GoodbyeBlueSky wrote:

And Chavs, I really Hate Chavs.

-Kerry-

OK no one else has asked so I suppose it is up to me.

What the heck are 'Chavs'?

Uninformed Roger

3,077

(11 replies, posted in Acoustic)

Hi Nedaph and welcome to Chordie,

I think there are two possibilities here:

One: Consciously or subconsciouly, you are still having to think of of your chord shapes when you change and the mental effort put into your left hand creates hesitation in your right.

Two: You are trying to change chords as you see them in the music, when if fact you have to start changing before, so that your fingers land on the right strings where the chords are shown in the music.

I am afraid that in either case the only answer is practice but rest assured that it will come in time and at six months of playing you can not expect to be playing perfectly. Playing your songs much slower might help and then gradually increase the tempo.

Keep at it, it will be worth it in the end.

Roger

3,078

(15 replies, posted in Songwriting)

Hi Kenny,

The bug seems to have got to you (well two have if you count the cold lol).

I liked this one in fact I could not resist picking up my guitar and playing along with you. I am looking forward to hearing more of your previously posted songs especially American Dream to find out how it is supposed to be sung.

Thank you,

Roger

Ok it is nothing to do with music but what the heck this is the chat forum after all and it is an incredible and a moving story.
Please follow the link, read the small article and press play to watch the video.

http://www.timesonline.co.uk/tol/news/u … 407100.ece

Roger

I was told, only this week, about a very successful song writer and as this is hearsay I will not name him but he has written hits for Cliff Richard, Cilla Black and Elvis Presley.

Allegedly he called into a music school to ask for uke lessons and it transpired that he did not even know how to tune it and did not even know the notes on a keyboard. He was asked how he was able to write songs without being able to play an instrument. Apparently he would write the lyrics and have a melody in his head which he was able work out by playing one note at a time on a keyboard but unable to write it down. He would show this to a musican who would then, for a fixed fee, write the music for him. He was also asked how he managed to make the break and get his first song to a star and although he was a reluctant to be specific he did say that it was through perseverence. It was not possible to find out whether he sent out music and lyrics or a recording of his work which would have been nice to know.

So for this guy the ingedients are the ablility to write catchy lyrics and knowing someone who can convert dodgy, one fingered keyboard playing into recognisable music.

Roger

3,081

(9 replies, posted in Songwriting)

Hi Phill, Ark, Kenny and Daddycool,

Thank you for your comments. Helena was a life saver with this one, her lyrics are great and the idea behind them an inspiration; a theme I would not have thought of in a million years.

Collaboration is fun.

Roger

3,082

(4 replies, posted in Songwriting)

Hi Daddycool,

I think that this is one of the best you have written and I will play it again in a minute. Well done.

I notice you have made a point of marking it as fiction. Is that because Mummycool would be Mummymad if she though you had your eye on another lol


Roger

3,083

(9 replies, posted in Songwriting)

Hi Ark,

Another great piece of music from you, as Kenny has said a very relaxing and soothing insrtumental.

Roger

3,084

(23 replies, posted in Songwriting)

Hi Kenny,

Pleased to see, and even more pleased to hear, that you have got to grips with the recording lark. A very impressive first recording, of course you did have a good song to work with which is a bonus. Russ's help seems to have done the trick.

By the way my ears are completely undamaged even after listening through headphones.

Well done my friend,

Roger

3,085

(3 replies, posted in Recording)

Hi Rachael,

I am pleased you are going to try your hand at recording.

Glad you found what the mic problem was. Do check that the recording volume on your PC is not turned right down however some lower quality mics do not record very loud. Also Audacity has a record volume slider so check that that is high enough too.

As for laying your tracks just click the red 'record' button and it will start recording and show a wave form of your recording.  Click the yellow 'end' when you have finished. Then click the 'record' button again to record your second track. You will see to the left a volume and pan control for when you balance and mix your tracks.

Good luck.

Roger

3,086

(2 replies, posted in Bands and artists)

Hi Lieven,

I am not a legal expert but my best guess would be:

If you wrote a song that became a big hit for a band they would have done it with your permission, so there would be a contact. The terms of the contract would have pre-determined what your cut would be.

If they performed it without your permission they would be in breach of copyright and a judge would be determining what your cut would be.


Roger

3,087

(10 replies, posted in Electric)

Hi Rachael,

If you read the "For Recording Virgins" thread you will see not only a link to a free programme to record, add effects and mix with, there is also a link to some tutorials that Russell Harding has made helping you to use the programme.

