4,701

(33 replies, posted in Chordie's Chat Corner)

That's worth the price of admission right there.  Thanks for the pic.  the only problem with it is that you appear to be playing an illegal and non-permissable A shaped barre chord - past the fifth fret no less.  But given the beauty of the surroundings, I think I'll let you off with a warning. 

- Zurf

Hey Crevs.1972, I see on your Chordie signature that you play an EJ-200.  How's the action on that?  I've been thinking of getting a big boomer of a dreadnaught to replace my folk body beginner guitar (Yamaha F100).  The Yamaha will live on as my campfire guitar, but I want a big boomer that I can mic. 

The EJ-200 gets great reviews in all of it's formats (A/E, Elvis version, etc.), but no one mentions the action.  I'm hoping for a somewhat low action guitar, which is why I want a big box.  A low action can somewhat reduce volume because banging things out on it will create buzz, and a big box seems to help.  I should have bought that cedar Tacoma when I saw it...  (smacking self on head)

Anyway, let me know what you think. 

Any other EJ-200 users chime in too. 

Thanks,
Zurf

4,703

(33 replies, posted in Chordie's Chat Corner)

On my daughter's guitar, I just tied the string to a small bead.   If you've got any beads laying around, give it a try.  Otherwise, if the guitar store is close you may want to exchange and save yourself the hassle.  It's all a matter of what's easier and more convenient for you.

- Zurf

4,704

(148 replies, posted in Acoustic)

mekidsmom wrote:

Ha ha ha!  Tommydone... while I agree, a good work around helps!  Try this:
http://www.chordimages.com/ramimages/i4 … 3210_1.png
That's the "F" I use when a song calls for one.  It's close enough for me, for now anyhow.  Someday I'll visit the mutant research facility and get zapped with some of that special serum to allow me to play a real F and get a B7 fretted quickly!

Brilliant.  I'm going to try this.  "F" isn't that much of a problem for me.  Usually a little slow getting there, and it remains a bit muddy, but I can see a day when I'll be able to play it right.  Probably the same day I get the action on my guitar set up better.  But "B".  There's little hope for me of "B"ecoming a proper mutant. 

- Zurf

I have improved the sound of my guitar three ways:

1. Replaced the plastic string pegs with wood (am considering brass)
2. Replaced the strings and changed the size.  I now use high quality light strings rather than junky ultra light strings
3. Practiced (this has been the most important)

I am considering a bone or Tusq saddle, and possibly nut. 

I will also have it professionally set up and the action lowered as much as is feasible.  But not until I get my electric back and buy a practice amp so that I have something to play while my guitar is in the shop.

- Zurf

4,706

(412 replies, posted in Chordie's Chat Corner)

I vacationed in Banner Elk, NC once.  Great place.  Also, back in my college days I helped to found a fraternity chapter at my school.  Our sponsoring chapter was at Appalachian State, so those were some fun visits too. 

- Zurf

Here's another clip with the very guitar.

http://www.youtube.com/watch?v=OMSYzFdl … re=related

This has always been one of my very favorite folk songs, since I was a little boy.  And oddly enough, I've never learned it.  Perhaps I should.

Elizabeth Cotton played that way.  Here's a picture of the guitar she wrote Freight Train on - encased in a display at the Smithsonian Museum of American History.  Notice how it's worn near the sound hole opposite the pick guard.

http://lh4.ggpht.com/_N8639F1FxC0/S9Y9PSWUQuI/AAAAAAAAEBk/AOzX2V3Tyck/s400/IMGP1692.JPG

4,709

(33 replies, posted in Chordie's Chat Corner)

Cool story Toots.

PapaTom - Don't even think about it.  It was a good story and well told.  I can't speak for the others, but I appreciate a well told story even if it looks long printed out on a forum page.

Took my kids fishing yesterday at a nearby Izaak Walton League's kids fishing rodeo.  They had a ball.  We got there late, so only fished for about forty-five minutes.  They caught two fish each.  My eldest said, "I caught four fish."  I replied, "No honey, you caught two fish and your sister caught two fish."  My eldest then retorted, "I caught four fish.  Two of them came out of the water."  That's just natural fishergirl dialog, right there.  I didn't teach her that.  But I'm sure as heck going to use it! 

