It was great day here in Buckeye land too Zurf. Temps were up in the mid 70's and sunny. Jen and I took the dogs for a hike then had a picnic along the shore of one of our local lakes.  Everywhere we looked folks were out enjoying the day - fishing, power-boating, kayaking, hiking, riding bikes.  Even saw a couple of buggies from our Amish community out trotting along the back roads.  Got back home in time to watch the OSU-Gonzaga game in the NCAA tourney, then did a little guitar pickin' myself out on the breezeway.


DE

827

(13 replies, posted in Chordie's Chat Corner)

Hope you enjoy her Derek.

DE

828

(23 replies, posted in Acoustic)

Yesterday I was in one of the big guitar stores in Columbus, OH.  In the acoustic room there was in the neighborhood of 50 guitars in the $1000-$2000 range. I was looking for a smaller-bodied OM or 000 type with a 1-3/4" nut. I've owned a couple Martins and am pretty much a Martin kinda guy, but none of the smaller bodied Martins really "spoke" to me, A Breedlove Cascade 000 was close to the sound I was looking for, but $1500 for an asian-built acoustic seemed a little steep, even with the Breedlove name on it.  I continued to the glass-encased "back room" where the $2000 and up guitars are kept.  I tried a small-bodied Gibson but that didn't get it.  A couple Martin Eric Clapton 000's had the sound I wanted but were out of my price range.  Then I picked up a Taylor GC8.  I once owned a Taylor "Big Baby" that was a nice little guitar but never had that bassy "bottom" I've grown to like, and I've played a few other Taylors I've liked but not enough to fork over the money they wanted for them. The GC8 had a feel and sound I may be willing to pay for.  I played the Claptons a few more times but kept going back to the Taylor.

I left the back room and checked out the acoustic section where $100- $500 guitars were hanging.  I picked up a few and strummed then but again, nothing "spoke" to me.  I spied a Taylor GS-Mini which I've heard good things about and thought it might be OK for a small-bodied guitar that could fit into a dry bag for overnight river trips. As soon as I strummed it I wondered "Where did that come from?"  For a small guitar it has great sound and projection - nothing like the travel guitars I've experimented with and been disappointed with in the past.That little booger sounds like the real thing, and I may be adding one to the arsenal if I can sell the little Ibanez and Samick travel guitars I currently own.  After yesterday's experience  I might be becoming a "Taylor Guy".

Amy, if your looking for a small-bodied guitar with great sound without breaking the bank, you might want to check out the GS-Mini.  Taylor lists it as a 7/8 size.  The body is about 2" shorter than a Martin 000, 5/8" narrower but about 1/2" deeper (which may be why it has such a good volume for a small acoustic).  The nut is 1-11/16, a little narrow for me but great for your small hands.  There's several chances to listen to one on youtube to get an idea of the sound.

DE

829

(7 replies, posted in Acoustic)

Welcome aboard moldieoldie.  Congrats on the Mitchell. 

As Amy said, some guitars just speak to you.  Unfortunately the ones that speak to me have price tags that result in them still hanging on the music store wall and whispering to me as I walk out the door ........

DE

830

(9 replies, posted in Chordie's Market Place)

Well, looks like Friday will be NGD for Zurf !!!!!!

Package is on its way buddy.

Ken

831

(15 replies, posted in Chordie's Chat Corner)

zguitar wrote:

How'd they do that? Well if you look at the headboard of the bed it is made of peeler logs. Just small logs really. And it looks hand made. So, going by that, they obviously live out in the sticks where they don't have schools. No schools means more time to sit around and learn an instrument. If you had 8 years to do nothing but learn to play I'm sure you could be that good.

That's how I'm rationalizing their talent otherwise I'd have another bout of giving up.

They're from New Jersey so I doubt if its too far out in the sticks. But I feel your pain brutha ................

832

(15 replies, posted in Chordie's Chat Corner)

I first saw some videos of those kids last year and have following them ever since.  They've got a little brother who is about 4-5 years old that they want to become their bass player. I'm trying to imagine some 4-foot tall kid standing on a stool and thumping on an upright bass. I'll bet they've got some proud parents.

833

(34 replies, posted in Chordie's Chat Corner)

During our 38 years together, Jen has never complained about my toys although once she did ask how many kayaks I really need.  Right now I've got 5 yaks, a canoe and raft with various oars and paddles out in the garage along with 14 rigged fishing rods, tons of tackle, 5 tents, 4 camping stoves, 5 sleeping bags, backpacks, drybags, etc.  In comparison, having 5 acoustics in the house isn't so bad I guess.  On the other hand she has a pottery wheel and kiln out in the garage along with a couple hundred pounds of different clays.  In the house she has 2 easels, stacks of stretched canvas, dozens of expensive artist brushes plus tubes of acrylics, oils and watercolors everywhere.  I guess that is what happens when an artist marries a guitar-pickin' river bum.

