576

(16 replies, posted in Electric)

geoaguiar wrote:

IMO to an extent...yes. For a beginner, light strings would be easier to barre. Once you're fairly good at I don't think it makes a whole lot of difference. I'd say use mediums and tough it out. You'll be a better player for it.

I will drop down to lights and give it a second shot before I sell my silverburst LP.
If this doesn't work though it goes on the auction block.

Thanks!
Dm

577

(16 replies, posted in Electric)

Greetings,

     I wanted to post a question regarding electric guitar strings.

I would like to know if string thickness would affect the ease of performing barre chords?


Thanks in advance,
Dm

From my experience it's both.

I am by no means a great guitar player. But i've been playing with the wrong instrument now for the past year and though I have made progress, it has been hard.

Had I been working with an instrument that fit me better, I could be 30% more proficient at my desired hobby as I have been working with something that did not fit.

Though the artists ability is a large factor in the whole summary of the condition, the instrument's quality plays a HUGE part in it as well.

No matter how hard you try....you will never....ever....be able to polish a turd.


smile
Dm

579

(8 replies, posted in Electric)

Yep...It's day has come.
I'm tired of struggling with barre chords cause the neck is sooooo thin.
I'm tired of the 15 pound weight. (Yes, it truly weighs that much...no joke)
I'm tired of being the only one in both the bands I play in that has to sit down to play.

Overall, it's not where I need to be. So the silverburst is getting sold as soon as I pick out my next guitar. The newbie will have a thick thick wide neck like the Eric Johnson Stratocaster.
I don't think I'll get the EJ model unless God smiles on me and pushes a windfall my way though hehe. But whatever guitar I get, It sure as heck won't be a gibson or any remake of the gibson.
That style of guitar just won't work for my long fingers.

I played the EJ model of the strat and it fit like a glove. My hand didn't cramp up trying to do barre chords and it also fit comfortably up against my body. Man, I feel like a total dick for giving away my Yamaha strat knock-off (EJ-112-c2). sad

Ah well, I guess the search begins anew...
Let the fun begin!!!!


wink
Dm

580

(8 replies, posted in Electric)

jaygordon75 wrote:

I'm not sure how to explain it...I'm easily confused and great at confusing others, but say if the song is a hymn that starts in Eb...and it's a 1,4, 5 progression    Eb  Ab  Bb...  those are awkward chords for a guitar. If you put a capo on the 1st fret and make a D chord then that will be an Eb...G will be the Ab...and A will be Bb...   How do you find that? Make a D chord...then move just the chord to next fret and it's a D# or Eb (same thing) move one more fret and it's an E...   Your capo will bar the other strings for you...      D,Eb,E,F,Gb,G,Ab,A Bb B,C,Db,D,Eb,E and on and on...

SWEET!!
Thanks bud!!


=]
Dm

581

(4 replies, posted in Electric)

Detman101 wrote:

I would actually prefer a thick neck. A thick...wide neck.
My silverburst LP has a thin little neck and my hands get cramped when playing open chords in the first four frets.


Dm

And a new development....

Barre chords are HELL on my silverburst LP!!!!

I tried a Fender Eric Johnson model with the thick neck and wide fretboard and it was like putting on a pair of correctly fitted shoes!

I'm selling the LP as soon as I figure out what guitar I'm going to buy.
The thicker neck is where I need to be if I'm going to play lead guitar and not just single note runs as an accompaniment.


=[
Dm

582

(8 replies, posted in Electric)

jerome.oneil wrote:

This is pure theory.  If you know which key they are in,  and are capable of playing scales related to that key (and you are) then improvising and jamming with folks becomes easy.

Okay, I will have to take a class at the local college on basic guitar theory if they offer it.
I am able to play scales with the music that I hear (as long as it's stable), I just can't determine the key by ear.

=]
Dm

583

(8 replies, posted in Electric)

Kewl, Thanks Mixter102. I didn't even think of asking for one of their songbooks. The whole thing was more impromptu than I was used to.

