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OK at the risk of sounding obsessed with 'Louie Louie' this is a good starters solo. It's just 5th 7th and 8th fret. Get your fingers so your first covers the 5th fret, your second does the 6th (not used) and your ring finger does the 7th fret and your pinkie does the 8th (notice this is just the thinest strings so it won't have to stretch like the bigger fingers. The trick is to keep practising until it's automatic and your fingers drop across the whole fret fast. You see a 5 on the tab and blam down goes your first finger and off come the rest etc.
Off to practice this myself as I'm still pretty slow...
First off LR look for my Beginner's Electric songbook on chordie, they're all songs that need electric but are easy to play.
Second, how are your barre chords? Alot of electric playing derives from barres. Powerchords, licks etc.
Second if you've got scales going on look for a song solo that matches them. Some solos really are just rising scales at various points on the neck. I reckon 'Louie Louie' is a good solo to start with as although it's fast there's no sudden tempo changes and it's all 5th 7th and 8th frets (user first, ring and pinkie fingers right down on the fret).
One big flaw in your plan guys; "Neither of us can sing so we're relying completley on our guitars."
IMHO you'll get far more money busking if you can get attention with some singing. This doesn't need to be sweet, note perfect singing just something to bring the song alive. Look at alot of rock'n'roll, those guys weren't great singers, they made the song and vocals support each other. Have a look at 'Return To Sender', you can almost just read out the lyrics and it works. Put a bit of theatre into it ('She wrote UPON it!') and you've got a crowd puller.
The neck pickup will give a warm fat tone. If you leave distortion off and maybe add some reverb/echo it'll be very country/blues in sound.
The bridge pickup is harsher, thinner. Turn on the gain/overdrive and it'll give you the basic rock sound.
That's not to say you can't mix and match. Turn down the volume and mid the tone on the bridge pickup and you've got an early sixties group sound, sharp and twangy. Turn up the distortion of the neck pickup and you've got a snarling roar.
Keep experimenting and you should find the comfortable playing sounds your Evo can create (although one-trick crazy effects can be fun!).
Hi Red, if you have an acoustic then I'd recommend you go for a straight electric. Although electro-acoustics can give distortion and a whole range of sounds there's nothing like having the right tool for the job and solid body electric guitars were made for rock and screaming solos. If you want some of that look in the Electric Guitar Forum for the old threads where Boot, Dr.Phil and myself have made various recommendations.
Hi noise, power chords are reduced or simplified chords often requiring only 2 fingers but...
If you are playing acoustic they won't sound like much. Power chords work best on distorted electric guitar, this is because the amplifier gain introduces 'intermodulation' which makes it sound like there's a third string.
Sounds great for beginner's but there's a catch, playing just the two strings you want is actually quite tricky, certainly not as fun as straight strumming.
Best to leave power chords till you have barre shapes nailed (since alot of power chords derive from the leading two fingers of a barre). They are used alot in metal and heavy rock styles though.
Each chord has a root note which you pick with your thumb. Then you pick a high string with your first finger, thumb on root again and then pick a high string with your index finger. Look up basic 'travis picking' and 'clawhammer'. There's a lot of debate over what these terms mean but you should find the simple beginning pattern. I'll post a good link when I find one.
Who are AAR? What kind of a sound are you after? Distorted sounds can vary alot depending on the amplifier. Most amps can give a decent fuzzy grunt but if you are after a particular metal style then you may want a virtual amplifier like the Pod2 or Vamp2, these have a whole heap of presets and you can tweak amp settings to your hearts content. If you still hanker after a special amp sound they'll give you alot of clues about what kind of amp you need.
'THE COPY IS BETTER THAN THE ORIGINAL?'
From what I can gather, in some cases, yes. Fender were having major quality issues in the seventies due to the move to Mexico, particularly with the mid and low end of the range. Tokai guitars were sneered at in the seventies but it turns out they were pretty decent. So, yes a cheap Tokai may well have had the edge to an equivalent price point Fender.
Jay and Jerome are leagues ahead of me Detman but what I've found is that not all rock is based around the blues, some uses 4 chord progressions more usual in 50s/60s pop.
IMHO there's nothing more rock than G A D, as say in 'Get Back' or 'You Shook Me All Night Long', A and D shuffle along then lightning fast you crash in a strong G and then the D chord chimes in against it. Open G and D being two very disimilar chords.
Added two more songs to my Beginner's Electric song book. One's a bit of an Undertones novelty you'd need to download (Mars Bars) but the other is Bang A Gong (Get it On) by T Rex, great confidence booster, going back to play it again now...
Ways to select;
1) Record yourself playing all your best songs on camera or with a computer mike. Leave some time and then review it. Don't get critical of yourself, just look for solidity.
2) Which songs can you always play even when tired, nervous, drunk... Look for songs that support you, safety net songs.
3) What people know. Pure Top40 radio fodder. You might think people would be more critical if they know a song well but actually they'll do half the singing for you...
