426

(21 replies, posted in Bands and artists)

etc_04 wrote:

Check out the Foo Fighters, Stone Sour (a bit like Staind), Red Hot Chili Peppers, Velvet Revolver (Slash's new band), Audioslave. Unfortunately there isn't much good music being made anymore, but I hope this helps. Also a good old band I saw you didn't list is Thin Lizzy, check them out, especially the Cowboy Song, I think you'll enjoy it. Also, IMO Nirvana is grunge, not punk.

Well thats what I thought but somebody told me 'smells like teen spirit' was sposed to have helped punk music or sumthin, i don't know. Guess I was misinformed, or maybe I took it wrong. I like Nirvana either way, come as you are great song.
Thanks for the comments yall I'll go check these guys out.

um ok I'm gonna try and put it in song format so I can go try the chords.... hope this works.



Chordpro error: This is not a valid artistname. You will have to specify an artistname in the form {st: Artistname} in the beginning of the code.

You said one time we might write something together, and I was just kind of playing around with some verses and they kind of reminded me of something you might write. They're in no specific order, but if you want to play with em some and see what you can come up with here they are. If not, thats cool too, I just don't feel like fooling with it tonight.....


I need to find some peace of mind
In between these city walls
The clones are marching right in line
The concrete bars they stand so tall
I try to walk against the grain
And it rubs some people sore
I have to try and stake a claim
On what's been done before

Seven days to waste the time
A hundred ways to lose your mind
A thousand faces in the crowd
A million voices all out loud
Try to pick and choose your game
Your very own stereo type
Make a meaning for your name
Try to live up to the hype

The rythym of an unseen drum
Keeps us all marching to the tune
Of the mob society made
Keeps us howling at the moon
Even trying to stand alone
Makes you fall in with a group
We all wear the uniforms
Of our own respective troops

sweet home alabama
back in black
smoke on the water
wish you were here
nothing else matters
crazy train (of course the 'all aboard' gives that one away i guess lol)

430

(30 replies, posted in Chordie's Chat Corner)

lol ok

Yes Last Rebel has reached another standstill with her usual constant flow of music collecting. The fact of the matter is I need something fresh to listen to, and I don't know what to do. Country I can handle on my own, but maybe yall know some good newer rock bands that I might like?
As yall have probly already noiced I like stuff like skynyrd, zztop, allman brothers, CCR, marshall tucker...
I also listen to Guns N Roses, AC/DC,metallica, Shinedown, Black Stone Cherry, Ozzy Osbourne, little bit of guys like Staind, godsmack, three days grace, theory of a deadman,.... you know that kind of stuff.
  My point is I like rock music that is still music, classic sounding stuff (even zeppellin and pink floyd type stuff),  I don't want it too weak and watered down, but I also don't want it to be all noise....Not into punk (except you know some Nirvana maybe...).
I'm kind fo behind the times with current rock music, I stay up on country naturally. Anybody out there that yall would reccomend considering my taste (which I think yall have a pretty good idea of lol)

432

(30 replies, posted in Chordie's Chat Corner)

uhhhh.... well i'm not exactly sure what you WOULD call that.
How exactly does someone on you tube yell at you?

433

(24 replies, posted in Acoustic)

mmmmm, I'd say fourtunate son's a good one to start with, check out back in black and hell's bells by AC/DC too, maybe .45 by shinedown, those are all pretty simple.

434

(24 replies, posted in Acoustic)

el-----
Bl-----
Gl---------
Dl----------
Al--------
El-------

the line= which string
number= which fret you put your finger on

/ or s= slide to (example: 4/5 means hit on fourth fret slide to fifth)
p= pull off
h= hammer on
^ = bend string
~= wiggle string


Okay first things first: hammer ons and pull offs.
    A 'hammer on' is simply when you pluck the string open, then press your finger down hard and quick enough on one of the frets to produce a slight sound. For instance, 0h3 (or open hammer on third fret), would mean you pluck the string open, then 'hammer' your finger down on the third fret to make that soft wuick little echo.
  A 'pull off' is the opposite of a hammer on. You pluck the string then let off of it and let it echo. (example, 3p0 or third fret pull off to open, would mean you hit the string with your finger down on the third fret and release it and let the cho note ring).

Okay next: bending and wiggling....
  Bending, Very simply means you put your finger down on the string and you push it upwards (or downwards I guess but not as often). in tablature notation 3^5 (or third fret bend up to fifth) means that you play ON THE THIRD FRET, but you bend it to produce the pitch of a fifth fret note.wiggling is the same thing except you bend it up and down rapidly (~)
  When you put your finger on a fret and pluck the string it produces a certain pitch, or 'note'. When you press down on the fret and push upwards )literally bending it, don't worry it wont break), you change the pitch or 'note', or in other words the sound becomes higher.The tab notation 3^5, does NOT mean you move your finger from the third fret, it simply means you push the string upwards untill it produces the pitch equal to the one you would get from plucking the string with the finger on fifth fret. Most string bending occurs on the e,B,and G strings, because they are thinner and easier to bend. Its gonna hurt, but you just have to do it anyway. As you get into the tablature that requires bending the string up and holding it there, you'll need lots of finger strength.
  String bending produces a special sound, kind of wha, slightly distorted effect, and you wont get far without learning it. As always practice makes perfect.... try some CCR, and other older bands before they had lots of effects to work with to find string bends. SO, in conclusion: String bending = pushing down and pulling upwards on the string NOT lifting the finger,

Here's some posts I put up previously for someone else who asked the same question. If you need some more help with any specific thing just holler smile,
                  Last Rebel

435

(15 replies, posted in Electric)

Theres a lot of good music that has bluesy roots, (In my opinion ZZ Top is a very Blues Rock Band, despite thier experiments with disco type sounds on eliminator).

