Nope.

And old time country wasn't as good as folks want to remember.  For every Hag, Cash, Willie Nelson, and Waylon there are tons of folks who just whined into a mic and had a boom-chicka-boom sound behind them.  Those folks are forgotten while the true stars' music continues to shine.  I grew up listening to that old style Country, and it was awful.  I still like the Hag, and Johnny Cash and the others mentioned.  But there's a whole bunch of stars from the 60's, 70's and early 80's of Country that I'll be just fine if I never hear their music again.

In an interview with George Jones on this very topic, Mr. Jones said that there has ALWAYS been a lot of poor music written and performed.  In the old days when folks didn't have as much money to spend on music, those weaker songs were thrown in the trash where they belonged and only the creme of the crop made it to albums.  He said this was true of himself, and also most of the "stars" of yesteryear.  Nowadays, folks are willing to spend the money to buy an album with only one or two good songs on it so they pump out albums with 80% garbage.  It's not that there's more garbage now than there was then, it's that people are more willing to pay for garbage. 

It wasn't Garth Brooks that killed old time country.  If it didn't sell, it wouldn't be produced.

As far as the Americana/Alt Country comment by Mixter102 - I am in complete agreement.  That sound is still out there.  I like a band from Ohio called Hillbilly Idol.  Their motto is "It isn't your grandfather's Country, but he'd probably approve."  They are so interested in maintaining a traditional country sound that they all play instruments from the 1950s and to a fair degree use mics and amps from that era when in the studio.  And Hillbilly Idol isn't the only ones.  CD Baby is replete with good "old country" bands.  Truckstop Troubadours,

Shania.  Pfffffffft.  Nice to look at anyway. 

Randy Travis is still making great music.  He's got an overt Christian theme to a lot of his music now, but that's nothing unusual for Country.  He's cut a few albums that are straight Christian music, and then a few albums that are Country but are thematically consistant with a Christian belief.  Some excellent recent tunes from Randy Travis are "Right on Time", "Three Wooden Crosses" (which won CMA song of the year a few years ago), and "Running Blind."  I highly recommend his album "Passing Through."  It doesn't get airtime because of the theme of the music, I expect, but the music itself is top notch. 

Alan Jackson.  George Straight.  A couple more folks you'd be hard-pressed to say don't perform music in the tradition of Willie Nelson and Johnny Cash and George Jones and the superstars of "old" Country. 

If you want a recent star that's dead-ahead-straight-on-Country with no surprises and excellent delivery, check out Josh Turner.  Listen to him and  tell me old time Country is dead. 

Garth Brooks is just Garth Brooks.  He is to Country what G'n'R is to rock.  Big stadium shows, a few honestly good songs and a lot of songs that just sound like they ought to be good but aren't really, and very good at marketing and merchandising.   Nothing wrong with good showmanship.  But from my perspective, that's what Garth brought to Country.  Showmanship.  Exquisitly planned and perfectly executed showmanship designed to elicit excitement.  Good for him for making a danged good living at something he can do well.  That, and "I've Got Friends In Low Places" is a great song. 

- Zurf

6,027

(12 replies, posted in Acoustic)

The guitar is defective.  Send it to me and buy yourself another.

- Zurf

6,028

(8 replies, posted in Chordie's Chat Corner)

Sometimes suggestions aren't criticism, but attempts to help.  It can be a challange learning the difference. 

Also, in high school, it is cruel, but sometimes folks just get into habits of how to treat one another.  In my high school, it was "the thing" to insult me for some reason.  Eventually I began to act in a way that invited insult.  I began to believe the I deserved insult and did things to invite it.  That was foolish of me.  These other kids had forgotten that I was a person and were acting cruelly towards me just out of habit.  Perhaps the same is true of you.  I don't know.  But I do know it was a mistake for me to dress or act in a way other than the way I wanted to out of reaction to people whose opinions I really didn't care about. 

When I was grown, I bumped into a couple of folks from my high school.  They were people from out of my 'circle' or 'tribe' and in high school we would not have so much as looked at one another.  But when grown, on both occaissions, we had a very nice time catching up with one another.  We had all learned that there's a whole lot more to life than what others think, and we had all become our own persons independent of the tribes. 

Good luck.  I wish you well.  High school was a wretched time for me, but it was necessary to go through to become who I am today. 

- Zurf

6,029

(8 replies, posted in Acoustic)

Finger picking uses fingers to pluck the strings.  Many good examples in bluegrass music. 

