearly Jimi Hendrix |
| Enjoy! |
| Corrections, additions, comments, criticisms welcome: |
| Larry Kaye kaye@umbsky.cc.umb.edu |

e-0-2-3--3-2-0-- x2
| Em | |
| Kids are different today, I hear every mother say |
| Em | F | D | |
| Mother | needs something today to calm her d | own |
| G | C | C | C/B | Am | |
| And though s | he's not really ill, there's a l | ittle y | ell- | -ow | pill |
| Am | D7 | |
| She goes | running for the shelter of a | mother's little helper |
| Em | |
| And it | helps her on her way, gets her through her busy day |
| Em | |
| Things are different today, I hear every mother say |
| F | D | |
| Cooking fresh food for her husband's just a | drag |
| G | C | C/B | Am | |
| So she | buys an instant cake and she | burns her | frozen | steak |
| Am | D7 | |
| And goes | running for the shelter of a | mother's little helper |
| Em | |
| And two | help her on her way, get her through her busy day |
| C | D | |
| Doctor, | please, some more of | these |
| G | C | |
| Outside the d | oor she took four m | ore |
| Am | C | D | Em | |
| What a | drag it | is getting | old |
| Em | |
| Men just aren't the same today, I hear every mother say |
| Em | F | D | |
| They just | don't appreciate that you get | tired |
| G | C | C/B | Am | |
| They're so | hard to satisfy, you can | tranqui | lize your | mind |
| Am | D7 | |
| So go | running for the shelter of a | mother's little helper |
| Em | |
| And four | help you through the night, help to minimize your plight |
| C | D | |
| Doctor, | please, some more of | these |
| G | C | |
| Outside the d | oor she took four m | ore |
| Am | C | D | Em | |
| What a | drag it | is getting | old |
| Em | |
| Life's just | much too hard today, I hear every mother say |
| Em | F | D | |
| The pur | suit of happiness just seems a | bore |
| G | C | C/B | Am | |
| And if | you take more of those, you will | get an | over | dose |
| Am | D7 | |
| No more | running for the shelter of her | mother's little helper |
| Em | |
| They just | helped you on your way through your busy dying day |
| Outro: |
| G | G | C | G | G | |
| Hey! |

| D | G | |
| Well | baby used to stay out all night long |
| She made my cry She done me wrong |
| She hurt my eyes open that`s no lie |
| tables turning, now her turns to cry |
| D7 | C | G | |
| Because I | used to love her, | but it`s all over | now |
| Because I used to love her, but it`s all over now |
| Well, she used to run around with every man in town |
| Spent all my money playing a high class game |
| She put me out it was a pity how i cried |
| the tables turnin now, her turn to cry |
| Because I used to love her, but it`s all over now |
| Because I used to love her, but it`s all over now |
| Well, I used to wake the morning, get my breakfast in bed |
| When I gotten worried she could ease my aching head |
| but now she`s here and there |
| with ev`ry man in town |
| instead of trying to make me for that same old clown |
| Because I used to love her, but it`s all over now |
| Because I used to love her, but it`s all over now |
| Because I used to love her, but it`s all over now |
| Because I used to love her, but it`s all over now |

| E-|-----------------------------------------------------------| |
| B-|-----------------------------------------------------------| |
| G-|-----------------------------------------------------------| |
| D-|-----------------------------------------------------------| |
| A-|-2--2----2--4--5----5--5--4--2--2-----------------------| |
| E-|-----------------------------------------------------------| |
| E | A | E | A | |
| I can't get no | satisfaction | I can't get no | satisfaction |
| E | B7 | E | A | |
| Cause I try__ | and I try___ | and I try__ | and try__ |
| (start main riff) |
| A | E | A | D | A | E | A | D | |
| I can' | t get no | I | can't g | et no |
| A | E | A | D | A | E | A | D | |
| W | hen I | 'm driving in m | y c | ar and | the ma | n comes on the | ra | dio |
| A | E | A | D | A | E | A | D | |
| he's t | elling me more a | nd | more ab | out som | e useless info | rma | tion |
| A | E | A | D | A | E | A | D | |
| suppose | d to drive my i | magi | nation | I can't | get no |
| A E (NC) E A D A E A D |
| Oh no no no hey hey hey That's what I say |