If you want any help or advice if you give it a go, then please ask on the Recording section of the forum.

Roger

3,088

(30 replies, posted in Recording)

Hi Getfiddle,

I have just checked both the links in my original post and the one on Russ's signature and I was able to get into to both Mediafire and Audacity with no problems. Perhaps others can try and see if they have problems too.

By the way is it Mediafire or Audacity you are having a problem with and what is the error message you are getting please?

Sorry I cannot offer more help at the moment.

Roger

3,089

(10 replies, posted in Electric)

Hi Rachael,

I took your advice and had a listen (http://www.youtube.com/watch?v=2eAbLhiJloE for anyone else who want to listen). Considering you had only been playing for three months when you put that up is is very good. Well done.

I played along, just strumming, to your recording and it sounded fine. Now it may be a bit early in your guitar career to suggest this but why not have a look at the recording tips I have just put up in the Recording section and try making  a recording with both a strumming and a picking guitar backing. Not only should it be fun, it would also add to the performance.

Roger

3,090

(30 replies, posted in Recording)

Most of you know that I do tend to try and encourage members to record their songs for everyone to hear but it goes further than that so this is directed to all and not just to songwriters as recording, and being able to carefully listen to what you have done, is also a very good teaching tool.

Equipment needed:

You will need a microphone and getting the best you can afford is always a good policy as your recordings will be clearer with less background noise by having a quality mic.

You will need software to record to and Audacity is a good one to use as not only is it free, but Russell has put some tutorials up on MediaFire to help you get to grips with recording using it.

You can use your microphone to record your instrument but it is better, if you are able, to use a cable to plug directly in as you will not pick up any background noise this way.

Getting Started:

Standing in front of a microphone is just as nerve racking as performing in front of an audience, so being on edge is normal. It does get easier with time but the nerves tend to give you that little bit extra and can actually lead to a better performance.

Your recorded voice will sound strange. Most people do not like their own voice the first time they hear it, this is because we are used to hearing ourselves internally and not just with our ears. Don't worry, you do not sound half as bad to others as you think you do.

Arrange time to yourself without the distractions of "she who must be obeyed" (or "he" as the case may be), children, pets and telephones. Warn everyone what you are doing and ask them to keep noise down as much as possible during your session.

Recording:

It is far easier to record separate tracks and mix them later to get the balance right. It is also easier to edit a single track if you have made an error. You are also able to put your full concentration on playing and later the same with your singing. Do not forget to save often as a power cut or crash can lose you all your hard work.

Count yourself in before you start playing and record you first guitar part. Do not stop if you make a mistake as you can insert a 'silence' in place of the error, re-record the wrong part and then mix the two to become a flawless recording.

Record a second guitar part which can be played the same or different style (ie fingerpicking) to the original. (Now you see why I said to count yourself in - you know exactly when to start playing). Pan one recording, say 50 or 60%, to the left and the other to the right and give yourself a treat by listening to what you have achieved. The two instruments coming from different places sound very different to just one.

Then comes the part you have probably been apprehensive about. Record your vocals. Again do not worry if you make a mistake you can correct small errors just the same as you can with the guitar playing and if it is very bad well, what the heck, you can always do the whole thing again. Leave the lead vocals panned in the centre.

Once you are happy with the lead vocals you can add further tracks of harmonies, ooohs, aahs or even singing the same as the lead. Pan these tracks to the left or right to create a fuller sound.

Mixing:

Now you need to listen to your recording and make final adjustments to the volume and panning making sure that backing vocals are slightly lower in volume than the lead and that the guitar playing is not drowning out the vocals.. When you are happy, select all and mix the tracks. You can now remove your count in and add a couple of seconds silence to the start of it. You can then export the finished recording as a MP3 compressed file that you can upload to MySpace etc., send it in a e-mail to friends or just keep it to listen where improvements can be made or as a yardstick to see how you have improved at a later date.

Links:

Audacity: http://audacity.sourceforge.net/

Russell’s Tutorials: http://www.mediafire.com/russellharding


I hope you find this helpful, and please post any questions or comments here. However experienced or inexperienced we can all help each other by sharing ideas, tips and pitfalls.

