276

(18 replies, posted in Electric)

I actually went down to the guitar center here in San Antonio (One of the few places that sold them) ... they started selling them on the date indicated and were sold out the first day (limited to 10 per store) ... I wanted to try it out and see how it handled, etc ... LOVED the demos on the Gibson site about them ... especially with the automatic drop tuning ...

277

(167 replies, posted in Electric)

Ahhhh sweet .... thanks bro!  Now I'm following wink

278

(7 replies, posted in Electric)

shredfiend wrote:

Schecter guitars are divine.

After I got a Schecter 3 years ago, my other guitars have been neglected. Their necks are magnificent, their tone is outstanding (mine has seymour duncan pickups), and you can't get a better guitar for the money. Go play one and you'll understand! Schecter guitars are amazing!

I agree Shred ... I bought my Schecter Hellraiser C-1 FR about 4 months ago and absolutely love it ... mine has the stock EMG pickups, and they sound awesome ... the action on the neck is very fast and the quality in deep tones is amazing ...

If you're into the deep metal sounds and undertones then you'll love the Schecter Diamond series ... honestly I use my Hellraiser more than I use my Les Paul Studio ... I paid $699 for the Schecter but it was worth it ... you're getting ALOT of guitar for the price!

279

(14 replies, posted in Electric)

Ok got it ... thanks for the crash course!

280

(14 replies, posted in Electric)

Ahhhh sweet ... so I'm guessing doing the A minor Pentatonic isn't limited to the 5th fret ... you can move that same pattern to the 8th fret and do the same pattern and you'd have the Am Pentatonic on C

That helped alot bro ... thanks!

281

(14 replies, posted in Electric)

Well damn ... do you have a pill I can take for that Jerome?  lol

I know some minor Pentatonics, specifically the A, C, D ... I haven't gone beyond that "yet" ... but I noticed the blues box shape on the 5th is like the A minor Pentatonic scale

282

(14 replies, posted in Electric)

cytania wrote:

1) Make sure intonation is right. Can't stress how important this is, check out your tuning at the twelth fret. It's where the action is and you don't want it to be sharp or flat.

2) Get the right tone, single coil, plenty of gain, ignore how fuzzy chords sound.

3) What key is the song in?

Key of E (E7 A7 E7 - B7 A7 E7 B7 progression). Robot head shape on 10th.

   10th fret
    V
-I--IoI--IoI--
-I--IoI--IoI--
-IoI--I--IoI--
-IoI--I--IoI--
-I--IoI--IoI--
-I--IoI--IoI--

The 'o's are notes you can play

Key of A robot head shape is on 3rd, but blues box shape is on 5th.

   5th fret
   V
--o----o--
--o----o--
--o--o----
--o--o----
--o--o----
--o----o--

Key of G 'robot head' is on 13th fret and 'blues box' is on 3rd.

Key of C 'robot head' is on 6th fret and 'blues box' is on 8th.

Key of Bb, the blues key,  robot head is on 2nd and  blues box is on 6th.

4) Run up and down the shape like this;

-I--I10I--I11I--
-I--I-8I---I-9I--
-I6I---I---I-7I--
-I4I---I---I-5I--
-I--I-3I---I-4I--
-I--I-1I---I-2I--

The numbers just show you the order to play in to get an ascending run, yep it's a scale really. You don't finger them individually that would be way too difficult. Simply assign a finger to a fret. In this case your first finger just does notes 4 & 6. All of 1, 3, 8 and 10 are held with the second finger and your third covers the row of 2,4,5,7,9,11.

Remember you aren't placing a finger tip on any of these notes you're simply slamming the whole flat finger across the whole fret like a paddle. Just practise it till your finger goes in just as you pick the string.

5) Now you can play those notes in any order but nearby ones make musical combinations. You should be rocking your fingers back and forth and this should follow the beat. Move up and down the scale till you get fast, then as you can run up dwell on some notes then run back down again, work a note then run again. Basic blues stuff and when you get to the high notes, work them back and forth quickly, hey you're soloing!

6) Get Ralph Argesta's 'Blues: Jam Trax' book it has all of this and more. Shapes and keys I haven't mention which can worked in, a CD with backing tracks to solo over. Can you tell I've had fun with it this afternoon?

Cytania

So on number 4) ... it almost seems like you're doing a "barre" formation with the finger 1, finger 2, finger 3 to make it easier instead of individual picking (i.e. finger 1 draped over all strings, then when finger 2 comes into play, draped over all strings, and so on)

Is that right ?

283

(167 replies, posted in Electric)

lol

I was suprised no one mentioned Dave Mathews

25Frankster wrote:

I was working on an acoustic version of Blondie's "Dreaming" this weekend--easy song, sounds pretty good on the acoustic.  Working on a couple Toad the Wet Sprocket songs--"Something's always wrong" and "All I want".  On the electric, I'm working on a couple Offspring songs & I'm working on a bunch of old songs, but trying to play them with different chords from the fifth fret up on my electric.

"Gotta Get Away" from Offspring is one of been meaning to work on ... alot of powerchords but it seems pretty easy

Cool deal guys ... it'll be nice to see what comes up when you're all done ... one thing I've been wanting to find out is this; I used to write poems, etc ... now when it comes to writing songs ... is there a format???  I know it sounds odd

James McCormick wrote:

Hi Tim0473,
Like Russell Harding, I am working on some original stuff.  Had big plans for doing lots of projects around the house on this day off (MLK Day), but mostly just relaxed and took it easy.

Found a scrap of an idea in my song writing notebook - a scribble really - and have been playing with the idea this evening.  Tentatively entitled "My Cowbelle".