- Zurf

4,711

(13 replies, posted in Acoustic)

zguitar - No offense taken.  Your input is as valuable as mine.  Tell you the truth - I only do one or two songs as anything even close to a cover.  It's always been my opinion that if you want something that sounds exactly like the original to just play the record.  I like when I hear something radically different.  Listen to Patsy Cline do Crazy, and then Willie Nelson's version.  Both "Country", but the songs are completely different.  The Doors did "Light My Fire."  OK song, nothing too special (from my point of view, it's understood others will think it's wonderful).  Jose Feliciano did it and WOW!!! What a song!  It's a completely different version.  Shoot, even Eric Clapton redid Layla.  Electric version early in his career.  Twenty-five or so years later he redid it as an acoustic and it's hard to tell that it's even the same lyrics.  Made another mint off the same song.  Nice gig if you can get it! 

I hear you.  I think it's great that you've found a motivation that works for you, and I admit it seems for many others.  I just am concerned that a newbie will think they pick up the guitar and within a few months of lessons sound like Eric Clapton or Eric Johnson or Chet Atkins or any of the other guitar gods of whatever genre you like.  Wonderful if you can - I just get worried that people will run themselves down and feel inadequate if they can't sound like these rarely and extraordinarily talented individuals.  I worry more that they might set aside the guitar and think "Well, I tried it.  Didn't work out."   

I've got nothing at all against tribute style covers, just so long as folks use them as an encouragement as you suggest and not as a frustration as I worry about. 

- Zurf

4,712

(148 replies, posted in Acoustic)

tommydone wrote:

there are laws being passed as we speak to also outlaw the "B" chord.Thank you

Welcome to the brotherhood, my friend and brother! 

LONG LIVE THE MUTANTS!!!

- Zurf




p.s.  See Russell Harding.  If he's in a good mood, he might grant you B chord amnesty.  I am now fully authorized in writing to play B7 in lieu of B on Russell's very own original song.

4,713

(33 replies, posted in Chordie's Chat Corner)

Good times! 

Welcome to Chordie MKM-son.  I'm feeling like I ought to be in a bad kung-fu movie where they had that really bad dialog, "Welcome to Chordie Mekidsmom-san..." 

- Zurf

4,714

(13 replies, posted in Acoustic)

I have a couple of comments. 

1. The matter of keeping a rhythm or pattern going is a matter of practice.  Are you practicing the rhythm or pattern, or are you trying to play it without practicing it?  If the latter, then practice it.  That means to dissect it, slow it down, concentrate on that and only that, and then do it until you can do it steadily (albeit slowly) and then speed it up until you can do it quickly and then keep doing it until you can do it without thinking about it.  This is not a matter of 1/2 hour.  It is the matter of 1/2 hour a day for however long it takes.  Some folks who are already adept at learning strum patterns, 1/2 hour may be enough.  For folks who are just beginning to learn them, 1/2 hour a day for a month may not be enough.  But rest assured that it will come in time. 

2. Forget what it's "supposed to sound" like.  Play it the way you like.  Until you've been playing for three decades, have gone to conservatory, and beat out 1,200 other accomplished guitarists trying to get the single studio position to back up a famous lead singer, what "it's supposed to sound like" doesn't mean squat (at least not to me).  I think it's much better to be able to interpret songs to your own style, even if you don't have one yet. 

3. Nothing wrong with simple melodies picked out.  That's something I can't do yet, so don't run yourself down for that.  I'm can get the strumming patterns fairly easily, but not the melodies picked out.  We each bring what we have, and have to learn the rest.  Learning takes practice and time.  You'll get where you want to go if you just relax, put together a plan to get there, and make the effort through relaxed and focused practice. 

- Zurf

4,715

(10 replies, posted in Acoustic)

I'm not a 12 string owner, but I am a 12 string shopper and researcher.  My opinion is that if you bought a guitar that is supported and designed well, warpage should be minimalistic if at all.  Martin doesn't make junk.  If they built a guitar as a 12 string, it was designed to withstand 12 string tension.  Use it the way it was designed and rock on.  That's my advice. 