I will definitely practice playing along with the tv the next chance I get. That sounds like a great way to practice for random events.


=]
Dm

584

(42 replies, posted in Acoustic)

Tim0473 wrote:

Meggity

Like you I had the hardest time with the F chord ... the one thing I did was to learn the C chord first and play songs with C specifically to get me to LEARN it as second nature ... the next thing I did is kind of what Guppy said except I do a "cheater" F chord (xx3210) ... it's close enough and got me by until I could do the "mini-bar" efficiently

WOWOWOW!!! Thank you!!!

I had been avoiding the F chord as well cause I can't switch to it that fast! But dude, you just completed my repertoire of open chords!!!

Edit: That kinda almost sounds like a 7th chord...kinda darker than the original "F" but hey,I love the sound of 7ths anyway. Most of the songs I've created use at least 3 7th chords lol.

Manoman, now I've gotta go try all those songs I ran from cause they had the "F" chord in em!


Thanks!!
Dm

585

(42 replies, posted in Acoustic)

Hehe, thats funny...
I actually picked up the guitar faithfully because of the wife, kid, work, responsibility.

lol, before I "Grew up" I was too busy doing other things. Now all I have left is the guitar.


=]
Dm

***Ernie Ball - Fat bottom skinny top strings.*** (The Les Paul got sold)

Currently - Ernie Ball Regular Slinky on my Squier '51 Stratotele


Dm

The PX4d is great but out of all of my effects processors, it is the only one that consistently gives a hissing when you touch the strings or play any notes. Due to that, i no longer use it for my live performances and only use it to tune up before playing and for practicing. I know it was never meant to be used for live playing but all effects processors should have that capability if you ask me. I mean, I can mic in my little first-act pignose amp and it sounds like an amp should without the hiss or crackling.

Dm

588

(4 replies, posted in Electric)

I would actually prefer a thick neck. A thick...wide neck.
My silverburst LP has a thin little neck and my hands get cramped when playing open chords in the first four frets.


Dm

Sometimes it's like cheryl crow said...

" I think a change...will do you good"

It's true, sometimes you just need to be around different people with different outlooks and/or different musical styles. Sometimes it takes an instrument change.

I'll tell you a little of my experience...

When I got my guitar I only listened to Tool, NIN, Filter, STP, Pearl Jam, Nirvana and other common 90s bands. I started out playing in Dropped-D cause all my favorite bands at the time played in that tuning. I quickly ran into the wall of finding out that ALL music can't be played on the lower 3 strings of the guitar. I quickly lost hope and faith in my ability and stopped playing for about a month. My beautiful silverburst sat in the corner staring at me and the guilt was eating me alive. I wanted to play...but couldn't get anything but that grungy dark sound.

It was then that I realized I HAD to make a change. I couldn't do it on my electric guitar...I had to start fresh with a new guitar. And I had to start from the basics.
I got on Craigslist and did a local search for a cheap (REAL CHEAP) guitar and I found my $20 yamaha fg-403s. I committed myself to learning open chords, barre chords and all of the notes, scales and chords associated with "Standard" tuning.

Since that day, I've been inspired and I'm creating my own songs instead of playing other people's songs all the time. I've never felt so alive and creative and all I had to do was step out of what I knew and was comfortable with and struggle a little. Yes, it was hard...it's still hard to this day because it's the unknown. But I now have REAL callouses, I can play REAL chords, I can write my own songs, I can play so many different variants of chords that I never would have know existed if I'd have stayed playing in Dropped-D and doing the same things all the time.

Try a change, I promise you won't regret it...


Dm

590

(22 replies, posted in Electric)

I have thin long fingers and it makes it hard to play on guitar necks that aren't a little thick and wide. My acoustic guitar has a neck that is wider and thicker than my electric and after playing on my acoustic I have to really strain to get used to the thin-ness of my electric guitar neck. I can't swap out the neck on my LP cause it's a set-neck...but if it were a strat I would definitely swap it out and put on a thicker and wider neck.

