its  a great idea for a site

I like to practice my scales to songs in a certain key (C, G, D,A and E). However I get bored of the same songs.  I expect if I look for the right chords I'll be able to find songs in the key I want

2

(7 replies, posted in Music theory)

Thanks Jerome

you are right. The open shape patterns are truncated on the left and extended to the right but otherwise they follow the same shapes as the "CAGED" patterns. if you know your "CAGED" scale shapes well, learning the open note scale shapes is a little easier.

open chord scale shapes are in principle playable all over the neck if you alter the fingerings. however I think that the CAGED shapes are more useful when playing up the neck because there is never more than a 4 fret stretch and so they slightly easier to play.

j

3

(7 replies, posted in Music theory)

The next shapes are


G major Scale
                   
                   
E    -    F#    G       
                   
B    C    -    D       
                   
G        A           
                   
D    -    E    -    F#   
                   
A    -    B    C       
                   
E    -    F#    G       
                   
       
           

D Major scale                    
                   

E    -    F#    G       
                   
B    -    C#    D       
                   
G    -    A           
                   
D    -    E        F#   
                   
A    -    B    -    C#   
                   
E    -    F#    G       
                   


A Major Scale    
               
                   
E    -    F#    -    G#   
                   
B        C#    D       
                   
-    G#    A           
                   
D    -    E    -    F#   
                   
A    -    B    -    C#   
                   
E    -    F#    -    G#   
                   
                   


E major Scale                    
                   
E    -    F#    -    G#   
                   
B    -    C#    -    D#   
                   
-    G#    A           
                   
-    D#    E    -    F#   
                   
A    -    B    -    C#   
                   
E    -    F#    -    G#

4

(7 replies, posted in Music theory)

I recently started practicising on my acoustic guitar and focusing on finger picking.  This uses a lot of open position notes so I've been praticising my scales in the Open position

As I already know lots of scale patterns it was a bit intimidating to be faced with 5 new patterns. However after a while I
began to recognise similarities between open scale patterns. For example the C major scale is hardly any different from the one I am used to playing except that some of the notes don't need to be fretted. 

C Major Scale


E    F    -    G
           
B    C    -    D
           
G    -    A   
           
D    -    E    F
           
A    -    B    C           

E    F    -    G

5

(3 replies, posted in Songwriting)

I've just been watching some videos by the Everley Brothers. Harmonies in parralell thirds. it looks quite difficult but it sounds very cool.

6

(21 replies, posted in Chordie's Chat Corner)

I play for myself. I just like making music, but after playing for 20 years sometimes the inspiration waxes and wanes.  It always comes back within a few weeks and I see the possibilities afresh .

7

(26 replies, posted in Chordie's Chat Corner)

I'm going to Croatia. Sound a longs way away. Well, I live in London and its a little nearer to me than most of you are wink

I'm headed away from the sense of chaos that the Olympics will bring to London but I shall probably watch the main events on TV.

8

(3 replies, posted in Songwriting)

Phil

Thanks Phil

So does anybody actually do that in musical compositions.  Were talking about someone singing the root note and someone else singing the 5th.

'Hey Jude'  is a beautiful song with a big orchestra and 4 minute fade out. Beatles at their peak. very 1960s.

10

(3 replies, posted in Songwriting)

I'm confused about what Singing in Harmony means and what possibilities there are for writing and singing harmony

Let me give an example

A Song in the key of G has three bars of G, C and D. and the first note is a G note. so I find G on my guitar and sing

but when I hear people singing it in an ensemble people sing at different pitches

assuming that they are not just singing horribly - how many different notes can they use in place of my G ?

11

(3 replies, posted in Chordie's Chat Corner)

that really interesting. I need to improve my singing but its so bad at the moment I don't know where to start.

all I've done so far is buy a digital recorder (a Zoom HN4). it at least means that  I can at least hear my singing first. it reminds me to either to keep quiet which is often for the best or at least try to stay in the right key.

12

(3 replies, posted in Chordie's Chat Corner)

Bin a bit busy. I was learning the F shape barre chord- it took me the whole year

No, seriously,  working to keep a job going in the downturn, looking after a kid and a teenager.   

I have been going once a week to an adult education class. I was playing electric but I have taken up acoustic again more recently because it was time for a change of style.

We're an intermediate guitar class and we have played a couple of ensemble pieces in public. At Christmas we played 'Come as you' are by Nirvana and Silent Night.  Just before Easter we played 'Blowing in the Wind' and 'Mull of Kintyre'.

That was the first time I've played in a group and it takes new skills.  Playing in time helps - especially if its an arrangement for several players but so does following the right order of intro, verse and chorus.  I have been known to shorten a 8 bar count-in to a two bar count-in and to miss the a repeat of the verse. However that was fortunately in rehearsal.

switching back to acoustic also meant learning new things.  all my caged shapes which I played up the neck are now being played at the other end of the guitar with loads of moved fingerings to include as many open notes in each shape as possible. thats doing my head in at the moment. learning scales is always  a pain. especially when you thought you already knew them.

13

(7 replies, posted in Electric)

Wireless

I think that we're going to struggle unless someone else here uses that wireless and those particular units.