- Zurf

4,716

(8 replies, posted in Chordie's Chat Corner)

Young, rich, and no one to tell them "No."  What other result would be expected? 

I heard a story from some famous football player or another.  I don't recall who, but it was in the 80's, so it doesn't really matter that much.  Anyway, he had options from a bunch of schools.  They were all slobbering over getting him on their team - offering cars, apartments, private tutors, stipends, etc.  Joe Paterno at Penn State looked at his grades and handed him a reading list.  He said that if he read one book per month from that list and sent the book reports in to Joe Paterno for review, that he would consider putting him on the Penn State team.  His parents said, "That's the school for you, boy."  "What about all this stuff I can get elsewhere?"  "Those schools are offering that because they care about themselves.  Joe Paterno is going to make you work for it because he cares about you."   I grew up in Central Pennsylvania and saw shots of the Penn State locker room on the news frequently.  It was common to see one particular college athlete being interviewed, and in the background instead of the other athletes hamming it up and joking around, they were studying.  That's what a college football program should be.  College and discipline first, football second.  And I don't think you can say that over the years, Penn State has suffered for that attitude towards football!  SMU on the other hand...

- Zurf

4,717

(8 replies, posted in Acoustic)

My suggestion is to get a good start with an in-person instructor.  Once you're off to a good start, then supplement with particular stylistic lessons on-line.  The thing with on-line is that they can't adjust your fingers, or chide you about your thumb placement, or address these other early bad habits.  Get a good start with good habits from a good in person instructor.

4,718

(9 replies, posted in Acoustic)

Easiest song and sounds nice too is Jambalaya in my opinion.  I'm teaching that one to my daughter.  Horse with No Name is a good next song as there's four chords but they are all so similar that she should learn it easily enough.  To be nine and have a mind like a sponge! 

- Zurf

Good luck with whatever you've got going on.  I hope to see you back here soon.

- Zurf

4,720

(9 replies, posted in Acoustic)

Watch the stage when your favorite band is playing.  Odds are that if the lead singer is playing a guitar, he or she is playing solos, riffs, and leads only when not singing.  Most of the time, if the lead singer is playing guitar, he or she is doing a pretty straight forward, repetitive strumming or picking pattern while singing. 

I don't say this to discourage you from trying to play and sing simultaneously, but more as encouragement that even the elite musicians don't try and do it all.  They let other guitarists play the fill in riffs and the screaming leads (most of the time).  Take a lesson from that.  Keep your playing simple while trying to sing.  It's what the pros do.

Also, both singing and playing while keeping time and thinking ahead to what is the next line and chord change and are you getting to the bridge yet and so forth requires deep, intense concentration.  Skills aside, just learning that intensity of concentration requires practice.  Then you add in the effort to learn the musicianship skills, and you're understanding why many people who go on stage practice for hours a day, and that doesn't include the hour or more they spend doing warm-up exercises. 

The answer isn't just practice.  It's practice a lot while keeping your expectations humble.  Record yourself so that a month from now and two months from now and six months from now you can play the recordings and hear the improvement.  You won't feel it or hear it day to day necessarily.  Parents don't see how much the kids have grown (or are not as surprised by it) as the uncle who only sees them every six months.  Same with practice.

Hope that helps.  It's meant to encourage you to practice and to be patient with yourself. 

- Zurf

selso wrote:

Stairway aint even their best song! Why it gets some much attention is beyond me. Stairway denied.

Wayne's World.

That's nice that you have a friend with a bass pond, Bass Viking.  My Dad used to live at a place where the next door neighbor had a bass pond that we had permission to fish.  I loved going over there after dinner and catching a half dozen or so bass before settling down for the evening. 

I've got a couple invitations from folks to take my daughters over to their ponds, and I think it's about time that I take them up on that.  I think they would like that.  Perhaps this Sunday after church. 

- Zurf

It's OK Doug.  We won't tell anyone.  We promise. 

- Zurf

Play them Magic Carpet Ride.  Really, really loud.  I'll bet they like it better.  If not, then try Oh Darlin'.  Not Hello Darlin'.  My bad. 

- Zurf

Just for clarity, the same person has not owned the Leesburg Restaurant since the mid-1800's. 

- Zurf