Roger

3,091

(12 replies, posted in Songwriting)

Hi Phill,

I very nearly burnt my evening meal whilst listening to your song as I played it twice forgetting that I was cooking lol

Great song and arrangement. I particulaly liked the way you ended it (I must remember and nick the idea sometime cool).

Roger

3,092

(10 replies, posted in Electric)

Well done.

Being of a certain age, I can remember when this was first released and a great instrumental it is too, as is all the Shadows music. Keep it up and please let us know of your progress. A big pat on the back for you.

Roger

3,093

(22 replies, posted in Chordie's Chat Corner)

Food: Potatoes to with whatever else I could catch, trap, snare or fish.


Medicine: A good single malt, my universal cure all.


Music: If I could not take Amy Sky to sing for me I will settle for her Cool Rain CD.

3,094

(9 replies, posted in Songwriting)

I wrote the music for this song and was struggling for lyrics but luckily Helena came to the rescue.

It is now on MySpace: http://www.myspace.com/rogerguppy 

Roger


Love and Liesby Helena Donovan and Roger Guppy






Intro:




[C][Am][D] [G]


.


.


Verse 1:




[Em]Kiss me [Em]now, [C]then say we are [Em]one,


[Am]These lies and [F]whispers I [Fm]heard must be [C]wrong.[G]


.


.


Verse 2:




[Em]Kiss me [Em]now, then [C]say it’s not [Em]true


[Am]Tell me a[F]gain it’s [Fm]just me for [C]you.[G]


.


.


Chorus 1:



[F]"So many [G]men", too many [Am]times I’ve heard them [Em]say,


[F]I just do [C]not under[D]stand your secret [G]ways,


[F]The truth I [G]need from your [Am]lips before I [Em]break,


[F]Tell me [C]now and re[D]lease me from this heart[G]ache.


.


.


Instrumental:




[C][Em][C][Em]


[Am][F][Fm][D][G]



.


.


Chorus 2:



[F]Is it [G]true you need [Am]money or just the [Em]thrill?


[F]Or are you just [C]seeking comfort that [D]I cannot ful[G]fil?


[F]They can never [G]give the love [Am]I have in my [Em]heart,


[F]Please do not [C]do this, [D]to tear us a[G]part.


.


.


Verse 3:




[C]Kiss me a[Em]gain, and [C]say I'll always have [Em]you,


[Am]Tell me that your [F]love for [Fm]me is ever [D]true. [G]


.


.


Chorus 3:



[F]Do you stand a[G]lone in danger on [Am]some lonely, dark [Em]street?


[F]Whisper some sweet [C]nothings get some [D]money for your [G]treats,


[F]Do you let them [G]kiss and hold you in the [Am]only way I [Em]know?


[F]Kiss me, [C]kiss me tell me these are [D]lies, this isn’t [G]so.


,


,


Verse 4:




[C]Kiss me [Em]now, then [C]say it’s not [Em]true,


[Am]Tell me a[F]gain it’s [Fm]just [Fm]me for [C]you,


[C] [F]It is [Fm]just me for [C]you.



3,095

(12 replies, posted in Songwriting)

Hi Jeff,

Congratulations to you, Michiya, Aya and her partner.

My eldest grandchild was 20 in June and my youngest is 13 but it only seems five minutes ago when I was feeding and changing their nappies (diapers). Time flies but I still remember the excitement and impatience waiting for each to arrive although I am sure it must have been worse for their mothers.

Lovely song and this one you surely must record on a CD for the little one to keep if not for your Chordie friends to hear.

Thank you,

Roger

3,096

(8 replies, posted in Songwriting)

Hi Jeff,

I think I will make this my signature tune as it always the words that I struggle with. I enjoyed playing it but as usual I would love to hear how you intend to be.

Roger

3,097

(9 replies, posted in Songwriting)

Hi Phill,

Another good one from you and an excellent recording to boot.

Roger

Russell, as I told Ken earlier we are mere men and never in a million years will we be able to fathom the working af a female mind.

My dad always used to say to me that when you get in a situation like this you should just smile sweetly and say "Yes dear" and leave it at that.

Roger

Dear confused Ken,

Please see this message to unravel the mystery of my comment: http://www.chordie.com/forum/viewtopic. … 931#p53931

To understand Helena's words you would have to be able to think like a woman and no man can do that lol

Roger

Obviously a good time was had last night lol tongue lol

I hope you sampled a Sobranie Black Russian to go with your tipple: http://www.cgarsltd.co.uk/sobranie-blac … -3714.html

Roger