Flat picking uses a plectrum/pick to pluck the strings.  I've been working on a little flat picking lately.  I'm going to have to practice scales a LOT more before I can get serious about flat picking.  Best examples I can think of are Doc Watson and Ricky Scaggs. 

- Zurf

6,030

(1 replies, posted in Acoustic)

I finger pick mostly.  Also, I'm a bass player, so I like a deep, well-formed bass in my guitar.  For that, I have found that the Blue Ridge guitars are optimal.  I like many other brands too, and don't know whether I'll ever be able to afford a Blue Ridge guitar but they sound so nice fingerpicking that if you are serious about buying a fingerpicking guitar I highly recommend you give them a try.

- Zurf

African Queen
Harvey
Arsenic and Old Lace
Sleuth

- Zurf

6,032

(19 replies, posted in Chordie's Chat Corner)

Andy McKee blew my mind.  We keep talking about how hard it is to do barre chords, and he was hammering on barre chords while picking a pattern and thumping the body so that he sounded like two guitarists and a percussionist when in fact it was just one guy.  And it wasn't just tricks either, it was a very pleasing style of music. 

- Zurf

6,033

(2 replies, posted in Chordie's Chat Corner)

I thought you were giving legal advice.

- Zurf

6,034

(19 replies, posted in Chordie's Chat Corner)

Listen to someone who is so incredibly talented that it makes you either want to pick up your guitar and practice or smash it on your desk.  Don't smash it on your desk.

- Zurf

Last night my father-in-law passed on.  His last words were "I'll be fine."  There was no irony in those words.  He meant every syllable.  His faith was unshakable up to the end.  I've put together a little Southern Gospel tune in honor of him.  It needs more work.  I have no idea why I have a verse about a soldier in there except that I imagine that a soldier on a battlefield should be scared, but I don't know never having worn a uniform. 

Anyway, here it is.  The meter needs work.  The bridge is awful.  But I think it has some legs and could work in to something worthwhile. 

James - I'm understandably not thinking as clearly as I should be - if this needs cleaning up, I'd appreciate the boost.

- Zurf

{title: I'll Be Fine}


V1
[C] I guess I should be scared
[G] It’s getting colder in this room
[Am] Folks in white coats talking fast
[F] Tell my wife it’s coming [Am] soon

V2
[C] But there’s a man along the hall
[G] A hall that’s filled with light
[Am] He’s calling my name and calling me friend
[F] Don’t worry hon, I’ll be [Am] fine.

Chorus:
[Am] I’ll be fine, ‘cause He knows my name
[Em] I’ll be fine ‘cause He’s in my heart
[C] I haven’t done too much good
[F] But the man calling my name……. [Am] has done my part.

V3
Face down in the sand
Just a moment ago I saw a flash
Wearing a gun in a foreign land
But that voice gets louder as I pass

Bridge:
[Am] One death per birth, It’s always been a tie
[Em] You know if you’re living you’re going to die
[C] You’ll die once – but not all need to mourn
[Am] What matters now……….. is how many time’s ………[F] you’ve been born.

Chorus

V4
Go ahead and shed your tears
You’ll miss me and I’ll miss you
I’ll be thinking of you all the time
But don’t worry hon……… I’ll be fine

Chorus.

6,036

(16 replies, posted in Music theory)

SEAGULL1 wrote:

weren't scales invented by music teachers to anoy wanna be guitar players,
thanks for your help, i'm starting to get the idea,i'm already starting to transpose songs so as to make it easier for me to sing,where as before i would sing in the key written down regardless of whether it suited me or not.
So it looks like i will a have to learn my scales....dooooohhhhh

Scales were invented (discovered?) by Pythagoras.  He figured that whole square of the hypotenuse thing wasn't annoying enough, so just after he went about making playing with shapes a whole lot more complicated with sins and cosins and squares of this and that, he went about complicating learning about music with twelve tones that only have eight names but two modifiers and making sure some of the names and modifiers are completely different but describe the same thing.  At least we don't have to square F#m and then compare it to the sum of the squares of A and Cmaj.   And he used a precursor to a hammer dulcimer to figure this stuff out, so he NEVER had to finger an evil B chord.  And it shows, man.  It shows.

- Zurf

6,037

(26 replies, posted in Acoustic)

learnguitar wrote:

Does anyone know the easiest most simple song to learn on the guitar for beginners.

"Jambalaya" - It alternates between G7 and C. 

Another super-easy one is "Horse with No Name".  It has four chords, but each of then uses only two fingers each and none of them require you to not play any strings. 

