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If you have the chords for the song, and know a few finger pick patterns, not really.  From that point it's giong to be practice, practice, practice to be able to finger the chords quickly and fit the patterns or make up new ones to fit the melody of the song. 

I would recommend practicing each chord change a lot of times until its mostly smooth, then start playing the song through with a very simple pattern until you can change the chords while playing the simple pattern.  Then start adding in singing.  And then practice adding in more complex patterns to suit your style.  It could take a while.  Don't be discouraged!  Take it as a "stretch goal" and continue to work on speeding up chord changes and making your fingerpick patterns smooth.  I can't tell you how many thousand times I worked on just two or three fingerpick patterns until my fingers do them automatically.  I'd sit there in front of the TV with my electric (unplugged) just going over them again and again and again.  Same with chord changes. 

It's all a matter of practice and staying enthusiastic now.

- Zurf

What a great couple at a great venue.  Oh man, that is going to be just so cool - and to share it with your daughter too.  How cool is that? 

My daughter did the same thing as yours, getting interested in her old man's music.  Her lullabies have long been John McCutcheon, Willie Nelson, Jimmy Buffett, etc.  She asks me to sing her the same song night after night until she memorizes it.  I didn't know that was what she was doing until one time when she was four.  She had been in the shower for a long time and I went to check on her.  She was just fine, but when I heard this darling little four year old blonde girl who had never known hunger or a cold, damp night without a warm dry bed singing "Looks like nothing's going to change, everything still remains the same, I can't do what ten people tell me to, so I guess I'll remain unchanged..."    Well, it just cracked me up.   

- Zurf

The irony of Woolworths identifying the worst clothes is almost too much to bear.

- Zurf

Well, I'm real similar in that I'm usually the nut playing. 

- Zurf

If I may be cynical, I suggest that what it requires to be a hit is to be the brainchild or "find" of a Music Row mucketymuck.  There are so many incredibly talented musicians playing bars that are better than what we hear on the radio.

- Zurf

John Denver = John Duselldorf  (not really rock, but it's the only one I know without Googling)

- Zurf

Out of that list: Country.  I generally play what I call Sissified 70's Folk/Pop - John Denver, James Taylor, Jim Croce, etc., so forth.  From the list, Country.  I play a fair bit of Johnny Cash, Willie Nelson, a little Alan Jackson. 

- Zurf

In the early 80's I was in college and had already been working for some while.  It doesn't seem so long ago.  Red Hot Chili Peppers are among the "newer" music in my library.  Take no offense, please.  I had assumed you were younger than I and was teasing a bit.  One of the fun things about these forums is the differences in perspective from age, culture, and location we each bring. 

- Zurf

First, there is no "really old" Red Hot Chili Peppers. 

Second, it is good stuff!

Third, here's a couple 'old' bands and a current band to try
- Earth, Wind and Fire
- George Clinton and the Philadelphia Funkadelics  (Thank You Fulettin Me Be Mice Elf)
- Mingo Fishtrap (a Houston band, but you can find them on line)

Zurf

I believe Convoy was C.W. McCall.   I call those "talking country" songs.  Freddy Fender did some.  In fact, a LOT of folks did those talking country songs in the 70's.  They'd sing a verse, the chorus twice, then they'd have a talking verse that ALWAYS seemed to start with "Darlin', now you know I love you..." and then would go on to explain that even though the singer loved Darlin' why he slept with half the women in the trailer park and was still pursuing the other half and generally saying completely ridiculous, inflammatory, and unreasonable things in a low, steady, calm, reasonable sounding voice (with lap steel guitar and brushed drum backup).  Man, that was some crap.  No wonder I went for the sissified folk/pop in the 70's. 

Jerry Reed did do trucker songs, and did perhaps the most famous (other than Convoy) as the opening theme song for the movie "Smokey and the Bandit" - later released as a single named "East Bound and Down." 

- Zurf