| G | |
| Got a sweet black angel, got a pin up girl |
| Got a sweet black angel, up upon my wall |
| Well, she ain't no singer and she ain't no star |
| But she sure talk good, and she move so fast |
| G | G/F# | Em | Am | |
| But the g | al | in dan | ger, yeah, de gal in ch | ains |
| D | G | |
| But she keep on p | ushin', would ya take her p | lace? |
| G | G/F# | Em | Am | |
| She count | in' | up de mi | nutes, she countin' up de d | ays |
| D | G | |
| She's a sweet black a | ngel, woh, not a sweet black sl | ave |
| Ten little niggers sittin' on de wall |
| Her brothers been a fallin', fallin' one by one |
| For a judge's murder in a judge's court |
| Now de judge he gonna judge her for all dat he's worth |
| Em | Am | |
| Well de gal in d | anger, de gal in c | hains |
| D | G | |
| But she keep on p | ushin', would you do the s | ame? |
| Em | Am | |
| She countin' up de m | inutes, she countin' up de d | ays |
| D | D | |
| She's a sweet black a | ngel, not a gun toting t | eacher |
| D | D | |
| Not a Red lovin' sc | hool mom, ain't someone gonna f | ree her |
| G | G | |
| Free de sweet black sl | ave, free de sweet black s | lave |
| G | G | |
| Free de sweet black sl | ave, free de sweet black s | lave |
| RIFF: |
| G |
E ----------- B ----------- G -2p0------- D -----2p0--- A ----------- E ---------3-

| G | |
| I've got the money, I've got the place |
| D | |
| You've got the figure, you've got the | face |
| D7 | G | C | G | D | |
| Let's get to | gether, the | two of us | over a | glass of cham | pagne |
| G | |
| I've got the music, I've got the lights |
| D | |
| You've got the figure full of de | lights |
| D7 | G | C | G | D | |
| Let's get | together, the t | wo of us o | ver a g | lass of champ | agne |
| Chorus |
| C | F | C | F | |
| Now, I've been | waiting | much too | long |
| C | F | C | F | G | D | |
| For this | moment to | come a | long, oh | yeah, oh yeah, oh | yeah! |
| Solo: G7 C G |
| Chorus |
| C | F | C | F | |
| I've been | thinking | night and | day (night and day) |
| C | F | C | F | G | D | |
| For this | moment to | be this | way, oh | yeah, oh yeah, oh | yeah! |
| Verse |
| G | |
| I've got position, I've got the name |
| D | |
| You've got the power to drive me in | sane |
| D7 | G | C | G | D | |
| Let's get to | gether, the | two of us | over a | glass of cham | pagne |
| Chorus |
| C | F | C | F | |
| Now, I've been | waiting | much too | long |
| C | F | C | F | G | D | |
| For this | moment to | come a | long, oh | yeah, oh yeah, oh | yeah! |
| Solo: G7 C G |
| Outro |
| D | D7 | G | C | G | D7 | |
| Let's get tog | ether, the | two of us | over a | glass of cham | pagne |

| G | G | C | Em | Am7 | B | B7 | C | |
| Here is my | Song | For The | Asking. | Ask me and I will | play | so | sweetly, |
| G | D7 | G | |
| I'll | make you smile. |
| G | G | C | Em | Am7 | B | B7 | |
| This is my | tune | for the | taking. | Take it, don't turn aw | ay. | I've been |
| C | G | C | D7 | G | |
| waiting | all my | life. |
| Em | Bm | B | Dmin | Am | |
| Thinking it over, I've been | sad | . | Thinking it over, I'd be | more than |
| D7 | G | G7 | C | Em | Am7 | B | B7 | |
| glad to | change my wa | ys | for the | asking. | Ask me and I will | play | all the |
| C | G | C | G | D7 | G | |
| love that I | hold in | side. |
| If anybody has the tabs for this song, I would appreciate it if you would |
| email to me. |

