Another is the Tex-Mex/Southern Rock Trio, the pride of San Angelo Texas.... Los Lonely Boys!
Most times it's raw talent, skill, and knowing how to get the most out of yourself and your equipment.
Take Care;
Doug
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Guitar chord forum - chordie → Posts by Doug_Smith
Another is the Tex-Mex/Southern Rock Trio, the pride of San Angelo Texas.... Los Lonely Boys!
Most times it's raw talent, skill, and knowing how to get the most out of yourself and your equipment.
Take Care;
Doug
Good Morning Roger,
I had forgotten that you yourself are a cabinetmaker (or was in another time). Naturally you would have the skills to do this repair yourself, and I'm sure with good result. Tools might be another matter, but if you are like most craftsmen, the tools of your trade are the last thing to be shed of.
Titebond is a brand that might not be readily available globally, but I do believe that it is a PVA formulation, likely not too much unlike the Ronseal product. Good thought on the tiny pilot hole however. It would not have to be terribly large to guide your drill true with care (personally I'd be sweating bullets over the alignment in such tight quarters) but highly doable.
Once again Condolences, and best wishes on the repair. Please post a pic of the results if you would, we are all learning something here.
Take Care;
Doug
Howdy Mixter,
I remember California Flea Markets! Used to find some good deals down in the LA area a few years back. You might look up ads for the next weekend and see if there's another going on in your area.... sometimes not selling at one brings the dealers back to others in the vicinity the following weekend. Just a thought. I used to bump into the same group regularly all over the South Bay area. Of course there is never any guarantee that they ACTUALLY owned half the stuff they were peddling..... seems to me lots of car parts! Car stereos, racing transmissions, wheels and tires, tools, and the kinds of things one could acquire late at night with nothing more than a bolt cutter and a little imagination. LOL.
Take Care, and Good Luck!
Doug
Hey Pix,
Have you tried Titebond III ? It's supposed to have a superior bond to the II product and still have moisture resistance making it suitable for exterior applications as well. I've used it in some Antique restorations (on recommendation of a friend/cabinetmaker) with good results. The only drawback is that it doesn't dry clear and won't stain true to color in cases where you don't get ALL the excess washed off. In a good tight joint though I think it would be a pretty good choice.
Take Care;
Doug
Hi Torquil,
I think they are an entry level Banjo of Asian manufacture (not that there's anything wrong with that) the company has been around for awhile and also build Guitars and Mandolins. Like anything else, do a little research and look it over well for defects and such.... like most things, quality may vary and you can come across a gem once in awhile.
Take Care;
Doug
Speaking of capo.....
It is often easier to do barre chords further down the neck (towards the 12th fret) where leverage is to your advantage. it requires a lot less pressure on the index finger closer to the center of the scale of the guitar, until you get enough finger strength. Practice and conditioning is the key though. It will improve with time and exercise. As you are playing you might alternate between barre chords and open chords to keep from overload, and it will help you get used to making that transition as well. If you have been playing barre chords, for instance F & G and then toss in an open C, it can be worth your life to get that index finger to bend when you want it to.... keep at it and you'll get there.
By the way, Welcome to Chordie!!
Take Care;
Doug
Roger.... I feel your pain!!!
Mahogany huh? Nice straight grained stuff and although it can be a bit resinous, should be able to be re-glued. It doesn't look like it splintered too much so you might be able to get the broken piece aligned to the point that it should pretty much disappear. It would be nice to sneak a dowel joint under the beefy end of the break though to get a bit of shear strength so you don't have to totally rely on the glue joint. I have often considered that the strings should wind towards the center on slotheads so the stress is mostly on the center of the head, and more winds on the tuner posts to make it so. How'd this happen, impact?
In Sympathy;
Doug
Hi DM,
Gave it a listen and it is very difficult with the phaser overpowering the guitar in the beginning.... I'm tending to think that it is an alternate tuning, which would explain why your software could only get "close". Haven't dragged my guitar out and tried yet, but sounds kinda like FMaj7, CMaj7, Am progression or a variation thereof. Might be a 12'er which has a bit of sharpness in the open strings droning away that makes it seem like an odd tuning.