Dm

591

(8 replies, posted in Electric)

jaygordon75 wrote:

That's an awkward situation... I've been pretty much in the same spot. One needs to be able to establish comunication with who ever is leading the music and find out what key they are playing in. Often with Church Hymns and a piano/keyboard it'll be in awful guitar keys like an Eb or F...  If in Eb then I'll capo the guitar at the 1st fret and play a D chord and go from there...  It's best to at least be familar with what's being played and have a practice session or two... There have been times that I simply roll the volume knob to off and just sing along...

Ah ha! I thought about getting another capo for my electric guitar and trying it out in church! i usually only use my capo on my acoustic that I take everywhere with me. I had no idea that a capo could help in my band at church! thank you thank you thank you! I can't wait to try it out and see if I can actually play open chords and barre chords with the music. i'm hyped now...thank you! (hehe)

I really need to find out how this whole "Key" thing works. My guitar teacher couldn't explain it to me (Or the circle of 5ths) so I had to let him go and start the search for someone who can. From what you're saying, it seems that the "Key" relates to a specific fret position on the neck...correct?

So lets say I find out they're playing in the key of "G", I would capo the 3rd fret and play open chords from there?

:confused:
Dm

592

(3 replies, posted in Electric)

Higher Praise,

    Do you play in church? if so, what songs do you all play and how do YOU play along with the rest of the band/choir/singers/players?

I play in my church but I just accompany the keyboard mostly. I haven't figured out how to play anything other than scale accompaniments...

sad
Dm

593

(8 replies, posted in Electric)

Does anyone know how artists just play along with people singing without knowing the song that the person is singing?

How long does it take your ear to train to know what sounds on the guitar go good with what someone is randomly singing?

I had a situation where our band went to another church to play for them and I arrived before the rest of the band. Well, our host church expected me to play along with the singers that were up on the stage and I am only used to playing a support role with our keyboardist.

I tried open chords, I tried barre chords I tried scales, but nothing seemed to be a good starting point to match up with what the singers were singing. AFter sweating thru my deodorant a dress shirt and a wife-beater I gave up and just let them do an acapella routine until the rest of the LATE band arrived.


Any advice? Or do I just need to know more music theory or something...


sad
Dm

594

(13 replies, posted in Acoustic)

You can't link back to your local network from the outside.

IE: that link would work from within your network but it is not accessible by outside parties unless you allow us entry.

And I don't think you want to give the entire net access to your personal/home network...hehe.


=]
Dm

595

(13 replies, posted in Acoustic)

lone-woodwose wrote:

im not going to screw around with my good guitar, but i have shaved down the saddle on my FirstAct. it was not too much work, i think it was more work adjusting the truss rod on it actually.

if i have shop tools why not just use a thin kerf saw blade (i would use a hand saw) to lower the slots?

thanks for the replies,
A.

Cutting slots in a Nut is a tricky tricky TRICKY business.
Cut them too deep...you wind up with slack-jawed strings that won't tone properly.
Cut them too shallow....your strings pop out of the slots when you hit them.
Cut them too wide....you get horrible buzzing.
Cut them to narrow...you snap strings and can't intonate properly.
Cut any of the slots at the wrong angle and you can take a random shot at one of the problems listed above (And sometimes a combination of them).

It's safer and easier to just shave the bottom of the nut.

=]
Dm

596

(13 replies, posted in Acoustic)

I lowered my silverburst lp after putting on the strings.
Measure how much lower you want the strings after and ONLY AFTER you have put on whatever strings you will be working with.

(for example; if you measure with "slinkys" and then put on "fat-bottom, skinny-top" strings you're going to have a LOT of fret buzz....like I did with my second guitar.)