E|-----------------------0------|
B|-----------------------0------|
G|-----------------------1------| played three times
D|-----------0-----------2------| in the beginning - twice elsewhere
A|-----0-1-2---2-1-0------------|
E|-0-4---------------3-0--------|
| G | |
| I saw her talking, now |
| My ears were burning |
| Her feet started walking, now |
| They started turning |
| C | |
| My eyes were half open, but |
| E (Intro) |
| She didn't see me there |
| D | F | C | G | |
| We r | an along walking 'cross the r | ooftops | In my ch | air |
| (Intro) |
| Had a car in my pocket |
| And we started moving |
| A man in a helmet |
| Said, what's that you're using |
| My eyes were half open |
| But we didn't see him there |
| Put the car back in my pocket |
| And I'm still here in my chair |
| Instrumental |
| G | C | C | G |
e|----------------|----------------|----------------|12--------------| h|----------------|14--14--1412---|14--14---1412--|---9------------| g|----------------|14--14--1412---|14--14---1412--|------9p7h9p7h9-| d|----------------|----------------|----------------|----------------| a|----------------|----------------|----------------|----------------| e|----------------|----------------|----------------|----------------|
| G | C | C | D |
e|----------------|----------------|----------------|-2--------------| h|8---------------|2---2---2---0---|2---2---2---0---|-------------3--| g|----------------|2---2---2---0---|2---2---2---0---|-----4--2--4----| d|----------------|----------------|----------------|----------------| a|----------------|----------------|----------------|----------------| e|--------0-2-3-4-|----------------|----------------|----------------|
| F | C | G |
e|----------------|----------------|----------------|----------------| h|-7777777----2-2-|----------------|----------------|----------------| g|-7777777----2-2-|----------------|----------------|----------------| d|----------------|----------------|----------------|----------------| a|----------------|----------------|----------------|----------------| e|----------------|----------------|----------------|----------------|
| My teeth were laughing, now |
| We couldn't stop smiling |
| We danced to the Mystery Band |
| Without even trying |
| My eyes were half open |
| But we didn't see them there |
| Put my mama back in my pocket |
| And I'm still here in my chair |

| E |
E|---------------------------------------------------------------------| B|---------------------------------------------------------------------| G|---------------------------------------------------------------------| D|---------------------------------------------------------------------| A|---------5-4-2-------5-4-2-------5-4-2-------5-4-2-----etc.----------| E|--3b4-0--------3-4-0-------3-4-0-------3-4-0-------------------------|
| E | |
| Wine is sweet and gin is bitter |
| you drink all you can but you won't forget her |
| You kiss one girl you kiss another |
| you kiss them all but you won't recover |
| A | |
| That's the | price of love the price of love |
| E | |
| a | debt you pay with tears and pain |
| A | |
| The | price of love the price of love |
| B | D | B | D | B | |
| it | costs you more when y | ou're to | blame |
| E | |
| You're dancing slow, you're dancing fast |
| You're happy now but that won't last |
| You talk to much, you laugh too loud |
| You see her face in every crowd |
| That's the price of love the price of love |
| E | |
| a | debt you pay with tears and pain |
| A | |
| The | price of love the price of love |
| B | D | B | D | B | |
| it | costs you more when y | ou're to | blame |
| The rest of the song continues the same, you'll figure it out. |

2----------------------------------------------------3--------------------------------------------2---------0h2---2--2--2--4--5--4--0--2-----------0---------0--------------------------------------------------------------------------------------
------------------------------------------------
5---------------------------------2------------------6-----5--5--5--5--5--4--0--2-----3-----------5---------------------------------2------------------------------------------------0----------------------------------------------------------------------------------------------------------------
| D | |
| Well, my name's John Lee Peddimore. |
| Same as my daddy and his daddy's before. |
| You hardly ever saw grandaddy down here. |
| He'd only come to town about twice a year. |
| He�d buy a hundred pounds o' yeast and some copper line. |
| Everybody knew that he made moonshine. |
| G | C | |
| Now, the revenue man wanted | granddaddy bad. |
| D | |
| Headed up the holler with everything he had. |
| G | C | |
| Before my time, but | I've been told. |
| D | |
| You never come back from Copperhead Road. |
| D | |
| Now daddy ran whisky in a big block Dodge. |
| Bought it at an auction at the Mason's Lodge. |
| Johnson County Sheriff painted on the side. |
| Just shot coat of primer, then he looked inside. |
| Well, him and my uncle tore that engine down. |
| I still remember that rumbling sound. |
| G | C | |
| Then the sheriff came around in the | middle of the night. |
| D | |
| Heard momma crying that something wasn't right. |
| G | C | |
| He was headed down to Knoxville with the | weekly load. |
| D | |
| You could smell the whisky burning down Copperhead Road. |
| [] *Bridge* [] |
| D | |
| I volunteered for the army on my birthday. |
| They draft the white trash first, round here anyway. |
| I done two tours of duty in Viet Nam. |
| I came home with a brand new plan. |
| I'd take the seed from Columbia and Mexico. |
| I just plant up a holler down Copperhead Road. |
| G | C | |
| Now the D.E.A.'s got a | chopper in the air. |
| D | |
| I wake up screaming like I�m back over there. |
| G | C | |
| I learned a thing or two from | Charley, don't you know. |
| D | |
| You better stay away from Copperhead Road. |
| end | |
| Copperhead Road Copperhead Road |
| Tabbed by Bill Eaton aka pobilly |
| pobilly@eatonblues.com |
| questions and/or comments wellcome |