DE

834

(16 replies, posted in Songwriting)

As several have already said, there are a lot of different ways to skin a cat.  About 90% of my songs start with a "Hook" - the catchy phrase or primary subject of the song which becomes part of the chorus and which I also usually put in the title.  Once I've established the hook or focal point, all the verses and the story of the song supports the hook. I try to find words that rhyme with the primary accent word of the hook.  Its during this phase I usually work out the rhyming scheme, such as ABAB (end of A lines rhyme, end of B lines rhyme) or maybe AABB, ACBC, etc.  I usually shoot for a different rhyme scheme for the verses and chorus, but that's not set in stone.  By the time I get a couple verses written I begin to get a feel for the meter and rhythm of the song and try to ensure the prosody is correct.  I'll sometimes switch to all minor chords for a sad song, etc.  Sometimes I find a phrase in a verse I've written is stronger than my hook line and the new phrase becomes the hook and the old hook becomes part of a verse. Its more of a craft rather than an art.

I keep a "hook book" in which I jot down phrases I hear, things that I overhear people say, comments or headlines on the internet or local paper - anything or subject I think would make an interesting song later.  I usually drag out the book when I'm in a "writing mood" to see if there is anything that jumps out at me.  About 10% of the time after coming up with an interesting little chord progression or lick, I find a hook in my book that seems to fit the mood of the guitar riff and I start that way. - Its all good.  I should also mention that most of my songs would be considered country/Americana in which the story is the primary objective rather than rock-style songs in which the beat and rhythm are considered more important than the lyrics - I'm guessing most rock songs begin with the music instead of the lyrics.

I always worked a lot of crosswords, sudokus and other puzzles and have found that I may not finish a puzzle I started in the morning, but for some reason the answers come easy in the evening, and vice-versa.  I've experimented somewhat and wrote songs at different times of the day as my brain seems to work differently at different times.  I tend to favor the songs I've written in the morning but that may be because I'm basically a morning person. My favorite writing method is to be out on the road driving early in the morning with the radio turned off and my mind making up songs to keep my brain busy.

Having hung out with some NSAI songwriters for a couple years, I'm alsways amazed at the variety of methods used by different folks.

DE

Another good'un Jim.

DE

836

(7 replies, posted in Songwriting)

deadstring wrote:
Dirty Ed wrote:

Per the Copyright Act of 1976, a song is automatically copyrighted after composition and "fixed in any tangible medium of expression" which can include paper, computer file, etc.You can chose to register your copyright with the govt, which helps prove copyright ownership in a court case but is not mandatory, as other means such as witnesses, etc can be used.

Of the dozens of songs I've written, I've recorded about 50 on CDs and given away to friends.  I doubt that anyone would ever want to record any of my songs but if some tone-deaf recording artist thinks one of my songs is worth stealing I've got quite a few people that have heard them on my CDs, at open mics or around riverside campfires as witnesses.

DE

I think you could make money with "Pistol Don" and some others. JMO

Thanks dead string, that's mighty kind of you to say.   Glad you enjoy some of my songs.

DE

837

(7 replies, posted in Songwriting)

Per the Copyright Act of 1976, a song is automatically copyrighted after composition and "fixed in any tangible medium of expression" which can include paper, computer file, etc.You can chose to register your copyright with the govt, which helps prove copyright ownership in a court case but is not mandatory, as other means such as witnesses, etc can be used.

Of the dozens of songs I've written, I've recorded about 50 on CDs and given away to friends.  I doubt that anyone would ever want to record any of my songs but if some tone-deaf recording artist thinks one of my songs is worth stealing I've got quite a few people that have heard them on my CDs, at open mics or around riverside campfires as witnesses.

DE

838

(21 replies, posted in Chordie's Chat Corner)

Although I primarily play songs I write, I occasionally hear one I want to learn.  I'm guessing about 80% of the time I work it out by just listening to it.  However most of the songs I like to play are pretty simple folk/Americana type tunes that are pretty easy.  I look up the lyrics quite often but rarely look at tabs.

DE

Roger Guppy wrote:
Dirty Ed wrote:

I remember Pat Boone singing "Ain't That a Shame" and someone whose name I can't remember singing "The Ballad of Davy Crockett" (Davy was big-time back then - I had a coonskin cap and flintlock pistol that were my favorite toys and often wore them in the bar.) 