Someday, it might actually be a song - but not quite yet!

Good luck James!  I actually wrote an original riff a week ago ... me and two co-workers played on Friday and Sunday ... it actually sounded pretty good with a bass line added to it ... now I realize why it takes artists so damn long to write a song!

Guitarpix wrote:
Tim0473 wrote:

I've heard of Jack Johnson but not ALO and Matt Costa (?? genre)

If you like straight guitarists ... check out these two guys:

http://www.myspace.com/tyoliver   - So Softly
http://www.myspace.com/dcslater   - Eagles

Here's ALO and Matt Costa

http://www.youtube.com/watch?v=cNMUnDgiEg8
http://www.youtube.com/watch?v=qF5Av3MbcwY

And of course "Good People"   http://www.youtube.com/watch?v=WZuhx3Lp9qc

Thanks for the links also...I'll check 'em out! Peace! - Pix

Sweet ... thanks Pix!

288

(2 replies, posted in About Chordie)

Thanks Top!

289

(55 replies, posted in Acoustic)

Kahuna wrote:

Hey Tim,

I would never call anyone who uses power chords a cheater.  Yes, they really don't sound as good or as full as real barre chords, but they often do the trick.  Most rock bands use these with lots of distortions, and most of the time they sound find. 

However, if you are going to be a life-long player, knowing the correct chords will only benefit you.



Tim0473 wrote:

Sad to say that I actually found ways around barre-chording ... alot of the 5th/6th string powerchords can suppliment (ex. C5 powerchord can suppliment a barred "C" or open C) ... my buddie is a barre chord junkie and I'm still learning so I switch to my powerchords and he calls me a cheater lol but hey, it works for now until I get the barre chording down pat!

Yeah I agree Kahuna ... I frustrate easy and learned my power chords before learning my bars since it was easier for me ... now my fingers automatically go right to a power chord formation before anything ... I'll eventually get the barre chording down and you guys will be the first to know!  tongue

290

(55 replies, posted in Acoustic)

Kahuna wrote:

Hey Tim,

I would never call anyone who uses power chords a cheater.  Yes, they really don't sound as good or as full as real barre chords, but they often do the trick.  Most rock bands use these with lots of distortions, and most of the time they sound find. 

However, if you are going to be a life-long player, knowing the correct chords will only benefit you.



Tim0473 wrote:

Sad to say that I actually found ways around barre-chording ... alot of the 5th/6th string powerchords can suppliment (ex. C5 powerchord can suppliment a barred "C" or open C) ... my buddie is a barre chord junkie and I'm still learning so I switch to my powerchords and he calls me a cheater lol but hey, it works for now until I get the barre chording down pat!

Yeah I agree Kahuna ... I frustrate easy and learned my power chords before learning my bars since it was easier for me ... now my fingers automatically go right to a power chord formation before anything ... I'll eventually get the barre chording down and you guys will be the first to know!  tongue

291

(2 replies, posted in About Chordie)

Just wanted to check to see if a banner is out there for promoting Chorie on MySpace?  Or if Chordie has a myspace page?

I've heard of Jack Johnson but not ALO and Matt Costa (?? genre)

If you like straight guitarists ... check out these two guys:

http://www.myspace.com/tyoliver   - So Softly
http://www.myspace.com/dcslater   - Eagles

293

(55 replies, posted in Acoustic)

Sad to say that I actually found ways around barre-chording ... alot of the 5th/6th string powerchords can suppliment (ex. C5 powerchord can suppliment a barred "C" or open C) ... my buddie is a barre chord junkie and I'm still learning so I switch to my powerchords and he calls me a cheater lol but hey, it works for now until I get the barre chording down pat!

294

(14 replies, posted in Guitars and accessories)

lol right on Strat ... I kept saying once I bought my Les Paul I'd have all I need ... but I still keep looking ... can you recommend a good insurance policy that covers GAS????

Hey guys ... 'nother topic starter ... what songs are you currently working on?  Just trying to get a feel on what everyones working on these days!

1.  Back in Black - AC/DC
2.  Patience - GnR
3.  Every Rose Has It's Thorn - Poison
4.  For Whom the Bell Tolls - Metallica
5.  Lets Go Dancing - Drivin N Cryin

296

(12 replies, posted in Chordie's Chat Corner)

K thanks guys!  That's a big help!

297

(167 replies, posted in Electric)

Man I just realized I had forgotten about Slash and Dimebag Darrel .... make those

5a)  SRV
5b)  Slash

298

(12 replies, posted in Chordie's Chat Corner)

Ahhh ok got it!  Thanks!

299

(12 replies, posted in Chordie's Chat Corner)

Tibernius wrote:
Tim0473 wrote:

Wow ok ... it's weird because I bar the 1, 2, 3 strings and it sounds like crap ... unless I'm just used to the standard 5/6 string powerchord

Have you tuned the guitar properly? One thing I tend to do is tune the 6th string down one fret instead of two, which sounds horrible. It has to be two frets lower.
You've probably tuned it properly but I know it's easy to tune it incorrectly.

If you want heavy try tuning the guitar a tone (2 frets) lower, then dropping the 6th string by another 2 frets. Sounds great on a Les Paul copy. big_smile

Thats what I mean ... how do you tune a single string down one fret, etc?  That's the part I dont understand on how to do

I know the standard EADGBe ... I haven't tried the down-tuning but am curious in how it is and how it sounds

300

(167 replies, posted in Electric)

Det

What era were these guys in?  I now about Neil Young but the rest I've never heard of (maybe I'm not old enough) lol