| opening riff |
| E | |
| About the time my daddy left to fight the big war |
| B | |
| I saw my first pistol in the | general store |
| The general store when I was thirteen |
| E | |
| I thought it was the finest thing I | ever had seen |
| I asked if I could have one someday when I grew up |
| B | |
| Momma dropped a dozen eggs. She | really blew up |
| She really blew up, she didn?t understand |
| E | |
| Momma said the pistol was the | devils right hand |
| cborus |
| A | E | A | |
| the | devils right hand, the | devils | right |
| E | |
| hand |
| B | E | |
| momma said the pistol was the | devils right hand |
| repeat opening riff |
| My very first pistol was a cap and ball colt |
| B | |
| Shoots like lightning but it | loads a might slow |
| Loads a might slow and I soon found out |
| E | |
| It?ll get you into trouble but it | cant get you out |
| So then I went and got myself a colt 45 |
| B | |
| Called a peacemaker but I | never knew why |
| I never knew why, I didn?t understand |
| E | |
| Momma said the pistol was the | devils right hand |
| cborus |
| key cbange up to F# |
| [opening riff in F#} |
| F# | |
| I got into a card game in a Company town |
| C# | |
| Cought a miner cheating so I | shot the dog down |
| I shot the dog down, watched a man fall |
| F# | |
| He never touched his holster never | had a chance to |
| draw |
| The trial was in the morning so they drug me out of |
| bed |
| C# | |
| Asked me how I pleaded not | guilty I said |
| Not guilty I said, you got the wrong man |
| F# | |
| Nothing touched the trigger but the | devils right |
| hand |
| cborus |
| B | F# | B | |
| the | devils right hand, the | devils | right |
| F# | |
| hand |
| C# | F# | |
| momma said the pistol was the | devils right |
| hand |
| (the opening riff is doable as a Emajor chord with |
| your pinky picking out the melody: A G# F# E F# E |
| above it. Just slide the whole thing up to an F# bar |
| chord for the key change ?you will have to play an F#7 |
| to free up you pinky for the riff but it sounds ok) |

| A | D | Bm | |
| V1: | You've traveled so | far, the wind in your f | ace |
| G | A | |
| You're thinking you've | found the one special | place |
| D | Bm | |
| where all your | dreams will walk out in li | ne, |
| G | A | |
| and follow the c | ourse you've made in your | mind |
| D | Bm | |
| CH: Well, it isn't gonna | be that way--- |
| G | A | |
| It isn't gonna | be-----that way. | (2x's) chorus (D Bm G A ) |
| A | D | Bm | |
| V2: I | came on my ow | n, and felt much lik | e you |
| G | A | |
| I thought I was ki | ng, and knew what to | do |
| D | Bm | |
| But everything | burned, and fell from my | hand |
| G | A | |
| I had to turn b | ack, or build a new pl | an |
| Chorus x's 2 |
| D | Bm | |
| V3 : If I were a G | od, Id give you a cl | ue |
| G | A | |
| this minute would cra | ck, and I could go t | hrough |
| D | Bm | |
| and walk out in t | ime, where noone has | been |
| G | A | |
| I'd come back to y | ou, and tell what I'd s | een |
| D | D | Bm | G | A | |
| But it isn't gonna | be that w | ay. | ..( | re | pe[]at) |
| V4: You'll just have to live, and see what you find |
| and take it from there, and follow the signs. |
| Yeah, you think you can live, and dream your own fate |
| you think you can wish, and walk through the gate |
| ....but it isnt gonna be that way......It isn't gonna be.. that way |
| (repeat 3x's and fade) |