'mr banker' is a real good blues song from skynyrd, hard to find though because it was never released on one of thier original line up records, but dug back up here and there in more recent years to be tacked on greatest hits collections and etc. as a bonus track

'come and go blues' by the allman brothers, of course alot of thier stuff like 'hoochie coochie man' and 'whippin' post' are pretty bluesy

Hank Williams actually used a lot of bluesish type patterns in his songs, in fact it was mostly his country break and twang voice that made his music sound so countryish, the music itself was very bluesy, take 'Low Down Blues' 'Move it on Over' 'Your Gonna change' 'Moanin' the Blues' 'Lovesick Blues' 'My Buckets got a hole in it' and 'Long Gone Lonesome Blues' for examples.

436

(31 replies, posted in Electric)

Oh ok, Thanks tons Jerome big_smile
Im gonna copy paste and print this sheet.... E is one of my favorite keys actually so thats nice. Finally learned the nashville numbers too so now I know  what your talking about.
Thanks again,
        LR

Well I think it would be kind of strange to write an autobiography at 17 lol, but maybe one day I'll try to put something together, there's plenty to tell.
And no I don't think you'd want to meet momma donna, she's kind of got her eyes set on my dad but I'm sure her standards aren't very high (or at least I don't think they oughta be haha),  no insult intended, but I think she'd chase anything that walks.... well maybe some things that don't big_smile

I've  played in numerous churches across east/southeast texas. Ive also played funerals, done the half time show with the 'family band' at "singin's" and gospel concerts.Met some er interesting people, like I found about the east texas accordian convention in Longview, and a dude named Cobb, ex prison convicts,   a few so called 'big dogs' of the Texas baptist convention, the guy who won the teenage state championship guitar contest thingy,an elvis impersonator, a real descent local country band named 'boomtown'.....
Probly what I'm best known for around here though is the family wide (and here the term 'family' includes cousins, uncles, cousins I call uncle, etc. etc.) jam sessions which take place in our big blue junky dodge van. We ride around in this thing with guitars mandolins, banjos, singin' hank williams and all kinds of stuff. We just roll around town that way, been to the mall, gas stations, even made a trip to lousiana.....
  this last time I was playing at a church in Kirbyville, just past Call, little bitty place with an out of tune piano, but we got that little place hoppin'. The infamous pastor of the ebenezer baptist church was there, and the also infamous "friend" person who I can't call by name. He's dating the mother of a psyco youth camp counsellor who goes by the name 'Momma Donna'. He looked kind of like one of those countin' mules, you know you ask em what four plus plus four is and they stomp that one leg. When he preached he got all worked up and red in the face shake them big cheeks and holler (and i mean holler) and would kick that little stubby leg around and kind of turn back and forth in place. He tore down the whole dern country and everything in it, nearly foamin' at the mouth about how low down no good everybody in the world had become, said queer from the pulpit and accidentally admitted to having gay tendencies, and he finally closed out by walking down from the pulpit hollerin' about the 'unnatural affections of the human body' till he nearly busted a blood vessell..... but I think he forgot to mention Jesus lol
Stubby little fella, but we had that music jumpin' in there I tell you what, its a shame he had to give such a depressin' message (not that he was neccesarily wrong but Lord it'd been nice if he'd give a little bit of hope at the end, open the altar or sumthin'), cuz I thought we did a pretty good job.
My friend was back playin with the sound system remote on the back pew so its a good thing we werent plugged into the microphone. I remember the preacher's cell phone goin' off during the song service "On the road again....."
Anyway it was alot of fun, piled back into our junky blue van and had to drive an hour and a half back home but I was too wore out to have a jam session this time.

439

(9 replies, posted in Chordie's Chat Corner)

jerome,
  thats a very helpful tip, I knew you could always put an Am in when your playing something in C, but the thing about the notes that makes things simpler too.

440

(9 replies, posted in Chordie's Chat Corner)

A fondest you're welcome blinddog (cool name by the way), just holler if you need somethin' else,
         LR

441

(15 replies, posted in Electric)

Ive been reading the topics on scales recently, having become a new fan of blues music (well I say 'new' Ive been listening to John Lee Hooker and BB King for years, but I'm starting to really get into the music as a whole), and I like the style.
   This is what I know:
      Blues ar based on 12 bar rythym, (not exactly sure what that means but I have some idea).
  Blues solos are basically scales, memorized and moved around (a concept Ive finally wrapped my brain and fingers around, exmp: G scale at fifth fret becomes C).
  Blues is played in a clean tone, with basic three chord patterns.....

