Those ranges sound reasonable to me.

52

(2 replies, posted in Electric)

I have been playing a tele for some time and it is still my go-to guitar, but recently I decided to try something different. I ordered one of the popular Agile brand Les Paul copies from Rondo Music.

The thing is pretty surprising for just over $200. The $50 hardshell case is really nice too.

This particular model has an amber-dyed, flame maple cap over a (3 piece) mahogany body. The neck, unlike a real LP, is maple but it is dyed brown to match the back of the body. It has a decent rosewood fretboard with trapezoid position markers.

When it arrived, the action was not terrible, but it was higher than you would expect for a Gibson-style guitar. It only took about 20 minutes to adjust the truss rod, bridge and put on a set of PR pure nickle .11's. Much better.

The fit and finish is more than decent and after a little setup, it tunes and plays very well (it comes with nice Grover tuners). The only thing that I didn't like was the choice of pickups - generic, ceramic magnet humbuckers. So, I ordered a set of Rockfield SWV humbuckers because the meet my needs (not hot and Alnico II magnets) and are only $50 each. I have not installed them yet, but I expect good things.

Bottom line: I have to agree with the web buzz about these guitars - for $350 I have a highly gigable guitar that is as good as the $699 Epiphone version. Nice.

53

(14 replies, posted in Guitars and accessories)

I am not saying that you need to replace the bridge. It might be fine. In fact, if you replace it with another model that fits in the same hole, it will work in the same way and have the same issues. The 2-bolt bridge, like the one on your guitar is generally better than the 6 screw vintage-style trem bridge on many strat-style guitars. Lots of people play them with no problem. I have trouble with them because I use a lot of palm muting and rest my picking hand on the bridge.

So, I am not trying to say to replace the bridge, but you may want to see if it contributes to the tuning problem by blocking it for an hour or so, to see if that helps. If so, there may be a bridge problem, if not, it is probably the tuners.

54

(2 replies, posted in Electric)

You can loosen the nut holding the jack in place and gently pull it free of the guitar (on some models, like an LP it is easier to just remove the mounting plate instead. Once you can see the back of the jack you can tell which of the 2 common problems you have: 1. one of the 2 wires is broken at the point it connects to the jack - fixed by resoldering, or 2. the springy blades on the back of the jack, have spread apart and no longer make good contact when you plug in - fixed by gently squeezing them back together.

Even if you need a new jack, one can be installed for just a few bucks, in about 10 minutes.

55

(14 replies, posted in Guitars and accessories)

Tuners could be the problem, or it could be the tremolo bridge. I have to stick with hard-tail guitars because my picking hand always bumps the bridge on a whammy-bar guitar and messes up the tuning.

GFS, Stewmac and others have some good quality locking tuners for not a lot of cash. The Gotoh ones are pretty good I hear.

You could try blocking the bridge, like Clapton, by putting a little block of wood in behind the trem block, so it doesn't move. Friction and spring force will hold it in place. Play it like that for a while to see if it stays in tune better. If not, it is easy to remove. If it does help keep the guitar in tune, you might look into a Trem-Lock - a little gizmo that replaces one of the trem springs and lets you lock the position of the bridge.

56

(14 replies, posted in Guitars and accessories)

In some guitars, you can adjust a pickup high enough to contact or almost contact the strings. In most, you can get enough altitude to catch the edge of you pick (esp. on a strat-like model where you often pick a lilttle further forward than other design to prevent touching the bridge, which might impact tuning).

The biggest problem with a too-high single coil however, is often called "wolf tones". This odd howling noise happens when  the magnetic pole pieces are so near the strings that the magnetic field pulls on the string strongly enough to act like a finger touching a high harmonic. Strats are one of the worst offenders for wolf tones.

Humbucker have a bigger, more diffuse magnetic field and so, do not cause wolf tones. They can be close enough that the string makes a 'puk' noise as it touches the pickup during loud passages. Still, they tend to sound sweeter when adjusted lower.

