6,076

(17 replies, posted in Acoustic)

I honestly don't know what I usually play.  I just wing it and try to get something that sounds OK.

- Zurf

6,077

(10 replies, posted in Acoustic)

Thanks NELA, but that double barre doesn't work for me.  I smashed my ring finger but good with a hammer and absolutely obliterated that knuckle.  It bends forward, but it just won't bend back enough to do that second barre.  I have to do the A shapes with middle, pinky, ring fingers.

6,078

(7 replies, posted in Acoustic)

I just don't.  I'd just go ahead with G7 and say you're improving. 

- Zurf

6,079

(10 replies, posted in Acoustic)

After however long, I am FINALLY getting the idea of barre chords!  I was just playing through Wild World, which requires a lot of changes from G to F.  I got to thinking, gosh there's a nice long pause before the G but none before the F, why don't I just play the F a couple frets up for the G when I've got the time to get in position and slide on down to the F when I need it nice and quick-like.

Yeah, that's right, I played a barre chord WHEN I DIDN'T EVEN HAVE TO just to make the song "easier."  And it didn't sound as muddy as the Mississippi either (speaking of the Mississippi - I hope our Chordians in America's mid-west are avoiding complete disaster with the flooding). 

Anyway, that had me pretty stoked (the barre chord use not the flooding, the flooding sucks).  I may attempt a "B" just for the heck of it.  Naaaaah.  No need to get carried away. 

- Zurf

6,080

(10 replies, posted in Chordie's Chat Corner)

It matters when it matters, but only then.

I just play what I like.  If I like the original, or if the original rhythm is "key" to identifying the song, then I'll attempt to mimic it or at least to incorporate the basic pattern but maybe play it finger style or with mutes or something. 

But, some songs it makes a difference for basic recognition of the song. 

Then, there are those who thing that "as the best known recording of the song sounds on the album" is the same thing as "right."  Remember that dude that popped on here and said most of the chord transcriptions weren't right?  He didn't get it.  Lots of folks like him though, I expect (except without the arrogance). 

- Zurf

mixter102 wrote:

Doc, Kris Kristoferson wrote Bobby McGee about Janis Joplin.

Negative.  Kris Kristoferson wrote Bobby McGee, but it was about the receptionist at Sun Records where (at the time) Kris Kristoferson was a janitor.  Her name, not surprisingly, was Bobby McGee. 

- Zurf

6,082

(1 replies, posted in Music theory)

Helping with my picking already.  I've already got a base practical knowledge of scales from my bass playing, but using good form and trying to do it sloooooowly and gradually increase speed is already helping me to gain precision in my picking.  In five or ten years, I may even be able to play a solo. 

Anyway, kudos to Jerome and Russel who have consistently said "practice scales" pretty much every time I bring a question forward.  Ends up, the advice is right on target. 

- Zurf

Destruction is in the ear of the listener.  Play it your way.  If someone thinks you destroyed it, that's their situation to deal with, not yours.

Shoot, artists bring different styles to their own songs.  Eric Clapton did an acoustic version of Layla.  Eagles did a flemenco version of Hotel California.  James Taylor has done a few versions of Steamroller and Damn This Traffic Jam.  Jimmy Buffett did a reggae version of Knees of My Heart and a stripped down acoustic version of Son of a Son of a Sailor.  The Police did a remake of Don't Stand So Close To Me with electronics and mixing. 

Then we've all heard covers by Counting Crows, Sheryl Crow, Shawn Colvin, Jimmy Buffett, Willie Nelson, and the list goes on.

Clearly, it's OK to do covers in your own style. 

For a TRIBUTE band, they've got to be exact reproductions.  This is a musical trend that I do not appreciate.  Not against it, because if it's their thing then it's their thing and more power to them.  I'm just saying I don't appreciate it using appreciate in the sense of "Theatre Appreciation". 

- Zurf

6,084

(15 replies, posted in Acoustic)

I haven't found that the discoloration has affected the sound any.

Congratulations on getting to say "Put me down for a one" Crowellb!

- Zurf

London.

6,086

(18 replies, posted in Chordie's Chat Corner)

Forget the moderators.  It's your idea, you kick it off.   I'm sure the mods will play along. 

- Zurf

6,087

(10 replies, posted in Acoustic)

Royce Drake wrote:

Define:    Chicken picking?

               Travis Picking?

               Country Style?

I think chicken picking might be what I've heard called chicken scratch.  George Thorogood uses it, as do some of the old bluesmen (who called it "scratching my back").  I'm not sure how they make the sound, but it's a staccato, muted scratch.  I think it involves scratching the side of the pick against the low strings kind of like you might do with a wood block.

Country Style to me is that Johnny Cash Boom-chika-boom sound.  Bass note, strum, alternate bass note. 

No clue about Travis picking, and no confidence in the other two answers.  I'm just setting up a straw man that others can shoot rubber bands at. 


- Zurf

6,088

(10 replies, posted in Acoustic)

tandm3 wrote:

I didn't see anything here about frailing..!

So add something about frailing.  This board is for each of us to share what we know, even if what we know is wrong (in which case we'll hash it out in good faith and everyone learns something).  Pitch in, we're eager to hear what you've got to say.

- Zurf

6,089

(10 replies, posted in Acoustic)

Add to arpeggio that you are picking out individual notes OF A CHORD in either ascending or descending order.  If you pick the notes of a chord out of order, it's called an inversion. 

- Zurf

6,090

(8 replies, posted in Acoustic)

I have always found that my ears aren't nimble enough for playing guitar.  Oh wait.  I got you now.  Never mind.