After you measure the distance between the string and the frets at the second fret, take that measurement and mark the bottom of your nut (where the seat of the nut meets the neck-top) at HALF of that measurement.
(NOTE:We only take a HALF measurement at the nut because the bridge will perform the other HALF of the lowering effort)
Now, remove the strings from your guitar. Then carefully use a razor or boxcutter to get the laquer or glue from around the edge of your nut where it is seated on the guitar neck, being careful not to nick your neck. Then gently and carefully tap-out your nut with a wooden dowel (Pencil cut in half) and rubber hammer, bracing the neck and body of the guitar.

Once you've got your nut out, clean off the glue from the bottom and back of the nut.
Measure the HALF-DISTANCE you got earlier from your fretboard-strings and mark that distance on the bottom of your nut where it would sit on top the neck.
Now find a flat surface and a piece of fine-grit sandpaper.
Lay the nut down on the sandpaper and rub the nut on the sandpaper until the bottom matches the HALF-DISTANCE measurement you marked on the nut earlier. (That flat surface is HIGHLY important for this part because if the surface is curved in ANY WAY...your nut will sand down curved...and that is very very bad...)

After you are finished, clean the nut with alcohol and let it dry.
Then mount the nut back onto it's place on the neck with elmers glue and clean any excess glue off of the neck. Make sure to use something to clamp the nut in place for 2 hours until the glue is completely dry.

[2 hours later]

(ELECTRIC)
Now, restring your guitar and you will notice that the strings are closer to the fretboard at the head of the guitar. This will help you play easier and faster without the strain encountered at the head of the guitar near the nut. If you have a Gibson guitar, you can use the adjustable bridge to fine tune the second half of the lowering process as you see comfortable.
After lowering the strings to the height you require using the bridge adjustments....retune the guitar and check intonation at the open position and 12th fret on each string. Each open tone should be an octave lower than the tone at the 12th fret.

(ACOUSTIC)
Remove the saddle from your bridge...you know, that little white or cream colored insert.
Measure the HALF-DISTANCE you got earlier from your fretboard-strings and mark that distance on the bottom of your saddle where it would sit inside the briege.
Now find a flat surface and a piece of fine-grit sandpaper.
Lay the saddle down on the sandpaper and rub the saddle on the sandpaper until the bottom matches the HALF-DISTANCE measurement you marked on the saddle earlier. (That flat surface is HIGHLY important for this part because if the surface is curved in ANY WAY...your saddle will sand down curved...and that is very very bad...)
Now, restring your guitar and you will notice that the strings are closer to the fretboard at the bottom of the guitar. If you require the strings to be closer, mark the half-distance on your saddle again and sand it down. Use small increments when sanding because if you go too far...you will have to replace the saddle and start sanding all over again.
After lowering the strings at the saddle to the height you require, retune the guitar and check intonation at the open position and 12th fret on each string. Each open tone should be an octave lower than the tone at the 12th fret.


Once everything is in tune...your guitar has been successfully lowered.



=]
Dm

cytania wrote:

A rounded bottom end that's fat but also tight...

Bass players don't do double entendre ;-).

Thats hot!


Dm

I wish I could go naked, but since I'm the only guitar in my church band...I use a little delay and gain thru my Pandoras-Box before the signal reaches the amp.

It just makes my playing sound fuller to compete with the piano/keyboard without having to blast the volume.

=]
Dm

599

(15 replies, posted in Acoustic)

marssox wrote:

Ken just kidding around with you man. As for Tim you obviously have no say in something you know nothing about. Tools a very deep band like rubbersoul mentioned. But not Emo. They're.....words dont seem to come to me. They're my sun and my savior

Amen, Tool's music has been with me during some of the darkest points of my life and helped me to rechannel my anger into positive outlets. They have always provided insight into life that you never seem to get from anywhere else. Their advice has proven valuable time and time again.

=]
Dm

600

(15 replies, posted in Acoustic)

Oh....by the way...

FLOOD sounds great on acoustic if you tune to Drop-D.


=]
Dm