Sorry if I sound like a know-it-all, but consulting on electric guitars, pickups, pedals and especially amps is my job. Don't get me started on resistor values or brands of capacitors smile

57

(11 replies, posted in Music theory)

That said, try not to only practice scales or that is what you will play when you throw out a solo. Once in a while, try playing a melody on only one (or two) string linearly - up and down the neck.

Start to get familiar with the pattern of whole and half steps in a major or minor scale. That kind of linear playing helps you think of musical lines that sound more like singers or horn players, which our ears tend to like. It makes for lines that are easy to hum along with. A good example of this is the guitar in the Cure song "Just like heaven" - it just descends through the scale more or less but you can whistle it in the shower. You see Pat Metheny do the same kind of linear thing too. This is also a good way to start linking up the scales you know, in the different positions.

58

(4 replies, posted in Electric)

A common bluesy bend goes like this:
Envision the basic pentatonic scale for a given key.
So, for Amin/A7 - E string 5th and 8th, A string 5th and 7th, D 5th & 7th, G 5th & 7th, B 5th and 8th, E 5th & 8th.

Notice the shape of the second notes on the bottom 3 strings. 7, 8, 8.
Try holding down all three and after hitting all three with the pick, hold the bottom 2 string down without bending while quickly bending the G string up a half step or, even a whole step as the notes sustain.

Alternately, do the same move on the B and G only while muting the skinny E string. You should get a nice train meets steel guitar effect that Chuck (and many others) used to good effect.

Normally, when I think of double stops, I think of the move where you skip a string and play, say, the E and G or the B and D strings only and slide them together, like the intro to Soul Man.

59

(14 replies, posted in Guitars and accessories)

It is not unusual for fender style single coil pickups to have pole pieces (the little magnetic slugs beneath each string) that are different heights. The staggered heights compensate for 1. the radius of the fretboard and 2. the thickness of the strings. So, you may had a D and/or G pole piece that sticks up higher than the others. Oddly enough, some years Fender just made them all flat and even, other years they were set to different heights.

Also note that, in this kind of single coil p'up, the pole piece is actually a magnet. In a humbucker, the slugs or screws that act as pole pieces are just regular steel with a flat bar magnet below them, in the body of the pickup.

By changing height, I meant, by adjusting the mounting screws on each side of the pickup, which should raise or lower it overall, by maybe a half inch. You can even adjust one side more than the other to emphasis bass or treble.

The thing is, you have to make a commitment to electric as a different thing. It is a different instrument requiring a different approach, a different touch. Tuning is more critical, fine finger control, knowing other chord voicings and how to use the pickup switch and other controls to get different tones are important. It is similar to the difference between piano and organ - same interface, different voices. Both have their own beauty.

I recommend learning an electric song, on electric - not the strum-along chord changes, but the real part from the recording. Pick something that you like and something that is not even possible on acoustic. Something that requires you to roll the volume knob up and down, switch pickups or switch reverb on and off. Then you'll have 2 powerful allies in expressing yourself.

61

(14 replies, posted in Guitars and accessories)

I don't know what value pots the factory would use in this guitar, but it should be marked on them somewhere. If not, meter across the 2 outside contacts of the pots to find the value. The middle contact is the wiper.

The middle pickup, in this configuration, is not used very much by itself. It mainly provides the snarky/quacky tones in switch positions 2 and 4, when it is combined with the neck to bridge pickups. So, the factory installed pickup maybe just fine for that use. You may have to adjust the height of the middle pup, while listening to position 2 or 4 to get the right blend. The new pups are much hotter than the old ones, so the middle pup will probably need to be moved closer to the strings.

If if does not blend very well (it probably uses a ceramic magnet), you might try their cool vintage blade pickup or one of the Neovin middle pickups, to better blend with humbuckers (both of these are humbuckers made to look like a single coil unit). Maybe something between 8-10k.