- Zurf

6,038

(35 replies, posted in Acoustic)

yunging wrote:

i love to play guitar
i love to sing
but............
i can't play guitar while singing
and i can't sing while playing my guitar ...
i hope 1 day i can bring it together...........

Better to say "I haven't learned how to play guitar while singing" and "I haven't learned to sing while playing guitar" than to say you can't do either.  Listen to it often enough and you might begin to believe yourself.

- Zurf

6,039

(3 replies, posted in Chordie's Chat Corner)

Get a bass trainer, some records produced by Motown and Sun, play along.  You'll be an awsome "box" player in no time.  I'm not into all the slap and pop techniques (though they sound cool) as much as a bass player who can play "in the box" and keep a solid groove going.  All the slapping and popping in the world won't help if you can't keep a beat.  It's the bassist that keeps the beat - not the drummer.  Seriously, would you trust a drummer to keep a beat?  Their instruments don't even have necks on them. 

- Zurf

42 years old.  I prefer folk, country, and especially sissified 70's folk/pop.  Plus old mellow rock. 

- Zurf

6,041

(42 replies, posted in Acoustic)

Isn't XX2432 a Bm?  That's how rotten that chord is.  Now it's confusing me for no reason whatever but it's own pleasure.

- Zurf

You guys are great.  Thanks for the good advice.  Wrestling a bear and spittin' tobacco - perfect!  I'll try the different chords and strum a little or pick a little and see what falls out. 

- Zurf

6,043

(42 replies, posted in Acoustic)

Practice. 

And to NELA - "B" is not only mean and nasty, it is evil. 

- Zurf

6,044

(17 replies, posted in Acoustic)

Cool.  Happy it worked out for you. 

Don't worry about the teacher switch and don't take it personal.  In all likelihood, it had nothing to do with you.  When you work through an agency like that, there are a lot of scheduling conflicts and issues.  And of course musicians often have two or three different income sources - teaching, gigging, touring, maybe a side job as well, and that causes conflicting priorities and schedules as well. 

Now, if you figure out how to sing well, would you let me in on the secret?  I'm about a twenty year habit away from sounding like Kris Kristoffersen.  Not really baritone, not really tenor, and only closely approximating pitch. 

- Zurf

Well, this fellow's pretty big and calls folks Hoss a lot.  He garners a lot of respect because of his size, but also because he's truly concerned about folks and it shows.  So I figured I'd write a song called Boss Hoss and work in a lot of things to make fun of his hillbilly heritage - denim overalls with no shirt, work boots with no laces, bandanas the size of Texas, aversion to sunscreen (or taking care of yourself in general), and some tall tale stuff about wrestling a bear or outfoxing a fox.  Not sure of the exact lines.  I'll have to get a tune in mind first and it's just not coming. 

- Zurf

6,046

(8 replies, posted in Acoustic)

I played on a Mitchell at the music shop a while ago.  I had never heard of Mitchell, but that 12 string played very easily.  It was set-up perfectly.  I was able to barre the 12 stringer better than my six string. 

- Zurf

6,047

(27 replies, posted in Chordie's Chat Corner)

For Marcalan and KAP54:

http://www.chordie.com/chord.pere/www.u … ;id=199433

- Zurf

Played around a little -

Am, Em, G to G7, C7 sounds appropriate ominous and forboding to put ridiculous lyrics around, but it's hardly Country sounding. 

- Zurf

6,049

(27 replies, posted in Chordie's Chat Corner)

Marcalan - Not at the same time, though, right, those two wives of yours?

- Zurf

I need to write a song for a "song-off" with some other guys (who are actually accomplished song-writers, one of which has three albums out and this will be my third SONG).  It's a good-spirited competition to honor a friend on his birthday.   

Now, this fellow is a true hillbilly, and so I was thinking to make it kind of a 1970's era minor Country song that has a serious sound but ridiculous lyrics.  Think Freddy Fender.  Think George Jones when he had the duck living in his head.  It'll sound important, serious, and weighty in tone, but be silly in content.  Anyway, that's the concept of the song.

I was thinking Am. 

So, what are the right chords for doing a Country song (generally pentatonic) in Am?  Is it Am, C, Dm, G?  Please suggest some chord progressions for me.  I'll be throwing in a pompous and ridiculous bridge, too.  Those are usually bumped up to a fifth, I think, so would that be Em, F#m, C? 

I am completely out of my element here, but some help with chords would be tremendously appreciated.  I'll figure out how to work them all together if only I can know which ones to use and which ones I can slip in.  Dang, wish I had studied theory better!

- Zurf