Hope somebody (like the band itself) scores it out, it's a toughie for sure!
Good Luck & Take Care;
Doug
Howdy Elmo and because you are relatively new here, Welcome To Chordie!
Sorry I don't see a link for that tune here for you, somewhere out there it exists I'm sure.... just not at our fingertips presently.
Sometimes the song you are looking for (especially if it is a cover of an original recording) will be listed under the person who originally recorded it or wrote the tune. Searching for the line of the lyric in the search bar on the home page will sometimes come up with it, if it has been "covered" by another artist rather than the Oakridge Boys (in this case). Tried that? Nope didn't work for me either.
You might try another site that I have seen referred to here on Chordie in the past: tabs911.com
Another thing is you might have better response from the membership in guiding you to a source if this had been posted in the "Song Requests" section rather than in "Acoustic". Please don't be offended if a Moderator comes along and moves your post there before you get back to this. They are really good at sorting stuff to put it where it will get more views and you get your answer quicker.
Again Welcome! to the largest and possibly best Guitar Forum on the Internet! There are lots of good people here to lend advice, support, and a dash of humour now and again. Don't be a stranger and jump right in!
Take Care;
Doug
Howdy MT & Welcome Aboard as well!
Sorry can't do ya much good on "Chick Drinks", but Doc Ellis is hanging around a D, G, C progression with what seems like a B7, E7 tossed onto the mix for the bridge. I'd just watch the fretting hand for the changes and jot down the key lyric in each verse with the chord annotated. If you can memorize the lyric and play along a few times with the video I think you'll have a handle on it.
Take Care;
Doug
This sounds like a question for Southpaw41L to me!!!
Hang in there though I'm sure advise is forthcoming. Welcome to the Chordie Forums by the way!
Personally I'm terminally Right Handed, can't blow my nose with the other hand. Have friends however that seem to "switch- hit" with no problems.... funny though, most of them are in the music business and have the need to do so regularly. The rest of us just get stuck at one or the other. It shouldn't matter though to my mind, unless it's one of those "right brain/left brain" things.
Thanks for posting & Take Care;
Doug
Hi Norm,
Yes if I remember correctly they were K&K mini. Made just down the road a piece and over at the Coast here in Oregon. If I'm not mistaken, another Chordian Guitarpix, also had nice things to say about them in another thread of similar character here on the Chordie Forums.
They are strong enough to plug directly into most PA systems without any pre-amplification, and sound as close to what the guitar sounds like natively as just about any brands out there I've heard. They are on the top of my list of accessories of that type for installation again if the opportunity arises.
The price has gone up a bit since, but still only around 125 USD. You might Google K&Ksound.com for dealers in your area.
Take Care;
Doug
Thanks for the update Zurf!
Pleased to hear that all seems to have gone well. Please extend our best wishes to Gary and his family from all of us here at Chordie!
Take Care;
Doug
Hi and Welcome Aboard!
You know you already have one up on most of the folks here on the forums with the music training (sheet music) you have had. Tablature is just a sort of shorthand for those who do not have that background. There is an active thread here on Chordie in the Music Theory section titled Collaberative Music Theory, and you might take a look at the entries on page 3 of that thread. Some members have summed it all up rather attractively in a post about halfway down that page with a diagram of how the piano keyboard, notation and TAB relate to each other and the intervals of the C scale. TAB is pretty much a graphical and numeric representation of the fretboard of a guitar as it would appear laying on your lap. The numbers show the fret at which the note resides on that fretboard and the sequence they are played. Horizontal lines represent the strings.
With just a couple of minutes gazing at that, you will either be enlightened or confused.... at which point you might toss caution to the wind and type "Guitar TAB Tutorial" on the search bar of Youtube, and stand by for information overload!
Have a safe Holiday Weekend, and keep in touch!
Remember Fireworks and pets don't get along well, so keep your critters indoors during the festivities.
Take Care;
Doug
I'll Second all of the above!