| G | C | D | C | |
| This one is REALLY easy. Just play: - | - | - | - | - |
| throughout the whole song... except where noted |
| G | C | D | C | |
| Some | people call me the space | cowboy |
| G | C | D | C | |
| Some | call me the gangster of | love |
| G | C | D | C | |
| Some | people call me | Maurice |
| G | C | D | C | |
| 'Cause I | speak of the | pompitous* of | love |
| . . . . |
| G | C | D | C | |
| People | talk about me | baby |
| G | C | D | C | |
| Say I'm | doing you | wrong, | (doing you wrong) |
| G | C | D | C | |
| But | don't you | worry baby don't | worry |
| G | C | D | C | |
| 'Cause I'm | right here, right | here, right here, at | home |
| G | C | |
| 'Cause I'm a | picker, I'm a | grinner |
| G | C | |
| I'm a | lover and I'm a | sinner |
| G | C | D | C | |
| I play my | music in the | sun |
| G | C | |
| I'm a | joker, I'm a | smoker |
| G | C | |
| I'm a | midnight | toker |
| G | C | D | C | |
| I get my | loving on the | run |
| G | C | D | C | |
| You're the | cutest thing that I | ever did | see |
| G | C | D | C | |
| Really like your | peaches wanna | shake your | tree |
| G | C | D | C | |
| Lovey | dovey, lovey | dovey, all the | time |
| G | C | D | C | |
| Ooo wee | baby I wanna | show you a good | time |
| G | C | |
| 'Cause I'm a | picker, I'm a | grinner |
| G | C | |
| I'm a | lover and I'm a | sinner |
| G | C | D | C | |
| I play my | music in the | sun |
| G | C | |
| I'm a | joker, I'm a | smoker |
| G | C | |
| I'm a | midnight | toker |
| G | C | D | C | |
| I get my | loving on the | run |
| *Pompitous is not a real word, but it's a perfect word for this song! |

| Ab |
| Ab | Db | |
| Ride it on | out like a bird in the s | ky ways |
| Ab | Eb | |
| Ride it on | out like you were a b | ird |
| Ab | Db | |
| Fly it all | out like an eagle in a s | unbeam |
| Ab | Eb | Ab | |
| Ride it all | out like | you were a b | ird. |
| Wear a tall hat like a druid in the old days |
| Wear a tall hat and a tatooed gown |
| Ride a white swan like the people of the Beltane |
| Wear your hair long babe |
| You can't go wrong. |
| Ab | Db | Ab | Eb | Ab | Db | Ab | Eb | Ab | |
| Catch a bright star and a place it on your fore-head |
| Say a few spells and there you go |
| Take a black cat |
| Sit it on your shoulder |
| And in the morning you'll know all you know. |
| (Da-da-di-di) (da) |

| G | Em | Am | D | |
| 1. | We're all | going on a | summer | holiday, |
| G | Em | Am | D | |
| no more | working for a | week or | two, |
| G | Em | Am | D | |
| fun and | laughter on our | summer | holiday, |
| Am | D | G | Em | Am | D | G | |
| no more | worries for | me and | you, | for a | week or | two. |
| Am | D | G | |
| Chorus: We're | going where the | sun shines | brightly, |
| Em | D | G | |
| We're | going where the | sea is | blue, |
| Bm | A | D | D7 | |
| We've | seen it in the movies, now | let's see if it's | true. |
| G | Em | Am | D | |
| 2. | Every | body has a | summer | holiday, |
| G | Em | Am | D | |
| Doing | things they always | wanted | to, |
| G | Em | Am | D | |
| So we're g | oing on a | summer | holiday, |
| Am | D | G | Em | Am | D | G | |
| To make our d | reams come | tr.. | .ue, | for | me and | you. |
| Repeat chorus: |
| Repeat Verse 2. |
| Another 60's hit from Kraziekhat! |