62

(6 replies, posted in Electric)

Sounds like you have the new Mike Campbell signature Duesenburg with a humbucker-sized P-90 style pickup at the neck and a GFS "Dreamtron" (think PAF + Filertron) at the bridge. That should be a nice combination and offer some decidely Gretsch-like tones from the bridge pickup. Sweet. Plug this one into a Vox AC15 or AC30 cranked just to the point of breakup and wail away.

63

(2 replies, posted in Electric)

Agreed.
The MM's and JR's had similar construction, but the MM pickups were weak and thin sounding (and not exactly the same size as common after market replacement pickups). The JR's usually had P90 pickups which are nice for blues, roots or DIY rock. They really bark through a cranked tube amp.

64

(6 replies, posted in Guitars and accessories)

Just a quick reminder on humbuckers -
Alnico II magnets = a more spingy, soft bass but sweet smooth highs
Alnico V magnets = bolder, tight bass but slightly edgier highs
Amount of winding in k ohms impacts overall response and output level. Lower numbers (say 7k) means lower output but wider frequency response, higher numbers (10k and up) means a hotter pickup but often with less highs and lows.
Finally, the Gibson '57 Classic and the Burstbuckers are very similar except the Classics have balanced coils for a smoother tone while the Burstbuckers have mismatched coils for more bite.

Aside from the popular brands, Rockfield and Tone Rider both offer vintage approved, Alnico II humbers for about half the price of the bigger names. GFS has Alnico V models for equally good prices.

65

(14 replies, posted in Guitars and accessories)

While the 70's ear Starcaster was a semi-hollow body Fender that resembled the Gibson 335, since you say this guitar has a HSS pickup configuration, I am guessing that you mean the new Starcaster, which is a budget instrument sold through Best Buy, Target and other big retailers. If so, this guitar is essentially a Stratocaster. That means that there are hundred of parts available to customize it. For others considering this kind of guitar, I recomment they check out some of the excellent entry level guitars offered through Rondo Music. Those Korean-made instruments are an excellent value and offer better build quality for about the same price.

For your Starcaster, I would suggest looking at the Guitar Fetish web site (do a search on GFS pickups). They have some great pickups at about half the price of Duncan or Dimarzio plus bridges, tuners and pickguards at good prices.

With the mods you have already done, the Starcaster should sound less like a Fender (with single coil pickups) and more like a serious rocker. 14.7k is a pretty hot bridge pickup and the 10k humbucking neck pickup is warm too. The little '59 is designer to sound like a Gibson PAF, rather than a single coil.

You might want to check the value of your volume and tone control pots. Single coil pickups traditionally are matched with 250k ohm pots to bleed off a little of the high end. Humbuckers usually are mated to 500k pots to preserve more of the highs. If you decide to change the pots, you might also want to try a nice polyester film capacitor on the tone control, to replace the ceramic one used by the factory. This is one mod that is cheap (less than a buck) but makes a big difference.

66

(9 replies, posted in Electric)

BTW, under the cover, lipstick pickups do not look like much. They are made of an Alnico II bar magnet and thousands of loops of fine enameled wire. Being forced into the cover makes the wire wrap a little bent and crooked looking. Some have goopy wax in there too, plus the wire is very fragile. - not the best choice for using without a cover.

67

(9 replies, posted in Electric)

While pickup covers do provide protection for the fine wire windings, their main purpose is as electrical shielding from hum and noise. As such, they also add some capacitance which, combined with the inductance of the pickup itself, forms a low-pass filters. This reduces high frequencies slightly.

Jeff Beck was one of the people that started the trend of removing humbucker covers (on his brown Les Paul, as seen on the cover of Wired). He did this to get slightly more highs out of the bridge pickup. The guitar sounded fine in the studio, but on stage, through long cable runs, it sounded dull. He discovered that without the pickup cover, he could get back some of the highs lost in the long cables.