In my mind the guitar is foremost an ACOUSTIC Instrument, and should be held to the same high standards that you give to your other acoustics in the arsenal. An A/E that sounds bad un-plugged but sounds good amped is a waste of money.... that's why the Guitar God made electric guitars in the first place. Not that you shouldn't give due consideration to the plugged in feature as well, because the main reason for going that route (IMO) is so you can get more out of it in the venues that require more Oomph.
Henry is correct about playing as many as you can in your range, and I would add in as many different shops as are available. Sometimes you will pass on a nice guitar because the shop you played it in had held it on the wall so long that the strings are dead, or it might be poorly set-up, or the place might have such tight quarters and people around that you can't get a good listen to what it is producing due to background noise or cluttered acoustics.
Don't be in too much of a rush and you will stumble on the "right" guitar for you at a price you'll be happy with. Shop around and remember you will (hopefully) be friends for a long time.
Take Care;
Doug
Zurf wrote:This guy's survived being blown up by Libyans (he was a Master Sergeant at the Marine Corps base attacked back in '86), two bouts of cancer, and MS. Each of which was likely to have killed him, but he not only survived but prevailed. Now this from a fungal infection.
- Zurf
Zurf it sounds like God has something special in store for Gary because he has brought him through all of this and i have faith to believe that God hasn't changed his mind and this surgery will be a success. I will keep Gary in my prayers.
I Agree, this guy has something yet to do in this life.... maybe just something small like pestering you into "mutantcy" or perhaps just being a good human being. Whatever it is we're pulling for him!
Semper Fi;
Doug
Greetings John, and a hearty Welcome to Chordie!
There are several good tutorials out there to teach the basics of TAB including some right here on Chordie. Take a gander at the Resources area.... that being said, When looking at a tab score, you will see patterns of fingering depicted that likely relate to chord shapes that you are familiar with (especially if you have the barre chords down). Basically you are looking at a numeric guide to where the notes are on the fretboard. Horizontal lines represent the strings high to low/top to bottom, and the numbers represent the fret where each string is fretted. Stacked it's a chord strummed, and offset is individual notes picked in the sequence they appear.
What is lacking is the note name and naturally the time signature that you would get from standard notation (like piano sheet music).
The rest is familiarity and of course practice! (darn-it!).
Once again Welcome Aboard! and hang on it just gets better and better!
Take Care;
Doug
Hi Butch again,
Are you specifically looking for something that sounds good un-plugged? In which case you might be better off shopping for an Acoustic/Electric. The Epi Casino was a nice hollow guitar, but still didn't have much projection without the pickups in the circuit.
Once in awhile you can come across an older Archtop with pickups that have great tone without an amp. Played one recently that had been made in the late 40s that had great tone (archtop that is) didn't have pickups installed. But one of the loudest Acoustic guitars I've ever heard.... and a huge body! Truly one of the great Jazz/Blues instruments.
Good Hunting!
Doug
Hi Butch,
Yeah had one in my hands for a short while. Just a matter of personal preference though, felt a bit light and neck heavy. Pretty good tone, but not that Jazzy depth that we thought it should have. Sent it back and replaced it with a Dot which IMHO was closer to the tone of the Emperor.... which makes sense as it is also semi-hollow. The Casino is a fully hollow bodied instrument and didn't sustain as well as the through body models Epi makes. The Casino is a bit deeper in body as well, put out a bit more bass, but nothing that couldn't be duplicated with amp settings.
All three of the models I mention here are fairly large body guitars and the necks are very similar in width and profile, comfortable and fast. I'm 6 foot and medium weight, no problem getting around the larger bodies. Do like the balance of a neck through, it stays in the angle you strap it to you without feeling like you have to hold the thing up all the time.