| F#m | E | D | E | A | D | A | |
| She would | never | say | where she came | from |
| F#m | E | D | A | E | A | E | |
| Yesterday | don't | matter | if it's | gone |
| F#m | B7 | E | |
| While the | sun is | bright |
| F#m | B7 | E | |
| Or | in the | darkest | night |
| A | D | A | E | A | E | |
| No one | knows | she comes and | goes |
| A | E | D | E | |
| Good | bye | Ruby | Tuesday |
| A | E | D | A | |
| Who could | hang a | name on | you ? |
| A | E | D | |
| When you | change with | ev'ry new day |
| E | D | A | |
| Still I'm gonna | miss | you |
| F#m | E | D | E | A | D | A | |
| Don't | question | why she | needs to | be so fr | ee |
| F#m | E | D | E | A | D | A | |
| She'll | tell you | it's the | only | way to | be |
| F#m | B7 | E | |
| She just | can't be | chained |
| F#m | B7 | E | |
| To a | life where | nothing's | gained |
| F#m | E | D | E | A | D | A | |
| There's no | time to | loose I | heard her s | ay |
| F#m | E | D | E | A | D | A | |
| Catch your | dreams bef | ore they s | lip a | way |
| F#m | B7 | E | |
| Dying | all the | time |
| F#m | B7 | E | A | D | |
| Lose your | dreams and | you will loose your | mind |
| A | E | A | E | |
| ain't life un | kind |

| G | D | Em | |
| If I listened | long enough to | you |
| C | D | G | |
| I'd find a | way to | believe that it's all | true |
| A | D | C | G | |
| Knowing that you | lied straight | faced while I | cried |
| Em | D | C | Dbbass | D | |
| Still I l | ook to | find a | reason | to | believe |
| D | C | D | Em | D | |
| Someone like | you makes it | hard to live with | someboby eles |
| C | D | Em | D | |
| Someone like | you makes it | easy to give | never thinking | of myself |
| G | D | Em | |
| If I gave you | time to change my | mind |
| C | D | G | |
| I'd find a | way to | leave the past be | hind |
| A | D | C | G | |
| Knowing that you | lied straight | faced while I | cried |
| Em | D | C | Dbbass | D | |
| Still I l | ook to | find a | reason | to | believe |
| LEAD |
| D | C | D | Em | D | |
| Someone like | you makes it | hard to live with | someboby eles |
| C | D | Em | D | |
| Someone like | you makes it | easy to give | never thinking | of myself |
| G | D | Em | |
| If I gave you | time to change my | mind |
| C | D | G | |
| I'd find a | way to | leave the past be | hind |
| A | D | C | G | |
| Knowing that you | lied straight | faced while I | cried |
| Em | D | C | Dbbass | D | |
| Still I l | ook to | find a | reason | to | believe |
| Em | D | C | Dbbass | D | |
| Still I l | ook to | find a | reason | to | believe |
| Em | D | C | Dbbass | D | |
| Still I l | ook to | find a | reason | to | believe |
| _ _ _ _ _ _ _ _ |
| ___ _ _ Glen Macon |
| _ __ __ any-net: macon@cbmvax.commodore.com |
| _ _ __ _ Standard disclaimer... |
| _ ___ _ _ _ Commodore doesn't endorse what I say, I do |
| _ _ _ _ Who wants to know... |
| _ _ _ _ |
| ___ _ _ |
| _ _ _ _ _ _ _ _ _ _ |
| All those moments will be lost in time, like tears in the rain. |