- Zurf

6,091

(15 replies, posted in Acoustic)

Funny, my guitar came strung with Yamaha strings and I couldn't get rid of them fast enough.  I guess this is why there are menus in restaurants.  Not everybody wants the same thing. 

- Zurf

6,092

(19 replies, posted in Chordie's Chat Corner)

Ray Melton wrote:

Perfect !!! Must try that . This low pants thing drives me nuts . Surely it cant be comfortable ? Then again it's all image isnt it ?

No, it is about concealment.  Stashes of weapons or other contraband are easily concealed in loose clothing. 

- Zurf

6,093

(3 replies, posted in Music theory)

Well, here's my idea on walk-ups or walk-downs in a bass line, and this comes from my bass playing and not my guitar playing.  I'm not skilled enough with the guitar to do a reasonable walk-down.  So, bear that in mind.

Let's say you're going from G to D.  I'd use the second and third notes in the G chord and then jump right to D (the fifth).  If you're playing a blues song, use a flatted third.  That's a practical walk-up. 

Sometimes what I like to do is to jump to the octave, so I'll play a low G on the third fret of the E string then jump up to the fifth fret on the D string to hit another G and then use the flatted seventh, the sixth, and then on down to the fifth.  There's a practical walk-down. 

Another bit of advice is that if you play your walk-ups and walk-downs really fast and hit a wrong note that isn't emphasized, you can just shrug and say "That's the blues, baby.  That's the blues." 

Anyway, the point is that I pretend that the base chord from which you're changing is a scale, and then I use select notes from that scale - mostly the second, the third (or flatted third), the fourth, and the flatted seventh (and less often the seventh, but that has a very bright feel to it and I am usually playing bass for folk or blues and don't want so much of a "major" feel - it works good for Country though). 

I'm not saying this is "right".  I'm just saying it's what I do.

Hope that helps.  If not, a person with actual knowledge will be along directly to help you. 

- Zurf

6,094

(12 replies, posted in Songwriting)

I've written a total of two songs, so my advice is bound to be pretty sorry.  Nevertheless, what I've learned helps is to have a rhythm or pattern in mind when putting together the lyrics.  I get kind of a plan of what I want to say, then I come up with some words that will rhyme (or almost rhyme) to end the stanzas, and then I come up with a basis for the rhythm and chord patterns.  Then, and only then, do I fill in the rest of the lyrics so that when the lyrics are done, so is the song.  More or less.  Always some tweeking to do. 

Hope that helps even though I don't even expect it's worth a half-penny for those thoughts.

- Zurf

6,095

(19 replies, posted in Chordie's Chat Corner)

gitaardocphil wrote:

Is there a system that helps young, poor people to keep them away from crime, or the culture they have.

It's called Scouting.  Boy Scouts and Girl Scouts, or Boys & Girls Clubs, do a tremendous amount of good in the world.  For my part, I like to help kids learn to fish.  I expect that it would be hard to be a gang-banger when you've been taught that even the life of a fish matters and deserves respect. 

- Zurf

6,096

(37 replies, posted in Music theory)

This is extremely useful!  Thank you for taking the time to prepare this and share it with us.

- Zurf

6,097

(3 replies, posted in Chordie's Chat Corner)

Keep the round side down and the people side up.  Otherwise, enjoy!

- Zurf

6,098

(19 replies, posted in Chordie's Chat Corner)

Interesting you suggest that class KAP54, because my daughter's elementary school (grammar school, I believe, in the UK) has just such a class.  My wife and I had the option to sign her up for "counseling" courses.  I was a bit suspicious, but when we asked about what they teach, we were impressed.  I am fortunate to live in a very wealthy area and send my daugther to a public school that is exceptional. 

- Zurf

6,099

(11 replies, posted in Songwriting)

Old Doll,

That water isn't too deep at all.  Both pictures are of the New River in West Virginia.  That big pool behind the campsite is about as deep as it gets there.  Maybe ten feet (three meters) deep.  Much of the river is merely inches deep at that time of year.   In the second picture with The Pyro River-rat he is sitting in an area known as Musky Alley because it is a deep channel between shallow edges.  There, deep means about five or six feet (roughly 2 meters). 

Mostly when sitting I use a spinning rod or baitcasting rod to fish.  I greatly prefer standing to fly-fish.  I have rigged a large canoe that allows me to stand and use my fly fishing rods. 

I love fishing at the shore.  Wading out into the surf and getting off a long cast to a breaker.  Those sea fish work hard all their lives fighting surf, tides, and currents with hardly any structure to protect them.  When they hit a lure or bait, there isn't much mistaking it.  Not sure about what you catch over there, but over here, there's no telling what kind of fish you'll get in the surf zone.  Sea trout, bluefish, striped bass, pompano, red drum (aka red snapper), black drum, croaker, spot, mullet, and some I'm sure to have forgotten.  Even saw some dolphin (the mahi-mahi type, not the Flipper type) just a few yards further than I could cast one time when there was a storm at sea and they came close to shore following the bait fish.  How I was wishing for my kayak then!!! 

You are right that I am blessed, and don't think I'm not grateful to the One from whom blessings flow either!!  Good friends, good times, cold beer.  Tough to beat.  Awful tough to beat. 

- Zurf

6,100

(11 replies, posted in Songwriting)

Br'er Rat - You can have half the cash proceeds from the first year's revenue from that song.

DaddyCool - It's possible that camping is not for you.   big_smile

- Zurf