Just keep playing NZ, I was doodling around last night with that 'Gotta Hurry' lick I posted months ago, somehow between still being on 'Blues Lead' (17B) and playing it sloppy (I was often hitting two strings instead of a clean single strike) it came out great. Reminded me of 'Schools Out' by Alice Cooper, or at least I could see how I might get there...
Ta Rebel, 7) Remember guitars are personal, one person's 'uh-oh' is another person's 'hey wow!'.
8) Remember even within one Brand and one model guitars vary. You may just hit on the guitar that got superior body wood through some fluke...
Yes it's a pickup that works on the same principles as an electric guitar but it's designed to give a natural warm sound that sounds acoustic (but amplified through a small brown amp). The pre-amp is the little EQ/control box on the top that takes the battery.
Compare this to a jazz or country archtop and you'll see the difference. Despite being hollow body guitars they are much heavier and have crude passive pickups like solid electric guitars. The result is a big, in-yer-face sound that can be amplified, pushed, distorted etc.
The amp is key here; an acoustic amp matches in with the desired warm sound by handling all frequencies equally. The electric amp boosts the mid-range and growls. Different worlds.
1) Go to guitar shop, pick up guitars, learn about weight, shape and feel. Some electrics are seriously heavy/uncomfortable.
2) Avoid Fender and Gibson - expensive. Avoid Squier - cheap. Check out Yamaha, Ibanez, Lag, Tokai...
3) Ask to try out some guitars, don't try to play anything fancy, just listen for a good sound.
4) Look to buy a basic 10W practice amp; volume, tone, overdrive/gain.
5) If you really want crazy metal effects a Line6 Pod or Vamp2 will burn away the hours.
6) Consider starting with an acoustic, they have an easier learning curve but it's a matter of taste, if you've gotta rock....
12 strings were born for strumming, simply cover a pair of strings rather than 1. Picking a 12 string is way more advanced than picking a 6 but if you're a beginner stick with straight strumming.
There are plenty of 6 strings with wide necks, Seagulls tend to have an extra few mills and of course nylon strung classicals are wide. So you could try trading your 12 string once you find one.
Hi, I've just made a songbook I was compiling public. it's called 'Beginner's Electric';
http://www.chordie.com/publicbooks.php? … ngid=97216
Nothing get's in it unless I've had fun playing it specifically on electric guitar and of course the songs are relatively easy because I'm not really that advanced...
The most useful are the minor pentatonics such as Em and Am, they can be easy because some of their shapes resemble boxes. Also alot of rock, pop, blues, soul, funk and country songs use these scales for their solo parts. Learn them and get fast and you'll be halfway towards soloing.
Yes, rainy day, got the electric out as my acoustic strings are shot (tried 10s but they've gone jangly horrible super quick, buying 12s next week). Ran through the song books and discovered some rockers. Had fun with 'I Only Want To Be With You', the G Em change is so rock'n'roll - dug out my old Tourists LP and their version... really sucks, sounded great at the time but now the production sounds stifling and the drums robotic, only Annie Lennox's voice redeems it.
Also got teeth into the Undertones, playing 'Get Over You' as B A E, D E, G C D. Chordie has it as A D E but that sounds wrong to me, starting on B really kicks up the distrotion and the slip to A then E seems right. Tried listening to the record but it's tricky, the Undertones have two electric guitars dowing different things but right on top of each other in the mix, or at least that's how it sounds to me.
Wouldn't it be hilarious is we could switch Eric Claptons stratocaster for a cheap Squier. This would be just before he went on stage, same colour and in tune but I'd love to see how Clapton handled the dilemma, play on? or stop the show?
Palm muted playing is a big part of the heavily overdriven rock/metal sound. Make sure gain is at maximum (on my Vamp2 there's a preset 'Crazy Diamond' where you just blow on the strings and they scream) and the guitar volume and tone are right up. This is crazy loud for ordinary playing but placing the palm of your picking hand over the bridge and onto the strings damps them down to the point that they sing just right
Darn, I meant this John 5 video, (use of switch is 3 quarters of way to end);
http://www.youtube.com/watch?v=7Rhuop6K … mp;search=
Just seen checked out Buckethead doign Jordan, it's a similar sort of thing but that mask is creepy. Why does he wear that bucket hat?
Going to have to take a sojourn from Chordie as there are too many porn posts appearing. I went to report one today but it's pictures started loading. Porn spam is outta control.
Conspiracy is unlikely as the sleeve photo was done quite spontaneously. Originally they wanted to call the album 'Everest', partly because it was like a mountain they'd had to climb and partly because of a brand of cigarettes the Beatles smoked with the same name. The grand plan was to fly to the Himalayan foothills and have a cover shot taken in front of Everest. But once it became clear what a major trek this would tunr out to be they said 'sod it', called the album Abbey Road and took a photo on the crossing in what they had on that day. No code, no special meaning, just 4 guys.
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