I suggest you start by connecting the guitar to the amp and get that working if you have not already.

I think that the standard set up is for the receiver to go before the first pedal in the effects chain (not sure about Line 6)



John

14

(0 replies, posted in Chordie's Chat Corner)

I recently joined Soundclick so I can share my recordings with other people. 

I will be making some rythym tracks for others to use as they wish (as part of a collaborative process) and I'll possibly post a song or two.

Is anybody else here on Soundclick ?

John



http://www.soundclick.com/members/defau … johnnywas5

15

(6 replies, posted in Chordie's Chat Corner)

I remember an album by Billy Bragg and Wilco wrote which was based on lyrics that Woody Guthrie had written which the tunes had never been recorded. It was called Mermaid Avenue. 

http://www.youtube.com/watch?v=vqFmNUz7WhY

So I thought that writing lyrics on the train commute to work might be a good idea but i was worried that I would write loads of lyrics too long or too short to fit the music.  I think I will give it a go and see what happens.    I suppose I can always edit them to fit the chord sequence.

at the moment I'm listening to songs which i like and then changing the words. then when I've written the words I change the chords. sometimes a little but sometimes a lot.  it might keep some of the original vibe but you end up with new words and a new progression.

i have  a couple of songs written. I wrote the chord progressions first using I IV and IV and a few variations. the theories easy. I knew the chords would work but I didnt have much idea of what the songs were meant to sound like. looking back I can't remember now whether they were reggae, blues or rock. one day i'll rewrite them with a very distinct style. so you'll know that this is a regage song or a rock song because it will have that feel. that may have to be a fairly brutal recasting. can't make an omlette without breaking eggs.

16

(6 replies, posted in Chordie's Chat Corner)

Does anybody start a song with the lyrics

I've got to try that because I can put together a chord progression but I've got no lyrics sad I need to get out a notebook and write down some words.

but how do I know how long each line of the lyric should be (how many syllables)

or doesn't it matter ?

I suppose I'm used to thinking about poetry writing. I wrote some poetry when in school you started with he first line and then copied the rythym and each line was the same length. my poetry was okay (nothing great)

how does writing lyrics differ ?

I want to write rock, pop, reggae. I probably won't be doing Hip Hop, Rap or Prog Rock operas.

17

(3 replies, posted in Chordie's Chat Corner)

I rather like this one "Get it right next time"

nice guitar work

http://www.youtube.com/watch?v=LKSeq_5Z … re=related

18

(7 replies, posted in Electric)

why do you call the frets FG and A. the strings are called EADGBE.

I'm confused as to what strings (or frets) are troubling  you

no matter. try barring and make the chord ring to check the notes aren't muted. rest your hand regularly.

19

(34 replies, posted in Chordie's Chat Corner)

Selso

I'm no good on matters of the heart but my advice on the guitar and musical slumps is strip it back to basics. Remember the things that got you started or the things which you know best and concentrate on those.  Put everything else aside and take it easy for a while.

"planet claire" by the B52s

"I lost my heart to a starship trooper" Sarah Brightman

Wheres Captain Kirk - spizz energy

Doctorin the tardis - the
Timelords

21

(1 replies, posted in Chordie's Chat Corner)

theres some great blues backing tracks on you tube for noddling along to

also just found a little archive of backing tracks for playing along to

http://www.guitarbackingtrack.com/bands/A.htm

Bin going to guitar classes for a while

they are Morley College London and its about eight people and a tutor. we do some warm ups,  play some songs and then while one person plays a twelve bar another improvises

its great for intermediate guitarists (and I've been playing a long time) to practice in front of other people who understand that playing guitar at any level aint easy and don't make judgements

its really got me back into practicising. theres a lot of value in having a deadline to work on a song (and thats next week) and the discipline to focus on a couple of pieces and really get them good

I have to take my guitar to work cos its on the way and when I say that I'm taking lesson people assume that I'm a begginer but the lesson is never too late to get some help.

23

(3 replies, posted in Acoustic)

its possible I'm mistaken about the gauge of strings. I shall think about using lighter strings

24

(3 replies, posted in Acoustic)

I've just got back from holiday taking my ozark travel guitar and an book of songs

http://www.ozark-acoustic.com/guitars/3330.html

its actually not bad to play. the lack of a big round body makes it difficult to hold properly ecuase you cant rest it on your leg but it has enough volume to practice with and for me its a practice thing. two weeks with little to do is two weeks with some time to practice my scales and refresh my fretboard memory. especially if the midday temp is 40 degrees.

and its very light.

I know the martin backpacker is quite similar and there some electric travel guitars too

I'm not sure my guitar counts as hand luggage on a plane - different planes have different requirements but its worth checking

and the strings are quite heavy. I could change them for a different set but the dealer recommended against very light strings because they exert pressure on the neck (-edit - not sure about this -)

I don't know much about Drummers but I do enjoy a big noise

Topper Haedon was drummer with the Clash for many years. did a lot of offbeat and was really excellent (Rock the Casbah by the Clash)

I've also liked messing with rythym so I came across Jeff Pocaro - a great drummer (Rosanna by Toto)