BUT, where do you actually start as far as learning blues riffs. What I'm asking is what do I do to be able to do cool intros and licks and stuff? is there specific tab I need to learn, or is it simply learning to improvise scales that I need to master? Are there special tunings for blues music?
I guess to sum it up I would ask, how do you go from a basic knowledge of chords and patterns and scales to actually sounding like say BB King or Muddy Waters????
  This is a question about method and practice: while I do appreciate the comments about blues being something you feel and so and so forth, I need technical advice. The blues as an emotion I understand, I even have blues 'tendencies' in a lot of my piss ant rolls and step downs and even rythym, but I would appreciate some practical direction to go in with my practice and technique.

I know the 5-8,5-7,5-7,5-7,5-7,5-8 thing and the extra (5-8,5-6-7 etc.) I know the G and C scales, and how to move them around.

442

(3 replies, posted in Songwriting)

"To sit and reflect on time long passed
is to waste another day."

  Hmmmmm..... this one I can relate to.
    Nice song, marcalan, I like your style. Looking forward to more good stuff big_smile,
   Last Rebel

443

(30 replies, posted in Chordie's Chat Corner)

the rebels is cool.... of course I guess I'm biased big_smile
I've always thought RedHill would be a cool name, it could sound cool and bloody, but it also has a hidden reference to the place I grew up. Guess that wouldn't help yall though would it?
What kind of music does it happen to be??

Turkey Leg- (that would be a drumstick get it?)
Nameless, or maybe, No Name, or you could even take that a step further with something like Stolen Identity, or N/A (thats non applicable, its what you put on a blank space on a resume' or other 'fill out' papers when you don't want to answer, or it doesn't apply to the situation)
I'm with stupid- if he's that dumb lol

Anyway I'm just thinking out loud those are terrible I know.

444

(31 replies, posted in Electric)

I was reading this thread.... very helpful stuff. Jerome, I bet your an awesome teacher, you always remind of how much I don't know. I do know this 'pattern 4' scale, and found you could move it around. Sometimes I'll slide down to some bluesy strumming....
Maybe you could give me a quick crash course in what exactly 12 bars means??? I don't know much music theory (well I know a little but all by the wrong names), and timings something I just kind of 'feel', I've been told my timing's good but I wouldn't know how to really count it off.


   Doc, I bought a Guitar World Legends special edition magazine with Billy Gibbons the other day and it had an interesting article about the history of blues music. They say according to an old blues song that 'the blues came from texas loping like a mule'. No one knows exactly where they came from, but given the musical influence of African slaves with instruments like the mandolin and banjo (which can actually be found in early blues music I found out), I guess that had alot to do with it. I also found out that the earliest forms of 'hillbilly' music (Hank Williams Jimmy Rodgers kind of stuff) was only seperated from the blues by the race of the singer. That the patterns and structures were actually very similar.

I think that you can play with a lot of emotion, get really into a song that you can understand, and I think it does make a difference. At the same time, the more technical skill you learn by method and practice, the more you'll be able to express those emotions.
Today actually, I was talking with my brother about how there are some people who get the lessons, know some complicated stuff, but it still sounds like crap. Its missing something. I guess its just true that 'Some of us are born with it, and some of us never get it'......'thank God I'm a guitar [girl really] man".

446

(9 replies, posted in Chordie's Chat Corner)

you can play C6 by holding C, and rolling your middle finger up to cover two strings.
Its also a substitute for Am, (actually I think it IS an Am technically)

447

(6 replies, posted in Acoustic)

"...even two guitars manufactured on the same day are different: board by board, plank by plank, the glue they use, the temperature, the amount of paint- all these elements add to its flavor. With respect to the diversity of the guitar, the interest factor goes through the roof with that one notion of personality and character, piece by piece, performance by performance..... certain guitars just affect one's playing whether its his technique or his sound. And I have on many occasions  shared moments of guitar playing mysteries-like, Man, I played this exactly the same way, but I just happened to play it on a different instrument and it came out totally different." - BILLY GIBBONS, GUITAR WORLD MAGAZINE

   Thought this was a cool quote that kind of related to the subject

448

(4 replies, posted in Songwriting)

Hmm I could have swore I'd commented on this before I left, but anyway I was going to say that I love the title and theme 'Missouri Breaks'. It just really clicks you know what I mean.
I can think of the uphill trek through piney thicket in the winter time when I'd be trying to get home before the sun went down, the coyotes howling already (such a cold lonely sound) and I was cold and tired, and probably in big trouble lol I was bad about going off in the woods without asking and staying gone too long.
I know I'm rambling but the point is that I can relate to this song, that the words stir up memories and effectively capture that 'high lonesome' feeling.

449

(6 replies, posted in Songwriting)

haha catchy little title James, a nice idea. I'm clueless about this stuff, (Well not as clueless as SOME people but still not very handy). Anyway catchy little tune James big_smile

450

(5 replies, posted in Chordie's Chat Corner)

woops lol. srry about that, and thanks for correcting it Southpaw. I know how to play stuff, then when I try to write the tab down I always screw it up.... here I fixed it so deaken won't get confused