DE

Here you go: http://www.youtube.com/watch?v=QAVN_n0PljQ

Sung by: Fess Parker and Buddy Ebsen (Jed Clampett) in 1955

I remember this one well myself.

Roger

Thanks Roger.  I listened to the clip but that sounded like the song sung on the Disney Series.  The one I remember was different so I did some research. The original was by Fess Parker & Buddy Ebsen but I'm guessing the Bill Hayes version is what I heard playing on the jukebox.  Seems a lot of songs were covered by other artists and got air time right along with the originals.  Pat Boone's "white audience" version of "Ain't that a Shame" would be another example.

DE

After talking to some guitar-pickin' friends that may show up, I think you can count me back in the mix Zurf.

DE

Wow, this thread has got me digging into the old memory banks.  Back in the 50's my Uncle Mel owned a tavern along US 23 in southern Ohio.  This was the route used by Kentuckians and other Hillbillys looking for work in the steel mills and factories in northern Ohio.  In 1955 Uncle Mel spent a month in the hospital.  My dad, a construction worker who was temporarily out of work, offered to help out my aunt by bar-tending the morning shift.  He would take me along (5 years old - we didn't have kindergarten in our school district) as there usually wasn't much business until about 4pm when guys got off work.  The juke -box was always playing and I was always listening. Most of the music was country - Red Foley, Marty Robbins, the "Hanks" (Williams, Snow and Thompson), but a few 45's with the "new" music.  I remember Pat Boone singing "Ain't That a Shame" and someone whose name I can't remember singing "The Ballad of Davy Crockett" (Davy was big-time back then - I had a coonskin cap and flintlock pistol that were my favorite toys and often wore them in the bar.) 

The "rock" song that I still vividly remember however was "Rock Around the Clock" by Bill Haley and the Comets.

How can I remember all that but can't recall when I had my last dentist visit?

DE

Just think how it'll WOW the old gals at the rest home now. .....................

I change mine frequently Jim.  In fact, my Blueridge got new strings yesterday.

DE

843

(25 replies, posted in Chordie's Chat Corner)

I was a drummer when I was young, which was enough of a female magnet at the time.  I wanted to learn to play a guitar after I went to my first bluegrass festival and was blown away by the acoustic pickin'. 

DE

844

(9 replies, posted in Chordie's Market Place)

Thanks for the reply Pix.  The electronics work fine through my little 25 watt Ibanez acoustic amp.  The first time I played it I felt the bass and treble sounded great but the middle was a little "muddy".  Now that I've played it a little more and the top has opened some, everything now sounds good to my ear. I also checked the on-board tuner against my clamp-on and it was right on.  I'll try to send you an email with more pictures in the next few days. I'm working from 0600 to 1900 Fri -Mon and tend to be pretty tired when I get home.

DE

845

(9 replies, posted in Chordie's Market Place)

For a few years I've played a Martin 000-16GT and  a Blueridge BR-73.  Both were 1-11/16" at the nut and a little difficult to play due to my big paws. Thought I'd try a little wider neck as the one's I tried in local shops seemed to fit my hands better, but none of the guitars for sale at local shops "jumped" at me, so back in December I sold my Martin  000-16GT and used the money to buy a Recording King ROS 16 with a 1-13/16" nut (really like that guitar) and a Breedlove Retro OM/ER off the net, thinking it had a 1/3/4 neck like the Revival series.  When I got it, I found it was 1-11/16 at the nut and like having a near twin to my spruce/rosewood Blueridge.  Anyway, I put it on Craig's List a couple of weeks ago but haven't had any real serious inquiries yet.

The guitar is the same as brand new and I even have the factory shipping box.  There isn't a blemish anywhere on the guitar or Breedlove hard case. I've started to play it a little lately and after only a few hours its beginning to open up and produce a nice sound. I'm asking $500 or work out a trade for another acoustic with a wider neck. Below is a link to my Craigs list ad.

Any one interested?

DE

http://columbus.craigslist.org/msg/2818446714.html

846

(10 replies, posted in Chordie's Chat Corner)

Several years ago I attended an acoustic performance at a local venue.  Two guitar players and a third guy with a large canvas duffle bag walked onto the stage.  He was introduced as the "percussionist", while dumping the contents of his bag on the stage floor.  There were pots, pans, wood blocks, toys, etc, each having its own particular sound or tone.  He would pick up various items and play them with his hands or with drum sticks, depending on the song being played.  It sounded great as well as being visually entertaining.  I talked to the guy later.  He said he used to play a drum kit but was fascinated by the sounds of various items he tapped, clicked and thumped in dollar stores, etc.  Every time he found a new "sound" and it wasn't very expensive, he bought the item.  Apparently he found a lot of inexpensive stuff judging by the sheer number of items he played.  I've thought about doing the same thing and bringing a bag of percussive instruments to campfire picking sessions so the "non-musicians" would have something to play.