| E | |
| I'm passing sleeping cities |
| Fading by degrees |
| Not believing all I see to be so |
| E | |
| I'm fly'in over backyards |
| Country homes and ranches |
| Watching life between the branches below |
| A | |
| And it's hard | to say |
| Who you are these days |
| But you run on anyway |
| E | |
| Don't you baby? |
| G | |
| You keep running | for another place |
| D | E | E | |
| To fin | d that saving grace |
| E | |
| I'm moving on alone |
| over ground that no one owns |
| Past statues that atone for my sins |
| There's a guard on every door |
| And a drink on every floor |
| Overflowing with a thousand amens |
| A | |
| And it's hard | to say |
| Who you are these days |
| But you run on anyway |
| E | |
| Don't you baby? |
| G | |
| You keep running | for another place |
| D | E | |
| To fin | d that saving grace |
| E | |
| Don't you baby? |
| Riff: |
| E | B | A | G | E | B | A | G | E | B | A | G | A | |
| Oh, |
| E | B | A | G | E | B | A | G | E | B | A | G | A | B |
| E | |
| You're roll | ing up the carpet |
| Of your fathers two-room mansion |
| No headroom for expansion no more |
| And there's a corner of the floor |
| They're telling you is yours |
| You're confident but not really sure |
| A | |
| And it's hard | to say |
| Who you are these days |
| But you run on anyway |
| E | |
| Don't you baby? |
| G | |
| You keep running | for another place |
| D | E | E | |
| To fi | nd that saving grace |
| Don't you baby? |
| G | |
| You keep running | for another place |
| D | E | E | |
| To fi | nd that saving grace |
| Don't you baby? |
| E B A G E B A G E B A G E . |
| Every E chord is played with hand muffled. |
| All others are played with easy strum. |
| END |
+--------------------------------------------------------------------------+
| | This file is the author's own work and represents their interpretation | |
| | of the song. You may only use this file for private study, scholarship, | |
| | or research. | |
+--------------------------------------------------------------------------+
| Ultimate-Guitar.Com © 2005 |

| D | G | |
| headed back down south |
| D | G | |
| gonna see my daddy's mi | stress |
| D | C | |
| gonna buy back her forg | ivness |
| A | |
| pay off every w | itness |
| One more time down south |
| sell the family headstones |
| drag a bag of dry bones |
| make good on my back loans |
| G | D | |
| so if i c | ome to your | door |
| G | D | |
| let me sl | eep on your f | loor |
| A | |
| i'll give you all i have |
| D | |
| and a little more |
| END |
+--------------------------------------------------------------------------+
| | This file is the author's own work and represents their interpretation | |
| | of the song. You may only use this file for private study, scholarship, | |
| | or research. | |
+--------------------------------------------------------------------------+
| Ultimate-Guitar.Com © 2005 |

-------------------------------------------------------
| C | F | G | |
| I h | ope that I don't | fall in love with | you |
| C | F | G | |
| Cause | falling in l | ove just makes me bl | ue |
| F | C | F | C | |
| Well the m | usic plays and | you display your | heart for me to | see |
| F | C | F | G | |
| I | had a beer and | now I hear you | calling out to | me |
| C | F | G | |
| And I | hope that I don't | fall in love with | you. |
| Now the room is crowded, people everywhere |
| And I wonder should I offer you a chair |
| Well if you sit down with this old clown, |
| he'll take that frown and break it |
| Before the evening's gone away, I think that we could make it |
| And I hope that I don't fall in love with you |
| Now the night does funny things inside a man |
| These old tomcat feelings you don't understand |
| I turn around and look at you, you light a cigarette |
| Wish I had the guts to bum one, but we've never met |
| And I hope that I don't fall in love with you |
| And I can see that you are lonesome just like me |
| And I'm feeling like you'd like some company |
| Well I turn around to look at you, and you look back at me |
| The guy you're with is up and split, the chair next to you's free |
| And I hope that you don't fall in love with me |
| Now it's closing time, the music's fading out |
| Last call for drinks I'll have another stout |
| I turn around and look at you, you're nowhere to be found |
| I search the place for your lost face, I guess I'll have another round |
| and I think that I just fell in love with you |
---------
| from: |
| Johan Kristian Sveen |
| University of Oslo, Norway |
| Dept. of Mechanics |