Take Care;
Doug
Jerome, You didn't mention the Dot? Thought you had one... Playability, Sound and yes it is semi-hollow, great option for the money! Does pay to shop around though,
Take Care;
Doug
Hi Doug,
Actually Guitars & Accessories is likely a better place for this topic, but I'll toss in my tuppence anyway. You know I'm kinda fond of the under-bridge transducers for a couple of reasons: They are completely passive and don't require any power source so you don't have any battery hanging in a pouch inside the guitar to come loose and start banging around in there. Installation is fairly simple and non-destructive to the guitar or it's finish, with the elements super-glued to the inside of the guitar under the bridge so no clamps or screws required. The connection is at the lower strap pin so only that hole is enlarged to install the jack. They are really small & light so they don't dampen the vibrations of the top, the sound is very much like the guitar sounds un-plugged just louder through the amp. Costs around $85.00 USD last time I had one installed on a friend's Taylor with excellent results. One other advantage is that you can use your favorite acoustic strings and don't need to go to electric like you do with magnetic pickups... Phosphor Bronze, Silk & Steel, whatever floats your boat.
Take Care & Thanks for posting!
Doug
Guilty as Charged Your Honor.....
There are waaay too many songs in the book to have them all totally down pat, and it is easy to forget little things and details without getting back to them fairly often. I'm a finger-picker and need to constantly refresh myself on the frills and little licks that ensure consistency from one set to another. So I usually manage to get through the whole book weekly, although usually the verse, bridge and chorus just to make sure that the progression and signature is correct. Doing everything fully would take many more hours than I can afford to spend, it's usually enough to know the essentials and once you get into the music the rest will flow naturally all the way through.
It is important though to learn every song you add to your book all the way (even the "tricky" parts) or put them near the front where you give them more "hits" than the ones you know really well. it's that Practice thing again!
Take Care;
Doug
Howdy Son Hawk & welcome to the Chordie Forums!
Nice to hear from you. On to your concerns about the internet being a breach in the hull of our privacy.... maybe it is a little late for that worry. In the grand scheme of things, it is doubtful that any government agency is all that worked up about a bunch of us old folks chatting about music and making connections with others with similar interests, regardless of our politics etc.. There are active monitoring programs running that are searching the chat logs and IM traffic along with the forums on "radical" websites. Sifting through the torrent of words seeking out the references that have become the catch-phrases of organizations seeking to promote hostility..... but honestly there still aren't enough resources available to do the kind of searching required to infringe on anyone personally, unless you are on some active watch list somewhere because of something you have been publicly vocal about.
Vigilance is always a good thing, but don't lose any sleep over it for the moment. This is still the Land of The Free, and even though it doesn't always seem like the People have the power, and those people who we are most concerned about really are OUR Employees (even though they often forget that). Freedom isn't free though, we have to keep earning it by using the rights we do have to ensure they aren't arbitrarily taken from us by our own inaction.
Semper Fi;
Doug
Hi Steve J,
I think the Ovations are better suited for abuse. Most have some kind of laminate top except for the spendier solids, and the neck is reinforced with an aluminum channel stiffener that retains the truss rod assembly. The neck joints and other attachments are really well made and tough, but I understand that the adhesives used to assemble the instrument will not tolerate sub freezing environments (get brittle and fail).
Flester, you have earlier Ovations and it seems the older ones have a more agressive texture on the body than the newer ones especially on the undersides where it would rest on your leg. Could be just my imagination, but the newer ones seem a bit slippery. Still considering a grip spray coating, but getting by with a "safety strap" for the moment.
Take Care;
Doug
Welcome to Chordie!
Wow, a group of children? Group lessons are a challenge at any age, but it might help to know the age group we are dealing with?
Many Popular tunes will have at least three Chords.... and not all of them easy for young fingers to deal well with. You could start out with the abbreviated "cheater" chord fingerings at first just to get the music going on so at least the kids are focused, but you will want to stress the more proper chord fingerings so that those that are able to get them right off have a sound foundation to build upon.
Please check out the Public Books and other resources available here on Chordie for "easy beginner" music selections. You might find a few hiding in there that you could print off and use. Also consider using the transposition feature to help find chordings that might be easier to manage albeit in a different key.
Welcome Aboard and Hope you find the site and Community helpful to you in whatever way we can be. There's a great group of folks here that I'm sure will go out of their way to assist you in promoting guitar as a means of musical expression among your students.
Thanks for Joining &
Take Care;
Doug
Guitar chord forum - chordie → Posts by Doug_Smith
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