DE

847

(27 replies, posted in Chordie's Chat Corner)

This thread has got me thinking about some of the vehicles I've owned over the years.  Some were new, most I bought with 50K-70K and drove until I put 150K-170K on them. Some looked good for used vehicles others were rust buckets. (Kind of embarrassing to get caught in a safety check and the patrolman says "Don't panic buddy, we'll get a torch and cut you out of that wreck ....)

Here's a list, although I'm pretty sure I missed a couple.   

'58 Olds Super 88 -(My first car, bought in 1966 for $250.  Got about 10 mpg and 200 miles to a quart of oil)
'56 Ford Custom Line 2-door couple (Came with a 272 ci engine, I put a 390 in it, Keystone mags, bucket seats out of a Mustang.  Sure wish I still had that car)
'60 Chevy Impala
* '70 Plymouth Duster - my first new car.  Drove it 2-1/2years, went to Florida 4 times and California once.
*'72 Mercury Cougar XR7 - looked great but always seemed to have some kind of problem
*'77 Ford F-100 truck - Loved that truck but had to sell it when the family started growing
'72 Chevy Vega Hatchback
'74 Chevy Vega Wagon
'72 VW bus - hauled 8 kayaks and kayakers in it one time-wouldn't go into reverse unless half the crew jumped out.
*79 Buick Century wagon - finally bought my first "family" car. My kids nick-named her "Granny"
'68 Chevy C-10 truck - hauled firewood with it
'74 Chevy Suburban - my best river vehicle for hauling paddlers and kayaks- OD Green, could sleep 5 in a pinch.  My daughters refused to ride in it because it was too ugly
'82 Ford Bronco II - daughter #2 wrecked it while mama and I were away on vacation
*87 Chevy C-20 customized van - best family vacation vehicle I ever owned
'68 Dodge Dart - work car, didn't have it long
'86 Chevy S-10 truck
'89 Chevy Corsica
'89 Chevy Citation
'90 Chevy S-10
'94 Ford Explorer
'94 Chevy Astro customized van - overall, maybe the best all-round vehicle I ever owned
*'01 Ford Ranger - still drive it
'04 Mercury Sable - still drive it
'07 Subaru Forester - still drive it

*bought new

A few I wish I still had, most served their purpose but were chunks of machinery which I poured a lot of money into.

DE

848

(6 replies, posted in Guitars and accessories)

The sound damper sounded like a great idea.  I have a Kyser "Lifeguard" guitar sound hole humidifier back in a drawer and thought I'd try it out as a substitute solid" plug. The LR Baggs VTC (volume and tone control) unit that is fitted just inside the hole was in the way, but I was able to maneuver around enough to plug the hole without touching the strings, although I couldn't get to the VTC control knobs.  It made a big improvement.  I think if I buy a solid plug and cut it so the knobs can still be accessed, it should work.  Thanks for the suggestion beamer and Mike.

DE

Uh-oh .............. I got an email from SOFA (Southern Ohio Floater's Association) that our annual weekend Paint Creek float/hog-roast/camp-out/campfire pickin' event is the same weekend.  I may have to pass Zurf.

DE

850

(6 replies, posted in Guitars and accessories)

I've been asked to play a short set at our local university next weekend.  Its a 2-hour program featuring several local singer-songwriters and musicians. I attended a similar program last year and all musicians were using acoustic-electrics (none of the guitars were mic'd).  I could take my acoustic-electric Blueridge but for the last couple months I've been mostly playing a Recording King ROS-16 - a mahogany/spruce slot-head acoustic with a wide (1-13/16) string spacing.  It has a brighter sound than the rosewood/spruce Blueridge, great sustain and overtones and I find the wide neck easier to play because of my big hands. Last night I installed an LR Baggs Element VTC I had laying around.  The installation went easy, string height nearly perfect, no buzzing, etc but the pickup really amplifies the sustain and overtones to the point of becoming annoying.  I tried different combinations of amp settings and tone adjustments on the LR Baggs but couldn't find anything that suited me.

I know I could replace the bone nut and saddle with a different material or change the pins to deaden the sound, or even put on some old strings but then it wouldn't produce the great acoustic sound when played un-amplified. I'd hate to have to make changes every time I switch from acoustic to acoustic-electric.  Has anyone else ran into this problem?  If so, how did you address it?  I guess I'll just use my Blueridge for the gig but would like to set up the slot-head to use in the future.

Any ideas?

DE