| D | D | A | G | G | B | A | D | |
| I play everything as bar chords, but it sounds good as open chords as |
| well... |
| j | -- | |
| gateley@rice.edu |
| Si pots llegir aquest, m'agradaria si contestessis. |
| From: Harlan L Thompson |
| SWEET JANE- The Velvet Underground |
| D | A | G | Bm | A | D | A | G | Bm | A | |
| Standing on t | he cor | ne | r, | su | itcase in | my ha | nd |
| Jack is in his coat, and Jane is her vest, and me |
| I'm in a rock'n'roll band Hah! |
| Ridin' in a Stutz-Bearcat, Jim |
| Y'know, those were different times! |
| Oh, all the poets they studied rules of verse |
| And the ladies, they rolled their eyes |
| Sweet Jane! Whoa! Sweet Jane, oh-oh-a! Sweet Jane! |
| I'll tell you something |
| Jack, he is a banker |
| And Jane, she is a clerk |
| Both of them save their monies, ha |
| And when, when they come home from work |
| Sittin' down by the fire, oh! |
| The radio does play |
| The classical music there, Jim |
| 'The March of the Wooden Soldiers' |
| All you protest kids |
| You can hear Jack say, get ready, ah |
| Sweet Jane! Come on baby! Sweet Jane! Oh-oh-a! Sweet Jane! |
| Some people, they like to go out dancing |
| And other peoples, they have to work, Just watch me now! |
| And there's even some evil mothers |
| Well they're gonna tell you that everything is just dirt |
| Y'know that, women, never really faint |
| And that villains always blink their eyes, woo! |
| And that, y'know, children are the only ones who blush! |
| And that, life is just to die! |
| And, everyone who ever had a heart |
| They wouldn't turn around and break it |
| And anyone who ever played a part |
| Oh wouldn't turn around and hate it! |
| Sweet Jane! Whoa-oh-oh! Sweet Jane! Sweet Jane! |
| D | G | D | |
| S | weet Jane Sw | eet Jane |
| Sweet Jane Sweet Jane (repeat and fade) |
| NOTE: I got the lyrics from the lyrics achive- thanks. Repeat the chords |
| mentioned in the first line over and over, except for the very last part. |
| (from Loaded, 1970) |
| (sent by Harlan at harlant@hawaii.edu) |

| Am / G / F / C / F / C / Am / G - Hold G chord for 2 bars |
| Verse 1 |
| Am | F | G | Am | |
| Signed m | yself out | today |
| Am | F | G | Am | |
| Sent a l | etter far | away |
| Am | F | G | Am | |
| Said bab | y i'll be | good som | eday |
| Am | F | G | Am | |
| Gonna tr | y again to | morrow |
| Am | F | G | Am | |
| Try agai | n tomorrow |
| Verse 2 |
| Am | F | G | Am | |
| I couldn | 't take th | at steri | le place |
| Am | F | G | Am | |
| In those | rooms i l | ost my f | ace |
| Am | F | G | Am | |
| And in t | he end the | y couldn | 't sell me grace |
| Am | F | G | Am | |
| And they | can't sel | l me tom | orrow |
| Am | F | G | Am | |
| Can't se | ll me tomo | rrow |
| Chorus |
| Am | G | F | C | F | C | Am | G | |
| We can | be s | trong - | stron | g - st | rong |
| Verse 3 |
| Am | F | G | Am | |
| Now i'm | back on ma | mma's co | uch |
| Am | F | G | Am | |
| Plenty o | f time to | think ab | out |
| Am | F | G | Am | |
| All of t | he kids th | at went | the college route |
| Am | F | G | Am | |
| Chasing | their tomo | rrows |
| Am | F | G | Am | |
| Chasing | their tomo | rrows |
| Verse 4 |
| Am | F | G | Am | |
| One by o | ne my frie | nds drop | ped out |
| Am | F | G | Am | |
| Now i've | got broth | ers to s | hare my doubts |
| Am | F | G | Am | |
| On what | this busin | ess is a | ll really about |
| Am | F | G | Am | |
| Waiting | on tomorro | w |
| Am | F | G | Am | |
| Waiting | on tomorro | w |
| Chorus |
| Am | G | F | C | F | C | Am | G | |
| We can | be s | trong - | stron | g - st | rong |
| Verse 5 |
| Am | F | G | Am | |
| Signed m | yself out | today |
| Am | F | G | Am | |
| Sent a l | etter far | away |
| Am | F | G | Am | |
| Said bab | y come hom | e today |
| Am | F | G | Am | |
| I'm here | and its t | omorrow |
| Am | F | G | Am | |
| I'm home | and its t | omorrow |
| Cheers! |
| Enjoy! |